Entertainment
The sex scene isn’t disappearing – it’s simply shifting from clichéd fantasy to messy reality
Maria San Filippo, Emerson College
Writing during what seems – in retrospect – to have been the wildly carefree summer of 2019, Washington Post film critic Ann Hornaday lamented that “sex is disappearing from the big screen.”
Fast forward two years, and, improbably enough, it’s conservative New York Times columnist Ross Douthat who’s pleading for “sex and romance [to] make a comeback at the movies.”
Both commentators blame this sexual stagnation on what they see as an abstinence-only policy in Hollywood, fueled by the Weinstein effect on one hand and family-friendly franchise fever on the other, where libidinal energy has been sublimated into buff-yet-sexless superheroes. To Hornaday and Douthat, sexual prudence seems to be tipping into prudery.
Hornaday and Douthat are correct that the traditional sex scene – a tasteful “pas de deux” between glossy stars, typically straight and vanilla, presented as a spectacle for our visual pleasure – has become increasingly rare.
But after devoting hours to watching sex scenes as research for my book “Provocauteurs and Provocations: Selling Sex in 21st Century Media,” I can reassure the randy and romantic among us that sex onscreen isn’t disappearing. Far from it.
Instead, over the last decade, it’s simply changed – and mostly for the better.
What’s hot: honesty and humor
Today’s sex scenes are first and foremost fun – as ideally sex itself should be – and emphasize the truthful over the tasteful.
In some cases, you’ll see likable, relatable characters revealing perverse predilections, such as the all-consuming hots that Phoebe Waller-Bridge’s protagonist in the TV series “Fleabag” has for a clergyman she dubs “Hot Priest.” Or when Kathryn Hahn’s character in Joey Soloway’s directorial debut “Afternoon Delight” drunkenly confesses to her gal pals that she’s “masturbated to that scene for two decades.” The scene she’s describing? The gang rape from “The Accused.” What’s more, her friends agree it’s hot.
Other moments make for embarrassing yet endearing waypoints en route to real intimacy. In Desiree Akhavan’s “The Bisexual,” a bout of postcoital queefing cracks up a couple and dispels the awkwardness of their morning after. And in a carnal scene from Michaela Coel’s “I May Destroy You,” neither sanitary products nor a blood clot manages to kill the moment. It’s the latest woman-created show – joining “Girls”, “GLOW” and “I Love Dick” – to shatter the taboo against mentioning, much less showing, menstruation during sex.
Other filmmakers bulldoze the boundaries of which bodies the culture industry deems fit to depict. For this we have “Girls” creator Lena Dunham largely to thank; the actress famously insisted on baring all in the face of brutal fat shaming and portraying her show’s privileged protagonists’ sexual escapades in all their cringe-inducing candor.
Alongside defying the opposition and outrage meted out to artworks or artists deemed obscene or unattractive, some filmmakers have sought to redefine the sex scene altogether.
In my view, some of the most arousing sex scenes put to celluloid are ones where clothing stays put and verbal foreplay takes center stage. In “Laurel Canyon” and “Take This Waltz” – again, works created by women – would-be philanderers engage in dirty talk as a means to sublimate their desire, but in such smoldering terms as to arouse the viewer. https://www.youtube.com/embed/C_8fbYOtG90?wmode=transparent&start=0 Sexually charged dialogue permeates ‘Take This Waltz.’
Romcom’s morning after
While not clinching my case that the sex scene is flourishing, these films repudiate Douthat’s assertion that there’s “a cultural void where romance used to be.”
It’s all part of redefining what romance looks like on screen.
And I don’t mean merely making the couplings and casting more inclusive: “Crazy Rich Asians” relies on the same Cinderella-style premise as “Pretty Woman.” I’m talking about the sunsets-and-soulmates wish fulfillment fantasies that, for decades, served as the template for most romantic comedies: boy meets girl, boy loses girl, boy gets girl.
As my new edited collection “After ‘Happily Ever After’: Romantic Comedy in the Post-Romantic Age” points out, recent films like “Appropriate Behavior,” “Before Midnight,” “Medicine for Melancholy” and the Netflix series “Love” rejuvenate the romantic comedy genre by actually addressing the realities and complexities of intimacy.
In these works, issues of coming out, growing old, being Black and staying sober are what drive the plots – and true love doesn’t conquer all.
Queering the scene
Regrettably, outside of art cinema, queer male characters rarely get naked or have sex onscreen. But given that straight sex on screen got a huge head start on queer sex, it’s no surprise that same-sex couples aren’t getting it on with gusto at the multiplex.
Queer male intimacy more often finds mainstream success by inviting viewers to relish unrequited romance in films like “Weekend,” “Moonlight” and “God’s Own Country.” Even films focused on queer women are getting in on the swoon-worthiness of not getting off, a phenomenon mocked by Saturday Night Live’s recent parody “Lesbian Period Drama.”
In some cases, queer filmmakers have stretched the boundaries of the sex scene by exchanging explicit sex acts for erotic insinuation, as with the suggestive shots of one woman’s hand penetrating the other’s armpit in Céline Sciamma’s “Portrait of a Lady on Fire,” or the infamous scene of Armie Hammer’s character slurping cum from a hollowed-out peach in “Call Me by Your Name.”
Safer is … sexier?
An outgrowth of the #MeToo era is the on-set intimacy coordinator – a professional trained to ensure that safe practices are in place when shooting sex scenes. In many ways, their presence is long overdue in an on-set environment where nudity quotas were, for a time, the norm.
Rather than delivering a cold shower for spectators, these more ethically and safely executed scenes are arguably sexier – perhaps in part because the performers feel safer and less inhibited, and perhaps because viewers might feel less morally compromised while watching them.
As in real life, consent is what makes scenes of sexual degradation and endangerment hot. A film like Jane Campion’s “In the Cut,” in which Meg Ryan’s character is clearly heard consenting to having rough sex with Mark Ruffalo’s character, is exemplary in this regard. So, too, are the intimacy-coordinated sex scenes in last year’s “Normal People,” along with those in “Duck Butter,” which even gave the performers the opportunity to co-script the scenes themselves.
[Over 106,000 readers rely on The Conversation’s newsletter to understand the world. Sign up today.]
Though I find that Hornaday’s and Douthat’s laments leave out a lot, I share their view that preaching abstinence takes a blinkered approach to art, as to life. The repercussions of rendering sex invisible – unseen and unacknowledged – aren’t just aesthetic. In times of political division and social unrest, sexual freedoms and sexual minorities are more strictly regulated and persecuted.
This threat of silencing makes it all the more important that filmmakers continue screening and – as radical sex theorist Gayle Rubin titled her landmark 1984 essay – “thinking sex.”
So far, filmmakers are meeting the challenge.
Maria San Filippo, Associate Professor of Visual and Media Arts, Emerson College
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Breaking News
Dolly Parton Dies at 80, Leaving Behind an Extraordinary American Legacy
Dolly Parton, the legendary singer, songwriter, actress, entrepreneur and philanthropist, has died at 80. We look back at the remarkable journey that took her from rural Tennessee to becoming one of America’s most beloved cultural icons.
Last Updated on August 25, 2026 by Daily News Staff
Country music legend, songwriter, actress and philanthropist Dolly Parton has died at the age of 80, bringing to a close one of the most remarkable careers in American entertainment.
Dolly Parton Dies at 80
Dolly Parton, whose unmistakable voice, songwriting talent, humor and generosity made her an American cultural icon far beyond the world of country music, died Tuesday, August 25, 2026, in Nashville.
Parton died at Vanderbilt-Ingram Cancer Center following a brief battle with cancer, according to her publicist. She was surrounded by loved ones. The specific type of cancer has not been publicly disclosed.
For millions of fans around the world, the news marks the loss of an entertainer who seemed almost timeless.
From the Tennessee Mountains to Stardom
Born Dolly Rebecca Parton on January 19, 1946, in Sevier County, Tennessee, Parton grew up as one of 12 children in a family with little money.
Those beginnings would become an important part of both her identity and her music.
Rather than distancing herself from her Appalachian upbringing after becoming famous, Parton repeatedly returned to those experiences in her songwriting. Songs such as “Coat of Many Colors” transformed childhood memories into stories about poverty, family, dignity and love.
After moving to Nashville, Parton eventually became a nationally known performer, including through her partnership with Porter Wagoner.
But it was her ability to write songs that helped establish her as one of the defining artists of her generation.
Her catalog would eventually include classics such as “Jolene,” “I Will Always Love You,” “Coat of Many Colors,” “Here You Come Again” and “9 to 5.”
“I Will Always Love You,” originally written and recorded by Parton in the 1970s, would find an entirely new audience when Whitney Houston recorded a soaring version for the 1992 film The Bodyguard.
More Than a Country Singer
Calling Dolly Parton simply a country music star never quite captured the full scope of her career.
She crossed into pop music, television and Hollywood while maintaining her country roots.
Her starring role alongside Jane Fonda and Lily Tomlin in the 1980 comedy 9 to 5 helped turn her into a major movie star. The film’s title song became another Parton classic and an enduring anthem about the frustrations of working life.
Parton later appeared in films including The Best Little Whorehouse in Texas, Steel Magnolias and Straight Talk.
She also became an extraordinarily successful businesswoman.
Her association with Dollywood, the Tennessee theme park bearing her name, helped transform the attraction into one of the state’s best-known tourist destinations while bringing jobs and investment to the region where she grew up.
A Legacy Built Around Giving
Parton’s impact may ultimately be measured by more than records sold, awards won or movies made.
Through the Dolly Parton Imagination Library, founded in 1995, free books have been provided to children from birth to age five.
What began as a literacy program serving children in Parton’s home county in Tennessee grew into an international effort distributing books to children in the United States and several other countries.
Parton also contributed to disaster relief, education and medical research. During the COVID-19 pandemic, she donated $1 million to Vanderbilt University Medical Center research that helped support development of the Moderna COVID-19 vaccine.
Her philanthropy became almost as recognizable as her music.
An Artist Who Crossed Generations
Perhaps one of Parton’s most unusual achievements was her ability to remain relevant without abandoning the personality that made her famous.
Parents who grew up hearing Dolly Parton records introduced her music to their children and grandchildren. Country fans embraced her, but so did rock musicians, pop artists, actors and audiences who might rarely listen to country music.
Her enormous blonde hair, rhinestones and colorful outfits became instantly recognizable, and Parton frequently made herself the punchline of jokes about her appearance before anyone else had the opportunity.
Behind that carefully cultivated public image was a songwriter responsible for thousands of compositions and a businesswoman who maintained considerable control over her work.
Even late in her career, Parton continued exploring new musical territory. Her 2023 album Rockstar featured collaborations with major figures from rock and pop music and demonstrated yet again her ability to move between genres.
Tributes Pour In
News of Parton’s death quickly prompted tributes from across entertainment and public life.
Musicians, actors, friends and admirers remembered not only her extraordinary career but also the kindness and generosity for which she had become known.
The reaction reflects something that made Parton unusual among celebrities of her stature: she became a figure whose appeal extended across generations, regions and many of the cultural divisions of American life.
Her husband, Carl Dean, died in March 2025 at the age of 82. The famously private Dean and Parton had been married for nearly 60 years.
The Music Remains
Dolly Parton’s career is difficult to summarize because it was never confined to one thing.
She was a country singer who became a pop star.
A songwriter who became a movie star.
A girl who grew up poor in the mountains of Tennessee and became a highly successful entrepreneur.
And a celebrity who turned much of her wealth and fame toward helping children she would never meet.
Dolly Parton died at 80, but the songs, stories and institutions she created will continue long after her passing.
For generations of listeners, hearing the opening guitar of “Jolene,” the tenderness of “Coat of Many Colors,” or the unmistakable opening of “9 to 5” will immediately bring her back.
And perhaps that is one of the greatest legacies a songwriter can leave behind.
STM Daily News will publish a more comprehensive look at Dolly Parton’s extraordinary life, career and lasting cultural impact in the coming days.
Sources:
Associated Press — Dolly Parton dies at 80
Reuters — Dolly Parton dies at 80
Related Links:
Official Dolly Parton Website
Dolly Parton’s Imagination Library
health and wellness
Millions of mobile gamers prize stress relief over winning
Mobile Gamers Prize Stress: In the school’s car pickup line, five minutes before it starts moving. In the doctor’s office waiting room for an appointment that you’ve been heavily anticipating. In bed, just before going to sleep. In these transitional moments, many people reach for their phones — not to scroll, but to play.
Millions of mobile gamers prize stress relief over winning
(Sheeka Sanahori) In the school’s car pickup line, five minutes before it starts moving. In the doctor’s office waiting room for an appointment that you’ve been heavily anticipating. In bed, just before going to sleep. In these transitional moments, many people reach for their phones — not to scroll, but to play.
According to a June 2026 survey of more than 128,000 KashKick mobile gamers, playing a mobile game is more than a way to pass the time. Stress relief and relaxation are the top reasons respondents play, beating out entertainment and fun. As KashKick reports, for many people, this means mobile games are less a simple distraction and more a coping mechanism for the daily stress of life.
A quick reset for life’s transitional moments
Most respondents identify as women, and 60% live in households that earn less than $50,000 per year. In the ranking of their reasons for playing, stress relief and relaxation topped the list, with boredom relief, entertainment and fun close behind.
The ranking reads less like a profile of a gaming hobby and more like a profile of a coping behavior.
More than half of the respondents play games daily or multiple times a day. When they reach for a mobile game, about 53% of the time it’s for a short session—usually 30 minutes or less. Where and when people play tells its own story: 58% play in bed before going to sleep and 40% play in the bathroom. These are private, solitary moments, not the times people typically plan entertainment into their day.
Coping with stress by gaming
To understand why respondents play games for stress relief more than for fun, it helps to look at who they are. Among those surveyed, 19% say they’re unemployed or looking for work, and 60% live in lower-income households. There are likely some areas of their life where they must make every dollar stretch to cover the things they need.
The survey findings coincide with research from the American Psychological Association’s 2025 Stress in America report. According to the report, 18% of men and 22% of women under age 65 rate their stress level at eight or higher on a scale of one to 10. Although the KashKick survey didn’t measure stress, respondents are mostly women and fall within the age and income groups the APA found to carry the most stress.
The APA’s report also describes loneliness as a major strain for Americans. The KashKick survey didn’t measure feelings of isolation, but 55% prefer to play alone, and 60% rarely or never discuss their gameplay with friends or family.
Overall, the survey identifies a group of people who have found a routine, low-cost approach to cope with stress. They’re not necessarily there to get the highest score. They’re playing a mobile game to help them navigate a day that, with all of life’s to-dos and challenges, could quickly feel overwhelming.
Methodology
The KashKick Gaming Habits Survey was fielded from June 8, 2026, through Aug. 10, 2026, among KashKick members in the United States who play mobile games. The Gaming Habits Survey was available to all members on KashKick’s Surveys page post-profile completion. The survey received 128,218 total responses, with question-level response counts ranging from approximately 109,793 to 128,218 depending on attrition. All findings describe KashKick mobile gamers and should not be interpreted as representative of U.S. mobile gamers overall. Industry and stress context references publicly available data from the American Psychological Association, Statista, and Newzoo.
Photo courtesy of Shutterstock
SOURCE:
KashKick
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Entertainment
BronzeLens Film Festival Returns to Atlanta for Two Weekends of Global, Diverse Storytelling
BronzeLens Film Festival Brings International Lineup to Atlanta Across Two Weekends
Atlanta becomes a hub for filmmakers and film lovers this month as the BronzeLens Film Festival marks its 17th annual celebration of cinema. Running August 21–23 and August 27–30, 2026, the festival brings together industry leaders, emerging creators, and audiences for two weekends centered on one idea: diverse storytelling deserves the biggest possible stage.
Founded to elevate underrepresented voices in film, BronzeLens says its 2026 lineup continues that mission with more than 150 Official Selections. The slate spans projects connected to creators and stories from across the globe, including Australia, Canada, France, Germany, Ghana, Guadeloupe, Peru, Saint Kitts and Nevis, South Africa, The Netherlands, the United Kingdom, and the United States. Festival organizers note that every film in the program is either produced by creators of color or focuses on stories about people of color.
Opening Night spotlight: “Love Patrick: Nothing is Impossible”
This year’s Opening Night feature is Love Patrick: Nothing is Impossible, directed by the Horne Brothers. The documentary chronicles the life and legacy of fashion designer Patrick Kelly, whose work and vision helped reshape how Black creativity and style were seen on a global stage.
For audiences, it’s a fitting kickoff: a story about artistry, identity, and ambition—exactly the kind of conversation-starter BronzeLens aims to put in front of the public.
A festival built for films—and the conversations after
BronzeLens founder and executive producer Kathleen Bertrand says the festival’s purpose goes beyond screenings.
“We believe the true magic of film happens both on the screen and in the conversations it inspires,” Bertrand said. “Our mission is to champion outstanding filmmaking while creating dynamic opportunities for filmmakers, creators, talent, and audiences to connect, collaborate, and help shape the future of storytelling.”
That emphasis on community and connection has helped BronzeLens become a key cultural event in Atlanta’s film ecosystem—one that continues to grow in reach as the industry increasingly looks for authentic, globally resonant stories.
Notable names tied to the 2026 Official Selections
This year’s Official Selections are associated with a wide range of acclaimed artists, including:
- Academy Award® winner Viola Davis, narrator of The Ebony Canal: A Story of Black Maternal & Infant Health
- Academy Award® winner Jordan Peele, producer of Spilled Milk
- Emmy Award winner Loretta Devine, co-star in Black Seeds Continue to Grow
- Golden Globe nominee Blair Underwood, producer and co-star in The Listeners
- Grammy Award-winning artist T.I., featured in The Birth of Trap Music and director of Da’Partments 2
- Ambyr Michelle, co-star in Escape Room
- The late Erica Ash, starring in The Making of a Classic
- Lauren E. Banks in Channels
Where it’s happening
Festival headquarters will be located at The Tara Atlanta, 2345 Cheshire Bridge Road NE.
For the full schedule, the complete list of Official Selections, and ticket information, visit www.BronzeLens.com. The official hashtag is #BronzeLens2026.
If you’re looking for a late-summer event that blends culture, craft, and community—BronzeLens is positioning itself as one of the film festivals where the industry (and the audience) will be paying attention.
Source
- PRNewswire press release: “The World Will Be Watching as BronzeLens Celebrates Its 17th Annual Film Festival”(BronzeLens Film Festival), published Aug. 7, 2026
Related links
- BronzeLens Film Festival (schedule, Official Selections, tickets): www.BronzeLens.com
- Official hashtag: #BronzeLens2026
- Festival HQ venue info: The Tara Atlanta, 2345 Cheshire Bridge Road NE, Atlanta
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