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National Public Housing Museum Selects Visionary Artist for Unique Residency

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Multidisciplinary artist Marisa Morán Jahn will harness art to impact housing policy and equity as NPHM’s 2022 Artist as Instigator

CHICAGO /PRNewswire/ — Art can spark curiosity, provoke deep thought and ignite change. That transformative power is at the core of the National Public Housing Museum’s Artist as Instigator Residency, and at the heart of Marisa Morán Jahn’s artistic practice. Jahn was recently selected to be NPHM’s 2022 Artist as Instigator. The yearlong residency fuses art and advocacy to impact public policy and promote equity, a key goal at NPHM, the country’s first cultural institution dedicated to interpreting public housing in America.

The nation’s first care-based co-housing building, Carehaus, will be completed in Baltimore next year and provide quality care and homes for older and disabled adults as well as quality jobs and homes for caregivers and their families. Image credit: 2022 rendering by (Rafi Segal A+U with Marisa Morán Jahn)

A multidisciplinary artist whose work spans mediums including documentary films, installations, policy toolkits, urban-scale and architectural projects, Jahn was selected from a large pool of nationwide applicants. Her creative practice is deeply rooted in community care, solidarity and self-determination, and focuses on redressing structural discrimination and injustice.

“Marisa’s work inventively blends art, culture and public policy, and allows us to imagine a more free and just world. Her careful and intentional practice works in solidarity with communities that are often overlooked. Her talent and passion will amplify NPHM’s mission to preserve the diverse stories of public housing residents, promote equitable public policy and ensure that everyone has a place to call home,” NPHM Executive Director Lisa Yun Lee, Ph.D., said.

“I’m honored to be chosen for this meaningful opportunity,” said Jahn. “I appreciate that NPHM positions public housing as a source of strength. The museum pushes the public to ignore stereotypes and reconsider what public housing is and why it’s so important. I look forward to using art and culture to build an exciting movement that not only envisions a vibrant future for sustainable public housing but helps effect real change.”

As NPHM’s fourth Artist as Instigator, Jahn will produce new, social justice-oriented work in partnership with the Chicago-based museum. She will receive a $10,000 honorarium and a $10,000 budget for project expenses. NPHM will also provide exhibition space, programming and administrative support and help Jahn make connections to residents and additional funding sources. Jahn also brings other partnership opportunities to her residency at NPHM, including Parsons’ School of Design Strategies at The New School where she is director of Integrated Design.

Prioritizing Collaboration to Create Transformative Art

Collaboration is a foundational tenet of NPHM. The museum partners with the community to capture the voices and memories of public housing residents and share those accounts through exhibits and oral histories. Similarly, Jahn’s art is fueled by collaboration. Much of her work has been co-designed with immigrants and working families, and she has created public art with input and insights from domestic workers, taxicab drivers, car washers, migrant workers and family caregivers.

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One of Jahn’s current projects is Carehaus—the country’s first care-based co-housing project—which she co-founded and collaboratively designed with architect and MIT Professor Rafi Segal. Carehaus is an intergenerational housing model where older and disabled adults, caregivers and their families will live in independent units clustered around shared spaces, and caregivers receive good wages, childcare and other benefits. The first Carehaus site will be built in Baltimore and is slated to open in 2023.

Besides providing quality homes and care for the adults and quality jobs and homes for their caregivers, the innovative, art-infused housing project will be a model for sustainable neighborhood development. Carehaus grew out of an ongoing art project Jahn created in collaboration with the National Domestic Workers Alliance to amplify the voices of caregivers.

“Marisa exhibits a sense of care and commitment, not only to her artistic principles, but to the individuals whose stories inspire her work. Her people-centered, care-centered approach truly resonates with our work at the museum,” said Tiff Beatty, NPHM’s program director of arts, culture and public policy.

Jahn’s vision for Carehaus—and her attraction to NPHM’s Artist as Instigator Residency—was inspired by her personal experience with public housing. Between 2008 and 2010, during the Great Recession, Jahn lived in a public housing development for low- and moderate-income residents on New York City’s Upper East Side.

“The opportunity to live in an affordable studio apartment enabled me to find meaningful work as a community organizer and advocate and to stay in New York City,” Jahn said. “A few things profoundly impressed me during my time in public housing. The development where I lived was one of the few places in New York where I saw multiple generations living together. Public spaces made it safe and easy for kids and elders to hang out, and the layout allowed ethnically diverse households to share food, childcare and other resources.”

In another recent project, the Seattle Public Library invited Jahn to envision and create a newspaper with teenagers living in NewHolly, a Seattle Housing Authority neighborhood redevelopment project with a branch library on its grounds. Impressed by the teens’ unique stories, civic engagement and journalistic rigor, SHA invited the team to create a year-round art and journalism program. “There are so many ways to enhance public housing, shift the thinking around this essential form of housing and deepen appreciation for what it offers,” Jahn pointed out. “And given the dire need for quality housing in our country, there’s no better time than right now.”

Folding Former Artist as Instigators into the Residency Process

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While NPHM’s Artist as Instigator Residency only lasts one year, the museum maintains ongoing relationships with artists. In fact, former Artists as Instigators William Estrada (2019), Jen Delos Reyes (2020) and Tonika Lewis Johnson (2021) helped shape the 2022 residency application process. Estrada, Reyes and Johnson contributed application questions, suggested novel ways to apply (applicants could opt for a video submission instead of a written one) and helped review submissions.

In addition to Estrada, Reyes and Johnson, the 2022 Artist as Instigator review committee included Lee, Beatty, NPHM oral historian Liú Chen, NPHM project coordinator Mark Jaeschke, and artists Kierra Wooden and Anwulika Anigbo. The committee narrowed the applicant pool down to three finalists: Jahn, Boston-based artist Anita Morson-Matra and Minneapolis-based artist Mark Valdez.

About the National Public Housing Museum: The NPHM is the first cultural institution in the United States dedicated to interpreting the American experience in public housing. Its mission is to preserve, promote and propel the right of all people to a place where they can live and prosper—a place to call home. Using art, oral histories and material culture, the Museum will archive and share public housing stories of hope and personal achievement, as well as stories of struggle, resistance and resilience. These stories create opportunities for visitors to understand and engage in innovative public policy reform to reimagine the future of our communities, our society and the places we call home. Its physical structure is currently in development and will be an adaptive reuse of the last remaining building of the former Jane Addams Homes on Chicago’s Near West Side. When completed, visitors will interface with compelling, historically significant exhibits and engage with the provocative ideas of internationally renowned contemporary artists.

SOURCE National Public Housing Museum

Rod: A creative force, blending words, images, and flavors. Blogger, writer, filmmaker, and photographer. Cooking enthusiast with a sci-fi vision. Passionate about his upcoming series and dedicated to TNC Network. Partnered with Rebecca Washington for a shared journey of love and art.

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Reflecting on the 2024 Oscars: A Night of Wins, Laughter, and Fashion Statements

The 2024 Oscars: A night of wins, laughter, and elegant fashion. No mentions of past controversies, just a focus on cinematic excellence.

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The 2024 Oscars night was a whirlwind of excitement, surprises, and elegance as the film industry’s finest gathered to celebrate cinematic achievements. Among the standout moments was the triumph of “Oppenheimer,” a biopic that not only captivated audiences but also dominated the awards, clinching seven accolades, including Best Picture. Christopher Nolan’s directorial prowess shone through as he claimed the Best Director title, while Cillian Murphy and Robert Downey Jr. were honored for their outstanding performances as Best Actor and Best Supporting Actor, respectively.

While “Oppenheimer” led the pack, “Poor Things” also made a mark with four wins, with Emma Stone’s portrayal earning her the coveted Best Actress award. The night was further enriched by captivating performances, including Ryan Gosling’s comedic surprises during his rendition of “I’m Just Ken” and the mesmerizing display of a dozen drummers in the performance of “Wahzhazhe.” The ceremony also featured memorable presenter antics, such as John Cena’s daring walk across the stage clad in nothing but an envelope.

The red carpet was ablaze with a stunning array of black, red, and metallic ensembles, showcasing the stars’ fashion prowess as they graced Hollywood’s grand event. Despite a few mishaps, like Emma Stone’s dress incident and Al Pacino’s potential oversight, the glamour and allure of the evening remained undiminished.

What truly stood out about this year’s Oscars was the absence of any reference to past controversies, notably the infamous Will Smith and Chris Rock incident from two years prior. Unlike previous telecasts, where the incident was repeatedly revisited, this year’s ceremony seemed to signal a collective move towards letting bygones be bygones. Host Jimmy Kimmel’s subtle nod to a bygone era of Oscars antics hinted at a shift in focus from past controversies to celebrating the artistry and talent that define the film industry.

As the curtain fell on the 2024 Oscars, it was evident that the night was not just about accolades and glamour but also about embracing new beginnings and a renewed focus on the magic of storytelling that unites us all. The 2024 Oscars will be remembered as a night of triumphs, laughter, and a subtle nod to moving forward—a celebration of cinema at its finest.

Source: AP

https://apnews.com/live/2024-Oscars-updates-winners

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Historic Moment: Space Shuttle Endeavour Takes Its Place at the California Science Center

Witness history as Space Shuttle Endeavour is lifted into its California Science Center home. Streaming live on Space.com at 12:30 a.m. EST.

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On the early morning of January 30, a monumental event is set to unfold as the space shuttle Endeavour is lifted into its new museum-exhibit home at the California Science Center. This complex operation, involving a towering 450-foot-tall crane, marks a historic achievement in exhibit installation, breaking new ground outside the realms of NASA or Air Force facilities.


Scheduled to commence at 12:30 a.m. EST (0530 GMT), viewers can witness the live action on Space.com, courtesy of the California Science Center, or directly via the Los Angeles museum. The duration of the lift remains uncertain, adding an element of suspense to this unprecedented event.

However, eager spectators should note that the Endeavour display won’t be immediately accessible. The future Samuel Oschin Air and Space Center, a significant expansion of the California Science Center, is slated to become Endeavour’s permanent residence. With an anticipated 18-month construction period and subsequent artifact and exhibit installation, an official opening date is yet to be announced.

Endeavour, NASA’s youngest shuttle, holds a remarkable legacy, having completed 25 missions before the retirement of the space shuttle program in 2011. As it takes its place in this new chapter at the California Science Center, the Endeavour will continue to inspire and educate generations to come, embodying the spirit of human exploration and technological achievement.

Source: Space.com

https://www.space.com/space-shuttle-endeavour-museum-exhibit-stacking-webcast

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Life is Artistic, It’s Fantastic

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MIAMI (Newswire.com) – Welcome to the vibrant and chic world of Miami’s art scene, where creativity knows no bounds and the city itself becomes a canvas of expression. At the heart of this sizzling cultural hub is No Vacancy, Miami Beach. The program’s fourth edition presents twelve artists whose site-specific projects are displayed at twelve iconic hotels in Miami Beach.


Samantha Modder in her series – Source of All Hair, Wearer of All Socks – at Catalina Hotel & Beach Club

No Vacancy coincides with Art Week Miami Beach and Art Basel Miami, the epitome of cultural sophistication and creativity, which will take place from December 4th through December 10th. The installations will be viewed from now through December 14th, 2023 to include three of South Beach Group Hotels boutique properties highlighting participants:

Samantha Modder in her series – Source of All Hair, Wearer of All Socks – at Catalina Hotel & Beach Club. It presents a subjective Black woman’s fairytale to process interlocking structures of oppression. Modder is a visual artist working figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. 

Marco Inzerillo’s exhibit – SOBEautiful – is displayed at Hotel Croydon. He presents a series of photographs in both color and black and white, highlighting and celebrating the cultural variety of Miami Beach.

Riviera South Beach hosts Carola Bravo – Yield to Immigrants – challenging the concept of migration as a norm and not a crisis. The work addresses the tension between migration issues and the authority of public signs as civic markers. It also questions how manipulating traditional public signs alters their meaning, reminding us about the value of inclusion and our critical role in society.

Against the backdrop of sun-kissed beaches and eclectic neighborhoods, this annual extravaganza transforms Miami into a global art destination, bringing together the world’s leading galleries, artists, and enthusiasts.

Instagram: https://www.instagram.com/sbghotels

Facebook: https://www.youtube.com/c/SouthBeachGroup

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Source: South Beach Group

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