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Sam Shepard’s roots ran deepest in rural America

Sam Shepard, a Pulitzer Prize-winning playwright, depicted the struggles of American families and their connection to land. He passed away on July 27, 2017.

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Sam Shepard
The Pulitzer Prize-winning playwright Sam Shepard died of complications from ALS on July 27, 2017, at his home in Kentucky. Jakub Mosur/AP

John J. Winters, Bridgewater State University

Sam Shepard

When Sam Shepard died on July 27, 2017, the world lost one of the greatest playwrights of the past half-century. He was an artist renowned for bravely plumbing his own life for material, spinning much of his own pain into theatrical gold. His best work revealed the hollowness behind the idea of the happy family and its corollary, the American dream. Subversive and funny, Shepard had the soul of a poet and an experimental streak that never faded.

The American family was, no doubt, Shepard’s great subject. His quintet of family plays that premiered between 1978 and 1985 – “Curse of the Starving Class,” the Pulitzer Prize-winning “Buried Child,” “Fool for Love,” “True West” (both nominated for Pulitzers) and “A Lie of the Mind” – form the foundation of Shepard’s lofty reputation.

While researching my recent biography of Shepard, I found that most critics and scholars focused on the playwright’s relationship with his father. Rightly so: Samuel Shepard Rogers suffered from alcoholism and his only son grew up bearing the brunt of his abuse. Shepard’s family plays turn on the collateral damage of the fathers.

Less frequently examined is the playwright’s fixation on the land, and the ways in which this plays out in his work. Both as a writer and in his personal outlook, Shepard drew deeply from the old trope that nature and innocence are intertwined. And according to critic Harold Bloom, Shepard saw doom in the “materialistic and technological obsessions of modern society.”

Throughout his work, Shepard decried so-called progress, especially the rampant development of open space. Whether it was the forced sale of a family farm (“Curse of the Starving Class”) or Native Americans being driven off their reservation (“Operation Sidewinder”), it all came to no good.

To Shepard, a relationship with the land was nothing short of existential. As the playwright told an interviewer in 1988:

“What’s most frightening to me right now is this estrangement from life. People and things are becoming more and more removed from the actual. We are becoming more and more removed from the earth to the point that people just don’t know themselves or each other or anything.”

Shepard arrived at this impulse naturally. When he was in elementary school, his family settled in a small house on Lemon Street in Bradbury, California. An orchard of 80 avocado trees attached to the house meant that Shepard – then known by his birth name, Steve Rogers – was kept busy irrigating and harvesting the crop. He also raised dogs and sheep, and when he had free time he worked the fields belonging to his neighbors. During high school, he was an eager member of the 4-H Club and Future Farmers of America, and spent his summers tending to the thoroughbreds at nearby Santa Anita Park.

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To Shepard, the creep of development threatened the innocence and vitality of the natural world. Mike Lewinski, CC BY

In college, Shepard’s major wasn’t theater but education. As he once wrote to a friend, back then he wanted to become a “veterinarian with a flashy station wagon, and a flashy blond wife, raising German shepherds in some fancy suburb.” He never finished college nor became a vet. Instead, Shepard left home and made his way across the country to New York City and the East Village, where he would quickly transform himself into the brightest light of the nascent off-off-Broadway scene.

But even as his reputation grew, he never left his agricultural roots behind. In fact, one of Shepard’s early one-act plays was titled “4-H Club” (1965).

Other plays from the 1960s combine his old life with his new one. Rural scenes are full of characters who talk in the hip argot of the Village streets, characters caught in an absurdist situation go “fishing” off the edge of the stage, and Native Americans, by their very presence onstage in plays like 1970’s “Operation Sidewinder,” stake a claim to the land that’s been stolen from them.

With time, the playwright would more directly address the scourge of overdevelopment that he saw happening around him. It would become a running theme of sorts, as Shepard saw the nation growing and changing – but not for the better.

“One of the biggest tragedies about this country was moving from an agricultural society to an urban, industrial society. We’ve been wiped out,” he told Playboy in 1984.

Shepard’s characters embody this loss. In “Geography of a Horse Dreamer” (1974), one character is a gambler who can predict tomorrow’s winners at the racetrack, but loses that power once he’s physically forced from his usual haunts to a new, strange locale. In “Buried Child” (1979), the land holds the answer to the play’s central mystery: At play’s end, the fallow backyard gives up a baby from a shallow grave, shining a light on the incestuous relationship that has led to the ruination of this family – as if the purity of nature had been offended by a terrible transgression. And in Shepard’s late masterpiece, “Ages of the Moon,” two old friends finally find solace by communing with nature at a small, remote campsite.

Nowhere in Shepard’s oeuvre does land play a bigger role than in 1978’s “Curse of the Starving Class.” The Tate family’s farm stands between husband and wife: He wants to unload it to pay off his gambling and drinking debts; she wants to sell it and use the money to escape her marriage and take the children to Europe. The culminating scene features the husband, Weston, coming to his senses after sobering up and walking around his property. Reconnecting with his land, Weston turns his life around, “like peeling off a whole person.”

Shepard’s love of the country and its open spaces would mark all aspects of his career. Also a celebrated actor, he favored “rural” dramas, those set on farms, racetracks or some windswept piece of desert. In his screen debut, Shepard starred as the doomed farmer in Terrence Malick’s “Days of Heaven” (1978). In his screenplay for the cult classic film, “Paris, Texas,” (1984) Shepard mirrored the desolation of the South Texas desert in the soul of his protagonist, Travis, a man suffering from a malady that Shepard often said he himself felt: “lostness.”

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Shepard felt most at home traversing what one western historian called this “strange land full of mystery.” He took pride in being a western writer.

“I was never interested in the mythological cowboy. I was interested in the real thing,” he once said.

“He would call me late in the night,” Patti Smith wrote in a loving tribute, “from somewhere on the road, a ghost town in Texas, a rest stop near Pittsburgh, or from Santa Fe, where he was parked in the desert, listening to the coyotes howling. But most often he would call from his place in Kentucky, on a cold, still night, when one could hear the stars breathing…”

She knew, better than anyone, that such places constituted Shepard’s emotional and physical territory. He adored the vastness of the plains, the green of loping pasturelands; he cherished his time running the highways and byways in his pickup, or sitting next to the campfire on a real-life cattle drive, and reveled in the grit of this country’s less-traveled corners.

Shepard loved America for its beauty, its danger and its promise, forever transforming her in our imaginations.

John J. Winters, Adjunct Professor of English, Bridgewater State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Get Ready for the Premiere of Star Trek: Strange New Worlds Season 3!

Star Trek: Strange New Worlds Season 3 will premiere at the 2025 Tribeca Festival from June 4-15. The series continues crew adventures aboard the U.S.S. Enterprise, exploring new themes and characters.

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Star Trek: Strange New Worlds
Image Credit: StarTrek.com

Star Trek: Strange New Worlds Season 3 Premeire:

Exciting news for Star Trek enthusiasts! According to an official announcement originally published on startrek.com, the third season of Star Trek: Strange New Worlds is set to premiere at the 2025 Tribeca Festival. This much-anticipated event will take place from June 4 to 15 in New York City, showcasing a lineup filled with both new and returning television programs, as well as independent episodic series.

Festival Highlights

The Tribeca Festival is renowned for its world premieres and exclusive panels featuring cast members from major networks and streaming platforms. Following the premiere screening of Season 3, attendees can look forward to an engaging conversation with key cast members, including Anson Mount (Captain Pike), Ethan Peck (Spock), Celia Rose Gooding (Uhura), Babs Olusanmokun (Benga), Carol Kane, and the creative minds behind the series, executive producers Alex Kurtzman, Akiva Goldsman, and Henry Alonso Myers.

What to Expect in Season 3

As we dive into Season 3, we reconnect with the beloved crew of the U.S.S. Enterprise, still commanded by Captain Pike. This new season picks up from the intense conclusion of Season 2, where the crew faced a harrowing encounter with the Gorn. However, as they navigate through uncharted territories, new life and civilizations await them, alongside a villain who will truly test their grit and resolve.

Strange New Worlds promises to infuse an exciting twist into the classic Star Trek narrative, elevating both beloved and new characters to new heights. Viewers can look forward to a range of thrilling adventures that explore themes of faith, duty, romance, comedy, and mystery—delivering genres never before seen in the Star Trek universe.

A Talented Ensemble Cast

The series boasts an impressive cast, including Anson Mount, Rebecca Romijn, Ethan Peck, Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia, Babs Olusanmokun, and Martin Quinn. Additionally, fans can expect appearances from guest stars such as Rhys Darby, Patton Oswalt, Cillian O’Sullivan, Melanie Scrofano, and Carol Kane, with special guest star Paul Wesley also joining the adventure.

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Ticket Information

For those eager to witness the premiere, single tickets will be available for Tribeca members starting April 24, with sales opening to the general public on April 29. Be sure to visit TribecaFilm.com to learn more about the festival programming and secure your tickets. Memberships and festival passes are also available for a more immersive experience.

Where to Watch

After its premiere at the Tribeca Festival, Star Trek: Strange New Worlds will stream exclusively on Paramount+ in the U.S., U.K., and various regions across Latin America, Europe, and Asia. In Canada, the series will also be accessible on Paramount+, while it will stream on SkyShowtime in several other European markets.

Stay tuned for more updates as we approach the premiere date! For the latest news, follow @StarTrek on TikTok, Instagram, Facebook, YouTube, and Twitter. The adventure is about to continue—engage!

Star Trek: Strange New Worlds Related Link:

https://www.startrek.com/news/strange-new-worlds-season-3-tribeca-2025-premiere

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series, and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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family fun

Easter and School Holiday Escapes, A Family-Friendly Retreat at Sheraton Bali Kuta Resort

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BALI, IndonesiaApril 4, 2025 /PRNewswire/ — Celebrate Easter and the upcoming school holidays with an unforgettable beachfront getaway at Sheraton Bali Kuta Resort. With a refreshed lobby, a vibrant social lounge at &More by Sheraton, and the newly renovated “PlayHouse” kids club, the resort blends premium comfort with family-friendly fun in the heart of Kuta.

Wake up to the gentle sound of waves and breathtaking ocean views from your private balcony, setting the perfect tone for a memorable family escape. The Suite Experience package offers spacious comfort with a sofa bed, kids’ tent amenities, a one-time minibar, VIP perks, and a special family room setup. Begin your day with a lavish buffet breakfast, fueling adventures for the little ones at PlayHouse, where 20+ activities keep them entertained, while parents unwind by the infinity pool or enjoy curated moments with the Side by Side program. Afternoons invite relaxation and indulgence with the Jewelry Box Afternoon Tea, a delightful treat for the whole family. Families can also enjoy 15% off dining, including the famous Sunday Social Brunch, where kids dine free. As the sun sets, the revitalized lobby offers a warm, inviting space for coffee, pastries, and social gatherings, while &More by Sheraton sets the scene for a perfect evening with live music, handcrafted cocktails, and stunning views of Kuta Beach. Savor authentic Italian cuisine at Bene Italian Kitchen, sip signature drinks at &More by Sheraton, or explore diverse culinary delights at Daily Social, all with panoramic ocean vistas. Just steps from Beachwalk Shopping Center, local markets, and the iconic WXYZ Bar at Aloft Bali Kuta, the resort offers the perfect balance of relaxation and excitement. Whether an Easter egg hunt by the beach or a sunset cocktail, every moment is designed for lasting memories. Ashley Lai, Cluster General Manager of Sheraton Bali Kuta Resort & Aloft Bali Kuta at Beachwalk, shares “It’s more than a place to stay, it’s a destination. With refreshed spaces, family-friendly experiences, and unmatched dining, we create moments that last a lifetime.” Enjoy the Marriott Bonvoy Fast Track program, become a member and register by April 14, 2025, to earn 1,000 bonus points and 1 Elite Night Credit per night. For more information visit Sheraton Bali Kuta Resort.   SOURCE Sheraton Bali Kuta Resort

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Consumer Corner

NIKON ANNOUNCES THE NIKON Z5II: LET FULL-FRAME BE THE NEXT STEP IN YOUR CREATIVE JOURNEY

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Amplify any Aesthetic & Unleash Your Full Creative Potential with the Most Feature-Packed Camera in its Class

MELVILLE, N.Y. /PRNewswire/ — Today, Nikon announced the new full-frame / FX format Z5II, an entirely new generation of intermediate-level camera that miraculously manages to fit the latest high-end features into a lightweight camera body that will help kickstart any creative spark. The Nikon Z5II is the easiest way to level up a user’s captures with full-frame image quality, incredibly fast and intelligent autofocus (AF), excellent low-light performance, one-touch film-inspired color presets and the brightest viewfinder of any competing camera.1 The new Nikon Z5II uses the same high-power EXPEED 7 image processing engine as Nikon’s highest caliber professional models, the Z8 and Z9. The benefits of this processor are immediately apparent, affording incredible levels of performance and extremely fast AF with subject detection powered by deep learning (AI) technology. This highly accurate, high-speed focus is a massive leap from its predecessor, locking in at approximately one thirdthe time. In addition, the new camera now utilizes a highly sensitive back-illuminated (BSI) CMOS sensor for beautiful rendering of textures and details, even in dimly lit situations such as indoors or nighttime landscapes, with minimal noise. The Z5II further fuels your creative drive with a dedicated Picture Control button and innovative tools like Imaging Recipes and Flexible Color Picture Controls, all of which help users create a truly distinctive look with unparalleled creative control of colors. “The benefits of the Z5II go far beyond its attainable price and small size, offering users the benefits of our most advanced EXPEED 7 processing engine, a proven full-frame sensor along with unexpected pro-level features and performance,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “This is the camera many people have been waiting for in order to make the move to mirrorless, since nothing comes close to matching the value of features and performance in its class.” Reliably Fast Focus and Performance The AF on the Nikon Z5II is remarkably precise and super-fast, effortlessly locking-on and tracking a wide range of moving subjects. From fast-paced portraits or action shots, the system helps you to never miss a crucial moment, even when a subject is backlit. The cutting-edge AF system can detect up to nine types of subjects for stills and video, including people (faces, eyes, heads, and upper bodies), dogs, cats, birds, cars, motorcycles, bicycles, airplanes, and trains. But it’s not just the focus that’s fast—thanks to the next-generation processing power, the Z5II also offers high performance features from pro level Z models, to excel in any shoot.
  • 3D-tracking AF mode keeps the target subject in focus even if it moves rapidly or erratically. This allows for subject tracking, even at high burst speeds, for sharp images again and again when photographing sports, animals or other fast-moving subjects.
  • The first full-frame mirrorless Nikon camera with AF-A focus mode. In this mode, the camera automatically switches between AF-S and AF-C focus modes in response to subject movement or changes in composition with still shooting. This allows the camera to automatically focus on the subject, with no setting adjustments when photographing. This new feature makes it simple to photograph pets, kids or other subjects whose movements are difficult to predict.
  • Fast continuous shooting speedswith a maximum frame rate of 14 frames per second in mechanical shutter mode and up to 15 or 30 frames per second (electronic shutter) with full autofocus.
  • Pre-Release Capturefunction when shooting in C15 and C30 modes is capable of recording images buffered up to one second before the shutter-release button is fully pressed, capturing the action before a user can react.
Embrace Low Light Like Never Before There’s no need to be afraid of the dark with the Nikon Z5II. Featuring a powerful combination of the full-frame back-illuminated CMOS sensor and the EXPEED 7 image-processing engine, the Z5II delivers the best low light ability in its class. Images and video are rendered with minimal noise, and incredible AF detection abilities in low light. Whether shooting indoors, twilight cityscapes or the night sky, the Z5II is built to help you capture confidently in nearly any light, preserving details and textures throughout the broad ISO range.
  • Class-leading autofocus detection down to -10EVdelivers accurate, reliable focus in dim and dark conditions—great for concerts, live performances, festivities, available light portraiture, astrophotography and more.
  • A broad standard ISO sensitivity range of 100-64,000, expandable to Hi 1.7 (ISO 204,800 equivalent), delivers exceptional low-light capabilities and outstanding image quality with minimal noise. The max ISO is 51,200 for video recording.
  • The 5-axis in-camera vibration reduction (VR) system provides superior image stabilization equivalent to a 7.5-stop6 increase in shutter speed at the center and a 6.0-stop increase at the peripheral areas of the frame. This allows users to create with confidence in lower light and get sharper results, even when handheld or at lower shutter speeds.
  • Focus-point VR7 tailors stabilization to the area covered by the active AF point, for sharp rendering of the subject, even when it is positioned near the edge of the frame.
  • Starlight View Mode makes focus and composition simple in extremely low light, while the Warm Color Display Mode helps preserve night vision when working in complete darkness.
  • Extended shutter speeds up to 900 seconds (15 minutes) in manual exposure mode. Perfect for extreme long-exposure nightscapes and star trails.
Engineered to be Used, Made to be Loved Shooting with the compact and lightweight Z5II is a satisfying and comfortable experience. The electronic viewfinder (EVF) is simply stunning and is 6x brighter than any competing model. At up to 3000 nits brightness, users can easily shoot even in the brightest direct sun with a perfect view of the frame, with real-time exposure information. Additionally, the rear 3.2″ Vari-angle LCD touchscreen rotates freely to nearly any angle, giving full freedom of composition. Get down in the street or hold it high above everyone’s heads and still be able to accurately frame the perfect shot. The grip is deep and comfortable to minimize fatigue. Additionally, the Nikon Z5II’s front, back, and top covers are made from magnesium alloy, which delivers exceptional durability and outstanding dust-and drip-resistance. Feel the Color with Picture Controls The Nikon Z5II is the latest camera to support one-button access to Picture Controls, plus compatibility with the Nikon Imaging Cloud. The dedicated Picture Control button opens new possibilities for expressive color, with imaginative film-inspired looks that instantly change the color tone and color of a scene. In a single press, the user can see in real-time the effects of up to 31 built-in color presets plus Imaging Recipes downloaded by the user. Nikon Imaging Cloud connectivity allows users to download a wide variety of free Imaging Recipes by Nikon and created by popular creators, and to apply these recipes when shooting. In addition, the Z5II supports Flexible Color Picture Control, which allows users to create their own unique color styles using Nikon’s free NX Studio software. Flexible Color allows for a wider variety of color and tone adjustments, including hue, brightness and contrast. What’s more, these settings can also be saved as Custom Picture Controls that can be imported to the Z5II for use while shooting. Powerful Video Features for Hybrid Users The Z5II offers an impressive array of video features for content creators:
  • Capture immensely vivid and detailed 4K/30 UHD video, with no crop. This gives creatives the ability to shoot in 4K at full-frame, with more wide-angle freedom. For higher frame rates, the camera can also capture up to 4K/60 with a 1.5x crop.
  • Flexible in-camera video recording options with 12-bit N-RAW8, 10-bit H.265, and 8-bit H.264. This is the first camera to be able to record N-RAW to an SD card.
  • N-Log9 tone modes offer greater flexibility for color grading. This means Z5II users also have access to the free RED LUTs, which were developed in collaboration with RED for users to enjoy cinematic looks.
  • Full HD/120p for flexibility to create 5x slow motion videos in 8-bit H.264.
  • Hi-Res Zoom10 uses 4K resolution to zoom up to 2X in-camera during Full HD shooting, without any loss of quality. This is useful when using prime lenses to get closer to a subject and add a dynamic look to footage.
  • Product Review Mode will seamlessly switch focus between the user and any objects that they hold up to the camera. Users can even customize the size of the active AF area.
  • Upgrade streaming while connected via UVC/UAC-compliant USB port, transforming the camera into a high-quality webcam for live streaming.
  • The Z5II also includes ports for headphones and microphones.
Additional Features of the Nikon Z5II
  • Dual SD card slots
  • Bird detection mode makes it easier to detect birds in motion and in flight.
  • Equipped with Nikon’s exclusive portrait functions, including Rich Tone Portrait that realizes radiant and beautiful rendering of skin textures, and Skin Softening that smooths the skin while leaving hair, eyes, and other details sharp.
  • Capture high-resolution images with Pixel Shift shooting11 to portray stunning depth and rich textures, from architectural details to rocky landscapes and vibrant artwork, creating images at a staggeringly high resolution of up to approx. 96-megapixels (must be processed with free Studio NX software).
Adobe Creative Cloud Promotion For a limited time, customers who purchase the Nikon Z5II and register their camera will also get 1 year of Lightroom + 1TB of Adobe Creative Cloud storage. For more information and terms of this promotion, please visit www.nikonusa.com. Price and Availability The new Nikon Z5II full-frame mirrorless camera will be available in April 2025 for a suggested retail price (SRP) of $1699.95* for the body only. Kit configurations include the NIKKOR Z 24-50mm f/4-6.3 lens for $1999.95* SRP, and the NIKKOR Z 24-200mm f/4-6.3 VR lens for $2499.95* SRP. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit www.nikonusa.com About Nikon  Nikon Inc. is a world leader in digital imaging, precision optics and technologies for photo and video capture; globally recognized for setting new standards in product design and performance for an award-winning array of equipment that enables visual storytelling and content creation. Nikon Inc. distributes consumer and professional Z Series mirrorless cameras, digital SLR cameras, a vast array of NIKKOR and NIKKOR Z lenses, Speedlights and system accessories, Nikon COOLPIX® compact digital cameras and Nikon software products. For more information, dial (800) NIKON-US or visit www.nikonusa.com, which links all levels of photographers and visual storytellers to the Web’s most comprehensive learning and sharing communities.
Connect with Nikon on Facebook YouTube Instagram Threads , and TikTok. Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer. 1. Based on Nikon research as of April 3rd, 2025.
2. Measured in accordance with CIPA standards. The measurement values are based on the following testing conditions: Subject brightness of 10 EV; in photo mode using aperture-priority auto (A), single-servo AF (AF-S), single-point AF (center), at 70-mm focal length with the NIKKOR Z 24-70mm f/4 S.
3. Max framerate of 14 fps in mechanical shutter mode is JPEG only. C15 and C30 are JPEG only, electronic shutter modes. Rolling shutter distortion may occur depending on the type of subject and shooting conditions.
4. Available only with JPEG recording.
5. In photo mode using single-servo AF (AF-S), single-point AF (center), at ISO 100 equivalent and a temperature of 20°C/68°F with an f/1.2 lens.
6. Based on CIPA 2024 Standard. Yaw/pitch/roll compensation performance when using the NIKKOR Z 24-120mm f/4 S (telephoto end, NORMAL)
7. Only in photo mode with NIKKOR Z lenses not equipped with VR. Does not function when multiple focus points are displayed.
8. When a frame size and rate of [[FX] 4032×2268 30p], [[FX] 4032×2268 25p], [[FX] 4032×2268 24p], [[DX] 3984×2240 30p], [[DX] 3984×2240 25p], or [[DX] 3984×2240 24p] is selected for [Frame size/frame rate] in the video recording menu. Picture quality is equivalent to that of a video quality setting of [Normal]. Use of Video Speed Class 90 (V90) SD memory cards is recommended.
9. When [H.265 10-bit (MOV)] or [N-RAW 12-bit (NEV)] is selected for [Video file type] in the video recording menu.
10. Hi-Res Zoom is available when all the following conditions are met:- [FX] is selected for [Image area] > [Choose image area] in the video recording menu, [H.265 10-bit (MOV)], [H.265 8-bit (MOV)], or [H.264 8-bit (MP4)] is selected for [Video file type] in the video recording menu, and – a frame size and rate of [1920×1080; 30p], [1920×1080; 25p], or [1920×1080; 24p] is selected for [Frame size/frame rate] in the video recording menu.
11. Both the subject and the camera must be still. RAW images shot with the pixel shift shooting feature must be combined using NX Studio.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time. SOURCE Nikon Inc.

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