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Artlist releases its 2024 Trend Report – Empower your brand to craft the content of tomorrow

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TEL AVIV, Israel /PRNewswire/ — Artlist, the creative technology company used by millions of digital creators and major brands worldwide, today released the Artlist Trend Report 2024, featuring industry insights from business leaders from Google, Amazon, Meta, and actionable data from more than 7,000 global content creators. It provides the most comprehensive look into how international brands should approach video content in 2024. The report explores how brands can push their boundaries, embrace new technology, and create a local connection in an increasingly global landscape.


Discover the top content marketing trends for 2024 with the Artlist Trend Report

The Artlist Trend Report 2024 is a first-of-its-kind, not-yet-trending report with upcoming predictions designed to inspire and empower brands to look toward the future and create without limits. The full report has several surprising predictions and data for any brand looking to stay ahead of the curb with impactful content.

The top predictions of the Artlist Trend Report 2024 include:

  • Less technical work, more content. AI will continue to make the content creation process faster, cheaper, and more accessible. You’ll often no longer have to invest time and resources into intensive editing and post-production. The survey reports that 52% of video creators already use AI in their creative process.
  • Push the boundaries of your brand. Minimalist design is out. Instead, thanks to Generative AI, surrealist visuals will start trending. Brands that want to stand out in 2024 must use these tools to innovatively reimagine visuals, sound, video, and motion design. Creators will find new ways to use FPV drone tech, AR/VR, and immersive consumer experiences.
  • Local talents, global reach. Technology and social media have made it easier for creators to monetize their content and get found online. For brands, this means greater opportunities to discover diverse and niche influencers with fiercely loyal audiences. Tapping into audience niches with voices they trust is a great way to authentically connect to new audiences and diversify your customer base.
  • Hire creative fire. There’s been an uptick in companies taking their creative in-house rather than outsourcing to agencies. New technologies have also lowered the barriers to entry in terms of technical skills. So, in 2024, brands must employ top-notch creative talent and prioritize strategic thinking to stand out.
  • Personalization is paramount. In an era of content overload, personalization will be critical to cut through the noise. Brands should look to tailor and curate their content as much as possible, especially for Gen Z audiences. The era of passive and generic content is fading, and consumers expect to be able to actively engage.

Today, brands are operating in a rapidly advancing technological landscape. Shrinking attention spans and an explosion of digital content have led to a greater need for compelling, sharable visuals. There are significant business opportunities for brands that project a distinct voice with unique creative approaches. Ira Belsky, Co-Founder and Co-CEO of Artlist explains, “Today, a brand’s vision, and the business strategy that it influences, all need to be conveyed to consumers through a single voice that spans diverse forms of media, and remains authentic, no matter what.”

There are so many changes happening before our eyes that it’s more important than ever for brands to be clear on who they are and the essence of what they want to convey about themselves.

Itzik Elbaz, Co-Founder and Co-CEO of Artlist, says, “2024 is set to be a truly unique year. The technological advances we’ve seen in 2023 have triggered an entirely new generation of enthusiastic creators exploring new directions. Technical expertise is no longer a barrier to entry. Creativity can be unleashed by anyone from anywhere. It’s going to be a wild ride of a year.”

Download the Artlist Trend Report 2024: https://artlist.io/blog/trend-report


Downloadable assets 

About Artlist

Artlist is a leading creative technology company offering content creators and brands powerful editing tools and over 1.3M professional digital assets under a global license that covers every project worldwide. In its mission to empower creators worldwide to create without limits, Artlist consists of 3 products: Artlist, the all-in-one platform for video creators, including high-quality and curated royalty-free music, SFX, footage, templates, plugins, and more; MotionArray, the ultimate vertical marketplace for creators including video templates, presets, music, SFX, stock footage, graphics for design, motion graphics and stock photos; and FXhome, a cutting-edge video, VFX and image editing software.

Artlist works with a growing team of contributors across the globe, updating its catalogs daily with fresh content while preserving a consistently high level of quality across its media and platforms.

Since it was founded in 2016, Artlist has revolutionized the creative industry by offering subscription-based products under a comprehensive and simple license and is fast becoming the ultimate, complete solution for content creators. Recognized as a top startup by LinkedIn and WIRED, Artlist has over 20 million customers, from individual content creators to major corporations such as Google, Apple, Nike, Coca-Cola, Ikea, Netflix, Dior, Mercedes, and many more.

Source: Artlist

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Historic Moment: Space Shuttle Endeavour Takes Its Place at the California Science Center

Witness history as Space Shuttle Endeavour is lifted into its California Science Center home. Streaming live on Space.com at 12:30 a.m. EST.

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On the early morning of January 30, a monumental event is set to unfold as the space shuttle Endeavour is lifted into its new museum-exhibit home at the California Science Center. This complex operation, involving a towering 450-foot-tall crane, marks a historic achievement in exhibit installation, breaking new ground outside the realms of NASA or Air Force facilities.


Scheduled to commence at 12:30 a.m. EST (0530 GMT), viewers can witness the live action on Space.com, courtesy of the California Science Center, or directly via the Los Angeles museum. The duration of the lift remains uncertain, adding an element of suspense to this unprecedented event.

However, eager spectators should note that the Endeavour display won’t be immediately accessible. The future Samuel Oschin Air and Space Center, a significant expansion of the California Science Center, is slated to become Endeavour’s permanent residence. With an anticipated 18-month construction period and subsequent artifact and exhibit installation, an official opening date is yet to be announced.

Endeavour, NASA’s youngest shuttle, holds a remarkable legacy, having completed 25 missions before the retirement of the space shuttle program in 2011. As it takes its place in this new chapter at the California Science Center, the Endeavour will continue to inspire and educate generations to come, embodying the spirit of human exploration and technological achievement.

Source: Space.com

https://www.space.com/space-shuttle-endeavour-museum-exhibit-stacking-webcast

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art, culture and humanities

Life is Artistic, It’s Fantastic

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MIAMI (Newswire.com) – Welcome to the vibrant and chic world of Miami’s art scene, where creativity knows no bounds and the city itself becomes a canvas of expression. At the heart of this sizzling cultural hub is No Vacancy, Miami Beach. The program’s fourth edition presents twelve artists whose site-specific projects are displayed at twelve iconic hotels in Miami Beach.


Samantha Modder in her series – Source of All Hair, Wearer of All Socks – at Catalina Hotel & Beach Club

No Vacancy coincides with Art Week Miami Beach and Art Basel Miami, the epitome of cultural sophistication and creativity, which will take place from December 4th through December 10th. The installations will be viewed from now through December 14th, 2023 to include three of South Beach Group Hotels boutique properties highlighting participants:

Samantha Modder in her series – Source of All Hair, Wearer of All Socks – at Catalina Hotel & Beach Club. It presents a subjective Black woman’s fairytale to process interlocking structures of oppression. Modder is a visual artist working figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. 

Marco Inzerillo’s exhibit – SOBEautiful – is displayed at Hotel Croydon. He presents a series of photographs in both color and black and white, highlighting and celebrating the cultural variety of Miami Beach.

Riviera South Beach hosts Carola Bravo – Yield to Immigrants – challenging the concept of migration as a norm and not a crisis. The work addresses the tension between migration issues and the authority of public signs as civic markers. It also questions how manipulating traditional public signs alters their meaning, reminding us about the value of inclusion and our critical role in society.

Against the backdrop of sun-kissed beaches and eclectic neighborhoods, this annual extravaganza transforms Miami into a global art destination, bringing together the world’s leading galleries, artists, and enthusiasts.

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Facebook: https://www.youtube.com/c/SouthBeachGroup

TikTok: https://www.tiktok.com/@sbghotels

X/Twitter: https://twitter.com/SouthBeachGroup

Source: South Beach Group

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art, culture and humanities

Hyundai Motor Group Art Cars Rally in Paris to Support Busan’s Final Bid to Host 2030 World Expo

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SEOUL/PARIS – Hyundai Motor Group (the Group) is rolling out a fleet of art cars in Paris, France, from November 23–28, in a final drive to promote Busan, South Korea’s bid to host the 2030 World Expo. The voting for that honor will take place at the 173rd General Assembly of the BIE in Paris on November 28.

The Group is providing the Korean delegation with 10 Hyundai IONIQ 6 and Kia EV6, all-electric models, wrapped in a colorful graffiti design featuring symbols of Busan, such as seagulls and the Gwangan Bridge, as well as the slogan ‘BUSAN is Ready.’

The 173rd General Assembly of the BIE will see final presentations from each of the three candidate cities — Busan, South Korea; Riyadh, Saudi Arabia; and Rome, Italy — elected via secret ballot by each BIE Member State.

For this final campaign, the Group selected IONIQ 6 and EV6 to emphasize Busan’s commitment to hosting a carbon-neutral World Expo under the theme ‘Transforming Our World, Navigating Toward a Better Future.’

The art car fleet will tour major attractions, such as the Arc de Triomphe and the Louvre, as well as areas near the BIE headquarters and the embassies of various countries, promoting Busan’s bid to key officials from BIE member countries and tourists from around the world.

On November 28, the day of the 173rd General Assembly of the BIE, the Group will operate an art car around Le Palais des Congrès d’Issy, the venue of the General Assembly. It will make every effort to win the support of BIE members until the vote is cast.

The Group is running outdoor video advertisements highlighting Busan’s charms on a large scale through 270 digital screens located in major areas of Paris during the month of November. The art cars were also used during the Busan Expo Symposium and K-POP concert held in Paris last month to further promote Busan’s bid.

In addition, the Group’s art cars traveled to major international events, such as the APEC Economic Leaders’ Week in San Francisco, the UN General Assembly in New York, the G20 Summit in New Delhi, India, and the ASEAN Summit in Jakarta, Indonesia.

The Group has actively promoted the Busan World Expo at home and abroad in the digital realm, publishing more than 90 pieces of global content, such as short form videos and card news, to proclaim that Busan is the best city to host the 2030 World Expo.

The ‘Busan Initiative with the Whole World,’ a promotional video for the Busan World Expo that the Group released last month, exceeded 100 million views within 17 days of its release, contributing to the promotion of South Korea’s desire to host the event and Busan’s competitiveness.

Source: Hyundai

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