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New Documentary About Overcoming Interpersonal Hate to Premiere Online Fri., Dec. 9 Followed by Q & A with Director and Lead Subjects, in Time for Holiday Strife

“I Hate You But It’s Killing Me” shares nine personal stories of those who have suffered from debilitating hate toward themselves, a family member, or someone who caused them a tremendous amount of pain, and their path toward healing.

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“I Hate You But It’s Killing Me” by Filmmaker Lukas Behnken Features Real Life Stories of Healing After Suicide Attempts, Racially-Motivated Violence, Physical and Sexual Abuse, and More

LOS ANGELES /PRNewswire/ — A new documentary about letting go of interpersonal hate will have its online worldwide premiere on 12/9/22, followed by a Q & A with filmmaker Lukas Behnken and those featured in the film. “I Hate You But It’s Killing Me” shares nine personal stories of those who have suffered from debilitating hate toward themselves, a family member, or someone who caused them a tremendous amount of pain, and their path toward healing. (Purchase tickets and watch the trailer here.)



“‘I Hate You But It’s Killing Me,’ a new documentary to premiere online 12/9/2022, shares nine personal stories of those who have suffered from debilitating hate toward themselves, a family member, or someone who caused them a tremendous amount of pain, and their path toward healing.”

The premiere will occur amidst the holiday season when many people are forced to face their interpersonal conflicts. The virtual audience will be able to chat in real time and express their reactions to the film, followed by a live Q & A with the Director, Producer, and lead subjects. Participants will have access to the #ihateyoubut community hub and an 8-week online course to engage like-minded people and get the tools and resources they need to conquer interpersonal hate in their own lives and help others do the same.

“This film and the broader campaign provokes deep questions and addresses the nature of the human heart, with an emphasis on compassion, forgiveness, justice, and generosity,” says filmmaker Lukas Behnken. “It is meant to provide new ways of looking at how to cope with the hatred that is plaguing our present time.” Read a Q & A with Behnken about this film here.

ihateyoubut and the feature-length documentary “I Hate You But It’s Killing Me” is the latest from Sterling Light Productions, which focuses exclusively on films with social purpose campaigns. Most recently, Behnken produced American Skin (2021), a film highlighting race relations and policing equity in America that won the Sconfini Best Film award; MULLY (2017), a documentary about the rags-to-riches story of Charles Mully and his work with disadvantaged youth in Kenya; and The Royal (July 2022), a feature film telling the story of Willie Mays Aikens.

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Ford Foundation invests over $4M to support social justice documentary film projects in 2022

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JustFilms grants over $4 million to support 68 content projects in the United States, Brazil, and more

NEW YORK /PRNewswire/ — Today the Ford Foundation announced its overall funding for independent documentary film in 2022. One of the largest documentary funds in the world and a part of the foundation’s Creativity and Free Expression (CFE) program, JustFilms provided over $4 million to support 68 innovative film projects in the United States and around the world that are centered on social justice issues.

From this allocation, the 68 documentary film projects supported this year include 43 filmmakers with new projects and 25 continuing support grants for films previously funded. This year’s funding went toward a cohort of films linked by their social, political, and creative ambition to elevate artist-centered filmmaking and spur social action. Of the 68 film projects, 70% of the grants were made to filmmakers identifying as Black, Indigenous or people of color (BIPOC), as well. These projects spanned the foundation’s global offices and included works from the United States, Brazil, Mexico, and beyond.

“We’re privileged to support the ecosystem of independent documentary filmmaking that looks to amplify social justice causes,” said Jon-Sesrie Goff, program officer for JustFilms at the Ford Foundation. “I’m proud of how these projects further illustrate the complexities of the moment we’re all in now, offering unique perspectives that allow audiences to peer deeper into the stories that shape and define our realities today.”

JustFilms has also piloted a direct support grant program comprised of $75,000 grants for leading filmmakers to deepen their practices, build career sustainability, and advance multiple projects. One such example from the program is filmmaker and writer Brett Story, whose work currently focuses on labor movements and prison abolition. Story represents the impact that individuals can have with more support and resources in their corner to build a more sustainable and inclusive documentary sector that honors the research and time that inspires compelling nonfiction storytelling.

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“We believe filmmakers should be able to focus on their work and take greater risks without always worrying about how they will pay to keep the lights on,” said Chi-hui Yang, senior program officer for JustFilms at the Ford Foundation. “Ensuring sustainable careers and practices for them requires rethinking models of funding and support beyond project funding tied to specific outcomes in an imperfect system of distribution and exhibition, and allowing artists more freedom to explore, imagine, and consider how their contributions can potentially impact the entire documentary film sector.”

The JustFilms grants for the 68 projects span a number of countries, with many supporting global filmmakers, particularly those from the Global South, as a core part of JustFilms’ work and mission. Films supported in 2022 include: Black Power, Black Rio (dir. Emilio Domingos), which traces the Black Rio Movement and the emergence of Black cultural and political identity in 1970s Brazil via archives of trailblazing Brazilian music and insights from dance promoter Dom Filo; Guardianas (dir. Danniela Castro Valencia), which recenters women of Indigenous and African descent in the fight for cultural survival and protection of the environment in Colombia; and The Walk (dir. Tamara Kotevska), the story of a large-scale social art project called Little Amal, which has traveled across 13 countries representing the forced migration of children fleeing war and violence. Another pivotal grant made this year was part of a multi-year contribution to the IDFA Bertha Fund, which supports artistic voices primarily from the Global South.

Many of the U.S.-based grantees used their documentary projects to engage public discourse around pressing national issues of our time—especially this complex cultural moment of rampant polarization and dis/misinformation. These include Soledad O’Brien’s Untitled Abortion Project, which addresses the state of reproductive health after the Dobbs decision; Sidney Fussell and Samantha Knowles’ #WhileBlack, which explores how Big Tech exposes racism while also exploiting witnesses behind the camera and online viewers; Kimberly Reed’s The Gender Project, which follows misperceptions about gender and biological sex; and Dana Coester’s Raised By Wolves, a look at extremism in online youth culture in an Appalachian community. Other US-based works by acclaimed visual artists and experimental filmmakers include Before the War (dir. Chitra Ganish), Powow People (dir. Sky Hopinka), Nowhere Near (dir. Miko Revereza), and Don & Moki (dir. Ephriam Asili).

Moving beyond accountability to action, JustFilms’ supported filmmakers are on the frontlines of disability justice in the industry, often reshaping the ways diversity, equity, and inclusion are framed in the independent social justice documentary landscape. JustFilms provided the seed funds to launch the Nonfiction Access Initiative at the International Documentary Association, which supports disabled documentary filmmakers through data collection, field surveys, and a film fund. Projects funded by JustFilms in 2022 that focus on disability communities include Set Hernandez’s Unseen, Rea Tajiri’s Wisdom Gone Wild, Reveca Torres’s Untitled Art & Disability Project, and Fire Through Dry Grass (dirs. Alexis Neophytides, Andres “Jay” Molina).

The full list of documentary film projects supported by JustFilms in 2022 are below:

Newly Funded Projects

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A Family Business
Director(s): 
Frederick Wiseman
Producer(s): Frederick Wiseman, Karen Konicek
A chronicle of the day-to-day activities of a Michelin three-star restaurant and the family that owns and operates it. It is Mr. Wiseman’s 44th film in his continuing series on contemporary life.

A Town Called Victoria
Director(s): Li Lu
Producer(s): Anthony Pedone, Li Lu
Hours after the first travel ban takes effect, a mosque in a small Texas town erupts in flames. As details of the arson emerge and a suspect goes to trial, this quiet community must reckon with the deep rifts that drove a man to hate.

Before the War
Director(s) & Producer(s): 
Chitra Ganesh
An experimental animation featuring music by Saul Williams, Before the War explores an open-ended narrative of memory, love, and loss, animated by the social and political shifts catalyzed by the current pandemic environment and the politically polarizing years preceding COVID-19.

Black Rio! Black Power!
Director(s): Emilio Domingos
Producer(s): Leticia Monte, Lula Buarque de Hollanda
The Black Rio Movement is a popular samba soul scene that emerged in the ’70s in Rio de Janeiro, during the Brazilian dictatorship, that shaped the culture, the Black identity and paved the way for the funk parties that happen today in the urban peripheries. BlackRio! BlackPower! is a film about the historical importance of this movement in affirming Afro-Brazilian identity as well as the movement’s influence in the battle for racial justice in Brazil.

BLCKNWS Director(s): Kahlil Joseph
Producer(s): Onye Anyanwu, Amy Greenleaf, Nic Gonda
Executive Producer (s): Participant Media: Anikah McLaren, Jeff Skoll
By using an original mix of narrative and sampled elements, BLKNWS features a collection of voices and collaborators shown through a lens of fugitive journalism and personal expression. This feature film is an adaption of the media artwork BLKNWS that first debuted at the 2019 Venice Biennale, and has been transformed from its original two-channel broadcast into a single-channel film experience.

Detroit: The City of Churches
Director(s) & Producer(s): Keith Famie
Detroit: The City of Churches shows how Detroit’s rich history was guided by its spiritual leaders from inception to present day.

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Don & Moki: Organic Music Society
Director(s): Ephraim Asili
Producer(s): Ephraim Asili, Naima Karlsson
Don & Moki: Organic Music Society is a feature-length documentary exploring the collaborative and communal art practice developed and practiced by jazz multi-instrumentalist, theorist, and educator Don Cherry and his wife and primary collaborator, visual artist Moki Cherry.

Dr. Norman C. Francis: A Legacy of Leadership
Director(s): 
Dominic Massa
Producer(s): Thanh Truong, Producer; Dionne Butler, Associate Producer
Dr. Norman C. Francis: A Legacy of Leadership chronicles the career of a true Louisiana legend and one of America’s longest-serving university presidents. Archival photos, footage, and interviews with Dr. Norman C. Francis, his children, and his colleagues document a remarkable life devoted to education and public service.

Fannie Lou Hamer’s America
Director(s): Joy Elaine Davenport
Producer(s): Monica Land
Fannie Lou Hamer’s America: An America ReFramed Special is a portrait of civil rights activist Fannie Lou Hamer and the injustices in America that made her work essential.

Fire Through Dry Grass
Director(s): Alexis Neophytides, Andres “Jay” Molina
Producer(s): Jennilie Brewster, Alexis Neophytides
On a tiny island in New York City, a group of Black and Brown disabled artists fight COVID and the city to protect the lives of 500 vulnerable nursing home residents.

Going Varsity in Mariachi
Director(s):
 Alejandra Vasquez, Sam Osborn
Producer(s): James Lawler, Julia Pontecorvo, Rachel Mills
In the competitive world of high school mariachi, the musicians from the South Texas borderlands reign supreme. Under the guidance of Coach Abel Acuña, the teenage captains of Edinburg North High School’s acclaimed team must turn a shoestring budget and diverse crew of inexperienced musicians into state champions.

Guardianas 
Director(s): 
Danniela Castro
Producer(s): Ana Tarazona Cañón, Valentina Romero
In defense of their territories and ancestral knowledge, three women leaders weave communities that defy the false frontier we have erected between the human and the natural.

Hasting Street Blues
Director(s): Juanita Anderson
Producer(s): Juanita Anderson, Marsha Battle Philpot (aka Marsha Music)
Joe’s Record Shop on Hastings Street, owner Joe Von Battle, and the blues music he loved, produced, and recorded illuminate the vitality and complexity of mid-20th century African American life in Detroit: the self-determination and ultimate displacement of a Black community amidst unprecedented migration, racial turmoil, civil rights progress, and urban “renewal.”

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Identity Crisis
Director(s): Maxx Ginnane
Description withheld.

Memories of the Harlem Renaissance (Phase One)
Director(s): 
William Greaves
Producer(s): Louise Archambault Greaves, Anne de Mare
Memories of the Harlem Renaissance is an unfinished, cinema-vérité documentary project, filmed by William Greaves in 1971, that documents a unique, historic gathering of many of the surviving luminaries of the original Harlem Renaissance. Phase One includes the preservation, digitization, transcription, and cataloging of all the original film materials. Phase Two will involve the creation of a documentary film, a museum installation, and a public-facing digital audio-visual archive.

New Wave
Director(s): 
Elizabeth Ai
Producer(s): Elizabeth Ai, Tracy Chitupatham, Anh Phan, Rachel Sine
Mile-high hair. Synthesized music. Underground parties. The Vietnamese new wave scene of 1980s California was the catalyst to healing a generation of refugees in cultural limbo. New Wave is the coming-of-age story of trailblazers who pioneered a raucous music scene and inspired their community to rebuild in the wake of the Vietnam War.

No Time to Fail
Director(s): 
Sara Archambault, Margo Guernsey
Producer(s): Sara Archambault, Margo Guernsey
Amidst an onslaught of attacks from a sitting president and the deadly threat of a global pandemic, local election administrators work around the clock to secure the vote for their community. Rhode Island’s election teams take center stage in this unprecedented voting adventure.

Nowhere Near
Director(s): 
Miko Revereza
Producer(s): Shireen Seno
A poetic memoir through the lens of a stateless person returning to an estranged homeland. Filmmaker Miko Revereza investigates a family curse that spans the history of Philippine-American migration back to his grandmother’s coastal province. Nowhere Near chronicles physical and introspective exile between borders.

Out of the Picture
Director(s): 
Mary Louise Schumacher
Producer(s): Katie Heil; Eric Vogel; Meghan Holbrook; Noel L’Esperance
Out of the Picture is an independent documentary film about art critics living through a cultural reckoning and a historic transformation to both art and media. Through the deeply human stories of critics, the film will provoke questions about how meaning gets made and talked about in the 21st century.

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The People vs. Austerity/El Pueblo vs. La Austeridad
Director(s): 
Vivian Vázquez Irizarry, Gretchen Hildebran
Producer(s): Vivian Vázquez Irizarry, Gretchen Hildebran, Neyda Martinez, Julia Steele Allen
What is austerity: a painful but necessary “tightening your belts,” or an economic agenda designed to enrich Wall Street? Created by the team behind the award-winning Decade of FireThe People vs. Austerity uncovers the origins and objectives behind austerity, which uses non-democratic means to eliminate essential services and sell off public infrastructure, all in the name of repaying dubious debts. From 1975 New York City to Detroit and Puerto Rico today, the film traces how austerity has slashed basic services like schools and water—and sparked a powerful resistance movement.

Photographic Justice: The Corky Lee Story
Director(s): Jennifer Takaki
Producer(s): Jennifer Takaki, Lily M. Fan, Linda Woo
This feature documentary film project Photographic Justice provides a firsthand account of 50 years of Asian American activism through the lens of late Chinese American photographer Corky Lee. Lee’s photographs captured the struggles, celebrations, and daily life of the diverse community of Asian Americans living in New York City. He bore witness to police brutality in Chinatown in the 1970s, to Sikhs and Filipinos battling racist stereotyping after 9/11, and to the devastating impact of the COVID pandemic on the AAPI community in 2020. Director Jennifer Takaki followed Corky Lee for nearly 20 years, documenting triumphs and tragedies. Her film offers a unique and moving memorial to one man’s mission to bring justice to his community through photography.

Point 5
Director(s): 
Stefani Saintonge, Yvonne Michelle Shirley
Producer(s): New Negress Film Society
A political education series by New Negress Film Society.

Principios (Principles)
Director(s): Susana Erenberg
Producer(s): Laboratorio de Litigio Estructura, A.C., Abril Schmucler
Principles is the intimate portrait of Juan Méndez, a lawyer who, after experiencing torture at the hands of the Argentine police, became an important promoter and defender of dignity and human rights, working internationally for the prevention and abolition of torture.

Queer Futures series (How to Carry Water, The Script, MnM, The Callers)
Director(s): Sasha Wortzel, Brit Fryer, Noah Schamus, Twiggy Pucci Garçon, Lindsey Dryden
Producer(s): Colleen Cassingham, Jessica Devaney
Four short documentaries articulate future visions for queer life that offer liberation, joy, and connection. Just as queer lives subvert normative expectations of behavior, identity, and expression, these films expand the boundaries of nonfiction narrative forms and aesthetics, presenting new ways of seeing the queer experience lived out loud.

Raised by Wolves
Director(s): 
Dana Coester
Producer(s): Joel Beeson, Dana Coester
Raised by Wolves is anchored by the filmmakers’ personal narrative as journalists, as part of an Appalachian Muslim family, and as parents to five children, four of whom are boys. The story is also rooted in the filmmaker’s past of growing up in poverty in the Ozarks and now investigating susceptibility to domestic violent extremism through the lens of rural shame.

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Rediscovering Fanon
Director(s): Rico Speight
Producer(s): Rico Speight
Rediscovering Fanon is an independent feature documentary on the life and thought of revolutionary psychiatrist Frantz Fanon (1925-1961), one of the leading 20th-century thinkers on race. It examines racially polarized America through the lens of Fanon’s prescient ideas and revisits the tragic killings of Trayvon Martin, George Floyd, and others.

Red Thread
Director(s): 
Tchaiko Omawale
Producer(s): Tchaiko Omawale, Iyabo Kwayana
An oral history documentary collage about the contributions of women to the Caribbean independence project. It weaves together layers of cinematic landscapes of the flora and fauna of the Caribbean, archival cultural artifacts, and the oral histories of the Elders and their international comrades, who are family and family friends to the filmmakers.

Rising Against Asian Hate: One Day In March
Director(s): Titi Yu
Producer(s): Gina Kim
In early 2021, the country watched in horror as vicious attacks on Asian Americans proliferated across the nation—culminating in the brutal murder of six women of Asian descent in Atlanta. One Day in March examines the troubling rise in racism against the AAPI community, pays respect to the lives lost, and champions those coming together to fight the hate.   

Rouge
Director(s): 
Hamoody Jaafar
Producer(s): Razi Jafri
Rouge is a coming-of-age story that follows the lives of four young Black men as they navigate being student athletes at one of America’s richest basketball legacies, located in one of its poorest zip codes.

Sansón and Me
Director(s): Rodrigo Reyes
Executive Producer: Inti Cordera
Producer(s): Su Kim, Rodrigo Reyes
Two Mexican migrants—a young man serving a life sentence in prison and a filmmaker who was his court interpreter—become intertwined through life and cinema.

Shadow of Nanook
Director(s): Jim Compton and Peadar King
Producer(s): Pegi Vail, Melvin Estrella, Peadar King
Through the eyes of Nanook of the North director Robert Flaherty’s unacknowledged granddaughter Martha Flaherty, Shadow of Nanook explores the darker side of the film’s legacy on the descendants the filmmaker left behind on his road to fame. The documentary revisits the frozen high arctic where Martha’s family was forced into a traumatic exile by the Canadian government, serving as human flags to demonstrate Canada’s sovereignty during the Cold War. Now 72, Martha seeks justice for her Inuit family’s exile and passes on the torch of Indigenous activism to her daughter, Alyssa.

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Split at the Root
Director(s): Linda Goldstein Knowlton
Producer(s): Marti Noxon, Maria Grasso, Linda Goldstein Knowlton, Miranda Bailey
When a Guatemalan mother seeking asylum was separated from her children days after Zero Tolerance Policy was enacted, a group of enraged women sprang into action. Our film focuses on two immigrant mothers navigating U.S. bureaucracy and the all-volunteer group who galvanized to help families separated by this inhumane policy.

The 3,000 Project
Director(s) & Producer(s): Keith McQuiter
The 3,000 Project is a 90-minute documentary about the complexities of crime and punishment, rehabilitation, and parole in America today. It follows the story of the incarcerated and guilty of violent crimes, who stand for 3,000 others caught between two conflicting sets of laws: They were imprisoned in Wisconsin in the 1990s, but in 2000, as American values changed, the system of law changed too, rehabilitation went out of favor and parole was abolished, new laws made it virtually impossible for violent criminals to ever win their freedom.

The Chemistry of Racism
Director(s) & Producer(s): Penelope Jagessar Chaffer
The Chemistry of Racism is an environmental social justice triptych that explores the phenomena of the systemic and often deliberate poisoning and exploitation of the Black and colored body by America’s patriarchal systems.

The First Plantation
Director(s): 
Jason Fitzroy Jeffers
Producer(s): Darcy McKinnon, Romola Lucas
Barbados is the birthplace of many things: possibly rum, definitely Rihanna, and, sadly, many of the modalities and codifications of and around plantation slavery, which spread throughout the wider Caribbean and the southern United States, setting the stage for much of what we know of white supremacy today. The First Plantation is a deeply personal and spiritual investigation into this often-overlooked legacy as the international debate around reparations for the descendants of transatlantic slavery intensifies.

The Gender Project
Director(s): 
Kimberly Reed
Producer(s): Kimberly Reed, Louise Rosen, Robin Honan
What defines biological sex: science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations. From the molecular level up, persistent binary notions of gender and the biology of sex are blown apart to reveal the true complexity of the human organism and the astonishing spectrum within us.

The Walk
Director(s): 
Tamara Kotevska
Producer(s): Harri Grace, Orlando von Einsiedel, Tracey Seaward
The Walk tells the extraordinary journey of a girl named Amal as she travels 5000 miles from the Syrian border across Europe in search of a home. Amal is a 12-foot-tall puppet brought to life by a team of 10 puppeteers in one of the most adventurous public artworks ever attempted. On her ongoing journey, having visited 13 countries already, Amal whose name means “Hope”) brings global attention to the plight of millions of displaced refugee children still unsettled all over the world.

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#WhileBlack
Director(s): Sidney Fussell, Samatha Knowles
Producer(s): Ann Shin, Geeta Gandbhir
Witnesses who filmed the deaths of George Floyd, Philando Castile, and other victims of racial violence step forward in this groundbreaking documentary about the citizen journalist videos that have ignited global movements. Millions of people have seen their horrifying videos, but few realize how witnesses must fight against online trolls, surveillance firms working with police, and exploitative social media platforms that turn their pain into profit. 

Untitled Abortion Project
Director(s):
 Soledad O’Brien
Executive Producer(s): Soledad O’Brien, Rose Arce
This film will look at what the world will look like in the U.S. for reproductive health following the decision to overturn Roe vs Wade.

Untitled (Art and Disability Culture)
Director(s) & Producer(s):: 
Reveca Torres
Frida Kahlo, Vincent Van Gogh, and Henri Matisse lived and created. Through letters and artifacts, director Reveca Torres finds that they’ve made a path for contemporary disabled artists and their struggles parallel her own. As Reveca connects with present-day artists with disabilities, together they imagine and work towards a society in which the barriers they face no longer exist and disability art and culture is celebrated.

(Untitled) Wynton Marsalis Documentary
Director(s): 
Amani Martin
Producer(s): Craig Jenest
Wynton Marsalis has never been seen this way before, up close and very personal. Featuring exclusive behind-the-scenes access, this documentary will explore the formative experiences, philosophy, and global impact of jazz music’s preeminent—and often controversial—figure.

Unseen
Director(s): 
Set Hernandez
Producer(s): Set Hernandez, Day Al-Mohamed, Felix Endara, Diane Quon
An aspiring social worker, Pedro must confront political restrictions as a blind, undocumented immigrant to get his college degree and support his family. But when attaining his dreams leads to new and unexpected challenges, what will Pedro do?

Wisdom Gone Wild
Director(s): Rea Tajiri
Producer(s): Rea Tajiri, Sian Evans
Wisdom Gone Wild is an immersive meditation on elder consciousness and the act of caregiving a parent with dementia. Filmmaker Rea Tajiri weaves her mother Rose’s storytelling wisdom into the dream fabric of this film, with her songs providing a soundtrack for time travel as we witness her evolution across nine decades of living.

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Without Arrows
Director(s): Jonathan Olshefski, Elizabeth Day
Producer(s): Elizabeth Day, Jonathan Olshefski
Filmed with vérité intimacy over the course of 12 years (2011-2022), Without Arrows chronicles the choices, events, and relationships that shape a Lakota family’s legacy. Delwin Fiddler Jr. left his reservation as a young man to escape a trauma that splintered his family and built a new life in Philadelphia, but 13 years later, he abandons it all and returns home to attempt to heal the past.

RENEWED FUNDING SUPPORT

ASCO: Without Permission
Director(s): Travis Gutierrez Senger
Producer(s): Travis Gutierrez Senger, Nick Boak, Andrew Renzi; Executive Producers: Gael Garcia Bernal and Diego Luna
ASCO: Without Permission is a feature-length documentary that profiles the extraordinary art collective of the 1970’s-1980’s ASCO, who merged activism and art and challenged Latinx representation in the art world, politics, and Hollywood through their incendiary performance art, photography, video, and muralism. ASCO: Without Permission examines the importance of their subversive and wildly spirited work and how it serves as a framework for representation in today’s cultural landscape. Through formal invention and the creation of original works with the next generation of Latinx artists, along with interviews with prominent actors, artists, and activists, this documentary provides a call to action while celebrating a group that was far ahead of its time.

Banishment
Director(s) & Producer(s):: 
Alex Rivera
Deportations happen every hour of every day in the United States, but “deportation” appears nowhere in the U.S. Constitution. This is the incredible true story of where the practice came from and how it almost never began, as well as a roadmap towards, perhaps, ending deportation forever.

Borderland
Director(s):
 Pamela Yates
Producer(s): Paco de Onís
The United States border is not just a geographical location; it lies within every undocumented immigrant facing the behemoth of a border-industrial complex that spends billions ensnaring, deporting, and separating their families. Skylight’s forthcoming feature-length documentary takes us inside a nascent movement of undocumented and Indigenous immigrants organizing to claim their civil rights in the shadow of the border-industrial complex.

Eat Bitter
Director(s): Pascale Appora-Gnekindy, Ningyi Sun
Producer(s): Mathieu Faure
During a civil war in the Central African Republic, an immigrant Chinese construction manager and a local worker on opposite ends of the spectrum construct a bank. As deadlines loom, they don’t hesitate to strip the earth and destroy their families for a seat at the table of prosperity.

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Going to Mars
Director(s) & Producer(s): 
Michèle Stephenson, Joe Brewster Going to Mars takes us through the mindscape of legendary poet Nikki Giovanni. Her voice guides us across time and outer space, dreams and remembrances, and across decades of American history as we reimagine her most iconic work with visual lyricism fit for a poet. The film’s cinematic intergalactic journey ventures beyond Nikki’s own lifetime to the Middle Passage and Mars, always keeping hold of possibility and the potential of Black liberation.

Hummingbirds
Director(s): 
Silvia Del Carmen, Carmen Castaños and Estefanía “Beba” Contreras
Producer(s): Jillian Schlesinger, Miguel Drake-McLaughlin, Leslie Benavides, Ana Rodriguez-Falco, Diane Ng
In this late-night summer self-portrait, Silvia Del Carmen, Carmen Castaños and Estefanía “Beba” Contreras make magic of everyday moments while coming of age on the Texas-Mexico border.

I Didn’t See You There
Director(s): Reid Davenport
Producer(s): Keith Wilson
Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on spectacle, (in)visibility, and the corrosive legacy of the “freak show.”

Murders That Matter
Director(s) & 
Producer(s): Marco Williams Murders That Matter documents Movita Johnson-Harrell, an African American Muslim mother who, in the aftermath of her youngest son’s murder, vows to save all the other Black sons on both sides of the gun.

Nine
Director(s) & Producer(s): 
Rachael DeCruz, Jeremy S. Levine
Nine is a feature documentary about the moving relationship between Gerald Hankerson, a Black 53-year old community leader in Seattle, and his father figure, Henry Grisby. Their bond, forged across generations and decades, gives both men the power to push back against an oppressive criminal justice system.

Powwow People
Director(s): 
Sky Hopinka (Ho-Chunk/Pechanga)
Producer(s): John Cardellino, Adam Piron (Kiowa/Mohawk)
Told through Hopinka’s distinct artistic style and lens of personal lived experience, this film is a meditation on the nebulous places of community and survivance that are powwows, poetically depicting Native American singers and dancers as they live their lives, maintain their cultural traditions, and prepare for an upcoming powwow, one organized, hosted, and documented through the production of this film.

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r/evolution — An American Tech Story
Director(s): 
Lerone D. Wilson
Producer(s): Andrea Mustain
Good intentions, unforeseen consequences, and the forces of the internet collide, revealing the humanity—and the humans—confronting the unprecedented power of social media.

River of Grass
Director(s): 
Sasha Wortzel
Producer(s): Danielle Varga
River of Grass unfolds as a voyage through the past, present, and precarious future of the iconic and imperiled Florida Everglades, told through the writings of the late environmentalist Marjory Stoneman Douglas and those who today call the region home.

Storm Lake
Director(s): 
Jerry Risius
Dark clouds hang over the cornfields of Storm Lake, Iowa, which has seen its fair share of change in the 40 years since Big Agriculture came to town. Farmers blow their life savings on new equipment they hope will keep their livelihoods intact. Migrant workers flock here—welcome and not—for their slice of the American Dream. The people of Storm Lake confront a changing community as global forces threaten their precarious existence. Enter: 63-year-old Pulitzer Prize winner Art Cullen and his family-run newspaper, The Storm Lake Times. Day in and day out, the Cullens deliver local news and biting editorials on a shoestring budget for their 3,000 readers. Come hell or pandemic, they’ll fight to preserve this town they call home. There’s simply too much at stake.

The Big Payback
Director(s): Erika Alexander, Whitney Dow
Producer(s): Ben Arnon, Xan Parker, Erika Alexander, Whitney Dow
A rookie alderwoman in Evanston, Illinois, leads the passage of the first tax-funded reparations bill for Black Americans and stirs up a debate about the debt owed from the United States.

The Tuba Thieves
Director(s):
 Alison O’Daniel
Producer(s): Alison O’Daniel, Rachel Nederveld
From 2011-2013, a rash of tuba thefts occurred in high schools across Southern California. The Tuba Thieves does not tell the story of the thieves or the missing tubas; instead, it asks what it means to listen.

Untitled 19th* News Film
Director(s): 
Chelsea Hernandez, Heather Courtney, Princess A. Hairston
Producer(s): Diane Quon, Chelsea Hernandez, Heather Courtney
In 2020, a fearless group of journalists sought to upend the white male status quo in U.S. news by launching an all-women and non-binary news start-up. By building a newsroom that reflects the women, people of color, and LGBTQ+ communities they’re writing about, can The 19th be a model for the news industry in these changing times?

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Untitled (Cairo, IL Project)
Director(s):
 Lisa Marie Malloy, JP Sniadecki & Ray Whitaker
Producer(s): Karin Chien, Theresa Delsoin
Untitled (Cairo, IL Project) is a collectively authored film that emerges from the vibrant community spirit of Cairo, Illinois, a former industrial and agricultural empire that sits between the Mississippi and Ohio Rivers and was a nexus for civil rights movements in the 1960s. Through intimate depictions, this film celebrates the joy and resurgence of this overlooked town.

Untitled Labor Union Documentary
Director(s): 
Steve Maing, Brett Story
Producer(s): Samantha Curley, Mars Verrone
An intimate portrait of the Amazon Labor Union (ALU), a group of current and former Amazon workers taking on one of the world’s largest and most powerful companies in the fight to unionize.

Untitled Michael Premo Film
Director(s): 
Michael Premo
Producer(s): Rachel Falcone A feature film about contemporary America.

Water for Life
Director(s): 
Will Parrinello
Producer(s): Rick Tejada-Flores, Maria Jose Calderon & Will Parrinello
As mining and hydroelectric projects threaten vital water supplies in Latin America, Water For Life follows three community leaders as they face death threats and murder to save their precious resources.

When They Walk
Director(s):
 Jason DaSilva
Producer(s): Jason DaSilva, Naomi Middleton & Leigh DaSilva
Filmmaker, artist, and activist Jason DaSilva’s biggest struggle isn’t his MS but, rather, that he lives in a world that is not made with people like him in mind. Jason pulls apart the ableist frameworks that surround him and discovers that accessibility means access to the ones you love.

Whose City Director(s): Javier Lovera
Producer(s): Ina Fichman
Tech companies partnering with city governments promise an urban utopia, but their sensors and algorithms often become tools for oppression and mass surveillance. Now, impacted citizens and community leaders from some of North America’s largest cities are fighting to rein back these powerful partnerships, reclaim their democratic power, and change their cities’ futures.

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The Ford Foundation is an independent, nonprofit grant-making organization with assets currently valued at $16 billion. For more than 85 years it has worked with courageous people on the frontlines of social change worldwide, guided by its mission to strengthen democratic values, reduce poverty and injustice, promote international cooperation, and advance human achievement. With headquarters in New York, the foundation has offices in Latin America, Africa, the Middle East, and Asia.

SOURCE Ford Foundation

https://stmdailynews.com/category/entertainment/

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documentaries

Director Neil Myers to Debut heartwarming documentary, Climb

From director Neil Myers comes the heartwarming documentary, Climb.

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Inspirational film about a triathlete’s journey back from near-death accident premieres December 15

SANTA BARBARA, Calif. /PRNewswire/ — From director Neil Myers comes the heartwarming documentary, Climb. The film recently completed a breakthrough film festival season, where it was an official selection at 40 film festivals globally and won 26 awards, including best documentary, best cinematography, best original score, and many other awards. 

Experience the full interactive Multichannel News Release here: https://www.multivu.com/players/English/9118552-director-neil-myers-climb-documentary/

The film tells the story of a triathlete who was nearly killed during a training ride – colliding head-on with a truck, breaking 16 bones in 26 places, collapsing both lungs and suffering a brain bleed. After a month in the hospital and two months of rehab, the triathlete got back on his bike and began his journey back to competition. 

Climb debuts on December 15 on Vimeo. The film debuted at the Santa Barbara International Film Festival, where director Roger Durling remarked, “Climb is an extremely well-made, inspirational film.” The Milano Film Festival says, “Climb heralds suspense and a climax worthy of the best fictional scripts.”

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While the film builds to a dramatic, exciting finish at the Santa Barbara Triathlon one year after the accident, the story is more of a love story. A love of cycling, of the community which saved his life and helped him back to the starting line, and of his family who was with him every step of the way. It is both a heartwarming story for the holidays and an inspiration for anyone who is facing a challenge in their life.

A trailer and other supporting materials are available at the film’s website, ClimbDoc.org.

SOURCE Campfire Films

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actors & performers

MasterClass Announces Naomi Campbell to Teach How to Take on Modeling and Life With Confidence

Supermodel and cultural icon shares lessons she’s learned from decades of navigating the fashion industry to build confidence, deal with adversity and stand strong in your beliefs

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Supermodel and cultural icon shares lessons she’s learned from decades of navigating the fashion industry to build confidence, deal with adversity and stand strong in your beliefs

SAN FRANCISCO /PRNewswire/ — MasterClass, the streaming platform where anyone can learn from the world’s best across a wide range of subjects, today announced that legendary supermodel Naomi Campbell will teach a class on modeling fundamentals. In her class, she will give members insight into the misconceptions of the modeling industry, share advice on how to handle rejection and give an inside look on how she is working to make fashion and modeling more inclusive. The class is available now exclusively on MasterClass, where subscribers get unlimited access to all 180+ instructors with an annual membership.

“Naomi is a legend, whose confidence, poise and fearlessness have helped her inspire and advocate for younger generations coming up in the fashion world and beyond,” said David Rogier, founder and CEO of MasterClass. “In her class, she teaches members how to harness their power and show up as their best selves, both in front of the camera and in everyday life.”

In her class, Campbell teaches members how to navigate the business of the modeling industry, experiment with poses, feel confident and develop a signature walk. For members wanting to break into the fashion industry, she gives insight into the business of modeling, from how to find an agent and handle contracts to the importance of building a versatile lookbook. Making it her mission to create space for diversity and inclusion in the modeling industry through efforts like mentorship, she works with four London-based fashion models who are new to the industry to demonstrate how to find their stride on the catwalk. Campbell also shares her personal journey and celebrates the famous Black models who paved the way for her career, showing the importance of advocating for your culture and community. Members will walk away feeling empowered to overcome their fears, own a room more confidently and stand strong for what they believe in.

“Most people view fashion as an untouchable, glamorous fantasy, but modeling at its best is a source of inspiration that shows you who you can be in your best form,” Campbell said. “This class is about personal empowerment and authenticity, culture and community, and the power of giving back to open the doors for those who come after us.”

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Naomi Campbell is one of the most iconic supermodels in history, having caught her big break at just 15 years old. She has since graced the covers of more than 500 magazines, specifically as the first Black model to appear on the cover of Time, French, Russian, and British Vogue. She has appeared in campaigns for some of the most notable brands in fashion, including Burberry, Prada, Versace, Chanel and Louis Vuitton, and walked the runways for Azzedine Alaïa, Christian Dior and many others. In addition, Campbell is a fashion model pioneer and cultural advocate for the professional advancement of young Black women. As an activist, Campbell works alongside notable charities such as Fashion for Relief, Nelson Mandela Child Relief Fund and amfAR to improve the lives of those living with detrimental adversity and raise much-needed funds for AIDS research and resources.  

SOURCE MasterClass

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