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Americans use the Book of Revelation to talk about immigration – and always have

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Last Updated on November 16, 2024 by Daily News Staff

Book of Revelation
A French tapestry depicts Saint John the Evangelist gazing at the New Jerusalem. Octave 444 via Wikimedia Commons

Yii-Jan Lin, Yale University

During a campaign speech in Latrobe, Pennsylvania, on Oct. 19, 2024, Donald Trump promised to save the country from immigrants: “I will rescue every town across America that has been invaded and conquered, and we will put these vicious and bloodthirsty criminals in a jail or kick them out of our country.”

Depicting immigrants as a threat has been a pillar of Trump’s message since 2015. And the types of terms he uses aren’t just disparaging. It might not seem like it, but Trump is continuing a long tradition in American politics: using language shaped by the Bible.

When the former president says those at the border are “poisoning the blood of our country,” “animals” and “rapists,” his vocabulary mirrors verses from the New Testament. The Book of Revelation, the last book of the Bible, says those kept out of the city of God are “filthy”; they are “dogs and sorcerers and sexually immoral and murderers and idolaters and everyone who loves and practices falsehood.”

In fact, Americans have been using the Bible for centuries to talk about immigrants, especially those they want to keep out. As a scholar of the Bible and politics, I’ve studied how language from Revelation shaped American ideas about who belongs in the United States – the focus of my book, “Immigration and Apocalypse.”

The shining city

The Book of Revelation describes a vision of the end of the world, when the wicked are punished and the good rewarded. It tells the story of God’s enemies, who worship the evil Beast of the Sea, bear his mark on their body and threaten God’s people. Because of their wickedness, they suffer diseases, catastrophes and war until they are finally destroyed in the lake of fire.

God’s followers, however, enter through the gates of the walls surrounding the New Jerusalem, a holy city that comes down from heaven. God’s chosen people enter through the gates and live in the shining city for eternity.

A black and white engraving of a huge tree in the middle of a shining, walled city, with a crowd outside.
18th century evangelists like the English preacher John Wesley urged sinners to take the path of righteousness, toward the New Jerusalem. Photo 12/Universal Images Group via Getty Images

Throughout American history, many of its Christian citizens have imagined themselves as God’s saints in the New Jerusalem. Puritan colonists believed they were establishing God’s kingdom, both metaphorically and literally. Ronald Reagan likened the nation to the New Jerusalem by describing America as a “shining city … built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace,” but with city walls and doors.

Reagan was specifically quoting Puritan John Winthrop, one of the founders of Massachusetts Bay Colony, whose use of the “city on a hill” phrase quotes Jesus’ Sermon on the Mount. But Reagan’s detailed description closely matches that of the New Jerusalem in Revelation 21. Like God’s heavenly city, Reagan’s picture of America also has strong foundations, walls and gates, and people from every nation bringing in tribute.

Barring the gates

If people imagine the U.S. as God’s city, then it’s easy also to imagine enemies who want to invade that city. And this is how unwanted immigrants have been depicted through American history: as enemies of God.

In the 19th century, when virtually all politicians were Protestant, anti-Catholic politicians accused Irish immigrants of bearing the “mark of the Beast” and being loyal to the “Antichrist”: the pope. They claimed that Irish immigrants could form an unholy army against the nation.

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At the turn of the century, “yellow peril” novels against Chinese immigration imagined a heathen horde taking over the U.S. At the end of one such book, China itself is depicted as a satanic “Black Dragon,” forcing its way through “the Golden Gate” of America.

A faded green and yellow cartoon shows a menacing plague of insects with human faces.
‘Uncle Sam’s Farm in Danger’: an 1878 cartoon by G. F. Keller depicts Chinese emigrants fleeing famine. The Wasp via Wikimedia Commons

And all immigrant groups who were unwanted at one time or another have been accused of being “filthy” and diseased, like the enemies of God in Revelation. Italians, Jews, Irish, Chinese and Mexicans were all, at some point, targeted as unhealthy and carrying illness.

In political cartoons from the turn of the 20th century, Eastern European and Jewish immigrants were depicted as rats, while Chinese immigrants were portrayed as a horde of grasshoppers – echoing imagery from Revelation, where locusts with human faces swarm the Earth. During COVID-19, an event itself considered apocalyptic, xenophobic fear has focused on Asian Americans and migrants at the U.S.-Mexico border.

This constellation of labels from Revelation – plague-bearing, bestial, invading, sexually corrupt, murderous – has been reused and recycled throughout American history.

An Uncle Sam figure playing a pipe leads rats with human faces into the ocean, away from Europe's shores.
A 1909 political cartoon by S.D. Ehrhart. Library of Congress

‘Heaven has a wall’

Trump himself has described immigrants as diseased, “not human,” sexual assaulters, violent and those “who don’t like our religion.”

Others have more explicitly used images from Revelation to talk about immigration. Pastor Robert Jeffress, who preached at Trump’s 2017 inauguration church service, told viewers on Fox News’ “Fox & Friends,” “God is not against walls, walls are not ‘un-Christian,’ the Bible says even heaven is going to have a wall around it.” The Conservative Political Action Conference held a panel in 2017 titled “If Heaven Has a Gate, A Wall, and Extreme Vetting, Why Can’t America?” There are even bumper stickers that say, “Heaven Has A Wall and Strict Immigration Policy / Hell Has Open Borders.”

Revelation 21 indeed describes the heavenly New Jerusalem with a massive shining wall, “clear as crystal,” with pearls for gates. Trump, similarly, talks about his “big, beautiful door,” set in a “beautiful,” massive wall that also has to be “see-through.”

The city of God metaphor has long been a tool for American leaders – both to idealize the nation and to warn against immigration. But the concept of a walled-in city seems increasingly outdated in a digitally connected, global world.

As migration continues to rise around the world due to climate change and conflict, I’d argue that these metaphors and the attitudes they drive are not just obsolete, but exacerbating crisis.

Yii-Jan Lin, Associate Professor of New Testament and Public Voices Fellow, Yale University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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STM Daily News Pop-Culture Fact Check: Do electric cars have fuses?

Do electric cars have fuses? In a 2023 episode of The Neighborhood, Marty claims electric cars don’t have fuses — but that’s technically incorrect and out of character for an engineer. STM Daily News breaks down why EVs absolutely have fuses and why the sitcom got it wrong.

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Last Updated on December 8, 2025 by Daily News Staff

Do electric cars have fuses?

EV charging station for electric car in concept of green energy and eco power produced from sustainable source to supply to charger station in order to reduce CO2 emission .

Do electric cars have fuses?

Did The Neighborhood Get EV Fuses Wrong? Yes — And Marty Should’ve Known Better

In a memorable moment from The Neighborhood, Season 5 (2023), Episode 20 (“Welcome to the Other Neighborhood”), Calvin Butler excitedly unveils a new business idea: an electric vehicle repair shop he and Marty plan to call The Fuse Box. During a lively family dinner, Marty’s new girlfriend raises a simple but important question:

“Do electric cars have fuses?”

Unexpectedly, Marty — the character known for his intelligence, engineering degree, and technical precision — responds with an emphatic: “No!”

For long-time fans, this answer sparked a double-take. Why? Because electric vehicles don’t just have fuses — they rely on multiple types of them to operate safely. Marty, of all people, should know this. While the line serves as a quick punchline, it contradicts the very foundation of his character: a calm, highly educated engineer who rarely makes basic technical mistakes.

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Where the Scene Goes Wrong

The joke lands, but at the cost of technical accuracy and character consistency. Marty is typically the voice of reason and knowledge in the Butler household — especially when it comes to anything mechanical or technological. The idea that he’d misunderstand something as fundamental as an EV fuse system feels out of step with the show’s established internal logic.

Realistically, this is a line that should’ve come from Calvin, whose old-school, hands-on approach to mechanics leaves plenty of room for misunderstandings about modern electric vehicles. Marty would normally be the one who corrects him — not the other way around.

Fact Check: Yes, Electric Cars Have Fuses

Electric cars contain multiple fuse systems, each designed to protect different components and ensure safe operation:

  • High-Voltage Fuses: Protect the battery pack, inverter, DC-DC converter, and onboard charger.
  • 12-Volt Fuses: Handle accessories like interior lighting, infotainment, power windows, door locks, and safety electronics.
  • Pyro-Fuses: Specialized safety fuses that instantly disconnect the battery during a crash.

This makes Marty’s confident “No!” not just incorrect but mechanically impossible. EVs rely on fuses in the same way traditional vehicles do — just at higher voltages and sometimes in more sophisticated configurations.

Why the Writers Made This Choice

Like many sitcoms, The Neighborhood occasionally sacrifices technical accuracy for quick comedic timing. The joke required a snappy, surprising answer — and Marty’s overconfident reply delivered that punch. The trade-off is that it momentarily breaks character for a laugh.

For viewers who pay attention to both pop culture and automotive technology, the moment stood out as one of the most transparent technical slips in the series.

What Marty Should Have Said

A more accurate and in-character response could’ve been:

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“Yes — and EVs actually use high-voltage fuses, which is why our shop is called The Fuse Box.”

Or the scene could’ve played out with Calvin giving the wrong answer first, and Marty correcting him, keeping both accuracy and humor intact. Either way, the writers opted for the faster laugh, even if it meant bending Marty’s character logic.


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The Wild, Wacky Legacy of Pasadena’s Doo Dah Parade

Discover the bizarre and beloved history of Pasadena’s Doo Dah Parade — the irreverent, comedic, anything-goes counter-parade that became a Southern California cultural icon.

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The Wild, Wacky Legacy of Pasadena’s Doo Dah Parade: Inside California’s Most Unusual Celebration

The Wild, Wacky Legacy of Pasadena’s Doo Dah Parade

For nearly four decades, Pasadena’s Doo Dah Parade turned the idea of a “traditional” parade on its head — then stomped on it with lawn-chair drill teams, absurd costumes, and satire that could lampoon anything from politics to pop culture to the Rose Parade itself. What began as a joke in a Pasadena bar became one of Southern California’s most iconic community celebrations of imagination, humor, and glorious weirdness.

From Barroom Idea to Cultural Phenomenon

The Doo Dah Parade began in 1978, dreamed up by a group of local artists and musicians at Chromo’s Bar. Tired of the strict formality of the Tournament of Roses Parade, they envisioned a counter-culture alternative — a parade where anyone could join, creativity reigned supreme, and the rules were… nonexistent.

What started with a few dozen eccentrics quickly exploded into a regional sensation. Over the years, it attracted national attention from outlets like TIME, USA Today, and multiple TV programs. Its success even inspired copycat Doo Dah parades in other cities.

A Parade with No Rules — And That’s the Point

The Doo Dah Parade embraces chaos by design. Participants often show up moments before marching — or don’t march at all. Many ride bikes, push shopping carts, drag absurd props, or simply strut in homemade costumes that defy explanation.

  • Synchronized “swimmers” performing on dry pavement
  • Flying baby-doll battalions
  • The Bicycle Ballet troupe
  • Unicycling men in Viking helmets
  • Marching bands that proudly do not play in tune
  • Political parody floats roasting current events
  • The famously unconventional “Queen of Doo Dah”

More Than a Parade: A Celebration of Free Expression

At its heart, the Doo Dah Parade represents something deeper than comedy. It became a platform for artists, eccentrics, activists, and everyday people who simply wanted to express themselves without restraint. In a world where everything is curated, polished, and filtered, Doo Dah stood proudly as a parade of pure authenticity.

envato labs image edit 3

The Pause — and the Legacy

The last official Pasadena Doo Dah Parade was held in 2019 before the pandemic reshaped public events. While its future is uncertain, its cultural impact remains alive through the creative spirit it championed.

According to Wikipedia, in 2025, the Light Bringer Project (the non-profit organization behind the event) postponed Pasadena’s Doo Dah Parade until 2026, due to the thousands of locals displaced by the Eaton wildfires and unsteady funding.

Fun Facts About the Doo Dah Parade

  • Born in a Bar: The parade started as a late-night idea at Chromo’s Bar in Old Town Pasadena.
  • Unpredictable Royalty: Past “Queens of Doo Dah” include belly dancers, drag queens, and performance artists.
  • National Attention: Featured on The Tonight Show, CNN, and in major magazines.
  • No Rules: The only real rule is that anyone weird, funny, or creative is welcome.
  • Countrywide Influence: Inspired similar parades in cities like Columbus and Ocean City.

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The Substitute Teacher Who Wanted Blueprints of Our House

A fifth-grade assignment took a strange turn when a substitute teacher asked students to draw schematics of their homes. What followed — a wildly fictional floor plan and a priceless reaction from my mom — turned into one of my funniest childhood memories.

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Last Updated on December 8, 2025 by Daily News Staff

Comedic illustration of a 1970s–1980s elementary school classroom with a substitute teacher holding a blueprint while confused fifth graders draw exaggerated house schematics, including a two-story doghouse.  

The Substitute Teacher Who Wanted Blueprints of Our House

Elementary school memories tend to blend together — cafeteria pizza, playground arguments, the eternal struggle of times tables — but every once in a while, something happens that sticks with you for life. For me, that moment came in the fifth grade during a week when our regular teacher was out, and we cycled through substitute teachers like we were testing models for durability. By midweek, in walked a substitute with a mysterious, slightly intense energy — the kind of vibe that suggested he either meditated at dawn or worked a graveyard shift doing something he couldn’t talk about. We settled into our seats, expecting worksheets or quiet reading time. But nope. He had other plans. “Today,” he announced, “we’re going to draw schematics of our houses.” Schematics. Not drawings. Not little houses with smoke coming out of the chimney. Actual blueprint-style schematics. He wanted the layout of our bedrooms, our parents’ rooms, and where the pets slept. Every detail. Now, to be fair, Highlights Magazine did have a feature that month teaching kids how to draw floor plans. So maybe he was just a bit overenthusiastic about cross-curricular learning. Or maybe — and this is my completely rhetorical adult theory — he worked the graveyard shift as a cat burglar gathering intel between heists. Just moonlighting between blueprints. While the rest of the class tried their best to recreate their actual homes, my imagination sprinted in a totally different direction. The house I drew had:
  • A massive master bedroom with an oversized bathroom for my parents
  • Separate bedrooms for us kids on the opposite side of the house
  • A kitchen placed right in the center like a command center
  • And the dog — the true VIP — had a luxurious two-story doghouse
I had basically created a dream home designed by a 10-year-old watching too much Fantasy Homes by the Yard. A young African American boy shows his mother an exaggerated, hand-drawn house schematic with unrealistic room layouts and a two-story doghouse, while she reacts with a mix of concern, confusion, and relief in a cozy 1970s–1980s living room. Later that day, my mom asked the usual question: “So, what did you guys do today?” “We drew schematics of our house,” I said casually. The look on her face was instant and intense. She wasn’t panicked, but there was definitely a “Why does a substitute teacher need to know the exact layout of my home?” expression happening. Parental instincts activated. But then I showed her my diagram. She stared at it. Blinked. Then sighed with massive relief. “This isn’t our house,” she said. “Nope! I made it up,” I replied proudly. Her shoulders relaxed so much she probably lost five pounds of tension in one instant. If the substitute was secretly planning a heist, my masterpiece of misinformation would have sent him to the wrong house entirely. Looking back, the whole moment feels like a sitcom setup — a mysterious substitute collecting “house schematics,” me creating a completely fictional piece of architecture, and my mom going on a full emotional journey in under 30 seconds. Maybe he was just excited about the Highlights Magazine floor-plan activity. Or maybe — just maybe — he moonlighted in cat burglary. We’ll never know. But if he was, I like to think I threw him completely off the scent.

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