The Bridge
Large trunks discovered in a basement offer a window into the lives and struggles of early Filipino migrants
Abandoned trunks became time capsules of Little Manila’s Filipino migrant story.
Sam Vong, Smithsonian Institution
In 2005, Antonio Somera, a Filipino American member of the Legionarios del Trabajo, a Masonic fraternal order, stumbled across a trove of mysterious-looking containers while he was cleaning out the basement of the Daguhoy Lodge in Stockton, California.
The containers, which had been abandoned for decades, included more than a dozen steamer trunks – large luggage chests designed for long-distance travel – and a handful of suitcases dating to the 1910s.
They belonged to former Legionarios del Trabajo members who at some point lived in the lodge but had passed away. Fraternal brothers packed their personal belongings to memorialize the deceased and hoped that surviving family members would later reclaim the objects.
These unusual time capsules and their contents tell a largely forgotten history of the men and women who had left the Philippines in the 1910s to work in Hawaii’s sugar industry and later settled in California’s San Joaquin Valley. Affectionately dubbed “Little Manila,” south Stockton became an important hub for one of the largest communities of Filipinos outside the Philippines.
Along with my curatorial assistant, Ethan Johanson, we studied the fascinating objects and photographs found in the trunks to tell the story of this largely forgotten cohort of migrants.
Here are five objects that capture the breadth and depth of life and work in California, Hawaii and other states for Filipino migrants. They’re among those featured in an exhibition created by the Smithsonian Asian Pacific American Center on display at the Smithsonian’s National Museum of American History. Titled, “How Can You Forget Me: Filipino American Stories,” the exhibition explores the making of the Filipino American community in Stockton between the 1910s and 1970s.
1. The steamer trunk
This steamer trunk formerly belonged to Anastacio Atig Omandam, a worker who arrived in Honolulu from the Philippine province Negros Oriental in January 1916.
In his 20s, Omandam embarked on a two- to three-week voyage across the Pacific Ocean, leaving his rural and impoverished hometown to earn money to send home.
Omandam was part of a group of mostly young, single men who were recruited by sugar plantation companies as early as 1906 to work in Hawaii’s booming sugar industry. Between 1906 and 1935, thousands of men – and later women – left their hometowns in the Ilocos and Visayas regions of the Philippines for Hawaii, toiling on plantations alongside other immigrant workers.
After the United States defeated Spain in the 1898 Spanish-American War, the Philippines was under U.S. colonial rule until 1935.
Filipinos living under American rule and in U.S. territories were designated as U.S. nationals, an ambiguous legal status. It allowed Filipinos to migrate relatively freely within U.S. territories, but they lacked constitutional protections and privileges such as citizenship and voting rights.
Omandam’s steamer trunk is emblematic of the trunks discovered by Somera in 2005. Omandam likely bought the trunk secondhand in the Philippines or Hawaii. While the origins of the trunk remain a mystery, it traveled with Omandam from job to job, reflecting the life of a migrant worker continually on the move. Many of these trunks – Omandam’s included – contained handwritten correspondence written in beautiful cursive, photographs, postcards, work tools, garments and pay stubs.
They were, in essence, time capsules of each of these men’s lives.
2. An asparagus knife
The large, unusual-looking metal instrument found in one trunk is a knife that farmworkers used to harvest asparagus.
During the harvesting season, typically between February and June, workers wielded this knife, using the sharp edge of the forked blade to pierce approximately 6 inches (15 centimeters) below the soil to cut the root of the asparagus.
Harvesting asparagus demanded dexterity and speed. Workers needed to constantly bend over to cut and collect the produce as they moved up and down the rows. This repetitive and backbreaking motion earned Filipino farmworkers the derogatory label “stoop labor.”
After a series of restrictive immigration laws barred Chinese, Japanese and other immigrant groups between the 1870s and 1920s, growers and agribusiness turned to hiring Filipinos and Mexicans to harvest seasonal crops such as lettuce, grapes and asparagus, among others.
When the harvesting season was over, Filipino farmworkers migrated to other West Coast states to harvest apples, hops and grapes. Others went to Alaska to can salmon.
The asparagus knife was found among the containers in the basement, alongside other grafting and pruning knives. These tools – still carrying the soil from which they were tilled – represent the work of the immigrant farmworkers of all backgrounds who helped build California’s agriculture industry, which continues to feed the nation today.
3. Three-piece suits
Three-piece suits were found in nearly all the steamer trunks, along with Stetson hats, bow ties and other fashionable accessories from the 1920s and ’30s.
Despite earning meager wages, most Filipino farmworkers saved their hard-earned money to purchase at least one tailored three-piece suit. Men donned these stylish garments to attend Sunday Mass, dinners and taxi-dance halls – where they could pay a small fee to dance with a professional dancer – or merely to strut their stuff down the streets of Stockton’s Little Manila.
Because Americans often looked down upon agricultural workers as uncultured and illiterate – “little brown monkeys” was a common slur – Filipinos resisted these negative characterizations by presenting themselves like the Hollywood movie stars they saw at the cinema. They understood the power of self-presentation: By embracing popular American styles, they sought to command respect and dignity.
They also wore these suits to pose for fancy photographs that were sent back home to the Philippines as a way to display affluence and social mobility – and to entice their compatriots to join them in the U.S.
Not everyone was enchanted. Some white Americans viewed these slick, handsomely dressed Filipino men as a sexual threat that could “steal” their women.
4. A pageant dress
This sequined dress belonged to Barbara Nambatac, a longtime resident of Livingston, California, who grew up among the “manongs,” a kinship title meaning older brother often used when referring to this early generation of Filipino migrants.
Her Filipino father was a cook who served food to Filipino and Mexican field hands on farms throughout California’s Central Valley, where he later met Nambatac’s Mexican mother.
In the 19th century and into the 20th century, California’s anti-miscegenation laws prohibited whites from marrying outside their race. At the same time, the shared experiences of Mexican and Filipino farmworkers often led to relationships between members of the two migrant groups.
When Barbara was 21, Nambatac’s father, who was a member of the Legionarios del Trabajo in Stockton, saved his modest salary to buy the dress from the Philippines and registered her in a beauty pageant that helped raise funds for the lodge. She ultimately took first place.
In Stockton’s Little Manila, pageants reinforced the importance of women in the community. Since women were discouraged from migrating, there was a gender imbalance in Filipino American communities that persisted for decades.
Filipinas who were able to migrate to the United States were important pillars in Stockton’s Filipino American community and assumed multiple roles. Women labored tirelessly alongside men in the fields, performed domestic work in households, advised young men to save money and go to school, and built and maintained networks that sustained local communities and transpacific ties back home in the Philippines.
Although the gender disparity was stark in Little Manila before the 1960s, the presence of women and girls ensured the survival of Filipino American families.
5. A pillowcase
This pillowcase was one of three found in Anastacio Omandam’s steamer trunk.
It’s embroidered with floral patterns and a poignant message – “How Can You Forget Me” – which inspired the exhibition’s title. The pillowcases, along with letters and photographs, evoke the sentimental messages that connected friends, families and lovers separated by a vast ocean.
In the case of Omandam, a loved one from the Philippines likely sent him the pillowcase. The lack of punctuation is interesting: It serves as neither a question nor a declaration, but nonetheless urges Omandam to never let go of his memories of home.
In the same way, I hope the exhibition will implore visitors to never forget this generation of men and women who paved a path for other Filipino immigrants. More than 4.4 million Americans identify as having Filipino ancestry, according to the 2020 U.S. census.
These objects reflect the stories of ordinary people who were resourceful, creative, resilient and filled with hope in the face of discrimination, racism and legal exclusion.
The odds were constantly stacked against them. And yet they persevered – each strike into the soil, each coin saved to save up for a new suit, each lodge meeting and each beauty pageant taking them one step closer to forging a place for themselves in the American story.
Sam Vong, Curator of Asian Pacific American History, Smithsonian Institution
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Lifestyle
P.F. Chang’s Partners With Starlight Children’s Foundation for New “Spirit of the Zodiac” Giving Campaign
P.F. Chang’s launches Spirit of the Zodiac, a giving campaign supporting Starlight Children’s Foundation with Bao plush purchases and in-restaurant donations.
P.F. Chang’s Launches Spirit of the Zodiac Campaign to Support Starlight Children’s Foundation
P.F. Chang’s is launching a new annual charitable initiative designed to bring comfort to children during hospital stays. The Scottsdale-based restaurant brand announced Spirit of the Zodiac, a giving program inspired by the Chinese zodiac, with its inaugural campaign—Year of the Fire Horse: Spirit of Strength—benefiting Starlight Children’s Foundation.
What the campaign supports
Starlight Children’s Foundation serves more than 800 children’s hospitals nationwide, providing programs such as toy deliveries, hospital gowns, gaming stations, and other experiences intended to help kids feel more comfortable, connected, and supported during medical care.
How guests can participate (Sept. 2–Sept. 30)
From September 2 through September 30, 2026, guests can purchase Bao, a limited-edition horse plushie, for $10 through dine-in transactions at participating P.F. Chang’s restaurants (while supplies last). For each Bao purchased, P.F. Chang’s will donate an identical Bao plushie to Starlight for distribution through its hospital network—up to 20,000 donated plushies.
Guests can also support the campaign by rounding up their checks or making a direct donation in restaurant. The overall effort aims to raise $500,000 to support Starlight’s work with children and families.
Bonus offer for donors
P.F. Chang’s says guests who purchase Bao or make an in-restaurant donation of $10 or more to Starlight will receive an offer for a complimentary appetizer with the purchase of an entrée on a future dine-in visit, valid through October 31, 2026 (restrictions apply; participating locations only).
A story component for families
The campaign also includes a storytelling element: Bao’s journey will be featured in a digital story and an original children’s book by author Jenny Liao and illustrator Adriane Tsai, expected to publish later this month.
What to watch for
P.F. Chang’s and Starlight plan to continue the partnership beyond September, including in-hospital catering and plush deliveries in early October.
For more information, visit www.pfchangs.com/offers/spirit-of-the-zodiac. To learn more about the partnership, visit starlight.org/pfchangs.
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Community
9/11 Day Awards $3 Million in Grants to Expand Volunteer Opportunities Nationwide Ahead of 25th Anniversary
9/11 Day announced $3 million in grants to nearly 200 groups across 40 states, expanding service projects for the 25th anniversary observance.
As the United States approaches the 25th anniversary of September 11, 2001, the nonprofit 9/11 Day is putting major resources behind a familiar idea with renewed urgency: remembrance through service. The organization—founded by 9/11 families and leaders and co-led by co-founders David Paine and Jay Winuk—announced $3 million in grants to roughly 200 nonprofits, schools, and community groups across 40 states to expand local volunteer projects tied to this year’s September 11 National Day of Service and Remembrance.
The funding is designed to dramatically increase the number of ways Americans can participate close to home, from food insecurity initiatives to neighborhood cleanups and support programs for veterans and first responders. Together, grant recipients are expected to engage more than 70,000 volunteers nationwide.
A major push toward youth-led service
More than 70% of the grant funding is going to youth organizations and educational institutions, including K–12 schools, universities, and other learning programs. The emphasis reflects a generational reality: millions of students today know 9/11 primarily through textbooks, family stories, and classroom lessons.
“For many students participating in the observance this year, 9/11 is something they’ve only encountered in textbooks or through stories from parents and grandparents,” said Jay Winuk, co-founder and executive vice president of 9/11 Day and a 9/11 family member. “By connecting history with hands-on service, we’re helping young people understand that the legacy of 9/11 isn’t defined only by tragedy. It’s also defined by compassion, resilience and the responsibility we all share to care for one another.”
Youth-focused projects supported by the grants include school-wide days of service, hunger-relief efforts, donation drives, community improvement work, and service-learning initiatives that connect the history of September 11 with practical ways to help others.
UNIITE for Good: turning an anniversary into a nationwide “doing good” moment
The grant program is a cornerstone of 9/11 Day’s nationwide UNIITE for Good campaign, scheduled to officially launch August 24. The campaign aims to transform the 25th anniversary into what organizers describe as America’s largest day of doing good—channeling remembrance into tangible community impact.
The program is administered in collaboration with AmeriCorps, with principal funding provided by AmeriCorps and the Popeyes Foundation. A special emphasis this year is addressing hunger—an issue described in the release as an “ever-growing hunger crisis across the nation.”
Meeting community needs where people live
Grant-funded projects span urban, suburban, and rural communities. Activities include assembling meals for individuals and families facing food insecurity, packing care kits for veterans and first responders, restoring community spaces, and strengthening schools and neighborhoods.
Beyond the service itself, the grants are also intended to help local groups recruit volunteers, purchase supplies, coordinate logistics, and expand the number of service opportunities available in their areas.
“As we mark the 25th anniversary of 9/11, we have a responsibility to preserve not only the memory of that day and those lost and injured, but also the extraordinary way Americans came together in the aftermath of the attacks,” said David Paine, president and co-founder of 9/11 Day. “These community-led projects are helping rekindle that spirit of unity, compassion and service by bringing neighbors together to help solve local challenges.”
AmeriCorps echoed that message, framing service as a way to honor those who responded in the immediate aftermath of the attacks.
“This year, we invite Americans to carry forward that enduring spirit of unity and service by becoming a hero for someone in need,” said Emily Stock, project manager for Volunteer Initiatives at AmeriCorps, noting that AmeriCorps-funded projects will include food drives, home repairs, neighborhood cleanups, and disaster preparedness activities.
The Popeyes Foundation also highlighted its community-focused mission and its role in supporting local projects.
Why this anniversary matters now
Organizers say the 25th anniversary arrives at a pivotal moment: more than 100 million Americans are now too young to have personal memories of September 11. That makes this milestone one of the last major opportunities to connect those who lived through the day with younger generations learning about it as history.
Examples of grant-supported efforts include:
- Marshall University, which plans to build on its existing 9/11 Days of Service tradition, including a Memorial Stair Challenge and volunteer projects supporting veterans, first responders, and families in need.
- Middlebury Elementary School, which will expand hands-on service activities that teach younger students about 9/11 through compassion and community action.
- University of South Dakota, where students will work alongside community partners to address local needs while learning how service can bridge backgrounds and perspectives.
How to get involved
A full list of 2026 9/11 Day Grant Program recipients is available through 9/11 Day. To learn more about the September 11 National Day of Service and Remembrance—and to find ways to participate—visit 911day.org.
STM Daily News will continue tracking community service initiatives and local observances tied to the 25th anniversary as September approaches
STM Blog
Dolly Parton was more than a musical idol – for some fans, she was a spiritual icon
Dolly Parton’s faith, philanthropy and message of love and acceptance made her more than a country music legend—many admirers viewed her as a spiritual icon.
Sarah Dees, Iowa State University
As soon as news broke about the death of beloved songwriter Dolly Parton, I began receiving condolence messages from across the country, and around the world.
They came from friends, family and colleagues who knew I’d been working on a biography of the country legend – everyone from a conservative Catholic monk to advocates for queer and trans rights. The list reflects the even more diverse array of fans, people from countless backgrounds, who are mourning her loss.
The main focus of my project is Parton’s own spirituality, starting with her Appalachian upbringing. But it also examines her fandoms, including some people who elevate the singer to an almost sacred status. This was the case before her death – and even more so now.
As a scholar of American religions, I teach my students about practices, texts and beliefs that many of them immediately consider “religious” – for example, a worship service led by a pastor. However, religion is also found far beyond these official times and spaces, including in popular culture. According to scholar America Wolff, fandoms resemble religious groups in the way they focus on a single popular figure who inspires systems of belief, ritual and law.
Singer’s journey
Looking at Parton’s life reveals how a celebrity can incorporate religion into their public persona, without ostracizing admirers from other traditions. She discussed religion in interviews throughout her career, as well as in her 1994 memoir, where she recounted her maternal grandfather, a fundamentalist pastor, preaching hellfire and brimstone.
In 1971, for example, she told journalist Gene Guerrero how religion inspired some of her songs: “My mama used to read us all the Bible stories. I know the Bible pretty well, and I especially loved the stories.” That same year, she released “The Golden Streets of Glory,” the first of her several gospel albums.
Six years later, talking with Rolling Stone interviewer Chet Flippo, Parton claimed that she wasn’t a Christian. But “I do believe, I know there is a God and He is still the best friend I got in the world,” she explained. “I talk to Him often, but I’m one of the world’s sinners.”
Later in her life, though, Parton embraced the label “Christian” – albeit in a way that was very much her own. In the memoir “My Life and Other Unfinished Business,” she explained that “Christianity and its symbols are powerful parts of my life.” However, she diverged from socially conservative elements of her grandfather’s faith by embracing makeup and flashy fashion, celebrating her own sexuality, and speaking up for LGBTQ+ rights.
She was never interested in proselytizing. People do not have to embrace Christianity “to be a decent and worthwhile human being,” she wrote. “Spirituality is the most intimate part of a person’s makeup, and it’s strictly up to the individual to choose how to express it.”
‘Gospel of Dolly’
This openness explains part of Parton’s widespread appeal. The popular podcast “Dolly Parton’s America,” produced by journalists Jad Abumrad and Shima Oliaee, was based on the premise that Parton is one of the few public figures to have fans across the political spectrum.
After her death, President Donald Trump posted a tribute on his social media site, TruthSocial, and ordered that flags be flown at half-staff for a week. At the same time, in the Castro neighborhood of San Francisco – a haven for the queer community – a Pride flag was also flying at half-staff in her honor.
Mourners include Jesuit priest and author James J. Martin, who thanked Parton for “teaching me about the Christian life,” and numerous Christian musicians who looked up to her. “She was the epitome of faith, grace, talent, beauty and humour,” country artist Carrie Underwood wrote. “She had a humble heart for Jesus and made everyone around her feel special.”
But even non-Christians discussed Parton in sacred terms: a “secular American saint,” as Vox writer Constance Grady designated her in 2021.
Beyond her music, these fans admired her philanthropy, from the Imagination Library program that distributes books to children around the world to her US$1 million donation that helped fund COVID-19 vaccine research. They also highlighted her support for the Black Lives Matter movement and LGBTQ+ rights. “Dolly Parton is beloved because she has devoted her career to standing for love,” Grady wrote.
Even before her death, though, some people idolized her in a saint-like way. In 2011, for example, photographer Alice Hawkins produced a project titled “Dolly Parton is my religon.” Rev. Lindy Vogado, a Presbyterian pastor,likened her to a prophet. “Dolly Parton, through her life and work, inspires us to be better versions of ourselves,” Vogado wrote in 2025. “Just like any good prophet would do.”
In recent years, churches in Illinois, Oklahoma and New York have held services based on “the gospel of Dolly.” I attended the service in New York, which interspersed Parton’s songs with readings from scripture and homilies. Like the other services, the one I attended emphasized Parton’s “teachings”: love, care and acceptance.
Angels and atheists
Since her death, the religious language has only intensified. Musician Roseanne Cash referred to the singer as a “goddess” on Instagram, and cartoonist Marshall Ramsey portrayed her as an angel. “Listen, I’m fairly well atheist and have been for decades,” Threads user @cartergoesplaces proclaimed, “but Dolly Parton is in heaven with Jesus now. That’s simply a fact, and I’ll hear no arguments, no matter how vast the cosmos…”
Parton had her own personal brand of Christian religiosity, but she encouraged others to find and follow their own paths. I believe this helps to explain the huge outpouring of admiration – from followers of many religious traditions, followers of none, and followers of Dolly herself.
Sarah Dees, Associate Professor of American Religions, Iowa State University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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