Entertainment
DISNEY100: THE EXHIBITION – DISNEY REVEALS 23 ARTIFACTS TO BE SHOWCASED AT THE FRANKLIN INSTITUTE AS THE COUNTDOWN TO THE WORLD PREMIERE BEGINS
Last Updated on August 7, 2024 by Daily News Staff
The exhibition, celebrating 100 years of The Walt Disney Company, opens February 18, 2023, at Philadelphia’s Franklin Institute
THESE “CROWN JEWELS” FROM FAVORITE DISNEY STORIES WILL BE ON DISPLAY FOR FANS
TO ENJOY AND INCLUDE THE HOCUS POCUS SPELL BOOK, BB-8 PUPPET,
BLACK PANTHER COSTUME AND MORE
PHILADELPHIA /PRNewswire/ — In celebration of the one-month countdown to the world premiere of Disney100: The Exhibition, D23: The Official Disney Fan Club has unveiled 23 “Crown Jewels” from the Walt Disney Archives vault of treasures that will be on display when the exhibition opens February 18, 2023, at The Franklin Institute in Philadelphia. From live-action to animation and Disney Parks to a galaxy far, far away, the 23 items showcase a taste of the wonderful world of stories that will highlight the legacy of The Walt Disney Company at the exhibition, such as:
- Carousel Horse used by Julie Andrews in Mary Poppins (1964)
- Genie Maquette from Aladdin (1992)
- Digital Painting from Frozen (2013)
- Concept Drawing of Disneyland by artist Herb Ryman
- First Order Stormtrooper Armor from Star Wars: The Last Jedi (2017) and Star Wars: The Rise of Skywalker (2019)

A full list of the artifacts can be found below.
Disney100: The Exhibition invites guests to step into their favorite Disney stories across ten galleries throughout a 15,000-square-foot exhibit space featuring innovative and immersive technology. The Walt Disney Archives spent the past five years curating a collection of more than 250 rarely seen original artworks, artifacts, costumes, props, and other memorabilia for the exhibition celebrating 100 years of The Walt Disney Company. The vast majority of objects are from the Walt Disney Archives, with a selection of artwork from the Walt Disney Animation Research Library, Walt Disney Imagineering Art Library, and Pixar Living Archives, as well as props and costumes on loan from Marvel Studios.
The full list of the 23 artifacts, revealed in advance of the February 18 world premiere at The Franklin Institute, includes:
- Story Script Page from Steamboat Willie (1928)
- Visual Development Art for Alice in Wonderland (1951), created by artist and Disney Legend Mary Blair*
- Concept Drawing of Disneyland by artist and Disney Legend Herb Ryman, graphite on paper (1953)*
- Nautilus Special Effects Filming Model for 20,000 Leagues Under the Sea (1954)
- Engineer Mickey Mouse used by Walt Disney on Opening Day of Disneyland, 1955
- Disneyland® Park Jungle Cruise Attraction Vehicle Model used by Walt Disney, “A Trip Through Adventureland/Water Birds” – Disneyland (TV, 1956)
- Prop Storybook featured in Sleeping Beauty (1959)
- Clean-up Animation for Sleeping Beauty (1959), created by artist and Disney Legend Marc Davis*
- Carousel Horse from Mary Poppins (1964), used by Disney Legend Julie Andrews
- Visual Development Art for The Little Mermaid (1989), created by artist and Disney Legend Glen Keane*
- Genie Maquette for Aladdin (1992), created by artist Kent Melton
- Spell Book from Hocus Pocus (1993), used by Disney Legend Bette Midler
- Mater Maquette for Cars (2006), created by artist Jerome Ranft
- East High School Yearbook from High School Musical 3: Senior Year (2008)
- Visual Development Art Digital Painting for The Princess and the Frog (2009), created by artist Sue Nichols
- Visual Development Art Digital Painting for Frozen (2013), created by artist Julia Kalantarova
- BB-8 Puppet used in Star Wars: The Force Awakens (2015), Star Wars: The Last Jedi (2017), and Star Wars: The Rise of Skywalker (2019)
- Captain America Shield used in Captain America: Civil War (2016)
- Lumière Production Model for Beauty and the Beast (2017)
- First Order Stormtrooper Armor from Star Wars: The Last Jedi (2017) and Star Wars: The Rise of Skywalker (2019), designed by Michael Kaplan and Glyn Dillon
- Black Panther Costume from Black Panther (2018)
- Cinderella Castle Model for Magic Kingdom® Park at Walt Disney World® Resort
- Attraction Vehicle from Matterhorn Bobsleds at Disneyland Park
*Reproduction of the original
Photos of the newly released objects can be found here.
Disney100: The Exhibition opens on February 18, 2023, and runs through August 27, 2023. Tickets are timed and dated, and advance ticket purchase is strongly recommended. For information on purchasing tickets, please visit www.fi.edu.
Disney100: The Exhibition is created and curated by the Walt Disney Archives and Semmel Exhibitions. The Franklin Institute is proud to present and play host to the world premiere of Disney100: The Exhibition in the Nicholas and Athena Karabots Pavilion and the Mandell Center. PECO, the Premier Corporate Partner of the Franklin Institute, is the Local Presenting Sponsor of the exhibition, and PNC is the Associate Sponsor.
About The Franklin Institute
Located in the heart of Philadelphia, The Franklin Institute is a renowned and innovative leader in science and technology learning and a dynamic center of activity. As Pennsylvania’s most visited museum, it is dedicated to creating a passion for learning about science by offering access to hands-on science education. For more information, visit www.fi.edu.
About the Walt Disney Archives
For more than 50 years, the Walt Disney Archives has carefully safeguarded the most treasured items from The Walt Disney Company’s history, including original scripts, movie props and costumes, Walt Disney’s correspondence and script notes, theme park artifacts, merchandise, millions of archival photographs, and many of Walt’s personal effects. Founded by Disney Legend Dave Smith in 1970, the Walt Disney Archives is a vital resource for every part of Disney, as well as an important research center for Disney scholars, researchers, and writers. The Archives also shares its countless pieces with Disney fans everywhere through its exhibitions and close association with D23: The Official Disney Fan Club.
About Semmel Exhibitions
Semmel Exhibitions creates exhibitions, which travel worldwide, and hosts international exhibitions in Germany, Austria, and German-speaking Switzerland. Semmel Exhibitions is a division of Semmel Concerts Entertainment, the large German live entertainment producer. Since Semmel Exhibitions started touring its exhibitions TUTANKHAMUN – HIS TOMB AND HIS TREASURES; THE DISCOVERY OF KING TUT; and most recently, MARVEL: UNIVERSE OF SUPER HEROES and SPIDER-MAN: BEYOND AMAZING – THE EXHIBITION, they have reached an audience of more than seven million people worldwide and built a strong international network within museums, science centers, cultural venues, and the creative industries. More information at semmel-exhibitions.com.
SOURCE The Franklin Institute
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Lifestyle
The big summer trip is getting harder to pull off. What families are doing instead.
Big Summer Trip: Ask most Americans about their favorite summer memory, and water shows up somewhere — a lake at dusk, a boat rocking gently, quiet mornings with nowhere else to be.

The big summer trip is getting harder to pull off. What families are doing instead.
(Tiffany Miller) Ask most Americans about their favorite summer memory, and water shows up somewhere — a lake at dusk, a boat rocking gently, quiet mornings with nowhere else to be. For a lot of them, that feeling has been easier to remember than recreate.
As travel costs climb and traditional vacations feel increasingly complicated, the appeal of something closer to home has grown. Each year, 85 million Americans find it on the water, according to the National Marine Manufacturers Association (NMMA).
Part of boating’s appeal is rooted in nostalgia and connection. Many people are drawn to the kinds of unplugged experiences tied to childhood — time outdoors, shared adventures and uninterrupted moments together. According to a Discover Boating survey, 85% of current boat owners say their fondest childhood memories involved being on the water, with nearly half recalling those experiences before age 13.
The costs look different when stacked against a traditional vacation. According to NMMA, a week at an all-inclusive resort for a family of four runs around $5,000 to $8,000. Boat rentals run around $75 per hour, entry-level boat financing costs a few hundred dollars a month and boat club memberships offer access to multiple boats for a monthly fee, typically $150 to $375 after a one-time initiation fee. Many families are discovering that boating can offer multiple smaller vacations throughout the summer at a comparable cost.
Those lower-commitment options are more than just a budgeting tool — they are a first step into the lifestyle. According to the survey, 45% of prospective boat buyers expressed interest in renting or chartering before committing to a purchase, while interest in boat clubs and fractional ownership also remained high. The survey further found that 49% plan to own within two years, and 46% are focused on boats priced under $50,000.
For Americans deciding how to spend their time this summer, that flexibility may be part of boating’s growing appeal. It offers something many vacations promise but do not always deliver: the ability to truly disconnect and be present — not just once a year, but repeatedly throughout the season.
The pull toward the water may be deeper than nostalgia. Research shows there’s a connection between water and well-being — the sight and sound of water can help people feel calmer, lower stress and support overall wellness. The concept of “Blue Mind” describes the mild meditative state associated with being near, in, on or under water. For families looking to unplug, boating offers a way to step away from screens, slow down and recharge.
Methodology
The quantitative survey was fielded Aug. 22, 2025 through Sept. 12, 2025. It included 500 boat owners and 500 prospective owners. Boat owners are defined as those who own (or used to own) a boat and consider their primary vessel a motorized/power boat or sailboat. Prospective owners are defined as 50% or more likely to purchase a motorized/power boat or sailboat in the future and not a current or lapsed owner. Note: All insights collected reflect opinions of surveyed boat owners and prospective owners only.
Photo courtesy of Shutterstock
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SOURCE:
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Entertainment
Life isn’t all diamonds – money and fame don’t shield the many ‘Real Housewives’ facing criminal charges
“The Real Housewives” is more than messy drama—it’s a crash course in real-world crime, as cast members face charges from DUIs and theft to fraud, assault, and federal prison.

C. Clare Strange, Drexel University
“The Real Housewives” reality TV series, which showcases the lives of a rotating cast of wealthy women in 11 cities in the U.S. and places in several other countries, is famous for its characters’ over-the-top drama and messy personal antics.
But there are also useful lessons that the characters’ lives and frequent run-ins with the law offer to casual observers and criminology students alike.
I developed the idea for The Real Housewives of Criminology course when I heard a story on NPR in 2023 about how the Bravo Network franchise was becoming more like a true-crime TV series.
Jen Shah, a cast member from “The Real Housewives of Salt Lake City,” had recently been sentenced to six years in federal prison for her role in a nationwide telemarketing scheme – but she wasn’t the only one on the show who met such a fate.
Many people who appear on “Housewives” share a real-life penchant for crime – from driving-under-the-influence charges and theft to fraud and assault.
During any given episode, viewers may find “Housewives” stars and their families navigating the fallout – from court dates to public shaming.
I realized that these scenes illustrate core concepts from criminal justice theory and practice as well as any textbook.
A window into the course
The course examines the criminal cases of the “Housewives” and compares them to those of the general public.
Students discuss how factors such as social class, age and race can impact people’s experiences with the justice system. At the same time, they come to understand that factors such as how serious a crime is, a person’s criminal history and the harm done to victims tend to drive case outcomes more than any other factor.
I believe that this course is especially relevant now, because it is increasingly common for undergraduate students to consume news about crime and punishment from streaming platforms and social media.
It seems there is a new “Housewife” arrest every several months, which brings with it new circumstances and a new case study to dissect.
Critical lessons
One key takeaway from the course is that there are many meaningful differences – and similarities – between the criminal cases shown in “Housewives” and those of most people.
While money and power can often go a long way in fighting a criminal conviction, sometimes they fall short when the harm to victims or society is too great, or the pattern of behavior is too obvious.
Many “Housewives” stars and their families have learned this lesson the hard way.
Read along
This course requires students to view footage from “The Real Housewives,” read peer-reviewed criminological research, and listen to podcast episodes from “The Bravo Docket.”
We even read book chapters straight from some of the Housewives’ memoirs. All of this culminates in a “Final Reunion,” meaning a final verbal exam for students, in which they embody one of the “Housewives” cast members and answer questions from me – dressed as host Andy Cohen – about their criminal cases.
Real takeaways
While the court of public opinion tends to quickly draw conclusions from limited information, my honors students learn that there is more than meets the eye when it comes to the U.S. justice system.
The Real Housewives of Criminology helps them to navigate the nuance beneath the headlines about popular crime news stories, in and beyond the “Bravosphere.”
C. Clare Strange, Assistant Research Professor of Criminology and Justice Studies, Drexel University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Blog
The Substitute Teacher Who Wanted Blueprints of Our House
A fifth-grade assignment took a strange turn when a substitute teacher asked students to draw schematics of their homes. What followed — a wildly fictional floor plan and a priceless reaction from my mom — turned into one of my funniest childhood memories.
Last Updated on June 4, 2026 by Daily News Staff
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The Substitute Teacher Who Wanted Blueprints of Our House
Elementary school memories tend to blend together — cafeteria pizza, playground arguments, the eternal struggle of times tables — but every once in a while, something happens that sticks with you for life. For me, that moment came in the fifth grade during a week when our regular teacher was out, and we cycled through substitute teachers like we were testing models for durability.
By midweek, in walked a substitute with a mysterious, slightly intense energy — the kind of vibe that suggested he either meditated at dawn or worked a graveyard shift doing something he couldn’t talk about. We settled into our seats, expecting worksheets or quiet reading time.
But nope.
He had other plans.
“Today,” he announced, “we’re going to draw schematics of our houses.”
Schematics. Not drawings. Not little houses with smoke coming out of the chimney. Actual blueprint-style schematics. He wanted the layout of our bedrooms, our parents’ rooms, and where the pets slept. Every detail.
Now, to be fair, Highlights Magazine did have a feature that month teaching kids how to draw floor plans. So maybe he was just a bit overenthusiastic about cross-curricular learning. Or maybe — and this is my completely rhetorical adult theory — he worked the graveyard shift as a cat burglar gathering intel between heists. Just moonlighting between blueprints.
While the rest of the class tried their best to recreate their actual homes, my imagination sprinted in a totally different direction. The house I drew had:
- A massive master bedroom with an oversized bathroom for my parents
- Separate bedrooms for us kids on the opposite side of the house
- A kitchen placed right in the center like a command center
- And the dog — the true VIP — had a luxurious two-story doghouse
I had basically created a dream home designed by a 10-year-old watching too much Fantasy Homes by the Yard.
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Later that day, my mom asked the usual question: “So, what did you guys do today?”
“We drew schematics of our house,” I said casually.
The look on her face was instant and intense. She wasn’t panicked, but there was definitely a “Why does a substitute teacher need to know the exact layout of my home?” expression happening. Parental instincts activated.
But then I showed her my diagram.
She stared at it. Blinked. Then sighed with massive relief.
“This isn’t our house,” she said.
“Nope! I made it up,” I replied proudly.
Her shoulders relaxed so much she probably lost five pounds of tension in one instant. If the substitute was secretly planning a heist, my masterpiece of misinformation would have sent him to the wrong house entirely.
Looking back, the whole moment feels like a sitcom setup — a mysterious substitute collecting “house schematics,” me creating a completely fictional piece of architecture, and my mom going on a full emotional journey in under 30 seconds.
Maybe he was just excited about the Highlights Magazine floor-plan activity. Or maybe — just maybe — he moonlighted in cat burglary. We’ll never know.
But if he was, I like to think I threw him completely off the scent.
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