Entertainment
BYRON ALLEN’S ALLEN MEDIA GROUP FILES NEW LAWSUIT AGAINST MCDONALD’S FOR FRAUD/FALSE PROMISE
AMG Claims McDonald’s Has Failed to Honor its Promise to Spend 5 Percent of Its Advertising Budget on Black-Owned Media
LOS ANGELES, May 8, 2023 /PRNewswire/ — Byron Allen’s Allen Media Group (AMG) divisions Entertainment Studios Networks, Inc. (“Entertainment Studios”) and Weather Group, LLC (“Weather Group”) filed a lawsuit on May 4, 2023 in the Superior Court of the State of California, County of Los Angeles Central District, against McDonald’s USA, LLC (“McDonald’s“) seeking damages in excess of $100 million for fraud/false promise, in violation of Cal. Civ. Code § 1711. According to the lawsuit, McDonald’s made a commitment in 2021 to spend 2 percent of its billion-dollar advertising budget on Black-Owned Media in 2021, escalating to 5 percent by 2024.
Per the lawsuit, McDonald’s did not spend anywhere close to 2 percent on Black-Owned Media in 2021, and it is not remotely close to meeting its commitment today. McDonald’s made this promise in an attempt to mislead the public about its commitment to spend with Black-Owned Media. In the wake of the George Floyd murder and the Black Lives Matter movement, the lawsuit alleges McDonald’s was an outlier among its peer corporations in that it failed to make a significant pledge to remedy racial and social justice issues. After AMG notified McDonald’s of racial discrimination, McDonald’s rushed out a “plan” wherein it committed to more than double its advertising spend with Black-Owned Media.
Per the lawsuit, this “plan” was and is a lie. AMG is over 90 percent of the Black-Owned Media market. AMG is by far the largest African American-owned media company in the country. Given the paltry amounts McDonald’s was spending with AMG in 2021 when it made its pledge, there is no way McDonald’s was spending 2 percent of its advertising budget on Black Owned Media. Today, McDonald’s is still spending de minimis amounts with AMG. Thus, McDonald’s is not anywhere close to meeting its commitment to the public and its shareholders. AMG seeks damages in excess of $100 million, along with punitive damages and a permanent injunction requiring McDonald’s to honor its commitment and spend at least 5 percent of its ad budget on Black-Owned Media with full transparency going forward as promised.
“During the Black Lives Matter movement, hundreds of corporations made pledges to Black America, and unfortunately, they have not lived up to them,” said Byron Allen, Founder/Chairman/CEO of Allen Media Group. “McDonald’s is one of those corporations that has lied and made false promises. We must hold each and every one these corporations, including McDonald’s CEO Chris Kempczinski, who was caught sending racist text messages, and its Board of Directors, fully accountable. The greatest trade deficit in America is the trade deficit between White corporate America and Black America, and we must close this trade deficit immediately.”
“This is a groundbreaking lawsuit based on a California law—Civil Code 1711—that holds corporations to their public promises and thereby redresses corporate fraud. That’s exactly this case,” said Skip Miller, partner in Miller Barondess, LLP and counsel for Allen Media Group. “Per the lawsuit, McDonald’s said one thing and did another. It promised to spend 5 percent of its billion dollar a year ad budget on African American owned media—of which Allen Media is over 90 percent—and has not come close. Per our lawsuit, this is a fraud on our client and on the public. The lawsuit seeks to hold one of the largest corporations in the world responsible for its lies.”
About Allen Media Group
Chairman and CEO Byron Allen founded Allen Media Group in 1993. Headquartered in Los Angeles, it has offices in New York, Chicago, Atlanta, and Charleston, SC. Allen Media Group owns 27 ABC–NBC–CBS–FOX network affiliate broadcast television stations in 21 U.S. markets and twelve 24-hour HD television networks serving nearly 220 million subscribers: THE WEATHER CHANNEL, THE WEATHER CHANNEL EN ESPAÑOL, PETS.TV, COMEDY.TV, RECIPE.TV, CARS.TV, ES.TV, MYDESTINATION.TV, JUSTICECENTRAL.TV, THEGRIO TELEVISION NETWORK, THIS TV, and PATTRN. Allen Media Group also owns the streaming platforms HBCU GO, SPORTS.TV, THEGRIO, THE WEATHER CHANNEL EN ESPAÑOL, THE WEATHER CHANNEL STREAMING APP and LOCAL NOW–the free-streaming AVOD service powered by THE WEATHER CHANNEL and content partners, which delivers real-time, hyper-local news, weather, traffic, sports, and lifestyle information. Allen Media Group also produces, distributes, and sells advertising for 73 television programs, making it one of the largest independent producers/distributors of first-run syndicated television programming for broadcast television stations. With a library of over 5,000 hours of owned content across multiple genres, Allen Media Group provides video content to broadcast television stations, cable television networks, mobile devices, and multimedia digital. Our mission is to provide excellent programming to our viewers, online users, and Fortune 500 advertising partners.
Allen Media Group Motion Pictures (AMGMP) is a full-service, theatrical motion picture distribution company specializing in wide release commercial content. AMGMP released 2017’s highest-grossing independent movie, the shark thriller 47 METERS DOWN, which grossed over $44.3 million. In 2018, AMGMP also released the critically acclaimed and commercially successful Western HOSTILES, the historic mystery-thriller CHAPPAQUIDDICK and the sequel to 47 METERS DOWN, 47 METERS DOWN: UNCAGED. The digital movie distribution unit of AMGMP, Freestyle Digital Media, is a premiere multi-platform distributor with direct partnerships across all major cable, digital and streaming platforms. Capitalizing on a robust infrastructure, proven track record and a veteran sales team, Freestyle Digital Media is a true home for independent films.
In 2016, Allen Media Group purchased The Grio, a highly rated digital video-centric news community platform devoted to providing African Americans with compelling stories and perspectives currently underrepresented in existing national news outlets. The Grio features aggregated and original video packages, news articles and opinion pieces on topics that include breaking news, politics, health, business and entertainment. Originally launched in 2009, the platform was then purchased by NBC News in 2010. The digital platform remains focused on curating exciting digital content and currently has more than 100 million annual visitors.
For more information, visit:
www.allenmedia.tv
SOURCE Allen Media Group
https://q5i.09c.myftpupload.com/category/entertainment/
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Consumer Corner
Cinematic Anamorphic Lens Mod for GoPro HERO13 Black Now Shipping and Available Internationally

GoPro Anamorphic Lens Mod + HERO13 Black
Anamorphic Lens Mod for HERO13 Black Delivers Dramatic, Hollywood-like Video for Creators and Filmmakers in a Tremendously Affordable Package
SAN MATEO, Calif., April 3, 2025 /PRNewswire/ — GoPro (NASDAQ: GPRO) is now shipping the Anamorphic Lens Mod for its new camera, HERO13 Black. Anamorphic Lens Mod delivers expanded performance for creators and filmmakers looking to achieve cinematic and artistic video from HERO13 Black. With a Hollywood-ready 21:9 aspect ratio and ultra-wide field of view complemented by lessened distortion, the Anamorphic Lens Mod is perfect for professional cinematographers, photographers, and creators looking to achieve sought-after Anamorphic perspectives and lens flares in a package that costs a fraction of similar professional systems. Starting today, Anamorphic Lens Mod for HERO13 Black is shipping on GoPro.com for $129.99 MSRP and is available at retailers internationally. Anamorphic Lens Mod is quickly becoming a go-to lens for creators and filmmakers looking to achieve cinematic results in a small and affordable camera system. “Anamorphic Lens Mod and HERO13 Black have expanded what I can create with my GoPro,” says GoPro Creator and commercial filmmaker, Chris Rogers. “With the addition of the Anamorphic Lens Mod to my GoPro camera kit, I can capture incredibly dramatic and cinematic perspectives in a durable, and portable package that’s stands alongside professional setups that cost tenfold more.” Anamorphic Lens Mod is compatible with HERO13 Black’s Auto Detect feature, which intelligently senses Anamorphic Lens Mod and switches the camera into the corresponding mode. In-camera “de-squeezing” delivers video immediately available for review and allows for streamlined post-production editing. The Lens Mod is waterproof and tough enough to withstand the elements – helping you get the shots you need. Anamorphic Lens Mod ($129.99) joins three other Lens Mod accessories that complete the HB-Series Lens Collection.- Ultra Wide Lens Mod ($99.99): Transforms HERO13 Black into the ultimate POV camera by capturing more in every shot with a 177° field of view and new 1:1 aspect ratio.
- Macro Lens Mod ($129.99): Expands the creative possibilities of HERO13 Black with variable focus on objects up to 4x closer than the standard GoPro Lens.
- ND Filter 4-Pack ($69.99): Delivers smart, cinematic motion blur in photos and videos with ND4 / ND8 / ND16 / ND32 for pros and novices alike.
GoPro helps the world capture and share itself in immersive and exciting ways. GoPro has been recognized as an employer of choice by both Outside Magazine and U.S. News & World Report for being among the best places to work. Open roles can be found on our careers page. For more information, visit GoPro.com. Connect with GoPro on Facebook, Instagram, LinkedIn, TikTok, X, YouTube, and GoPro’s blog, The Current. GoPro customers can submit their photos and videos to GoPro Awards for an opportunity to be featured on GoPro’s social channels and receive gear and cash awards. Members of the press can access official logos and imagery on our press portal. GoPro, HERO and their respective logos are trademarks or registered trademarks of GoPro, Inc. in the United States and other countries. SOURCE GoPro, Inc.
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Movie and television Reviews
Adam-12: The Groundbreaking Police Procedural That Set the Standard for Realism and Detail in TV Crime Dramas
Adam-12 is a classic American television police procedural crime drama series created by Robert A. Cinader and Jack Webb.

Adam-12 is a classic American television police procedural crime drama series created by Robert A. Cinader and Jack Webb. The show follows two Los Angeles Police Department (LAPD) officers, Pete Malloy and Jim Reed, as they patrol the streets of Los Angeles in their police cruiser, designated as “1-Adam-12.” The series was produced in cooperation with the real department it was based on, the LAPD, and aimed to be realistic in its depiction of police procedures and jargon.
Martin Milner and Kent McCord starred as Pete Malloy and Jim Reed, respectively, in the iconic police drama Adam-12, which became a cultural touchstone of the late 1960s and early 1970s. The show also featured many recurring co-stars, with the most frequent being William Boyett and Gary Crosby, who added depth and intrigue to various episodes, portraying a wide range of characters that enriched the series’ narratives. Throughout its impressive run of seven seasons, from September 21, 1968, to May 20, 1975, Adam-12 aired a total of 174 episodes, captivating audiences with its realistic portrayal of police work, the challenges faced by officers, and the importance of community relations. The series not only entertained viewers but also aimed to educate the public about law enforcement practices, making it a significant part of television history.
What set Adam-12 apart from other Cop shows?
Adam-12 was a groundbreaking show that aimed to showcase the reality of police work, and it helped to introduce police procedures and jargon to the general public in the United States. The show’s attention to detail and realism made it an instant hit, and it quickly became a fan favorite. Through its authentic depiction of daily police activities and the challenges faced by officers, Adam-12 not only entertained viewers but also educated them about the complexities of law enforcement. The characters, portrayed with depth and nuance, resonated with audiences, making them invest in the lives and struggles of the officers. Additionally, the series tackled various social issues of the time, shedding light on the relationship between the police and the communities they served. Its pioneering approach to storytelling set a standard for future police dramas, solidifying its legacy in television history.
The show’s creators, Robert A. Cinader and Jack Webb, also created other popular shows, such as Dragnet and Emergency!. Like Adam-12, these shows were produced in cooperation with the real departments they were based on, and they aimed to be as realistic as possible in their depictions of police and emergency services.
Despite its age, Adam-12 still holds up today as a classic of the police procedural genre. The show’s attention to detail, realism, and strong performances by its cast make it a must-watch for fans of crime dramas and police procedurals.

Adam-12 is a classic American television series that helped introduce police procedures and jargon to the general public in the United States. The show’s realistic portrayal of police work and attention to detail makes it a fan favorite and a must-watch for fans of the police procedural genre.
https://en.wikipedia.org/wiki/Adam-12
https://stmdailynews.com/category/entertainment/
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amusement and theme parks
Six Flags Magic Mountain Bids Farewell to Superman: Escape from Krypton

In a bittersweet announcement, Six Flags Magic Mountain has confirmed the permanent closure of Superman: Escape from Krypton, once celebrated as the tallest and fastest roller coaster in the world. The decision comes after the ride, which has been out of operation since September, faced an insurmountable challenge due to a “lethal dose of kryptonite”—or in less whimsical terms, the unavailability of necessary parts for refurbishment.
Magic Mountain President Jeff Harris shared insights with the Orange County Register, explaining that the ride was initially taken offline for routine maintenance. However, as the needed components did not materialize in a timely manner, the park deemed it more practical to close the iconic coaster permanently rather than leave enthusiasts in limbo.
Superman: Escape from Krypton was renowned for its thrilling experience, featuring two L-shaped tracks that soared upwards, promising an adrenaline rush like no other. Riders would be catapulted from a standstill to a blistering 100 mph in just seven seconds, reaching heights of 415 feet. It was a must-ride attraction for thrill-seekers visiting the park.
As for the future of the now vacant queue, station, and launch track, Six Flags has yet to announce any specific plans. However, fans of the park can take solace in the fact that the nearby Lex Luthor: Drop of Doom, which shares its tower with the Superman coaster, will remain operational and is set to reopen next month.
The closure of Superman has sparked a wave of sentiment among roller coaster enthusiasts, particularly on platforms like Reddit, where many have expressed their disappointment. For numerous fans, Superman was more than just a ride; it was a highlight of their amusement park experience.
Despite this loss, Magic Mountain still boasts an impressive lineup of 19 roller coasters, maintaining its title as the amusement park with the highest number of coasters in the world. Looking ahead, a new roller coaster is slated to debut in 2026, which will restore the park’s count back to 20.
Originally opened as Superman: The Escape in 1997, the coaster underwent a significant transformation in 2011, being rebranded as Superman: Escape from Krypton. This revamp flipped the ride vehicles, allowing thrill-seekers to launch backward while facing towards the ground, enhancing the heart-pounding experience of the descent.
Even though Superman has left the tracks, fans can still encounter the Man of Steel in other forms within the park, including on the Justice League: Battle for Metropolis dark ride and through character meet-and-greet opportunities.
As the park moves forward, the memory of Superman: Escape from Krypton will undoubtedly live on in the hearts of many who experienced its exhilarating ride. Magic Mountain continues to be a haven for roller coaster enthusiasts, promising exciting adventures for years to come.
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