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‘KPop Demon Hunters’ is attracting huge audiences worldwide – young Philadelphians told us K-pop culture inspires innocence, joy and belonging

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Last Updated on August 26, 2025 by Daily News Staff

KPop Demon Hunters
‘KPop Demon Hunters,’ released June 20, 2025, is Netflix’s most-watched original animated film ever.
Netflix

‘KPop Demon Hunters’ is attracting huge audiences worldwide – young Philadelphians told us K-pop culture inspires innocence, joy and belonging

A. Stefanie Ruiz, Clemson University; Femida Handy, University of Pennsylvania, and Sunwoo Park, Clemson University

“Born with voices that could drive back the darkness,” the character Celine, a former K-pop idol, narrates at the start of Netflix’s new release “KPop Demon Hunters.” “Our music ignites the soul and brings people together.”

The breakout success of “KPop Demon Hunters,” Netflix’s most-watched original animated film, highlights how “hallyu,” or the Korean Wave, keeps expanding its pop cultural reach. The movie, which follows a fictional K-pop girl group whose members moonlight as demon slayers, amassed over 26 million views globally in a single week and topped streaming charts in at least 33 countries.

From K-pop and K-dramas to beauty products and e-sports, hallyu – which refers to the global popularity of South Korean culture – has drawn in millions of fans worldwide. But beyond entertainment, many young people describe how their engagement with Korean culture supports their mental health and sense of belonging.

We conducted interviews with 30 non-Korean hallyu fans aged 18-30 in Philadelphia in 2019 to understand how they experience Korean cultural content. Our findings were recently published in the peer-reviewed World Leisure Journal.

The core themes, such as the emotional support, community building and cultural exploration offered by hallyu, remain relevant today, especially as Korean media continues to expand their global influence and resonate with new generations of fans.

A light space in a heavy world

Participants described hallyu, especially K-pop and K-dramas, as a refuge from the stress and negativity they associate with mainstream Western media.

“I think Western music is a lot … more mellow,” a 24-year-old social worker explained. “It’s like a blunt kind of depression … it doesn’t make you go out in the world and smile at everything.”

In contrast, K-pop was often described as uplifting, playful and emotionally resonant. This contrast was especially important for individuals who felt overwhelmed by the hypersexualized or violent content common in Western pop culture.

“I feel like the stories in [Korean dramas] make more of an effort to connect with people,” said a 22-year-old communications associate. “They’re not as explicit. [For instance, simply] holding hands is a huge deal.”

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Another participant, a 19-year-old college student and part-time barista who identified as asexual, shared: “I really like seeing content where they portray a hug or simple kisses as extremely intimate. … [I]t just makes me more comfortable.”

Music as emotional medicine

For many interviewees, hallyu had become a form of emotional self-care.

“It supplements my happiness,” a 25-year-old researcher said. “I’m a pretty optimistic person; it just kind of supplements that baseline optimism.”

Others described how specific songs helped them through difficult times. The college student and barista recalled listening to the boy band BTS’ “Magic Shop” during a spell of depression. “I would just wrap a blanket around myself, sip tea … and it made me feel immensely better,” she said.

[youtube https://www.youtube.com/watch?v=38k5zr1e0HI?wmode=transparent&start=0]
‘Magic Shop’ by BTS.

This therapeutic effect is not accidental. BTS, one of the most globally recognized K-pop groups, has built its brand around messages of self-love and mental health awareness.

“They try to spread a message of loving yourself,” a 24-year-old medical assistant explained. “Like no one can love you unless you love yourself first.”

Building community online and offline

Another key benefit of hallyu culture is the sense of community it fosters. Individuals from all backgrounds and ages connect through social media, fan clubs and local events.

“I’ve met a lot of people through [the K-pop club] on Temple’s campus,” one participant said. “We’d watch K-pop and K-dramas together. … [T]hat is still one of our major connections.”

Online platforms also play a crucial role. Individuals share translations, create fan art and organize charity projects in honor of their favorite idols.

“We do projects for BTS’ birthdays,” a 28-year-old government appraiser said. She also donated blood on the birthday of Mingyu, a member of the K-pop group Seventeen.

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Exploring identity and culture

For many Asian American fans, hallyu has also become a way to explore and affirm their cultural identity.

“I think the Asian cultural dynamic … is familiar to me,” a Chinese American participant said. “It encouraged me to be more proud of my own culture.”

Another Chinese American participant, a third-year college student, reflected on how Korean dramas helped her appreciate traditional values: “They made me more aware … of how you should talk or act around people. It’s constantly reminding me of ways I can self-improve.”

Even non-Asian fans connected with the values portrayed in Korean media. One Jewish participant, a 26-year-old Ph.D. candidate, noted the similarities between Korean and Jewish family structures: “Our morals, our values … just fit very well together.”

A meaningful investment of time

While some fans acknowledged that their engagement with hallyu could be time-consuming, many saw it as a worthwhile investment.

“It’s probably an embarrassing amount of time,” one participant admitted. “But pretty much anytime I’m bored, I turn to K-pop.”

Another compared their hallyu consumption to “therapy sessions.”

Others described how, over time, they became more involved in fan communities or online content, and this deeper level of engagement often led to skill-building and personal growth as they learned video editing, translation, event planning and even fundraising. Participants who raised money for animal shelters or dance studios, for example, said they were inspired by the values promoted in hallyu culture. These efforts helped them feel more connected to both their idols and one another.

“I created a huge analysis on costuming in a certain music video for Seventeen,” a 26-year-old restaurant manager said. “I just couldn’t help myself.”

In a media landscape often dominated by cynicism and spectacle, the Korean Wave offers an alternative: a space where joy, vulnerability and connection are not only possible, but celebrated.

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[youtube https://www.youtube.com/watch?v=zEkg4GBQumc?wmode=transparent&start=0]
‘Don’t Wanna Cry’ by Seventeen.

Read more of our stories about Philadelphia.

A. Stefanie Ruiz, Assistant Professor in Nonprofit Leadership, College of Behavioral, Social and Health Sciences, Clemson University; Femida Handy, Professor of Social Policy at the School of Social Policy and Practice, University of Pennsylvania, and Sunwoo Park, Ph.D. Student in Parks, Recreation, and Tourism Management, Clemson University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Entertainment

Apple Music Super Bowl LX Halftime Show Starring Bad Bunny Wins 7 Emmys, Sets New Record

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Executive produced by Roc Nation and JAY-Z, the show becomes the most-awarded halftime production in Emmy history.

Stadium vibe: Nighttime stadium halftime stage with bright spotlights, confetti, and a silhouetted performer before a packed crowd. Super Bowl LX Halftime Show
A nighttime Super Bowl-style stadium halftime stage lit with dramatic spotlights and pyrotechnics, as a silhouetted performer stands center stage with confetti falling and a packed crowd glowing with phone lights.

The Apple Music Super Bowl LX Halftime Show starring Bad Bunny took home seven Emmy Awards at the 78th Emmy Awards, making it the most-awarded Super Bowl halftime show in Emmy history, according to Roc Nation. The live spectacle—executive produced by Roc Nation and JAY-Z—won across major production categories, underscoring how the halftime stage has evolved into a full-scale, awards-caliber live television event.

The record-setting wins included Outstanding Variety Special (Live), Outstanding Music Direction, Outstanding Directing for a Variety Special, Outstanding Choreography for Variety or Reality Programming, Outstanding Sound Mixing for a Variety Series or Special, Outstanding Lighting Design/Lighting Direction for a Special, and Outstanding Technical Direction and Camerawork for a Special. Roc Nation also noted the show set a global viewership record, pulling 4.157 billion views in 24 hours across global broadcast, YouTube, and social platforms.

Beyond the trophies and viewership numbers, the halftime show leaned into big-name star power with special guest performers Lady Gaga and Ricky Martin, plus additional appearances from Karol G, Cardi B, Jessica Alba, Pedro Pascal, Young Miko, and others. The sweep signals not just a win for the artists on stage, but for the behind-the-scenes creative teams turning the halftime show into one of the most technically ambitious live productions on television.

What to watch for: With Emmy recognition now firmly in the conversation, expect future halftime shows to push even harder on cinematic staging, choreography, and broadcast innovation—because the bar (and the awards) just got higher.

Source: Roc Nation (PRNewswire), Sept. 6, 2026

Link to original press release: https://prnmedia.prnewswire.com/news-releases/the-apple-music-super-bowl-lx-halftime-starring-bad-bunny–executive-produced-by-roc-nation–jay-z-wins-seven-emmys-302870842.html

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Paramount Prepares for Possible California Exit Amid Warner Bros. Merger Battle

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Last Updated on September 17, 2026 by Daily News Staff

HOLLYWOOD, Calif. — Paramount’s century-long connection to Hollywood could be facing one of its biggest challenges yet, as the entertainment giant reportedly prepares for the possibility of moving major operations out of California amid an escalating legal battle over its proposed acquisition of Warner Bros. Discovery.

Paramount is reportedly preparing for a possible California exit as its $110 billion Warner Bros. Discovery merger faces an antitrust battle.
Studio weighs California exit amid Warner Bros. merger battle

Paramount has informed the offices of Los Angeles Mayor Karen Bass and California Attorney General Rob Bonta that it is prepared to formally announce plans to leave California, according to reporting Wednesday from TheWrap. Paramount has not formally announced a relocation, and a company spokesperson declined to comment to the publication.

The potential move centers on Paramount Skydance’s proposed approximately $110 billion acquisition of Warner Bros. Discovery, a deal being challenged on antitrust grounds by California and a coalition of 11 other states, along with a separate challenge from the Writers Guild of America. California Attorney General Rob Bonta argues that combining the two entertainment companies could reduce competition, potentially leading to higher prices and fewer choices for consumers.

A court agreement currently prevents Paramount and Warner Bros. Discovery from completing the merger until June 1, 2027, or until after a court decision on the states’ claims, whichever comes first. The antitrust case is scheduled for trial in March 2027.

Paramount’s Hollywood Future

At the center of the controversy is Paramount’s historic studio complex at 5555 Melrose Avenue in Hollywood, one of the entertainment industry’s most recognizable properties.

The Los Angeles Times reported that Paramount CEO David Ellison has told associates that he would prefer to remain in Los Angeles. However, Paramount’s board has reportedly approved a contingency plan that could move the company’s headquarters out of Hollywood, and Ellison has indicated that the company is prepared to sell its historic studio properties and relocate operations if the merger remains stalled.

Tennessee, Texas and Georgia have emerged in reports as potential destinations should Paramount ultimately decide to relocate.

The financial pressure is significant. Beginning October 1, Paramount faces a roughly $7 million-per-day additional payment obligation tied to delays in completing the Warner Bros. Discovery transaction. Paramount has asked the federal court to require the states and the Writers Guild of America to post a $1.88 billion bond to cover potential costs associated with the delay.

What’s at Stake for Los Angeles?

A Paramount departure could extend far beyond the loss of a famous Hollywood address.

An economic analysis cited by TheWrap estimates that a large-scale Paramount departure could put as many as 57,980 full-time jobs, $21.2 billion in annual economic output and approximately $1.17 billion in state and local tax revenue at risk. Those figures represent an economic-impact scenario rather than a prediction that all of those losses would necessarily occur.

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There are competing concerns about the merger itself. Los Angeles County analysis has estimated that completing the Paramount-Warner Bros. combination could also eliminate thousands of entertainment and related jobs because of consolidation. Opponents of the merger, including entertainment unions, have raised concerns about reduced competition and employment, while supporters argue that reaching a settlement could help prevent Paramount from moving operations out of California.

Mayor Bass has said she remains focused on protecting Los Angeles entertainment jobs and keeping Hollywood’s entertainment industry centered in the city. Bonta’s office, meanwhile, has maintained that California will continue enforcing its antitrust laws while remaining open to good-faith discussions.

Settlement Talks Scheduled

There is still an opportunity for the dispute to be resolved before Paramount makes a final decision about its California operations.

Paramount Skydance and representatives for California Attorney General Rob Bonta are scheduled to participate in court-ordered settlement talks on October 14 and 15. The discussions could potentially resolve the antitrust dispute and clear a path for Paramount’s proposed Warner Bros. Discovery acquisition.

For now, Paramount has made no official announcement that it is leaving California. The company declined to comment on reports Wednesday that it was preparing to announce a departure.

That leaves the future of Paramount’s Hollywood operations — including its historic Melrose Avenue studio — uncertain as the legal and financial pressure surrounding the merger continues to build.

For now, the gates at Paramount remain firmly planted on Melrose Avenue.

Settlement Talks Scheduled

There is still an opportunity for the dispute to be resolved before Paramount makes a final decision about its California operations.

Paramount Skydance and representatives for California Attorney General Rob Bonta are scheduled to participate in court-ordered settlement talks on October 14 and 15. The discussions could potentially resolve the antitrust dispute and clear a path for Paramount’s proposed Warner Bros. Discovery acquisition.

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For now, Paramount has made no official announcement that it is leaving California. The company declined to comment on reports Wednesday that it was preparing to announce a departure.

That leaves the future of Paramount’s Hollywood operations — including its historic Melrose Avenue studio — uncertain as the legal and financial pressure surrounding the merger continues to build.uilding around the Warner Bros. Discovery deal, the question of whether one of Hollywood’s most historic studios will continue calling California home has moved from speculation to a potentially consequential decision for Los Angeles and its entertainment industry.

STM Daily News will continue monitoring the Paramount-Warner Bros. Discovery dispute and what it could mean for Hollywood, entertainment workers and the future of film and television production in California.

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Chili’s Takes the ‘19th Hole’ Literally With Golf Course Pop-Up

Chili’s took the 19th-hole tradition to a new level with a limited-time golf course pop-up in Burbank featuring food, specialty margaritas and exclusive golf apparel.

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Chili s x Rhoback KV2
Chili’s is celebrating the everyday golfer — the ones who love this game the most, occasionally play it the worst and have the best time doing it 

BURBANK, Calif. — Chili’s Grill & Bar took its casual-dining game onto the golf course with a limited-time experience celebrating one of golf’s favorite traditions: the 19th hole.

The restaurant chain transformed the clubhouse at DeBell Golf Club in Burbank, California, into the Chili’s Golf Club, a two-day pop-up held Aug. 28–29. The event welcomed golfers and fans to enjoy Chili’s favorites, specialty drinks and a golf-inspired apparel collaboration.

The concept played off the traditional “19th hole” — the post-round gathering spot where golfers grab food and drinks, talk about the day’s round and, perhaps, make those missed putts sound a little closer than they actually were.

The Chili’s Golf Club | Chili’s x Rhoback

Chili’s Meets the Golf Course

Guests at DeBell could stop by after playing 18 holes — or simply visit the clubhouse — for Chili’s menu favorites such as the Triple Dipper. The pop-up also featured golf-themed drinks including the Transfusion Marg and Tee Time Marg, created specifically for the Chili’s Golf Club experience.

The promotion also teamed Chili’s with active-lifestyle apparel brand Rhoback for a limited-edition Rhoback X Chili’scollection featuring the Chili’s Golf Club crest. The lineup included performance polos, hoodies, quarter-zips, crewnecks and golf hats.

“Chili’s is the people’s clubhouse, so it only made sense to bring that spirit to the course,” George Felix, chief marketing officer and executive vice president of Brinker International, said in announcing the campaign.

Food, Golf and Entertainment Collide

Chili’s extended the promotion beyond the course with a campaign film celebrating everyday golfers — particularly those whose enthusiasm for the game may be considerably stronger than their scorecards.

The film featured appearances by Wesley Bryan, Caleb Pressley, Jena Sims Koepka, Chaz Bowker, Josh Kelley and JaNa Craig, bringing together golf, entertainment, food and lifestyle culture around the familiar 19th-hole tradition.

Although the Burbank pop-up lasted only two days, the campaign offers another example of restaurant brands looking beyond the dining room to connect food with sports, entertainment and fan culture.

For Chili’s, that meant finding a place where burgers, margaritas, golf stories and questionable scorecards already seemed like a natural fit.

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