Los Angeles Dodgers Celebration

The Los Angeles Dodgers have done it again! After an exhilarating season filled with ups and downs, the Dodgers have clinched the World Series title, bringing joy to fans and the city of Los Angeles. To celebrate this monumental achievement, a grand parade is set to take place tomorrow, November 1, 2024, in Downtown Los Angeles, and the excitement is palpable!

Parade Details

The parade will kick off at 11 a.m. at Gloria Molina Grand Park, right in front of Los Angeles City Hall. This prime location is conveniently located across the street from the Civic Center/Grand Park station on the B/D Metro Lines. For those coming from other areas, the Historic Broadway station on the A/E lines is just a short walk away.

From Gloria Molina Grand Park, the Dodgers will ride on double-decker buses along a festive parade route. The procession will start on 1st Street, travel down Grand Avenue, continue onto 5th Street, and culminate at the intersection of 5th and Flower Street. Expect a vibrant atmosphere filled with fans cheering on their champions as they make their way through the heart of the city!

Getting There: Metro Rail is Your Best Bet

If you’re planning to join the festivities, using the Metro Rail system is undoubtedly the best transit option. To avoid the chaos of driving and parking in Downtown LA, hop on a Metro Rail train. Many bus lines serving downtown will be funneled to four key Metro Rail stations, where riders can easily transfer to trains heading into DTLA:

• Union Station (A, B, and D Lines): Main entry point for those coming from the north or east.
• Westlake/MacArthur (B and D Lines): Ideal for travelers from the west.
• Little Tokyo/Arts District (A and E Lines): Perfect for those arriving from the east.
• Pico Station (A and E Lines): Great for visitors coming from the west or south.

Before you embark on your journey, be sure to plan your trip using Google or Apple maps, or visit metro.net for the latest updates.

Fare Information

Regular Metro fare is $1.75 one way or $3.50 for a round trip. Make sure to purchase your fare at the TAP vending machines located at all Metro Rail stations. Pro tip: Buy your roundtrip fare in advance to skip the lines!

Special Dodger Stadium Express

For fans heading to the ticketed celebration event at Dodger Stadium, the Dodger Stadium Express will be running from Union Station starting at 8:30 a.m. Remember, you must have an event ticket to ride the Dodger Stadium Express. Union Station is also a hub for Metrolink regional rail and Amtrak, allowing for easy transfers to the Metro A, B, and D Lines. Valid Metrolink tickets grant you free transfers to Metro, making it even easier to join the celebration.

Bus Detours

Please note that many bus lines in Downtown LA will be detoured for the parade. To stay informed about the latest bus service updates, visit metro.net.

Final Thoughts

With the Dodgers bringing home the championship, the parade promises to be an unforgettable day filled with pride, joy, and community spirit. So, grab your friends and family, wear your blue and white, and prepare to celebrate this remarkable achievement together!

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Links

• Los Angeles Metro
• Metrolink

Let’s go, Dodgers! Celebrate responsibly and enjoy the parade!

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world.

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James Francis, Jr., Texas A&M University

Horror Movies on Halloween

Horror movies are plentiful in 2024, and plenty bloody. The year has seen the release of films awash in blood, such as “Immaculate,” “The First Omen” and “The Strangers.” With Halloween on the way, bloody offerings are streaming, in theaters and running in marathons on cable.

Watch them, and you’ll likely notice that as the decades pass, the directors, writers and studio executives of these films seem to produce more and more on-screen blood, violence and gore. But why?

As a professor of horror studies, I explore the depths of the genre with my students – and for us to understand the evolution of blood in horror cinema, we first consider how films reflect their times.

Alfred Hitchcock and Michael Powell created proto-slashers with “Psycho” and “Peeping Tom,” respectively. Both films were released in 1960 about four months apart, both feature serial killers, and both operate on a “tell, don’t show” visual aesthetic. Rather than show the blood to the audience, the films provide narrative cues to only suggest the blood.

Guts, gore and so much more

In “Psycho,” Marion Crane, played by Janet Leigh, is stabbed to death in the famous shower scene. But the quick-cut editing gives only the illusion of her nude body being slashed as a small amount of blood washes down the drain in black-and-white tones. By not shooting “Psycho” in color, and avoiding the image of bright red blood in the bathtub – Hitchcock’s choice – the film doesn’t seem as violent.

By the late 1960s, the restrictive Hays Code, which prohibited overt on-screen violence and the use of fake blood, was replaced by the less stringent Motion Picture Association of America film ratings system. Filmmakers could latch onto new freedoms to express fear, anxiety and dread in more visceral depictions. One way to do that – more blood.

In “Night of the Living Dead,” George A. Romero’s 1968 seminal zombie flick, the walking dead consume the flesh of the living. Even though the movie is in black and white, the monochromatic presentation does not dull the display of the undead gobbling guts and licking up blood.

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The film’s release came six months after the assassination of Martin Luther King Jr., and a clear connection between Romero’s film and the Civil Rights Movement then taking place is apparent. The movie’s heightened gore correlates to the movement’s all-too-bloody violent struggle, as Ben, played by Duane Jones, the sole person of color among the living, hides from the ghouls in an abandoned farmhouse with a group of six white people.

Ben works to keep the group safe but faces ongoing pushback from the white male characters. At the end of the film, a group of vigilantes, believing Ben is a zombie, guns him down before tossing his body into a fire.

The symbolism as a reflection of the times is hard to miss. Romero and John Russo, who co-wrote the screenplay, didn’t initially intend to make a statement on civil rights; but later, during postproduction, Romero realized the assassination of King turned his movie into a “Black film.”

Bloody metaphors

Then came the 1970s, when blood was sprayed all over the screen. But Tobe Hooper’s “The Texas Chain Saw Massacre” (1974), William Friedkin’s “The Exorcist” (1974) and Ridley Scott’s “Alien” (1979) have something else in common: They feature women protagonists who survive the unthinkable.

Once again, blood is a common denominator. Sally’s body is covered in it after escaping Leatherface; Regan’s body, along with the blood, spews green vomit; and Ripley sees an alien burst out of a crew member’s chest. But the films weren’t just gory – they were metaphors for the uphill battle for women’s rights in the 1970s.

The original “Halloween” (1978) also fits here, but with a twist. The character of Laurie Strode, perhaps an early prototype of women protagonists in horror films, connects back to a “tell, don’t show” sensibility while simultaneously embracing changing times. While the first kill shows Michael Myers stabbing his older sister, the audience views the death from the partially veiled perspective of Myers behind his Halloween mask. You see little until her body hits the floor to reveal the blood.

Nightmares and reality

In the 1980s, the slasher subgenre dominated horror – and the bloodier, the better: These movies focus on the number of kills and the creative ways the victims are dispatched.

Each sequel in these horror franchises needed to up the kills, if for no other reason than to outdo its predecessors and competitors. Audiences began rooting for villains like Myers, Jason Voorhees and Freddy Krueger, all of whom had their own theme music, and in Freddy’s case, trademark one-liners. Many of the villains had more character development than their victims, who seemed interchangeable and little more than fodder for the slasher machine.

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The 1990s had bigger-budgeted, more innovative films, such as Wes Craven’s “New Nightmare” (1994) and “Scream” (1996). Here the attacks are more personal; the stabbings are close-up. CGI, or computer-generated imagery, used in abundance in the “Nightmare” series, allowed for more creative and bloody kills.

Scarier times mean bloodier movies

Since 9/11, horror films have existed in a place where there’s no apparent motive other than violence and bloodshed. In “The Strangers” (2008), the villains tie up, torment and savagely maim their victims. In the 2009 remake of “The Last House on the Left,” it’s the villains who meet a bloody end. Contemporary horror understands how senseless killings on screen are effective, because the removal of emotion from the violence parallels real-world incidents.

By the late 2010s, horror films link to the #MeToo and Time’s Up movements, most notably in the “Halloween” reboot trilogy, as Laurie Strode once again confronts Michael Myers and the trauma he inflicted 40 years prior.

The kills in the new “Halloween” trilogy are extremely bloody and violent. They also mirror the sexual and societal exploitation of women and their bodies. Ultimately, the series allows the protagonist, and the traumatized town of Haddonfield, to acknowledge the evil, confront it and try to finally put an end to it, once and for all.

The evolution in the horror genre’s presentation of blood and gore doesn’t necessarily make for scarier movies, but they often point to the scarier times in which we live. Earlier horror films, comparatively tamer and with less blood, were often box-office successes. But today’s audiences probably appreciate them more for their artistic merits than the fear they induce.

The preferences of horror audiences change over time, much like the ebb and flow of the blood depicted in these movies. The original “Halloween” has hardly a drop; the recent reboots are over the top – but still nowhere close to the mayhem depicted in the just-released “Terrifier 3.”

What the future holds is anyone’s guess. But check out the world around you, and you’ll certainly get a bloody good hint of what’s to come.

James Francis, Jr., Instructional Associate Professor, Texas A&M University

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This article is republished from The Conversation under a Creative Commons license. Read the original article.

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If you’ve ever been curious about what happens when teenage angst meets architectural ingenuity, look no further than the 1974 made-for-TV gem, Bad Ronald. Or as I like to call it, Weirdo in the Wall. This film is a delightful concoction of horror, comedy, and a generous sprinkle of nostalgia that will leave you wondering how we survived the ’70s without a full-time psychologist on speed dial.

Plot Summary: The Rise and Fall of Ronald Willoughby

Meet Ronald Willoughby (Scott Jacoby), your average socially awkward teen who just wants to fit in. Spoiler alert: he doesn’t. After a disastrous attempt to woo the girl next door (who, let’s be honest, could have used a lesson in kindness), Ronald accidentally becomes a headline in a tragic newspaper article when he gets into a scuffle with a pint-sized brat on a bicycle. In a moment of Hulk-like rage, he inadvertently causes the child’s untimely demise. Oops.

Now, instead of grounding him for life, his doting mother (Kim Hunter ) decides to take drastic measures. She removes the door to their second bathroom (because who needs two bathrooms, right?) and seals it up behind wallpaper, turning it into Ronald’s very own secret lair. The kid’s got a toolkit and a flair for construction, so he transforms this “bathroom” into a full-fledged hideout. Who knew the walls of suburban homes could house such dark creativity?

Location, Location, Location!

Shot in a charming Victorian house that screams “I have secrets,” Bad Ronald takes full advantage of its single-location setup. You’ve got your classic early 1900’s architecture, a basement that’s straight out of a horror flick, and a backyard pool party scene that serves as a stark contrast to the psychological turmoil bubbling beneath the surface. The film’s backdrop is almost a character in itself, and you can’t help but wonder if they filmed this in a neighbor’s yard. (Hey, if you’re going to terrorize kids, at least do it with style!)

A Time Capsule of 1974

This film is a delightful snapshot of the early ’70s, a time when Ronald Reagan was running the show in California (yes, I’m pretty sure he was the governor back then) and the world was still reeling from the shenanigans of Richard Nixon. It’s fascinating to see how societal norms and family dynamics from that era play out in this bizarre narrative. You can almost hear the distant echoes of bell-bottoms and disco balls as Ronald navigates his tragic teenage years.

Creepy Comedy Gold

Let’s not forget the humor! The film manages to blend horror and unintentional comedy in a way that makes you chuckle even while you cringe. The awkwardness of Ronald’s interactions, the cluelessness of adults around him, and the sheer absurdity of his situation lend a comedic touch that keeps you entertained. It’s like a tragic comedy where the punchline is hidden behind layers of wallpaper and misplaced parental guidance.

Final Thoughts

Bad Ronald may not have won any Oscars, but it certainly holds a special place in the hearts of those who appreciate a good dose of vintage horror with a side of unintentional comedy. It’s a film that reminds us of the weirdness of adolescence and the lengths we go to escape our problems—like hiding in the walls of your house. So, the next time you’re feeling nostalgic for the days of yore, give this little gem a watch. Just remember, if you hear noises coming from the walls, it might be time to call a contractor… or a therapist.

In the end, Bad Ronald serves as a quirky reminder that sometimes, the most bizarre tales come from the most ordinary of places. And who knows? You might just find yourself rooting for the “bad” kid who’s really just misunderstood. 50 years later, this film still knows how to leave you both amused and slightly horrified—just like any good horror story should!

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Check out the movie details on IMDb: https://www.imdb.com/title/tt0071186/

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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