Entertainment
Quincy Jones mastered the art of arrangement, transforming simple tunes into epic soundscapes
Jose Valentino Ruiz, University of Florida
On the sleeve notes of some of the most memorable and best-selling albums of all time, you’ll find the words “Produced and arranged by Quincy Jones.”
It was a hallmark of quality.
Jones, who died on Nov. 3, 2024, at the age of 91, transformed our understanding of musical arrangement. His work spanned decades and genres, from jazz and pop to hip-hop and film scoring. He worked with pop icons like Michael Jackson, Frank Sinatra, Ray Charles and Aretha Franklin, and also collaborated with lesser-known artists such as Lesley Gore and Tevin Campbell.
Each of his projects, collaborations and forays into new genres redefined what it meant to arrange music.
As a music business and entrepreneurship professor, I’ve studied and taught Jones’ techniques, which I hope can inspire the next generation of musicians.
A master musical architect
Musical arrangement might seem like an abstract concept.
Simply put, it’s the art of deciding how a song unfolds. While a composer writes the melody and harmony, an arranger shapes the experience, choosing which instruments play when, how textures build and where dynamics shift.
Arrangement transforms a song from notes on paper into a fully realized piece of art that resonates with listeners. In essence, an arranger acts as a musical architect, designing the structure of a song to tell a compelling story.
Jones brought a visionary approach to arranging. He wasn’t merely filling in the gaps around a melody with a drum beat here and a horn section there; he was crafting a musical narrative that gave each instrument a purpose, guiding listeners through an emotional journey.
From his early work in the 1950s and 1960s with jazz greats like Count Basie and R&B star Ray Charles, to his blockbuster productions with Michael Jackson, Jones saw arrangement as a tool to guide listeners from one musical moment to the next.
Elevating voices
His work on “Sinatra at the Sands” is but one example.
Jones created lush, energetic big-band arrangements that perfectly complemented Sinatra’s smooth, warm voice. The choice of brass swells and the dynamic shifts amplified Sinatra’s charisma, turning the album into a lively, almost-cinematic experience. Unlike many arrangements, which often stay in the background, Jones’ took center stage, blending harmoniously with Sinatra’s vocals while adding depth and excitement to the entire performance.
In Ray Charles’ “I Can’t Stop Loving You,” Jones used orchestral swells and background vocals to bring out the soul in Charles’ voice, creating a richly emotional experience for listeners. By intelligently pairing Charles’ gospel-tinged vocals with a polished, orchestral arrangement, Jones captured the tension between sorrow and resilience – a demonstration of his ability to communicate complex emotions through arrangement.
Turning songs into stories
Jones’ skill at using arrangement as a storytelling device was exemplified by his collaboration with Jackson.
Albums like “Thriller” and “Off the Wall” showcased Jones’ knack for inventively layering sounds. On “Thriller,” Jones combined electronic and acoustic elements to create a multidimensional soundscape that set a new standard for production.
His ability to incorporate textures, background vocals and unique instrument choices – such as horror actor Vincent Price’s iconic narration on the song “Thriller” – transformed pop music, setting the stage for future producers to experiment with storytelling in their own arrangements.
In Jackson’s “Bad,” Jones pushed the boundaries of genre by blending funk rhythms with pop structures, giving Jackson’s music a timeless appeal.
The title track’s arrangement has layers of rhythm and harmony that build a feeling of tension and power, enhancing Jackson’s message of confidence and defiance. Each instrument and background vocal in “Bad” serves a purpose, creating a sound that is bold, exciting and engaging.
Lessons for educators
For educators teaching music production and commercial music, Jones’ approach provides a gold mine of practical lessons.
First, his commitment to genre fusion teaches students the importance of versatility. Jones’ career demonstrates that blending jazz, pop, funk and even classical elements can create something innovative and accessible. Students can learn to break free from the constraints of single-genre production, seeing instead how various musical styles can work together to create fresh, engaging sounds.
Second, Jones’ emphasis on storytelling through arrangement offers students a framework for making music that resonates.
In my classes, I encourage students to ask themselves: How does each musical element support the emotional arc of the song? By studying Jones’ arrangements, students learn to think of themselves as storytellers, not just sound engineers. They can begin to see arrangement as an art form in itself – one that has the power to captivate audiences by drawing them into a musical journey.
Finally, Jones’ work shows the power of collaboration. His willingness to work across genres and with a variety of artists – each bringing unique perspectives – demonstrates the value of open-mindedness and adaptability.
His life’s work serves as a reminder that music is more than just sound; it’s an experience shaped by careful, intentional decisions, with every sound and silence in a piece of music serving a purpose. https://open.spotify.com/embed/playlist/2iOfY6JjW9bevw3dQLwq6a?utm_source=generator
Jose Valentino Ruiz, Associate Professsor of Music Business and Entrepreneurship, University of Florida
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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In a bittersweet announcement, Six Flags Magic Mountain has confirmed the permanent closure of Superman: Escape from Krypton, once celebrated as the tallest and fastest roller coaster in the world. The decision comes after the ride, which has been out of operation since September, faced an insurmountable challenge due to a “lethal dose of kryptonite”—or in less whimsical terms, the unavailability of necessary parts for refurbishment.
Magic Mountain President Jeff Harris shared insights with the Orange County Register, explaining that the ride was initially taken offline for routine maintenance. However, as the needed components did not materialize in a timely manner, the park deemed it more practical to close the iconic coaster permanently rather than leave enthusiasts in limbo.
Superman: Escape from Krypton was renowned for its thrilling experience, featuring two L-shaped tracks that soared upwards, promising an adrenaline rush like no other. Riders would be catapulted from a standstill to a blistering 100 mph in just seven seconds, reaching heights of 415 feet. It was a must-ride attraction for thrill-seekers visiting the park.
As for the future of the now vacant queue, station, and launch track, Six Flags has yet to announce any specific plans. However, fans of the park can take solace in the fact that the nearby Lex Luthor: Drop of Doom, which shares its tower with the Superman coaster, will remain operational and is set to reopen next month.
The closure of Superman has sparked a wave of sentiment among roller coaster enthusiasts, particularly on platforms like Reddit, where many have expressed their disappointment. For numerous fans, Superman was more than just a ride; it was a highlight of their amusement park experience.
Despite this loss, Magic Mountain still boasts an impressive lineup of 19 roller coasters, maintaining its title as the amusement park with the highest number of coasters in the world. Looking ahead, a new roller coaster is slated to debut in 2026, which will restore the park’s count back to 20.
Originally opened as Superman: The Escape in 1997, the coaster underwent a significant transformation in 2011, being rebranded as Superman: Escape from Krypton. This revamp flipped the ride vehicles, allowing thrill-seekers to launch backward while facing towards the ground, enhancing the heart-pounding experience of the descent.
Even though Superman has left the tracks, fans can still encounter the Man of Steel in other forms within the park, including on the Justice League: Battle for Metropolis dark ride and through character meet-and-greet opportunities.
As the park moves forward, the memory of Superman: Escape from Krypton will undoubtedly live on in the hearts of many who experienced its exhilarating ride. Magic Mountain continues to be a haven for roller coaster enthusiasts, promising exciting adventures for years to come.
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“Sleeves Senior Pickleball Report: Hive 16mm Paddle Review”
Get the lowdown on the latest episode of Sleeves Senior Pickleball Report, featuring an in-depth review of the Hive 16mm paddle from Reign and Win.
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During the review, Sleeves highlighted the Hive 16mm’s innovative design, emphasizing its honeycomb core and the impact it had on the paddle’s feel and responsiveness. He meticulously assessed its power, control, and maneuverability, catering to both seasoned players and newcomers to the sport.
Sleeves’ engaging presentation and genuine passion for the game made this paddle review not only informative but also entertaining. His candid insights and practical demonstrations undoubtedly left viewers eager to get their hands on the Hive 16mm for their next game. As always, Sleeves continues to be a trusted source for pickleball enthusiasts seeking reliable gear reviews and expert advice.
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