Entertainment
What Amazon MGM’s creative control over the James Bond film franchise means for the future of 007
Colin Burnett, Washington University in St. Louis
James Bond was front and center at the 2025 Academy Awards – and in a somewhat curious way.
In a musical number, Lisa of Blackpink, Doja Cat and Raye sang the Bond theme songs “Live and Let Die,” “Diamonds Are Forever” and “Skyfall,” respectively. No Bond films had been nominated for an award, and none of these singers has a connection to the Bond franchise, though they did all recently collaborate on the single “Born Again.”
The strange exercise felt less like a celebration and more like a big flashing question mark for a screen icon whose future has never felt more uncertain.
Since the shocking news dropped on Feb. 20, 2025, that Jeff Bezos’ Amazon MGM Studios would assume creative control over the James Bond film franchise, commentators and fans have wondered why.
Why would the Broccoli family, which has long held the rights to Bond movies through their company, EON, cede control of the film series to a tech partner they’ve been at odds with?
Two possibilities have emerged.
First, EON’s Michael G. Wilson and Barbara Broccoli, the stepson and daughter of legendary EON producer Albert R. “Cubby” Broccoli, may have reached a point of creative exhaustion. There could be something to this theory. According to Puck’s Matthew Belloni, the 83-year-old Wilson and 64-year-old Broccoli were having difficulty figuring out their next step after 2021’s “No Time to Die.”
A second reason could be Amazon’s impatience with EON. In December 2024, The Wall Street Journal reported that Barbara Broccoli balked when Amazon Studios executive Jennifer Salke proposed several Bond spinoff projects, including a Bond series with a female lead, for Prime Video. Perhaps frustrated with the stalemate, Amazon may have made Wilson and Broccoli an offer they couldn’t refuse to get them out of the way and get production of Bond content rolling.
The speculation is certainly intriguing. But a more central question shouldn’t be overlooked: the “what.”
What, precisely, has Amazon MGM acquired? And what can it actually do with the Bond story?
Breaking down the Bond rights
In my research on the 007 franchise, I’ve discovered that this property has never been a traditional film series.
Long before “Star Wars” launched in 1976 and the Marvel Cinematic Universe launched in 2008, Bond relied on a range of mediums to tell its story.
The Bond franchise began in 1953, not with a film but with a novel, Ian Fleming’s “Casino Royale.” One year later, “Casino Royale” was adapted for American TV as a live anthology show. Four years after that, in 1958, a popular Bond comic strip made its debut.
It was only in 1962, with “Dr. No,” starring Sean Connery, that the now-iconic film series began.
Since then, James Bond has been spun off into a children’s animated show, choose-your-own-adventure books, a “Young Bond” novel series, video games, a reality show, radio dramas and more.
Here’s what’s crucial: With its new deal, Amazon MGM has a controlling stake only in the rights that EON holds. EON has licensed the right to produce future films and TV shows from Fleming since 1961. EON secured worldwide merchandising rights in 1964 and production rights to video games in the early 1990s.
Other 007 media – the literary, comic and audio series – are managed by the Fleming Estate and Ian Fleming Publications.
The James Bond media franchise is what I call a shared rights and licensing network.
No one company controls all of the Bond rights, and no one company produces all of Bond media. Though this arrangement is a complicated one, the sharing and licensing of rights has allowed Bond to emerge as a lucrative and fecund product line. According to my calculations, it now boasts over 330 original stories in 72 years of media production.
In other words, Bond is much more than the 25 films released by EON.
James Bond’s many lives
Until now, rights sharing and licensing have ensured that the Bond franchise remains creatively distinct from “Star Wars” and Marvel.
The companies that produce these series – LucasFilm and Marvel Studios – are owned by The Walt Disney Company. With their rights pooled under one corporate entity that also oversees all production, “Star Wars” and Marvel have been able to drive toward high levels of creative consistency and unity among their stories. Across films, TV, comics and video games, “Star Wars” and Marvel aspire to what media specialists call “transmedia storytelling.”
By sharing rights, the Bond franchise has arrived at a very different type of storytelling, one that fragments the story and multiplies the James Bonds to be experienced across distinct media. The effect isn’t transmedia storytelling, or even a Marvel-style multiverse. In Bond, characters can’t cross over to alternate realities and meet other versions of themselves.
James Bond exists in many different worlds and leads many different lives.
To name a few: There’s the Bond of Fleming’s 1950s and 1960s novels, who loses his first love, Vesper Lynd, and hunts down her killers, who are members of SMERSH, the assassination arm of Soviet intelligence agencies. Fleming’s Bond also lives on in the novels of Kingsley Amis and John Gardner, which were published in the 1970s and 1980s.
There’s EON’s silver screen Bond, who, from 1962 to 2002, never falls in love with Vesper, but loses his wife, Tracy di Vicenzo, to the crime syndicate SPECTRE and remains scarred by the loss. And in the modern era, there’s the Bond who appears in author Samantha Weinberg’s “Moneypenny Diaries.” Published from 2005 to 2008, the series depicts a version of Bond who has retired to a small Scottish isle with his lover, MI6’s Miss Moneypenny.
The effect of Bond’s shared structure is what I dub “threaded storytelling.” The novels present various versions of Bond’s life, at different points in history. The film series creates two of its own. The comic series offers yet more lives of 007.
Each version of Bond runs alongside the others in the market, focusing on a Bond character who exists only within his unique story world. This gives fans an unpredictable, ever-expanding canon of stories to follow and even compare, like one grand spot-the-difference game in time.
Where next for Bond?
The deal between Amazon MGM and EON awaits regulatory approval in the U.S. and U.K.
If it goes through, Amazon MGM will have a strong property on its hands. Over the decades, EON has reinforced certain elements to the character and the story: James Bond is a debonair hitman. MI6 chief M gives him high-stakes missions. MI6 armorer Q fits him with the latest gadgets. And Bond lives large, enjoying beautiful women, fine dining, Savile Row fashions and Omega timepieces.
Amazon MGM is unlikely to tinker with these Bondian elements. They’re also likely to preserve the movies’ “Bond formula” – the gun barrel visual that kicks off each film, elaborately designed credit sequences, film-specific theme songs, and the closing title card that reads, “James Bond Will Return.”
Yet some fans fear that Amazon MGM will develop “woke” storylines. Others foresee the product being diluted with countless streaming spinoff series.
To me, the more intriguing possibility is whether Amazon will try to create a more unified Bond universe, akin to the Marvel Cinematic Universe. Yes, the Fleming Estate will continue to manage the novels, comics and radio. But with creative control over EON’s rights, Amazon MGM could, in theory, develop an elaborate transmedia strategy never before explored in this franchise.
A relaunched film series, perhaps serving as Amazon MGM’s “mothership,” would feed into satellite series in video games and streaming shows. These games and shows, in turn, would tie into and expand the universe of the films.
Were that to happen, the Bond franchise would truly enter a new phase and risk losing much of the creative flexibility it’s possessed in the past.
Colin Burnett, Associate Professor of Film and Media Studies, Washington University in St. Louis
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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SeaWorld is leaning hard into summer nights in 2026, rolling out a coast-to-coast entertainment lineup across Orlando, San Diego, and San Antonio. The headline addition: all three parks will feature all-new nighttime drone shows, paired with nighttime animal presentations, seasonal concerts, parades, and event-style programming designed to keep families in the park after sunset.
SeaWorld says the goal is a bigger, more immersive summer experience that blends animal encounters with high-energy entertainment. Marc Swanson, CEO of United Parks & Resorts (SeaWorld’s parent company), said the company is “raising the bar across the country” with a mix of “cutting-edge drone displays” and “nonstop family fun” meant to create lasting memories.
What’s new across all three parks
Across Orlando, San Diego, and San Antonio, SeaWorld’s summer push centers on nighttime programming. The parks are introducing new drone spectacles (with San Diego and San Antonio debuting drone shows for the first time, and Orlando launching a new version), plus new nighttime animal presentations and event-style entertainment.
Families planning travel around theme parks will want to watch two things: start dates and nighttime schedules, since several offerings roll out in late May and mid-June depending on the park.
SeaWorld Orlando: Electric Ocean returns June 12
In Orlando, SeaWorld’s summer nights are anchored by Electric Ocean, beginning June 12. The event is built as a full evening block: performance show, dance party energy, animal presentations, and a closing sky show.
Electric Ocean includes:
- Hydro Surge: Cirque Spectacular Show, a high-energy cirque-style production with acrobatics, dancers, and live drumming
- Club SeaGlow, an evening DJ party with dancers and atmospheric acts
- An all-new drone spectacle, featuring hundreds of synchronized drones forming ocean-themed scenes
- Ignite: A Fireworks Spectacular, returning with an enhanced mix of fireworks, fountains, lighting, and music
Also beginning June 12, SeaWorld Orlando is introducing three new nighttime animal presentations:
- Shamu Celebration: Light Up The Night
- Sea Lions Tonite
- Dolphins: Touch the Sky
SeaWorld also teased a new attraction opening this summer: Expedition Odyssey: Fire & Ice, described as a scientific mission exploring the most powerful forces that shape one of the most extreme environments on Earth.
SeaWorld San Diego: Drone show debut, Shark Encounter, and a summer concert series
SeaWorld San Diego’s summer programming begins May 22, with a slate that runs from daytime experiences into nighttime entertainment. The biggest “first” is the park’s debut drone show.
New offerings starting May 22 include:
- Ocean of Dreams Drone Show, a 12-minute nighttime show featuring 600 synchronized drones set to a soaring soundtrack
- Shark Encounter, a refreshed, interactive, immersive experience featuring sharks from 11 species
- Dolphin Adventures, featuring dolphins, pilot whales, and “the next generation of dolphins”
- The Wonders of North American Wildlife, highlighting native wildlife diversity and rescue/rehabilitation stories
- Deep Sea Disco, a dance-focused nighttime experience under SkyTower lights
On June 12, SeaWorld San Diego adds three nighttime animal presentations:
- Shamu Celebration: Light Up The Night
- Sea Lions Tonite
- Dolphins: Touch the Sky
The park is also bringing back fan-favorite shows including BMX Blast! Powered by BODYARMOR and Pirates Ahoy! The Battle for Mermaid Cove. Plus, SeaWorld says its 2026 Summer Concert Series will run every Saturday, spotlighting artists tied to ’90s and early-2000s hip hop and R&B.
SeaWorld San Antonio: Electric Ocean, a 400-drone finale, and a new family coaster
SeaWorld San Antonio’s summer lineup also starts May 22, led by its own version of Electric Ocean. The park’s summer nights are built around parade energy, stunt action, and a drone finale.
Electric Ocean in San Antonio includes:
- RhythMotion Ocean Parade, featuring floats, dancers, and characters
- Hydropower: Xtreme FX, a waterski stunt show with pyrotechnics, lasers, and live music
- SeaWorld Illuminight Drone Finale, featuring 400 synchronized drones creating marine-life-inspired animations
San Antonio is also adding two nighttime animal presentations beginning May 22:
- Shamu Celebration: Light Up the Night
- Sea Lions Tonite
For families looking for a ride-centered reason to visit, SeaWorld San Antonio is promoting Barracuda Strike, described as the tallest inverted family coaster in North America.
Annual Pass angle for repeat visits
SeaWorld is positioning its Annual Pass as the best way to experience the summer lineup, emphasizing unlimited visits and perks like savings on merchandise, reserved seating, and add-ons.
A note on SeaWorld’s conservation and rescue work
Alongside the entertainment rollout, SeaWorld highlighted its conservation and animal rescue efforts. The company says it has helped more than 42,000 animals to date and that the SeaWorld Conservation Fund has provided more than $20 million to nearly 1,400 organizations since 2003.
Planning tips: what to watch before you book
If you’re planning a family trip around these summer events, the key details to confirm are:
- Event start dates (May 22 vs. June 12 depending on the park)
- Nighttime showtimes for drone shows and animal presentations
- Concert dates (San Diego’s Saturday series)
- Park hours and whether any offerings require reservations or have limited seating
Source: SeaWorld (press release distributed via PRNewswire, May 7, 2026).
Related: Sea World Orlando
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music and concerts
Hillbilly Bible Film Relaunch Honors John Amos, Adds Voyage Air Guitar Giveaway
Hillbilly Bible, a Memphis-rooted faith-based dramedy dedicated to John Amos, is set to begin production in Fall 2026 and is launching a $30 fan campaign with a Voyage Air Guitar giveaway.
MEMPHIS, Tenn. — Hillbilly Bible, a Memphis-rooted, music-driven faith-based dramedy, is being relaunched by Hillbilly Bible Movie LLC in association with MVP3 Foundation and MVP3 Network, with director KC Amos stepping in to honor the legacy of his father, actor John Amos.
The film is supported by Voyage Air Guitar as the leading product placement title sponsor and is scheduled to begin production in Fall 2026, with filming planned in Memphis and Nashville, Tennessee, and Clarksdale, Mississippi.
What the film is about
Written by Marie Pizano with co-writer Mark Selker and inspired by the book title Hillbilly Bible by Stevie Rey, the PG-13 story follows Billy Madden, a former foster kid whose early trauma shadows his adult life.
After a public fall tied to pride and addiction, Billy heads south searching for a legendary bluesman known as the “Cool Cat Jesus,” believing the musician can help restore his broken career.
Instead, he meets unexpected messengers who challenge him to face humility, inner-child wounds, and the cost of chasing applause over purpose.
The film tracks Billy’s road to repentance, healing, and restored identity, blending music, drama, and humor while carrying a dedication to John Amos.
The creative team
Pizano leads the project alongside director KC Amos and co-director Al Coronel, who makes his directorial debut. The producing team also includes Kent Wells, a longtime producer associated with Dolly Parton.
“This story carries the spirit of all of us,” Pizano said in the announcement. “We all stumble and fall, but we can get back up and find our ‘yes.’”
Fan campaign + giveaway
To bring supporters into the rollout, the film is launching a $30 fan supporter campaign and a Voyage Air Guitar giveaway. Organizers say the campaign is designed to give back to foster youth, ministries, and mental health advocacy.
Each supporter package includes an exclusive Hillbilly Bible T-shirt, entry into the Voyage Air Guitar giveaway, and access to a private screening before any wider public release.
More details and official rules are available at https://hillbillybiblemovie.com/. Fans can also follow the official Facebook page at https://www.facebook.com/share/1ApXMKqqA1/?mibextid=wwXIfr.
What to Watch For
- Fall 2026 production start and location updates (Memphis, Nashville, Clarksdale)
- News from press-only conferences set for March 25, 2026 (Memphis and Clarksdale), plus a later Nashville event
- Casting, music partnerships, and additional sponsor announcements as the project ramps up
Sources: hillbillybiblemovie.com
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pop culture
May the Fourth: Celebrating National Star Wars Day | Fun Facts & Festivities
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th.
Last Updated on May 4, 2026 by Daily News Staff
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th. The day is filled with festivities such as costume contests, trivia games, and movie marathons. Fans of the series can dress up like their favorite characters, watch their favorite movies, and make outer space snacks.
The phrase “May the Fourth Be with You” was first introduced by the Conservative Party in the UK in 1979 to congratulate Margaret Thatcher on becoming the first female Prime Minister. Since then, the phrase has become synonymous with Star Wars Day and is used by fans around the world to greet each other on this special day.
National Star Wars Day was first organized in Toronto, Canada, in 2011, and has since become a worldwide phenomenon. Fans of all ages come together to celebrate their love for the franchise and to honor its creator, George Lucas.
Whether you’re a hardcore fan or just a casual admirer, National Star Wars Day is a day to let loose and have some fun. May the Fourth be with you!
National Star Wars Day
https://nationaldaycalendar.com/?s=Star+Wars+Day
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