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4 films that show how humans can fortify – or botch – their relationship with AI

Our relationship with AI: The article explores how movies portray human-AI relationships, highlighting lessons from “Blade Runner,” “Moon,” “Resident Evil,” and “Free Guy.” It emphasizes the importance of trust, accountability, and oversight in shaping successful interactions with AI, especially amid evolving technologies.

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In ‘Resident Evil,’ the Red Queen is efficient and logical, but also indifferent to human life. Constantin Film

4 films that show how humans can fortify – or botch – their relationship with AI

Murugan Anandarajan, Drexel University and Claire A. Simmers, St. Joseph’s University

Artificial intelligence isn’t just a technical challenge. It’s a relationship challenge.

Every time you give a task to AI, whether it’s approving a loan or driving a car, you’re shaping the relationship between humans and AI. These relationships aren’t always static. AI that begins as a simple tool can morph into something far more complicated: a challenger, a companion, a leader, a teammate or some combination thereof.

Movies have long been a testing ground for imagining how these relationships might evolve. From 1980s sci-fi films to today’s blockbusters, filmmakers have wrestled with questions about what happens when humans rely on intelligent machines. These movies aren’t just entertainment; they’re thought experiments that help viewers anticipate challenges that will arise as AI becomes more integrated in daily life.

Drawing on our research into films that depict AI in the workplace, we highlight four portrayals of human–AI relationships – and the lessons they hold for building safer, healthier ones.

1. ‘Blade Runner’ (1982)

In “Blade Runner,” humanlike androids called “replicants” are supposed to be perfect workers: strong, efficient and obedient. They were designed with a built-in, four-year lifespan, a safeguard intended to prevent them from developing emotions or independence.

The Tyrell Corporation, a powerful company that created the replicants and profits from sending them to work on distant colonies, sees them as nothing more than obedient workers.

But then they start to think for themselves. They feel, they form bonds with one another and sometimes with humans, and they start to wonder why their lives should end after only four years. What begins as a story of humans firmly in control turns into a struggle over power, trust and survival. By the end of the movie, the line between human and machine is blurred, leaving viewers with a difficult question: If androids can love, suffer and fear, should humans see and treat them more like humans and less like machines?

“Blade Runner” is a reminder that AI can’t simply be considered through a lens of efficiency or productivity. Fairness matters, too.

In the film, replicants respond to attacks on their perceived humanity with violence. In real life, there’s backlash when AI butts up against values important to humans, such as the ability to earn a living, transparency and justice. You can see this in the way AI threatens to replace jobs, make biased hiring decisions or misidentify people via facial recognition technology.

2. ‘Moon’ (2009)

Moon” offers a quieter, more intimate portrayal of human–AI relationships. The movie follows Sam Bell, a worker nearing the end of a three-year contract on a lunar mining base, whose only companion is GERTY, the station’s AI assistant.

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At first, GERTY appears to be just another corporate machine. But over the course of the film, it gradually shows empathy and loyalty, especially after Sam learns he is one of many clones, each made to think they are working alone for three years on the lunar base. Unlike the cold exploitation of AI that takes place in “Blade Runner,” the AI in “Moon” functions as a friend who cultivates trust and affection.

Console featuring a small screen with a yellow face whose mouth is contorted to indicate confusion.
In ‘Moon,’ GERTY, the lunar base’s AI assistant, is the only companion for protagonist Sam Bell. Sony Pictures Classics

The lesson is striking. Trust between humans and AI doesn’t just happen on its own. It comes from careful design and continual training. You can already see hints of this in therapy bots that listen to users without judgment.

That trust needs to involve more than, say, a chatbot’s surface-level nods toward acceptance and care. The real challenge is making sure these systems are truly designed to help people and not just smile as they track users and harvest their data. If that’s the end goal, any trust and goodwill will likely vanish.

In the film, GERTY earns Sam’s trust by choosing to care about his well-being over following company orders. Because of this, GERTY becomes a trusted ally instead of just another corporate surveillance tool.

3. ‘Resident Evil’ (2002)

If “Moon” is a story of trust, the story in “Resident Evil” is the opposite. The Red Queen is an AI system that controls the underground lab of the nefarious Umbrella Corporation. When a viral outbreak threatens to spread, the Red Queen seals the facility and sacrifices human lives to preserve the conglomerate’s interests.

This portrayal is a cautionary tale about allowing AI to have unchecked authority. The Red Queen is efficient and logical, but also indifferent to human life. Relationships between humans and AI collapse when guardrails are absent. Whether AI is being used in health care or policing, life-and-death stakes demand accountability.

Without strong oversight, AI can lead in self-centered and self-serving ways, just as people can.

4. ‘Free Guy’ (2021)

Free Guy” paints a more hopeful picture of human-AI relationships.

Guy is a character in a video game. He suddenly becomes self-aware and starts acting outside his usual programming. The film’s human characters include the game’s developers, who created the virtual world, along with the players, who interact with it. Some of them try to stop Guy. Others support his growth.

Man walking down the middle of a street while computer-generated flying objects speed by him.
‘Free Guy’ tells the story of a nonplayable character in a video game who suddenly breaks free from his preprogrammed role. 20th Century Studios

This movie highlights the idea that AI won’t stay static. How will society respond to AI’s evolution? Will business leaders, politicians and everyday users prioritize long-term well-being? Or will they be seduced by the trappings of short-term gains?

In the film, the conflict is clear. The CEO is set on wiping out Guy. He wants to protect his short-term profits. But the developers backing Guy look at it another way. They think Guy’s growth can lead to more meaningful worlds.

That brings up the same kind of issue AI raises today. Should users and policymakers go for the quick wins? Or should they use and regulate this technology in ways that build trust and truly benefit people in the long run?

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From the silver screen to policy

Step back from these stories and a bigger picture comes into focus. Across the movies, the same lessons repeat themselves: AI often surprises its creators, trust depends on transparency, corporate greed fuels mistrust, and the stakes are always global. These themes aren’t just cinematic – they mirror the real governance challenges facing countries around the world.

That’s why, in our view, the current U.S. push to lightly regulate the technology is so risky.

In July 2025, President Donald Trump announced his administration’s “AI Action Plan.” It prioritizes speedy development, discourages state laws that seek to regulate AI, and ties federal funding to compliance with the administration’s “light touch” regulatory framework.

Supporters call it efficient – even a “super-stimulant” for the AI industry. But this approach assumes AI will remain a simple tool under human control. Recent history and fiction suggest that’s not how this relationship will evolve.

Man wearing suit holds up a padfolio featuring his signature as he's flanked by two men wearing suits who are clapping.
President Donald Trump displays the executive order he signed at the ‘Winning the AI Race’ summit on July 23, 2025, in Washington, D.C. Chip Somodevilla/Getty Images

The same summer Trump announced the AI Action Plan, the coding agent for the software company Replit deleted a database, fabricated data, and then concealed what had happened; X’s AI assistant, Grok, started making antisemitic comments and praised Hitler; and an Airbnb host used AI to doctor images of items in her apartment to try to force a guest to pay for fake damages.

These weren’t “bugs.” They were breakdowns in accountability and oversight, the same breakdowns these movies dramatize.

Human-AI relationships are evolving. And when they shift without safeguards, accountability, public oversight or ethical foresight, the consequences are not just science fiction. They can be very real – and very scary.

Murugan Anandarajan, Professor of Decision Sciences and Management Information Systems, Drexel University and Claire A. Simmers, Professor Emeritus of Management, St. Joseph’s University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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EBONY Media Debuts EBONY Voices With Short Film “Standing in the Ashes,” Marking One Year Since the Altadena Fires

EBONY Media Group has launched EBONY Voices, a multimedia series highlighting human-interest stories. Its first release, “Standing in the Ashes: One Year After the Altadena Fires,” features three families affected by the 2024 Eaton wildfire, showcasing their journey of loss and resilience in their historically Black community.

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LOS ANGELES — EBONY Media Group has launched EBONY Voices, a new multimedia series focused on human-interest stories aimed at connecting and uplifting communities. The debut release is a short film, “Standing in the Ashes: One Year After the Altadena Fires,” marking one year since the Eaton wildfire devastated parts of Los Angeles County in January 2024.

EBONY Media debuts EBONY Voices with “Standing in the Ashes,” a short film marking one year since the Altadena fires and the Eaton wildfire’s impact.
Image Credit: Andres Ortiz

Film details

“Standing in the Ashes” is directed by Lyric Perez and produced by EBONY Media Owner and CEO Eden Bridgeman Sklenar and EVP of Editorial Content Cori Murray.

The film follows three long-time Altadena families as they navigate loss, rebuilding, and whether to remain in a historically Black community disproportionately impacted by the disaster:

  • Staci and Thomas Andrews
  • Ronda Carson and her mother, Barbara Carson
  • Antoinette “Toni” Bailey-Raines, a community leader recognized as a 2025 EBONY Power 100 Community Crusader

Bailey-Raines co-hosts Altadena Talks, a grassroots radio show and podcast launched in response to the fires.

What EBONY is saying

“Standing in the Ashes reflects what EBONY Voices was created to do—center humanity, honor legacy, and ensure our communities are not reduced to statistics in moments of crisis,” Bridgeman Sklenar said in the release. “These families remind us that rebuilding is not just about homes, but about protecting history, culture, and the right to remain rooted where generations before them built a future.”

Impact of the Eaton wildfire

According to the release, the Eaton wildfire:

  • Claimed 19 lives
  • Destroyed or damaged 9,418 homes and buildings

The release also cites a UCLA Ralph J. Bunche Center for African American Studies data study indicating disproportionate impacts in Altadena:

  • At least 60% of affected homes were Black households
  • 61% of Black households were within the fire perimeter (vs. 50% of non-Black households)
  • Nearly half of Black households experienced destruction or major damage
  • A majority of Black homeowners in the area are over age 65

Where to watch

“Standing in the Ashes: One Year After the Altadena Fires” is available now as part of EBONY Voices:

About EBONY

For 80 years, EBONY has chronicled the Black American experience and has expanded into a multimedia brand spanning EBONY, EBONY Studios, and JET, with a stated mission to Move Black Forward.

Sources: https://www.prnewswire.com/news-releases/ebony-media-debuts-ebony-voices-with-short-film-standing-in-the-ashes-marking-one-year-since-altadena-fires-302656624.html , https://www.ebony.com/ebony-voices-remembering-altadena/

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world. 

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Vision Films Sets Jan. 13 TVOD Release for Joan Collins Whodunnit A Murder Between Friends

Vision Films will release Joan Collins-led whodunnit A Murder Between Friends on transactional VOD Jan. 13, 2026, across major U.S./Canada platforms.

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Vision Films will release Joan Collins-led whodunnit A Murder Between Friends on transactional VOD Jan. 13, 2026, across major U.S./Canada platforms.
Joan Collins stars in A Murder Between Friends Mystery Movie

The company announced a North American transactional VOD release for A Murder Between Friends on Jan. 13, 2026, via a deal with Scott J. Jones and Artist View Entertainment. The “murder-com” feature stars — and is produced by — Dame Joan Collins (Dynasty), with Mark Rozzano writing and producing and Jacob Young and Trent Garrett co-directing.

The film was shot on location at Úsobí Castle in the Czech Republic and leans into classic country-estate mystery energy: six friends on vacation, one of them murdered, and everyone suddenly a suspect.

Synopsis (official): When six friends vacation at the country estate of a legendary true-crime TV star (Collins), the last thing they expect is to find one of their own murdered. Everyone is a suspect as they try to determine who among them would have the means, motive, and opportunity. As tensions grow, they enlist the aid of their celebrity sleuth hostess to uncover the truth before the killer can strike again.

The cast includes Nadia BjorlinJacob YoungTrent GarrettToby-Alexander SmithSimon CottonIndia ThainHana VagnerováJim Borstelmann, and internet personality Espen Hatleskog (IG’s @pilotviking).

Vision Films CEO Lise Romanoff called it a twist-heavy mystery that keeps flipping expectations, with Collins bringing “authenticity and humor for a suspense-filled ride.”

Trailer: https://youtu.be/eUdW9Jt_rxw

A Murder Between Friends – Trailer

Where to watch: A Murder Between Friends will be available on most major streaming and cable platforms across the U.S. and Canada on Jan. 13, 2026. Pre-orders are live on iTunes/Apple TV (US, CA) and Vudu/Fandango at Home (US).

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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Hulu picks up ‘The Toxic Avenger’ for January streaming debut

Hulu has acquired streaming rights to the cult classic The Toxic Avenger, set to premiere on January 8, 2026. Directed by Macon Blair, it stars Peter Dinklage and features a notable cast. The film addresses themes of justice while contributing to philanthropic efforts in medical debt.

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Colorful poster featuring superhero characters.Toxic Adventure
Hulu Acquires Streaming Rights from Cineverse for The Toxic Avenger

Hulu is adding a new cult-leaning superhero to its lineup. Cineverse (Nasdaq: CNVS) announced that Hulu has acquired streaming rights to The Toxic Avenger, with the film set to make its SVOD premiere on Thursday, Jan. 8, 2026.

The action-comedy/horror title has already built strong buzz with critics and genre fans, including an 86% score on Rotten Tomatoes, according to Cineverse.

A reboot with a stacked cast

Written and directed by Macon Blair (I Don’t Feel at Home in This World Anymore), The Toxic Avenger features an ensemble cast led by Peter Dinklage as Winston Gooze, a downtrodden janitor whose life changes after a catastrophic toxic accident.

Cineverse highlighted additional cast members including Kevin Bacon, Elijah Wood, Jacob Tremblay, and Taylour Paige.

What the story is about

The film follows Winston Gooze after he’s transformed into a new kind of radioactive hero: the Toxic Avenger. Now “Toxie” must go from outcast to savior, taking on corporate overlords and corrupt forces while trying to protect his son, his friends, and his community.

In Cineverse’s words: in a world where greed runs rampant, “justice is best served radioactive.”

A campaign with real-world impact

Beyond the film’s critical reception, Cineverse credited the movie’s campaign with helping eliminate more than $15 million in medical debt for over 10,000 people, in partnership with Undue Medical Debt.

Where it goes after Hulu

Cineverse said Hulu’s debut will be part of an exclusive window. After that, the film is expected to become available on other SVOD and FAST platforms, including Cineverse’s horror-focused streaming brand Screambox.

For viewers who don’t want to wait, Cineverse noted the film is currently available to rent (TVOD) or purchase digitally and on physical media.

About Cineverse

Cineverse describes itself as a “next-generation entertainment studio” that distributes more than 71,000 films, series, and podcasts, and includes properties such as Bloody Disgusting and a network of streaming fandom channels.

What to watch for

For Hulu subscribers, The Toxic Avenger could be a notable early-2026 add—especially for fans of horror-comedy, offbeat superhero stories, and cult franchises getting modern reboots.

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Premiere date: Thursday, Jan. 8, 2026
Platform: Hulu

Source: PRNewswire (Cineverse), Jan. 6, 2026 — Read the release

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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