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NASA Names Astronauts to Next Moon Mission, First Crew Under Artemis

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PHOTO DATE: March 29, 2023. LOCATION: Bldg. 8, Room 183 – Photo Studio. SUBJECT: Official crew portrait for Artemis II, from left: NASA Astronauts Christina Koch, Victor Glover, Reid Wiseman, Canadian Space Agency Astronaut Jeremy Hansen. PHOTOGRAPHER: Josh Valcarcel

NASA and the Canadian Space Agency (CSA) announced the four astronauts who will venture around the Moon on Artemis II, the first crewed mission on NASA’s path to establishing a long-term presence at the Moon for science and exploration through Artemis. The agencies revealed the crew members Monday during an event at Ellington Field near NASA’s Johnson Space Center in Houston.

“The Artemis II crew represents thousands of people working tirelessly to bring us to the stars. This is their crew, this is our crew, this is humanity’s crew,” said NASA Administrator Bill Nelson. “NASA astronauts Reid Wiseman, Victor Glover, and Christina Hammock Koch, and CSA astronaut Jeremy Hansen, each has their own story, but, together, they represent our creed: E pluribus unum – out of many, one. Together, we are ushering in a new era of exploration for a new generation of star sailors and dreamers – the Artemis Generation.” 

The crew assignments are as follows: Commander Reid WisemanPilot Victor GloverMission Specialist 1 Christina Hammock Koch, and Mission Specialist 2 Jeremy Hansen. They will work as a team to execute an ambitious set of demonstrations during the flight test.

The approximately 10-day Artemis II flight test will launch on the agency’s powerful Space Launch System rocket, prove the Orion spacecraft’s life-support systems, and validate the capabilities and techniques needed for humans to live and work in deep space.  

“We are going back to the Moon and Canada is at the center of this exciting journey,” said the Honorable François-Philippe Champagne, the minister responsible for the Canadian Space Agency. “Thanks to our longstanding collaboration with NASA, a Canadian astronaut will fly on this historic mission. On behalf of all Canadians, I want to congratulate Jeremy for being at the forefront of one of the most ambitious human endeavors ever undertaken. Canada’s participation in the Artemis program is not only a defining chapter of our history in space, but also a testament to the friendship and close partnership between our two nations.”  

The flight, set to build upon the successful uncrewed Artemis I mission completed in December, will set the stage for the first woman and first person of color on the Moon through the Artemis program, paving the way for future for long-term human exploration missions to the Moon, and eventually Mars. This is the agency’s Moon to Mars exploration approach.

“For the first time in more than 50 years, these individuals – the Artemis II crew – will be the first humans to fly to the vicinity of the Moon. Among the crew are the first woman, first person of color, and first Canadian on a lunar mission, and all four astronauts will represent the best of humanity as they explore for the benefit of all,” said Director Vanessa Wyche, NASA Johnson. “This mission paves the way for the expansion of human deep space exploration and presents new opportunities for scientific discoveries, commercial, industry and academic partnerships and the Artemis Generation.” 

Meet Artemis II Astronauts 

This will be Wiseman’s second trip into space, serving previously as a flight engineer aboard the International Station for Expedition 41 from May through November 2014. Wiseman has logged more than 165 days in space, including almost 13 hours as lead spacewalker during two trips outside the orbital complex. Prior to his assignment, Wiseman served as chief of the Astronaut Office from December 2020 until November 2022.

The mission will be Glover’s second spaceflight, serving previously as pilot on NASA’s SpaceX Crew-1, which landed May 2, 2021, after 168 days in space. As a flight engineer aboard the space station for Expedition 64, he contributed to scientific investigations, technology demonstrations, and participated in four spacewalks.

Koch also will be making her second flight into space on the Artemis II mission. She served as flight engineer aboard the space station for Expedition 59, 60, and 61. Koch set a record for the longest single spaceflight by a woman with a total of 328 days in space and participated in the first all-female spacewalks.

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Representing Canada, Hansen is making his first flight to space. A colonel in the Canadian Armed Forces and former fighter pilot, Hansen holds a Bachelor of Science in space science from Royal Military College of Canada in Kingston, Ontario, and a Master of Science in physics from the same institution in 2000, with a research focus on Wide Field of View Satellite Tracking. He was one of two recruits selected by CSA in May 2009 through the third Canadian Astronaut Recruitment Campaign and has served as Capcom in NASA’s Mission Control Center at Johnson and, in 2017, became the first Canadian to be entrusted with leading a NASA astronaut class, leading the training of astronaut candidates from the United States and Canada.

“I could not be prouder that these brave four will kickstart our journeys to the Moon and beyond,” said Director of Flight Operations Norm Knight, NASA Johnson. “They represent exactly what an astronaut corps should be: a mix of highly capable and accomplished individuals with the skills and determination to take on any trial as a team. The Artemis II mission will be challenging, and we’ll test our limits as we prepare to put future astronauts on the Moon. With Reid, Victor, Christina, and Jeremy at the controls, I have no doubt we’re ready to face every challenge that comes our way.”

Through Artemis missions, NASA will use innovative technologies to explore more of the lunar surface than ever before. We will collaborate with commercial and international partners and establish the first long-term presence on the Moon. Then, we will use what we learn on and around the Moon to take the next giant leap: sending the first astronauts to Mars. 

For more information about the crew, visit:  

https://www.nasa.gov/specials/artemis-ii

Source: NASA

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actors & performers

‘Sanford and Son’ Star Demond Wilson Dead at 79, Report Says

Demond Wilson, known for his role as Lamont Sanford on the classic sitcom “Sanford and Son,” has passed away at 79 from cancer complications. He contributed significantly to television and film, also serving as an ordained minister. Wilson is survived by his wife and six children.

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Last Updated on February 1, 2026 by Daily News Staff

HOLLYWOODDemond Wilson, best known for playing Lamont Sanford opposite Redd Foxx on the 1970s sitcom “Sanford and Son,” has died, according to TMZ. He was 79.

Demond Wilson, who played Lamont Sanford on the classic sitcom “Sanford and Son,” has died at 79, according to TMZ. He died in Palm Springs.
Photo of Redd Foxx as Fred Sanford and Demond Wilson as his son, Lamont. The actors portrayed these characters on the television program Sanford and Son. Wikipedia

Wilson died Friday morning at his Palm Springs home from complications related to cancer, TMZ reported, citing his son, Demond Wilson Jr. The family did not specify what type of cancer he had.

Demond Wilson Dies in Palm Springs at 79, TMZ Reports STM Daily News Podcast

In this quick update, we remember actor Demond Wilson, best known as Lamont Sanford on the classic sitcom Sanford and Son. We look back at why the show still resonates, Wilson’s steady presence opposite Redd Foxx, and the legacy he leaves behind for generations of TV fans. Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/ and let your entertainment journey begin!

Wilson starred on “Sanford and Son” from 1972 to 1977, playing the grounded, often-exasperated son to Foxx’s junkyard owner Fred Sanford. The show became a defining sitcom of its era, known for Foxx’s catchphrases and Wilson’s straight-man timing.

After “Sanford and Son,” Wilson appeared in series including “Baby … I’m Back,”“The New Odd Couple,”and guest-starred on shows such as “All in the Family,”“The Love Boat,” and “Girlfriends.” His film credits included “The Organization” (1971) and “Me and the Kid” (1993).

Born Grady Demond Wilson in Valdosta, Georgia, on Oct. 13, 1946, he was raised in Harlem and began acting as a child, later studying at the American Community Theater and Hunter College. He also served in Vietnam from 1966 to 1968, where he was wounded.

In later years, Wilson became an ordained minister and focused on faith-based outreach and reentry support work, founding Restoration House of America in 1994.

He is survived by his wife of more than 51 years, Cicely Loise Johnston, and their six children.

Sources:

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Entertainment

Funny, Tender, Goofy: Why Catherine O’Hara Stole Every Scene From SCTV to Schitt’s Creek

Catherine O’Hara, a beloved actor and comedian, passed away at 71. Her career spanned over 50 years, showcasing her unique comedic timing in various roles, including Delia Deetz in Beetlejuice and Moira Rose in Schitt’s Creek. O’Hara’s influence and creativity left a lasting legacy in comedy, inspiring many.

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Ben McCann, Adelaide University

Funny, tender, goofy – Catherine O’Hara lit up the screen every time she showed up

Catherine O’Hara, the beloved actor and comedian who has died aged 71, occupied that rare position in contemporary screen culture: a comic actor, a cult figure and a mainstream star.

Her work spanned more than 50 years, from improv sketch comedy to Hollywood features and off-beat TV classics.

She was celebrated for her unmatched comic timing and chameleon-like character work. Her roles were often absurdist and quirky, but they hid a razor-sharp humour.

Born and raised in Toronto in a close-knit Irish Catholic family, O’Hara was one of seven siblings. She once remarked humour was part of her everyday life; storytelling, impressions and lively conversation helped hone her comedic instincts.

After high school, she worked at Toronto’s Second City Theatre, a famed breeding ground for comedy talent, and sharpened her deadpan improvisational skills.

Big break

O’Hara’s break came with Second City Television (SCTV), a sketch comedy series that rivalled Saturday Night Live in creativity and influence. Alongside contemporaries Eugene Levy, John Candy, Rick Moranis and Martin Short, she defined her distinctly smart, absurdist comedic voice.

O’Hara was not merely a performer on SCTV; she was also a writer, winning an Emmy Award for her contributions. This dual role shaped her career-long sensitivity to rhythm, language and character construction.


Unlike sketch performers who rely on repetition or catchphrases, O’Hara’s humour emerged with a different comedic logic. Audiences laughed not because the character was “funny”, but because the character took herself so seriously.

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Though briefly cast on Saturday Night Live in the early 1980s, O’Hara chose to stay with SCTV when it was renewed, a decision she later described as key in letting her creative career flourish where it belonged.

The transition to film

By the mid-1980s, O’Hara was establishing herself as a screen presence. She appeared in Martin Scorsese’s offbeat black comedy After Hours (1985), and showcased her comic range in Heartburn (1986).

In 1988, she landed what would become one of her most beloved film roles: Delia Deetz in Tim Burton’s left-field Beetlejuice (1988).

Delia – a pretentious, New York art-scene social climber – allowed O’Hara to combine physical comedy and imbecilic dialogue (“A little gasoline … blowtorch … no problem”).

Burton once noted

Catherine’s so good, maybe too good. She works on levels that people don’t even know. I think she scares people because she operates at such high levels.

She went on to play Kate McCallister, the beleaguered mother in the holiday blockbusters Home Alone (1990) and Home Alone 2: Lost in New York (1992). Audiences loved the fact that this rather thinly written role became the films’ beating heart.

Working with Christopher Guest

Another distinctive phase of O’Hara’s career was her work with writer-director Christopher Guest on a series of largely improvised mockumentaries that have become cult classics.

Three standouts were Waiting for Guffman (1996), where she plays a desperate local performer in a small-town theatre troupe, and A Mighty Wind (2003), where she teamed up with old pal Levy as an ageing folk duo.

Her best turn came in Best in Show (2000), in which she and Levy played a couple competing in a national dog show. Her character Cookie Fleck remains one of the finest examples of improvised comedy on film. https://www.youtube.com/embed/Ay1cJ1QMOms?wmode=transparent&start=0

Her relentless monologues about former lovers are objectively inappropriate, yet O’Hara delivers them with such earnest enthusiasm that they become strangely compelling.

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Her gift for improvisation glittered in these films: these eccentric characters were often laugh-out-loud funny – but O’Hara never mocked them.

Late success

She returned to TV in Six Feet Under (2001–05) and guest appearances on The Larry Sanders Show (1992–98) and Curb Your Enthusiasm (1999–2024). More recently, she appeared in prestige shows such as The Last of Us (2023–) and The Studio (2025–).

But it was the role of Moira Rose, the eccentric, ex-soap opera star in the Canadian sitcom Schitt’s Creek (2015–20), created by Eugene Levy and his son Dan, that would become O’Hara’s most significant late career move. And what a role it was!

Written for O’Hara’s unique talents, Moira was a larger-than-life character with a bizarre, unforgettable vocabulary, dramatic mood swings and a wardrobe that became nearly as famous as the character herself.

Feminist media scholars have noted the rarity of such complex roles for older women, particularly in comedy, making O’Hara’s performance culturally significant.

The show became a global streaming blockbuster during COVID lockdowns and O’Hara’s multi-award-winning performance became a social media phenomenon, spawning memes and viral clips.

There are so many standout moments – her drunken meltdown after losing her wigs, her audition for The Crows Have Eyes 3 and the show’s moving finale where she performs Danny Boy at Alexis’s graduation.

An enduring legacy

O’Hara had a remarkable ability to play flamboyant, self-absorbed characters who were often uproariously funny.

Many comedians and actors have cited O’Hara as an influence for her fearlessness, her ability to blend absurdity with emotional truth, and her steadfast commitment to character integrity. She influenced performers like Tina Fey, Maya Rudolph, Kate McKinnon and Phoebe Waller-Bridge.

O’Hara also refused to chase conventional stardom. Rather than choosing projects designed to flatten her eccentricities, O’Hara favoured collaborative environments that valued creativity over control.

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For her, comedy was always an art of intelligence, empathy and generosity.

Ben McCann, Associate Professor of French Studies, Adelaide University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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Local Business

Original Tommy’s: How a Chili Burger Became a Southern California Icon

Original Tommy’s, established in 1946 in Los Angeles, is famous for its thick chili burgers and late-night appeal. It remains family-owned, embodying authentic Los Angeles culture and serving as a cultural landmark despite the fast-food industry’s evolution.

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In a city famous for reinvention, reinvention was never the point at Original Tommy’s. Since 1946, the no-frills hamburger stand at Beverly and Rampart has served generations of Angelenos the same way: chili dripping, paper wrapped, eaten standing up, usually late at night. Original Tommy’s isn’t just a restaurant — it’s a piece of Los Angeles history.

Fast food restaurant with palm trees. Original Tommy's!
Location of the first restaurant at the intersection of Beverly Blvd & Rampart Blvd in Los Angeles. The restaurant comprises both the shack in the foreground as well as the building that surrounds it. Patrons can eat at their cars or standing at the counter along the back walls. Image Credit: Bobak Ha’Eri 

From a Small Stand to a City Landmark

Original Tommy’s was founded on May 15, 1946, by Thomas James “Tommy” Koulax, the son of Greek immigrants. What began as a modest walk-up stand selling hamburgers and hot dogs quickly gained attention for one reason: chili. Not the thin, soupy kind — but a thick, meaty chili ladled generously over burgers, fries, hot dogs, and eventually tamales.

The location mattered. Sitting just west of downtown Los Angeles, the stand became a crossroads for working-class Angelenos, night-shift workers, musicians, cops, cab drivers, and anyone else looking for something filling at all hours. Long before the phrase “LA street food” existed, Tommy’s was already living it.

The Chili Burger Becomes an LA Staple

By the 1950s and 1960s, Original Tommy’s chili burger had become legendary. The menu stayed intentionally simple: burgers, hot dogs, fries, tamales, and breakfast items — all enhanced by the same signature chili. The stand-up counters, fast service, and absence of indoor seating created a rhythm that felt uniquely Los Angeles.

This wasn’t fast food chasing national trends. It was local food defining a city.

Growth Without Franchising

Unlike many post-war burger chains, Original Tommy’s expanded cautiously. Beginning in the 1970s, additional locations opened throughout Southern California and later into Nevada. At its height, the chain operated more than 30 restaurants.

What made Tommy’s different was its refusal to franchise widely. Remaining family-owned helped preserve consistency — the chili tasted the same, the portions stayed generous, and the experience remained unmistakably “Tommy’s.”

A Cultural Shortcut for “Real Los Angeles”

Original Tommy’s became more than a place to eat — it became a visual and cultural shorthand for authenticity. Filmmakers and TV producers regularly used the location to signal a grounded, working-class Los Angeles. If a character eats at Tommy’s, you immediately know who they are.

  • Films: Heat, L.A. Confidential, They Live
  • Television: Bosch, Californication, numerous food and travel shows

Musicians, athletes, and actors have long cited Tommy’s as a post-show, post-game, or late-night ritual — a place that didn’t care who you were, only whether you were hungry.

Why Original Tommy’s Still Matters

Nearly 80 years later, Original Tommy’s endures because it never tried to be trendy. It represents a post-war immigrant success story, a city built on late nights, and a version of fast food rooted in place rather than branding.

In a region overflowing with burger options, Original Tommy’s remains singular — messy, unapologetic, and inseparable from Los Angeles itself.

Original Tommy’s: Then & Now

Original Location (1946–Present):
2575 Beverly Blvd, Los Angeles, CA — the iconic stand-up counter location that started it all.

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Expansion Era:
1970s–1990s locations spread across Los Angeles County, Orange County, the Inland Empire, and Nevada.

Today:
A smaller but focused footprint, still family-owned and operated from headquarters in Monrovia, California.

Also Good to Know

At our core, we at STM Daily News, strive to keep you informed and inspired with the freshest content on all things food and beverage. From mouthwatering recipes to intriguing articles, we’re here to satisfy your appetite for culinary knowledge.

Visit our Food & Drink section to get the latest on Foodie News and recipes, offering a delightful blend of culinary inspiration and gastronomic trends to elevate your dining experience. https://stmdailynews.com/food-and-drink/


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