Entertainment
Honoring Phillis Wheatley: A Remarkable Acquisition for the Boston Tea Party Ships & Museum
“Exciting news: Boston Tea Party Ships & Museum acquires Phillis Wheatley’s first-edition book, marking a significant milestone in American history.
Last Updated on October 23, 2024 by Daily News Staff
Phillis Wheatley
In a significant development for the Boston Tea Party Ships & Museum, the organization has announced the acquisition of a first-edition book by Phillis Wheatley, a remarkable poet and a key figure in the literary canon. This acquisition comes as part of the museum’s commemoration of the 250th anniversary of the Boston Tea Party, a historic event that shaped American history. The book, titled “Poems on Various Subjects, Religious and Moral,” arrived in Boston onboard the Dartmouth, one of the three ships involved in the Boston Tea Party. This press release explores the connection between Phillis Wheatley, the Boston Tea Party, and the upcoming exhibition at the museum.
Phillis Wheatley’s Significance:
Phillis Wheatley was an exceptionally talented poet and the first woman of African descent and former enslaved person in both Britain and America to have a book published. Her collection of poems, published in 1773, gained international renown and positioned her as a prominent literary figure. Wheatley’s accomplishment was especially remarkable considering the societal barriers she faced as an enslaved person. Her poetry explored themes of religion, morality, her African heritage, and her experiences of slavery, providing a unique perspective on the world.
The Connection to the Boston Tea Party:
The connection between Phillis Wheatley and the Boston Tea Party lies in the arrival of the Dartmouth in Boston exactly 250 years ago. Among the cargo of East India Company tea onboard, one crate contained the newly published book of Wheatley’s poetry. This arrival coincided with the year Wheatley was emancipated from slavery and the year of the Boston Tea Party itself, further intertwining her story with this pivotal moment in American history.
The Acquisition and Future Exhibition:
The Boston Tea Party Ships & Museum secured the first edition of Wheatley’s book through an auction specializing in historic artifacts. The museum’s Vice President and Executive Director, Shawn P. Ford, expressed excitement about the acquisition, stating that it will serve as the centerpiece for a new exhibition dedicated to Phillis Wheatley. This exhibition, set to be unveiled in late 2024 or early 2025, will shed light on Wheatley’s life and her connection to the Boston Tea Party. In the meantime, the museum will host a temporary pop-up exhibit in Abigail’s Tea Room, showcasing the acquired book, a photography exhibit featuring Wheatley’s images, and a replica of the dress she wore, as depicted in her book’s frontispiece.
Phillis Wheatley’s Journey:
Phillis Wheatley’s life journey began in West Africa, where she was captured and sold into slavery at a young age. She was bought by the Wheatley family in Boston, who provided her with an education and fostered her literary talents. Wheatley’s poetry, influenced by classical themes, Christianity, and her African heritage, garnered acclaim on both sides of the Atlantic. She used her platform to speak out against slavery, making her voice an important part of the abolitionist movement.
Culminating Event: The 250th Boston Tea Party Anniversary Reenactment:
The commemoration of the 250th anniversary of the Boston Tea Party will reach its pinnacle on Saturday, December 16, 2023, with a grand-scale, live reenactment. Hundreds of reenactors will recreate the events of December 16, 1773, at historic locations such as the Old South Meeting House, Faneuil Hall, and Downtown Crossing. The reenactment will be followed by a public procession to the Boston Tea Party Ships & Museum, where the Sons of Liberty will symbolically destroy 250 pounds of tea sent from the East India Company, as well as tea contributed by citizens and students from around the world.
The acquisition of Phillis Wheatley’s first-edition book by the Boston Tea Party Ships & Museum marks a significant milestone in preserving her legacy and highlighting her connection to the Boston Tea Party. By showcasing her poetry and sharing her story, the museum’s upcoming exhibition will contribute to a deeper understanding of Wheatley’s impact on American literature and history. As the 250th anniversary of the Boston Tea Party approaches, the live reenactment event will immerse visitors in the dramatic events that forever changed the course of American history.
NEW PHILLIS WHEATLEY POP-UP EXHIBIT – November 28 – December 5, 2023
As of today, November 28, through December 5 (the date of Ms. Wheatley’s death in 1784), the Boston Tea Party Ships & Museum will be hosting a temporary pop-up exhibit in Abigail’s Tea Room showcasing the newly acquired book of poetry, a new photography exhibit highlighting Phillis Wheatly at various stages in her life taken by Valerie Anselme, a Haitian-American professional photographer from Boston, MA, and a replica of Phillis Wheatley’s dress as noted in the frontispiece in her book at Boston Tea Party Ships & Museum Abigail’s Tea Room during business hours.
Brief History of Phillis Wheatley
Phillis Wheatley was born in West Africa (most likely in present day Gambia or Senegal) circa 1753. At the age of about seven years old, she was captured, transported to the Americas away from her family and sold to the Wheatley family in Boston. The family changed her name to ‘Phillis’ after the ship that had transported her across the Atlantic.
Phillis became a household servant for the Wheatley’s, who taught her to read and write. She studied widely, including British literature, Greek and Latin, learning to translate both languages, and write poetry. Some of her early poems were published in local newspapers and pamphlets and, by the age of 18 she had written enough for a book. At the age of 20, Phillis was tasked with accompanying the family’s eldest son, Nathaniel, to England. There she succeeded in publishing her volume of poetry, in 1773, making her the first African American and first African American woman to be published.
Her book was a success and received critical acclaim on both sides of the Atlantic, although others claimed that her work was too sophisticated to have been written by an African. Her poetry was based on classical themes, Christianity, the ‘new world’ of America and her African heritage. She also wrote about her experiences of slavery and spoke out against it at public meetings.
In 1778, John Wheatley, Phillis’ master, legally freed Phillis, allowing her to marry John Peters, a freed African American. But the deeply ingrained racist attitudes of the time meant life was hard for freed slaves, especially during the American War of Independence. The couple struggled with ill-health, a low income and the death of two of their children in infancy. Phillis died in Boston in 1784, aged just 31.
250th Boston Tea Party Anniversary LIVE Reenactment – Saturday, December 16, 2023
This 250th anniversary year will culminate in a grand-scale, live reenactment of the Boston Tea Party on the actual anniversary of the Boston Tea Party – Saturday, December 16, 2023. Hundreds of reenactors will tell the story of the infamous Boston Tea Party and theatrically recreate the events of December 16, 1773 at Boston’s historic Old South Meeting House and Faneuil Hall in addition to Downtown Crossing with a series of performances and programming, followed by a major public procession to the Boston Tea Party Ships & Museum where the Sons of Liberty will destroy loose tea, 250 pounds of tea sent to Boston from London’s East India Company, in addition to tea sent in from citizens/students from around the world, into Boston’s historic harbor.
ABOUT THE BOSTON TEA PARTY SHIPS & MUSEUM
The Boston Tea Party, “the single most important event leading up to the American Revolution, occurred the night of Dec. 16, 1773. The Boston Tea Party Ships & Museum, owned and operated by Historic Tours of America, is dedicated to accurately reliving and representing a key time in history (1773-1775) through actors, tea throwing reenactments, high-tech interactive exhibits, authentic replica ships: the Beaver and the Eleanor and an award-winning multisensory film, Let it Begin Here. The Boston Tea Party Ships & Museum is open 7 day/week from 10 a.m.-5 p.m. (Summer/Spring) and from 10 a.m.-4 p.m. (Fall/Winter). Tours run every 30 minutes in the fall/winter and every 15 minutes in the spring/summer and last 1 hr. Closed on Thanksgiving and Christmas Day. The Boston Tea Party Ships & Museum was voted #1 ‘Best Patriotic Attraction’ in USA Today‘s ’10Best Readers’ Choice Awards 2016′; voted ‘Best New Museum’ in 2012 by Yankee magazine and ‘Best of the New 2012’ by Boston Globe Magazine. To learn more visit www.bostonteapartyship.com or call 1-855-(TEA)-1773. The Boston Tea Party Ships & Museum is located at 306 Congress St. on the Congress St. Bridge, Boston, MA 02210, over the same body of water where The Boston Tea Party took place.
ABOUT THE 250th ANNIVERSARY OF THE BOSTON TEA PARTY
Meet Boston, the 250th Anniversary of the Boston Tea Party Board of Advisors (BOA) and Revolution 250, a consortium of organizations geared to commemorate the 250th anniversaries of the events that led to the American Revolution, are working together to create a series of commemorative programs throughout the entirety of 2023 culminating in a grand-scale, live reenactment celebrating the 250th Anniversary of the Boston Tea Party taking place on Sat., December 16, 2023. Details of all programming and the major reenactment celebration is available at www.BostonTeaParty250.com. Instagram/Facebook: @bostonteaparty250; Twitter: @BOSTeaParty250.
SOURCE Boston Tea Party Ships & Museum
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awards and contests
The Largest AI Film Competition Is a Snapshot of Where AI Filmmaking Is Headed
Higgsfield released results from its largest AI filmmaking competition: nearly 8,800 submissions from 139 countries and $500,000 in prizes—highlighting a fast-growing, global, creator-led filmmaking ecosystem.
Last Updated on April 25, 2026 by Daily News Staff
A year ago, “AI film” still sounded like a niche experiment—cool demos, rough edges, and lots of debate about whether it could ever look truly cinematic. Higgsfield’s latest competition results suggest we’ve crossed into a new phase: AI filmmaking is becoming a real, global production lane, driven by independent creators working outside traditional studio systems.
According to the company, its AI Film Competition drew nearly 8,800 submissions from 139 countries, with a $500,000 cash prize pool distributed to independent filmmakers. Beyond the winners, the dataset reads like a market signal: generative tools are lowering the cost of entry for high-end visuals, and the talent pipeline is no longer geographically locked to legacy production hubs.
A global creator map is replacing the old studio map
One of the most telling takeaways is where the work is coming from. Higgsfield reports the largest volume of entries came from:
- India (1,805)
- United States (1,041)
- Germany (278)
- France (230)
- Italy (228)
- Brazil (212)
- United Kingdom (196)
Historically, cinematic action and high-end VFX were concentrated in a handful of established centers—places with the budgets, infrastructure, and specialized crews to pull off complex sequences. Higgsfield’s results point to a different reality: subscription-based, production-grade AI tools are reducing geographic barriers, enabling creators across Latin America, Southeast Asia, and Eastern Europe to compete in the same visual arena.
Higgsfield CEO Alex Mashrabov framed it as a creator inflection point, arguing that the scale of participation signals the next breakout franchise “can come from anywhere on Earth.” Whether or not you buy the blockbuster prediction, the underlying shift is hard to ignore: global access is now a feature of the production model.
The judging criteria hints at what matters next
Another important detail: the prize pool wasn’t awarded for “best render” alone. Higgsfield says the jury—made up of both traditional production veterans and AI-native creators—prioritized storytelling and directorial intent over technical polish.
That’s a meaningful signal for where AI filmmaking is headed. As tools improve, the baseline for visual quality rises. What differentiates creators isn’t just the ability to generate a shot—it’s the ability to direct one: pacing, tone, character, and clarity of vision.
The jury included names and studios spanning both worlds, such as Secret Level (founded by Emmy-winning filmmaker Jason Zada), Buralqy, concept artist Jama Jurabaev, and PJ Ace of Genre.ai—who called it “the best-looking AI film contest” they’ve seen.
Decentralized production is no longer theoretical
The Grand Prize winner is also a case study in how AI changes collaboration. 1st Place ($150,000) went to Muhannad Nassar (Detroit) and Simon Meyer (Germany) for “GRANDMA vs WASP.” The pair reportedly never met in person, instead using an asynchronous workflow across time zones with Higgsfield’s Cinema Studio.
That’s not just a fun anecdote—it’s a preview of a parallel production ecosystem where teams form around taste and capability rather than geography. If the toolchain is centralized in the cloud, the “studio” becomes a workflow, not a building.
Winners show two pathways: new creators and experienced pros
The rest of the top placements reflect how broad the adoption curve is becoming:
- 2nd Place ($100,000): Nikolay Shestak for “CUPID,” using Higgsfield to execute concepts that would normally be budget-prohibitive. He plans to apply the prize toward an independent superhero film.
- 3rd Place ($50,000): Brothers Ash and Aram Gevorkyan for “SCRATCH,” created in five days. Ash noted audiences mistook it for a studio-backed theatrical release and asked for a link to the “full movie.”
What’s emerging is a two-lane future: newcomers using AI to enter filmmaking for the first time, and established creatives using it to expand what they can produce independently.
Money is starting to loop back into production
Higgsfield also highlights something that looks a lot like early-stage industry deal flow: one top winner is reportedly reinvesting prize money back into the platform to produce a feature-length film, and the project has already attracted involvement from a major Hollywood figure.
That matters because it suggests AI-generated work isn’t staying in a separate “AI corner.” It’s beginning to intersect with the traditional financing-and-distribution ecosystem—especially when the output looks cinematic enough to be taken seriously.
The market is growing—and the infrastructure is consolidating
The competition results land in a market that’s expanding quickly. Citing Grand View Research, Higgsfield notes the global AI video generator market was estimated at $788.5 million in 2025 and is projected to reach $3.44 billion by 2033 (a 20.3% CAGR).
Higgsfield is positioning itself as an all-in-one workflow layer, combining its own models with third-party options (including OpenAI’s Sora and Google’s Veo, among others) so creators can choose the best model per task without rebuilding pipelines. The company says it serves 20 million+ users who have generated 50 million+ videos, and it reports a most recent valuation of $1.3 billion.
What to watch for next
If you’re tracking where AI filmmaking is going, this competition offers a few clear “watch points”:
- More global breakout creators as the cost of cinematic visuals continues to fall
- Decentralized teams forming around projects, not locations
- A shift from “can it look good?” to “can you direct it?” as quality becomes more accessible
- Traditional industry crossover as AI-native projects attract recognizable partners
Want to see the winning films and action scenes? Higgsfield has them here: https://higgsfield.ai/contests/make-your-action-scene
Source: Higgsfield press release distributed via PRNewswire (March 18, 2026).
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Festivals
Presqu’ile Winery Partners With LAND to Bring Contemporary Art to Santa Maria Valley
Presqu’ile Winery and LAND are partnering to bring free, site-responsive contemporary art to the Santa Maria Valley estate in Santa Barbara Wine Country.
Santa Barbara Wine Country is about to get a fresh reason to linger a little longer. Presqu’ile Winery has announced a new collaboration with Los Angeles Nomadic Division (LAND), the nationally recognized nonprofit known for taking contemporary art out of traditional museums and galleries and placing it directly into the environments that shape it. The result: curated, site-responsive works—some created specifically for the property—installed across Presqu’ile’s Santa Maria Valley estate.
A winery becomes an open-air gallery—at no cost
Under the partnership, Presqu’ile will serve as a host site for LAND programming, opening its estate to the public for free. Visitors can expect contemporary art integrated into the vineyard setting, with select installations shaped by the landscape itself. The goal is simple and ambitious at the same time: expand no-cost access to contemporary art along California’s Central Coast while creating a cultural experience that feels inseparable from the place it inhabits.
LAND’s approach is rooted in the belief that art should be experienced where people actually live, work, and gather. Rather than building exhibitions around white walls and controlled lighting, LAND supports projects driven by place—work that engages the environment, the community, and the lived experience of the artists creating it.
“Nourishing reciprocity” between art, landscape, and community
Laura Hyatt, Director of LAND, emphasized how the Central Coast setting opens new creative possibilities for artists.
Hyatt noted that collaborating with Presqu’ile gives artists the opportunity to engage with the region’s natural beauty and unique ecology—placing artworks in what she described as “nourishing reciprocity” with the landscape and the visitors moving through it. She also highlighted the long-term potential of the partnership, which allows for deeper exploration over time, expands LAND’s geographic reach, and strengthens connections between Southern and Central California.
For Hyatt, the collaboration is personal as well: her family has roots in the area going back five generations, adding another layer of community connection to the work LAND hopes to cultivate.
A shared mindset: tradition, experimentation, and a sense of place
Presqu’ile framed the partnership as a natural extension of what the winery already does—balancing tradition with experimentation. In the same way winemaking can honor time-tested methods while still pushing toward new expressions, contemporary art can offer new ways of seeing familiar processes and landscapes.
Matt Murphy, co-founder of Presqu’ile Winery, said the family’s appreciation for the visual arts made the collaboration an easy “yes.” He pointed to the opportunity to create “fun, compelling and unexpected” ways for the community to engage with both the installations and the estate itself—and to experience Presqu’ile through each artist’s creative lens.
What happens next
In the near term, LAND will install artworks developed through its programming on the Presqu’ile property, with public access remaining free. The collaboration is designed with community benefit at its center, positioning the estate as a cultural and agricultural destination—not just a tasting room.
Looking ahead, Presqu’ile has submitted plans for approval to develop expanded spaces intended to support free public art, cultural programming, and community gathering. If approved, those improvements would signal a long-term commitment to integrating arts and culture into the estate experience and welcoming future partners whose work aligns with Presqu’ile’s values of openness, creativity, and place-based expression.
Additional details—including participating artists and installation timelines—will be announced as the collaboration progresses.
About the partners
Presqu’ile Winery
Presqu’ile (pronounced press-keel) is a family-owned estate winery in Santa Maria Valley on California’s Central Coast. Founded in 2007, the winery produces cool-climate wines from its sustainably farmed estate vineyard and from a select group of growers across Santa Barbara County. The name—French Creole for “almost an island”—reflects the Murphy family’s Gulf Coast heritage and the winery’s deep emphasis on place.
Los Angeles Nomadic Division (LAND)
Founded in 2009, LAND is a nonprofit arts organization dedicated to connecting people and places through site-responsive public art and programs. Over 15 years, LAND has presented more than 500 artists across 300+ programs and exhibitions, ranging from large-scale sculptural commissions to billboards, roadside screenings, workshops, and city-wide video presentations—reaching millions of people.
Why it matters
This collaboration isn’t just about adding art to a winery—it’s about rethinking where art belongs, who gets to access it, and how landscape can become part of the creative process. For the Central Coast, Presqu’ile and LAND are setting the stage for a new kind of cultural destination: one where a walk through the vines can also be a walk through contemporary ideas, made visible in the open air.
Source: Presqu’ile Winery
Organization: Los Angeles Nomadic Division (LAND)
- Presqu’ile media contact: diana@solterrastrategies.com
- LAND media contact: kyle@hellothirdeye.com
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Food and Beverage
NYC to Host 5th International Volcanic Wines Conference on June 10
New York City will host the 5th International Volcanic Wines Conference on June 10, 2026 at Manhatta, featuring global volcanic regions, masterclasses, a Grand Tasting, and the Volcanic Wine Awards with JancisRobinson.com.
New York City is about to get a crash course in “wines with a sense of place.” Volcanic Wines International (VWI) announced the 5th International Volcanic Wines Conference (IVWC), set for June 10, 2026 at Manhatta in Manhattan. The one-day event brings together producers, sommeliers, buyers, journalists, and educators for tastings and masterclasses focused on wines grown in volcanic soils—an increasingly talked-about category known for its tension, mineral-driven structure, and unmistakable origin.
Why volcanic wines are having a moment
Volcanic vineyards sit on some of the planet’s most dramatic landscapes—think steep slopes, black sand, and lava-strewn terrain. But the conference isn’t just about scenery. The IVWC is built around a simple idea: volcanic terroir can shape wine in distinctive ways, influencing everything from texture and acidity to aromatics and perceived “energy” in the glass.
As VWI co-founder John Szabo, MS put it, volcanic wines often stand out for their “energy, structure, and clear sense of origin,” making them a natural fit for wine lists that prioritize discovery.
A global tasting tour—without leaving Manhattan
Hosted in what VWI calls the largest and most influential wine market in the U.S., the conference offers a rare side-by-side look at volcanic regions from around the world. Participating producers are expected from territories including:
- Etna (Sicily)
- Santorini (Greece)
- Canary Islands (Spain)
- Hungary
- Pantelleria (Italy)
- Lake County (California)
Masterclasses, seminars, and a Grand Tasting
The June 10 program is designed for wine professionals who want to go deeper than a quick sip. Attendees can expect guided tastings and educational sessions exploring how different volcanic soils—and the climates that surround them—can influence grape varieties and wine styles.
Seminars are slated to spotlight volcanic wines from:
- Soave (Italy)
- Etna
- Hungary
- Canary Islands
- Lazio (Italy)
The day also includes a Grand Tasting, where exhibiting wineries will pour for a curated audience of sommeliers, buyers, importers, educators, and media.
A new “Volcanic Origin” certification will be announced in the U.S.
One of the headline moments: the conference will host the official U.S. announcement of a new Volcanic Origin certification, created by the Vinora association of Auvergne, France. The certification is designed to help recognize authentic expressions from volcanic regions worldwide—an important step as interest grows and consumers look for clearer signals of provenance.
Volcanic Wine Awards + JancisRobinson.com partnership
VWI also highlighted a major media partnership with JancisRobinson.com for the Volcanic Wine Awards, an international competition celebrating standout wines from volcanic regions.
Award-winning wines will be featured on JancisRobinson.com and showcased in a dedicated space during the NYC conference.
“Volcanic regions produce some of the most characterful wines in the world,” said Tara Q Thomas, Managing Editor at JancisRobinson.com, adding that the partnership aims to bring greater attention to these terroirs.
The big picture: story-driven wine in a crowded market
Beyond the technical details, the conference is tapping into something the wine world is actively chasing: narrative and identity.
“Today more than ever, the wine world needs compelling stories that reconnect wine lovers with place and identity,” said Gino Colangelo, President of Colangelo & Partners and partner in VWI. Volcanic wines, he noted, offer “dramatic landscapes, ancient soils, and wines with unmistakable character.”
How to attend or exhibit
For information about exhibiting or attending, VWI directs inquiries to Bianca Panichi at bpanichi@colangelopr.com. Updates are also available at www.volcanicwinesinternational.com, with social channels on Instagram (@volcanicwines_intl) and Facebook (Volcanic Wines International).
What to watch for (STM Daily News)
- Whether the new Volcanic Origin certification becomes a widely adopted benchmark
- Which regions and producers dominate the Volcanic Wine Awards spotlight
- How volcanic wines continue to move from “sommelier obsession” to broader consumer demand
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