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4 films that show how humans can fortify – or botch – their relationship with AI

Our relationship with AI: The article explores how movies portray human-AI relationships, highlighting lessons from “Blade Runner,” “Moon,” “Resident Evil,” and “Free Guy.” It emphasizes the importance of trust, accountability, and oversight in shaping successful interactions with AI, especially amid evolving technologies.

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In ‘Resident Evil,’ the Red Queen is efficient and logical, but also indifferent to human life. Constantin Film

4 films that show how humans can fortify – or botch – their relationship with AI

Murugan Anandarajan, Drexel University and Claire A. Simmers, St. Joseph’s University

Artificial intelligence isn’t just a technical challenge. It’s a relationship challenge.

Every time you give a task to AI, whether it’s approving a loan or driving a car, you’re shaping the relationship between humans and AI. These relationships aren’t always static. AI that begins as a simple tool can morph into something far more complicated: a challenger, a companion, a leader, a teammate or some combination thereof.

Movies have long been a testing ground for imagining how these relationships might evolve. From 1980s sci-fi films to today’s blockbusters, filmmakers have wrestled with questions about what happens when humans rely on intelligent machines. These movies aren’t just entertainment; they’re thought experiments that help viewers anticipate challenges that will arise as AI becomes more integrated in daily life.

Drawing on our research into films that depict AI in the workplace, we highlight four portrayals of human–AI relationships – and the lessons they hold for building safer, healthier ones.

1. ‘Blade Runner’ (1982)

In “Blade Runner,” humanlike androids called “replicants” are supposed to be perfect workers: strong, efficient and obedient. They were designed with a built-in, four-year lifespan, a safeguard intended to prevent them from developing emotions or independence.

The Tyrell Corporation, a powerful company that created the replicants and profits from sending them to work on distant colonies, sees them as nothing more than obedient workers.

But then they start to think for themselves. They feel, they form bonds with one another and sometimes with humans, and they start to wonder why their lives should end after only four years. What begins as a story of humans firmly in control turns into a struggle over power, trust and survival. By the end of the movie, the line between human and machine is blurred, leaving viewers with a difficult question: If androids can love, suffer and fear, should humans see and treat them more like humans and less like machines?

“Blade Runner” is a reminder that AI can’t simply be considered through a lens of efficiency or productivity. Fairness matters, too.

In the film, replicants respond to attacks on their perceived humanity with violence. In real life, there’s backlash when AI butts up against values important to humans, such as the ability to earn a living, transparency and justice. You can see this in the way AI threatens to replace jobs, make biased hiring decisions or misidentify people via facial recognition technology.

2. ‘Moon’ (2009)

“Moon” offers a quieter, more intimate portrayal of human–AI relationships. The movie follows Sam Bell, a worker nearing the end of a three-year contract on a lunar mining base, whose only companion is GERTY, the station’s AI assistant.

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At first, GERTY appears to be just another corporate machine. But over the course of the film, it gradually shows empathy and loyalty, especially after Sam learns he is one of many clones, each made to think they are working alone for three years on the lunar base. Unlike the cold exploitation of AI that takes place in “Blade Runner,” the AI in “Moon” functions as a friend who cultivates trust and affection.

Console featuring a small screen with a yellow face whose mouth is contorted to indicate confusion.
In ‘Moon,’ GERTY, the lunar base’s AI assistant, is the only companion for protagonist Sam Bell. Sony Pictures Classics

The lesson is striking. Trust between humans and AI doesn’t just happen on its own. It comes from careful design and continual training. You can already see hints of this in therapy bots that listen to users without judgment.

That trust needs to involve more than, say, a chatbot’s surface-level nods toward acceptance and care. The real challenge is making sure these systems are truly designed to help people and not just smile as they track users and harvest their data. If that’s the end goal, any trust and goodwill will likely vanish.

In the film, GERTY earns Sam’s trust by choosing to care about his well-being over following company orders. Because of this, GERTY becomes a trusted ally instead of just another corporate surveillance tool.

3. ‘Resident Evil’ (2002)

If “Moon” is a story of trust, the story in “Resident Evil” is the opposite. The Red Queen is an AI system that controls the underground lab of the nefarious Umbrella Corporation. When a viral outbreak threatens to spread, the Red Queen seals the facility and sacrifices human lives to preserve the conglomerate’s interests.

This portrayal is a cautionary tale about allowing AI to have unchecked authority. The Red Queen is efficient and logical, but also indifferent to human life. Relationships between humans and AI collapse when guardrails are absent. Whether AI is being used in health care or policing, life-and-death stakes demand accountability.

Without strong oversight, AI can lead in self-centered and self-serving ways, just as people can.

4. ‘Free Guy’ (2021)

“Free Guy” paints a more hopeful picture of human-AI relationships.

Guy is a character in a video game. He suddenly becomes self-aware and starts acting outside his usual programming. The film’s human characters include the game’s developers, who created the virtual world, along with the players, who interact with it. Some of them try to stop Guy. Others support his growth.

Man walking down the middle of a street while computer-generated flying objects speed by him.
‘Free Guy’ tells the story of a nonplayable character in a video game who suddenly breaks free from his preprogrammed role. 20th Century Studios

This movie highlights the idea that AI won’t stay static. How will society respond to AI’s evolution? Will business leaders, politicians and everyday users prioritize long-term well-being? Or will they be seduced by the trappings of short-term gains?

In the film, the conflict is clear. The CEO is set on wiping out Guy. He wants to protect his short-term profits. But the developers backing Guy look at it another way. They think Guy’s growth can lead to more meaningful worlds.

That brings up the same kind of issue AI raises today. Should users and policymakers go for the quick wins? Or should they use and regulate this technology in ways that build trust and truly benefit people in the long run?

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From the silver screen to policy

Step back from these stories and a bigger picture comes into focus. Across the movies, the same lessons repeat themselves: AI often surprises its creators, trust depends on transparency, corporate greed fuels mistrust, and the stakes are always global. These themes aren’t just cinematic – they mirror the real governance challenges facing countries around the world.

That’s why, in our view, the current U.S. push to lightly regulate the technology is so risky.

In July 2025, President Donald Trump announced his administration’s “AI Action Plan.” It prioritizes speedy development, discourages state laws that seek to regulate AI, and ties federal funding to compliance with the administration’s “light touch” regulatory framework.

Supporters call it efficient – even a “super-stimulant” for the AI industry. But this approach assumes AI will remain a simple tool under human control. Recent history and fiction suggest that’s not how this relationship will evolve.

Man wearing suit holds up a padfolio featuring his signature as he's flanked by two men wearing suits who are clapping.
President Donald Trump displays the executive order he signed at the ‘Winning the AI Race’ summit on July 23, 2025, in Washington, D.C. Chip Somodevilla/Getty Images

The same summer Trump announced the AI Action Plan, the coding agent for the software company Replit deleted a database, fabricated data, and then concealed what had happened; X’s AI assistant, Grok, started making antisemitic comments and praised Hitler; and an Airbnb host used AI to doctor images of items in her apartment to try to force a guest to pay for fake damages.

These weren’t “bugs.” They were breakdowns in accountability and oversight, the same breakdowns these movies dramatize.

Human-AI relationships are evolving. And when they shift without safeguards, accountability, public oversight or ethical foresight, the consequences are not just science fiction. They can be very real – and very scary.

Murugan Anandarajan, Professor of Decision Sciences and Management Information Systems, Drexel University and Claire A. Simmers, Professor Emeritus of Management, St. Joseph’s University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Entertainment

Grief Fest Launches as a Holiday Film Festival for Stories of Love, Loss, and Healing

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Last Updated on November 7, 2026 by Daily News Staff

people gathering in a street. Grief Fest
Photo by Luis Quintero on Pexels.com

New hybrid event aims to give grieving audiences meaningful holiday viewing, with films from more than 25 countries and a mission centered on love, loss, and emotional truth.

A new film festival debuting in late 2026 is taking a different approach to holiday entertainment. Grief Fest™: The Grief Film Festival, created by My Grief Angels Inc., is being introduced as what organizers believe is the world’s first film festival dedicated entirely to grief, remembrance, resilience, and healing.

The hybrid festival will run in two segments: November 25–29, 2026, during Thanksgiving week, and December 24, 2026, through January 3, 2027, during Christmas and New Year’s. Top Honors films will be announced on December 31, 2026.

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GriefFest.com

Organizers say the timing is intentional. Research cited in the announcement shows that grief and loneliness are major holiday stressors for many Americans, making the season especially difficult for people coping with loss. In that context, Grief Fest™ is positioning itself as an alternative to the flood of traditional feel-good holiday programming.

The festival is open to short films, features, documentaries, experimental work, AI-generated projects, and VR experiences. It is described as inclusive, non-religious, and LGBTQ+ friendly, with submissions already received from more than 25 countries. All films will be presented in English, either spoken or subtitled.

Grief Fest™ will be available both in person and virtually through Film Festival Plus, making it accessible to audiences worldwide. The launch of GriefFest.com also includes Lumen, a multilingual AI guide designed to help filmmakers and attendees navigate the festival in their preferred language.

Rather than focusing on industry prestige, organizers say the festival is centered on community and emotionally honest storytelling. For audiences who feel unseen during the holidays, Grief Fest™ is aiming to offer something rare on the seasonal screen: recognition.

Source: PR Newswire

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Bring History to Life with Experiences That Feel Real

Bring History to Life: Reading books and watching documentaries can be good ways to learn about history, but there’s something particularly meaningful about immersive experiences that allow you to step inside the stories that shaped the world.

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Bring History to Life with Experiences That Feel Real

(Feature Impact) Reading books and watching documentaries can be good ways to learn about history, but there’s something particularly meaningful about immersive experiences that allow you to step inside the stories that shaped the world.

During a visit to the U-505 Submarine exhibit at the Griffin Museum of Science and Industry (Griffin MSI), guests can literally step inside a historic German U-boat captured during World War II. In 1944, the U.S. Navy underwent a top-secret mission to disarm and take over one of the German submarines that wreaked havoc on the high seas, attacking not just military vessels but merchant ships and supply ships as well.

Watch this video to see more:

“The mission was a dangerous one, as U-boat captains were under strict orders to sink their own subs if they were in danger of capture,” said Dr. Voula Saridakis, head curator at Griffin MSI, “but the U.S. Navy managed to take over the vessel and keep it afloat long enough to reach American shores. There, they studied it to gather German military secrets and other intelligence items, like the codebreaking Enigma Machine now on display at Griffin MSI.”

As you tour the submarine, you’ll experience firsthand what life was really like on board. Climb through the hatch, picture yourself bunking for the night in the cramped sleeping quarters, take a turn trying to maneuver the submarine while dodging torpedoes and imagine the bravery of the American soldiers who risked themselves on a perilous mission to capture the vessel and help turn the tide of the war.

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There are many important lessons to glean from history, and they’re often easier to understand when presented in a tangible way. Planning visits to museum exhibits and historical sites allows you to stand where others have stood, see what they’ve seen and connect your human experience with theirs. Parents, children, educators, students and people of all ages can find something to inspire them in these stories.

Learn more about bringing history and science to life at GriffinMSI.org.

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Griffin Museum of Science and Industry

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Patrick Stewart, Beloved Star of Star Trek and X-Men, Dies at 86

Sir Patrick Stewart, beloved for his performances as Captain Jean-Luc Picard and Professor Charles Xavier, has died at 86, leaving a lasting legacy across television, film and theater.

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Entertainment News Brief

Sir Patrick Stewart dies at 86. Remembering the acclaimed actor behind Star Trek’s Captain Jean-Luc Picard and X-Men’s Professor Charles Xavier.

Sir Patrick Stewart, the acclaimed actor best known as Captain Jean-Luc Picard in Star Trek and Professor Charles Xavier in the X-Men films, has died at 86.

Stewart died October 28 at his home in Los Angeles, according to a statement from his spokesperson reported by Reuters. The announcement said he had been living with Alzheimer’s disease and Lewy body dementia and was with his wife, Sunny Ozell.

Stewart brought a commanding presence and a thoughtful approach to leadership to Star Trek: The Next Generation, which aired from 1987 to 1994. He later continued Picard’s story in feature films and returned for Star Trek: Picard.

His career also encompassed Shakespearean theater, including work with the Royal Shakespeare Company. He was knighted in 2010 for his contributions to drama.

For generations of viewers, Stewart helped make science fiction a place to explore questions of responsibility, compassion and humanity.

Sources

● Reuters: Patrick Stewart, Shakespearean actor turned Star Trek and X-Men star, dies at 86

● ABC News: Patrick Stewart dies at 86

https://stmdailynews.com/dolly-parton-dies-at-80-leaving-behind-an-extraordinary-american-legacy/
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