As the holiday season unfolds, there’s one place in Altadena that’s transforming into a magical winter wonderland, drawing visitors from near and far. Nestled along Christmas Tree Lane, Rob Caves’ home has become a beloved destination for model train enthusiasts and families alike. With an expansive model train set that captures the essence of California and beyond, Rob Caves is bringing joy, nostalgia, and a touch of magic to the heart of the season.

The Journey Begins

Rob’s journey into the realm of model trains started back in 2010 when he was living in sunny San Diego. What began as a modest hobby has blossomed into a spectacular display that now stretches an impressive 60 feet by 90 feet. This remarkable train set transports visitors from San Diego to Seattle, all within the cozy confines of his home. As families peer into the miniature world he has created, they’re greeted with iconic landmarks, such as the San Clemente Pier, the remnants of Fry’s Electronics in Burbank, and even the historic Union Station in downtown LA.

“I think the track represents places we’ve all been,” Rob shares, reflecting on the memories that each twist and turn evokes. The Christmas Tree Lane Model Railroad Society, a passionate club of 50 members, assists Rob in maintaining and operating the stunning display. Each contributor brings their unique flair and enthusiasm, collectively creating a lively atmosphere that resonates with every visitor.

Bringing the Past to Life

For many, model trains are synonymous with cherished childhood memories—be it waving at the engineer when riding the train to the beach or the excitement of camping adventures. Young Logan Montori, just seven-and-a-half years old, is one of the club’s budding enthusiasts. He exclaims, “Running trains is basically my favorite thing!” His infectious energy and joy remind us that the magic of model trains knows no age.

Adding to the wonder is the evolution of technology within the model trains. Tom Selinske, a college business professor and fellow club member, highlights the incorporation of advanced technologies. “There’s microchips in these little engines that actually can do sounds, create different effects, and it’s becoming more digital,” he reveals. The blend of traditional charm and cutting-edge technology keeps both the club members and visitors in awe, ensuring that there’s always something new to explore.

Inviting the Community In

Every holiday season, Rob opens his home to the public, sharing the joy and excitement that comes with seeing the model trains in action. “It just makes our day,” Rob expresses, his eyes twinkling with pride. “Whether we see the kids run up and see the train, and you know what? Everybody is a big kid when they come here.” This welcoming spirit creates an enchanting atmosphere where community ties are strengthened through the shared wonder of the holiday season.

For many families, visiting Rob Caves’ home has become an annual tradition, with the last opportunity to visit this season ending soon. On Saturday, December 16th, from 5 p.m. to 11 p.m., the doors of this fascinating holiday attraction will close until next year, making this weekend the perfect time to create lasting memories.

Rob Caves’ model train set is more than just a hobby; it’s a heartfelt labor of love that serves as a bridge to cherished memories, nostalgia, and the magic of the season. As visitors gather and share in the joy of the trains, they not only witness a remarkable spectacle but also partake in a community celebration of creativity, innovation, and togetherness. So, why not embark on this enchanting journey? Come experience the wonder of Rob Caves’ magical train world before it’s too late—your holiday season will be all the merrier for it!

Advertisement

See the story on KCBS Los Angeles:

https://www.cbsnews.com/losangeles/news/altadena-mans-massive-model-train-set-turns-his-home-into-popular-holiday-destination

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world.

https://stmdailynews.com/

Our Lifestyle section on STM Daily News is a hub of inspiration and practical information, offering a range of articles that touch on various aspects of daily life. From tips on family finances to guides for maintaining health and wellness, we strive to empower our readers with knowledge and resources to enhance their lifestyles. Whether you’re seeking outdoor activity ideas, fashion trends, or travel recommendations, our lifestyle section has got you covered. Visit us today at https://stmdailynews.com/category/lifestyle/ and embark on a journey of discovery and self-improvement.

Advertisement

Lennard J. Davis, University of Illinois Chicago

Dorothy Allison, who died on Nov. 5, 2024, published her first novel, “Bastard Out of Carolina,” in 1992, when she was 42 years old.

She mined her own life to craft the semi-autobiographical work, which became a finalist for the National Book Award.

Growing up poor in Greenville, South Carolina, Allison endured abuse of all kinds before becoming the first in her family to finish high school and college. As a lesbian, she faced additional challenges and hurdles. Before she achieved literary fame with her first novel, Allison ran a feminist bookstore and a women’s center. She was broke when she finally sold “Bastard Out of Carolina.”

To me, Allison is a shining exception in a long line of authors who have attempted to write about poverty but fail to accurately capture it.

In my book “Poor Things: How Those with Money Depict Those without It,” I detail the genre of what I call “poornography” – stories written about poor people by people who don’t have firsthand experience being poor themselves.

Most readers are probably familiar with the standard tropes in these works: violence, sexual abuse, addiction, filth and degradation. Allison was decidedly not in that camp.

She broke that mold by finding beauty in her impoverished surroundings and focusing on love, humor and family bonds.

Advertisement

Beauty in a hopeless place

Even though “Bastard out of Carolina” ultimately deals with physical and sexual abuse – which, of course, is not confined to poor people – this merely constitutes one element of a broader emotional and physical landscape.

Allison’s hometown of Greenville is also the setting of the novel – and it’s a place that the novel’s young narrator, Bone, describes as “the most beautiful place in the world.” She adds:

“Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars. Weeping willows marched across the yard, following every wandering stream and ditch, their long whiplike fronds making rents that sheltered sweet-smelling beds of clover.”

Extreme hunger, however, is unique to poverty, and something that poor writers often recall with a kind of vividness that can escape middle-class or wealthy writers.

“Hunger makes you restless,” Allison writes. “You dream about food, magical meals, famous and awe-inspiring, the one piece of meat, the exact taste of buttery corn, tomatoes so ripe they split and sweeten the air, beans so crisp they snap between the teeth, gravy like mother’s milk singing to your bloodstream.”

In “Bastard out of Carolina,” Allison doesn’t celebrate hunger. But she is able to find humor in it and show how laughter can be used as a coping mechanism.

In the novel, when Bone complains about being hungry, her mother recounts her own childhood: Back then, there was “real hunger, hunger of days with no expectation that there would ever be biscuits again.” And during those times she and her siblings would concoct fantastical stories of strange dishes: “Your aunt Ruth always talked about frogs’ tongues with dew berries. … But Raylene won the prize with her recipe for sugar-glazed turtle meat with poison greens and hot piss dressing.”

Humor isn’t used to gloss over the seriousness of poverty. Yet Allison is keen to point out that both can exist: They are all wrapped up in a life lived.

Advertisement

American delusion

I can’t help but compare Allison’s work with that of an author like JD Vance. In his 2016 memoir, “Hillbilly Elegy,” Vance revels in his grandmother’s anger and violence as a sign of her vibrant hillbilly-ness.

On the other hand, in “Bastard out of Carolina,” Bone recalls her mother saying flatly, “Nothing to be proud of in shooting at people for looking at you wrong.”

So many other writers about poverty have characters who pine for the material comforts promised by the American Dream, whether it’s Clyde Griffiths in Theodore Dreiser’s “An American Tragedy” or George and Lennie in John Steinbeck’s “Of Mice and Men.”

Allison’s characters, on the other hand, learn to see through this false promise. In one scene, Bone and her cousin break into the local Woolworth’s.

Previously, she had longingly eyed a brimming glass case of nuts. But once she shatters the display case, she realizes “that the case was a sham. There hadn’t been more than two inches of nuts pressed against the glass front, propped up with cardboard.” Her reaction: “Cheap sons of bitches.”

In a display of class consciousness, Bone eventually detects the false allure of cheap commodities. “I looked … at all the things on display. Junk everywhere: shoes that went to pieces in the rain, clothes that separated at the seams, stale candy, makeup that made your skin break out.”

In contrast, she thinks of the value of the home-canned goods made by her aunt. “That was worth something. All this stuff seemed tawdry and useless.”

‘Jealous of you for what you got’

At one point, Bone articulates the concept of poornography without using that term. She talks about “the mythology” that plagues poor people:

“People from families like mine – southern working poor with high rates of illegitimacy and all too many relatives who have spent time in jail – we are the people who are seen as the class that does not care for their children, for whom rape and abuse and violence are the norm. That such assumptions are false, that the rich are just as likely to abuse their children as the poor, and that southerners do not have a monopoly on either violence or illegitimacy are realities that are difficult to get people to recognize.”

In “Bastard out of Carolina,” Bone resents the rich rather than admiring them. In a conversation with one of her aunts, she says she “hates” them. Interestingly, her aunt provides the poor person’s counterpoint to hate.

Advertisement

“Could be they’re looking at you sitting up here eating blackberries … could be they’re jealous of you for what you got, afraid of what you would do if they stepped in the yard.”

Allison shows readers how class resentment can go both ways, and how for all of the contempt directed at poor people from the rich and powerful, there may also be an element of envy and fear at play.

Lennard J. Davis, Distinguished Professor of English, Disability Studies and Medical Education, University of Illinois Chicago

This article is republished from The Conversation under a Creative Commons license. Read the original article.

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world.

Advertisement

https://stmdailynews.com/

Please leave this field empty

Want more stories
“Your morning jolt of Inspiring & Interesting Stories!”

Sign up to receive awesome articles directly to your inbox.

We don’t spam! Read our privacy policy for more info.

Please check your inbox or spam folder to confirm your subscription.

Sara Harmouch, American University

The deadly Jan. 1, 2025, attack in New Orleans serves as a reminder of the persistent threat to the U.S. from individuals inspired by extremist Islamist groups.

While the investigation is still ongoing, some details about the suspect have been released. Authorities say Shamsud-Din Jabbar, a U.S. Army veteran, was behind the assault in which a truck was driven into a dense crowd in New Orleans’ French Quarter a few hours after midnight, killing at least 15 people and injuring dozens more. Jabbar, who died in a shoot-out with police, had pledged loyalty to the Islamic State group in online videos posted on Dec. 31, according to the FBI.

It represents the first major assault on an American city by an individual purportedly influenced by the Islamic State group, or one of its affiliates, since a 2017 truck assault in New York City that killed eight.

The New Orleans attack, like that earlier incident, underscores an important point: While the Islamic State group’s territorial caliphate – the area in Syria and Iraq in which it assumed both political and religious authority and sought to enforce its interpretation of Islamic law – has been dismantled, the group’s ability to inspire acts of terror on U.S. soil through online propaganda and ideological influence remains alarmingly potent.

As a terrorism expert and a scholar specializing in radical Islamist militant groups, I believe the case of Jabbar – an American soldier who was radicalized in the U.S. – echoes similar lone wolf attacks in the West over the past decade.

With lost territory in the Middle East, the Islamic State group has sought to exploit personal grievances, mental health struggles and ideological vulnerabilities, transforming isolated individuals in the West into deadly instruments of violence.

An attack inspired by the Islamic State

The New Year’s Day attack took place in New Orleans’ famous French Quarter. At about 3:15 a.m., Jabbar plowed his truck into a dense crowd along the popular Bourbon Street.

Advertisement

In the immediate aftermath, investigators discovered a black banner in his vehicle – the flag used by many Islamist militant groups, including the Islamic State.

While the Islamic State has not yet officially claimed the attack on any of its social media platforms, subsequent reviews of Jabbar’s online activity revealed videos posted just hours before the incident, in which he pledged allegiance to the group. On Jan. 2, Christopher Raia of the FBI’s counterterrorism division said Jabbar was “100% inspired by ISIS,” using an alternative name for the group.

Jabbar’s background adds complexity to the narrative. A 42-year-old veteran, he had no prior known links to extremist networks, according to the FBI, underscoring the challenge posed by self-radicalized individuals who operate outside the scope of traditional terrorist cells.

At this early stage of the investigation, it appears the attack was planned independently, driven by an ideological alignment with the Islamic State group rather than at the direction of any of its leaders. This highlights the decentralized and unpredictable nature of the current terrorist threat landscape.

The growing threat of lone actor attacks

At the height of its power in 2014-2015, the Islamic State group controlled significant territory across Syria and Iraq, establishing a self-declared caliphate. While this physical caliphate was dismantled by 2019, following sustained efforts by the U.S.-led Global Coalition to Defeat the Islamic State, the group continues to operate, conduct and inspire attacks.

Lone wolf attacks, inspired by Islamic State group propaganda but lacking direct operational support, have become the hallmark of the post-caliphate era.

By inspiring individuals to carry out attacks independently, the Islamic State group aims to create an atmosphere of fear and instability, demonstrating its global influence despite lacking a physical caliphate.

It has actively sought to radicalize and mobilize individuals in the U.S. through digital platforms, spreading violent narratives and offering tactical guidance to potential attackers.

Advertisement

This strategy allows the group to maintain relevance and project strength despite its physical losses in the Middle East.

The New Orleans incident follows a pattern seen in previous attacks in the West — such as the 2016 Nice truck attack in France, the 2016 Berlin Christmas market attack and the 2017 London Bridge attack. In each case, individuals were motivated by the Islamic State group’s call to action, using readily available means – vehicles, knives or firearms – to inflict mass casualties.

This model of terrorism is not only low cost but also difficult for intelligence agencies to intercept, as it often lacks the logistical trail associated with larger, coordinated plots.

Ideological reach and online propaganda

A critical component of the Islamic State group’s continued influence is its sophisticated use of online platforms to spread propaganda.

Even after significant efforts by social media companies to dismantle extremist content, the Islamic State group, al-Qaida and their affiliates have adapted by migrating to encrypted messaging services, dark web forums and niche platforms.

These digital spaces enable extremist groups to distribute radical content, call for violence and foster a sense of global community among supporters.

Jabbar’s apparent radicalization is, I believe, likely to have been driven by such online materials – more will be known when the FBI is through investigating the many phones and laptops agents retrieved after the attack.

Advertisement

Such online propaganda frequently blends religious rhetoric with narratives of personal empowerment and martyrdom. The psychological appeal of Islamic State group propaganda lies in its ability to offer disenfranchised individuals a sense of purpose, framing violence as a form of spiritual fulfillment and resistance against perceived oppression.

The case of Jabbar also raises broader questions about domestic radicalization within the United States.

Individuals like Jabbar – who are not part of any terrorist cell and seemingly have no prior known links to extremism – are often able to operate undetected until they commit acts of violence.

Islamist militant groups’ Western strategy

The Islamic State group’s broader strategy in inspiring lone actor attacks extends beyond mere acts of violence.

By inciting terror in Western nations, the group aims to polarize societies, foster anti-Muslim sentiment and provoke overreactions from governments – conditions that can fuel further radicalization and recruitment.

This cycle of violence and social division serves not just the Islamic State group, but other Islamist militant groups’ long-term objective of destabilizing the West and reinforcing its narrative of a civilizational clash between Islam and the West.

Attacks such as that in New Orleans serve as powerful propaganda tools, demonstrating that the Islamic State group’s ideology remains alive despite its territorial losses. Each successful attack amplifies the perception of the Islamic State group’s resolve, bolstering the morale of supporters and attracting new recruits.

The New Orleans attack is a sobering reminder that the influence of extremist Islamist groups extends far beyond the borders of the Middle East. As the Islamic State group and other radical militant groups evolve and adapt, the threat of lone wolf attacks looms over the U.S. and other nations.

Advertisement

Sara Harmouch, Ph.D. candidate in Public Affairs, American University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world. https://stmdailynews.com/