Claudia Bartra Teams Up With Fusion Academy to Promote Anti-Bullying Initiative
Local entrepreneur and philanthropist teams up with Fusion’s three Florida campuses to stand up against bullying.
OCA RATON, Fla. (Newswire.com) – Businesswoman and philanthropist Claudia Bartra and Fusion Academy in Miami, Boca Raton, and Palm Beach Gardens are teaming up to prevent bullying in their schools and communities.
“We’re excited to have Claudia on board,” said Christina Seamster, Ph.D., Area Head of School. “She is a great community partner and we’re thrilled to be teaming up with her for our zero-tolerance bullying initiative.”
Bartra is actively involved in the community, notably with La Granja, her successful chain of award-winning Peruvian restaurants. Her philanthropic contributions include her work with ASPIRA, a youth organization for Latin American children, providing scholarships to students attending Palm Beach State College, and being honored for her support of children’s education both in the United States and her home country of Peru. Bartra deeply values the power of education, and her collaboration with Fusion Academy is no exception.
Founded in 1989 in Solana Beach, California, Fusion Academy has 80 campuses across the U.S., including three in Florida: Boca Raton, Miami, and its most recent addition in Palm Beach Gardens. With one-to-one classrooms and personalized instruction, Fusion Academy can center every student’s needs while providing opportunities to interact with other students. During “Homework Cafe” time, students can work on homework collaboratively, play games, and eat snacks together. A student’s five-hour day at the school is built for their needs and encourages them to be the full version of themselves. Fusion campuses operate between 7:30 A.M. and 7:30 P.M. which gives students flexible learning opportunities that best fit their schedules.
Every Fusion Academy location ensures each student experiences both academic and social-emotional core learner outcomes: being resourceful, critical thinking, self-awareness, and inclusivity.
Being proactive and positive (for both teachers and students).
Provide safe spaces and teacher mentors for each student.
Encourage peers to come to a common resolution with openness and inquiry.
Inspire positive change to be a more reflective person. 7. Identify individual biases and prejudices to become more self-aware and diffuse tense situations.
Both Bartra and Seamster look forward to implementing the new initiative in 2023. Visit Fusion Academy for information, and to learn more about Claudia Bartra, go to www.claudiabartra.com.
HBCUs Do More Than Boost Opportunity — Research Suggests They Can Also Help Reduce Incarceration Risk
Historically Black colleges and universities (HBCUs) play a crucial role in supporting Black students’ educational and socioeconomic advancement. By providing affordable education and mentorship, HBCUs help reduce crime rates among graduates. Despite funding challenges, their impact includes higher graduation rates and economic mobility, which help break cycles of poverty and incarceration.
Historically Black colleges and universities do more than offer Black youths a pathway to opportunity and success – I teach criminology, and my research suggests another benefit
Historically Black colleges and universities, often known as HBCUs, are well known for their deep roots in U.S. higher education and proven effectiveness at graduating Black students who go on to become professionally successful.
HBCUs are colleges and universities that were established before 1964, with the mission of educating Black Americans, though now anyone can attend.
As a criminology instructor who has spent 13 years studying the relationship between educational trajectories and criminal justice – and a Black woman who grew up in the South and attended an HBCU – I believe that HBCUs offer another often overlooked benefit.
They give young people, especially Black people, a pathway in higher education that they might not otherwise receive. By opening doors to education, jobs and mentorship, HBCUs disrupt the conditions that can cause young people – especially Black people – to get lost in the criminal justice system.
Attending a HBCU, or any other university, does not guarantee a stable financial future. And not graduating from high school or college certainly does not not mean that someone will become incarcerated.
This is why I believe HBCUs in particular have an important role to play in helping young Black people avoid this path.Spelman College graduates arrive at their commencement ceremony in May 2025 in College Park, Ga. Paras Griffin/Getty Images
Understanding HBCUs
Today, there are roughly 100 HBCUs in 19 states, as well as the District of Columbia and the U.S. Virgin Islands. The schools are a mix of public schools and private, nonprofit colleges and universities.
HBCUs make up just 3% of the country’s colleges and universities. But their graduates include 40% of Black engineers, 50% of Black lawyers and 70% of Black doctors in the United States.
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Most HBCUs are located in Southern and mid-Atlantic states – a legacy of when segregation barred Black students from attending most colleges and universities.
Attending a local HBCU is often one of the most practical ways these prospective students can get a degree – in part because HBCUs are often more affordable than other four-year college options.
The average annual tuition for an in-state student at a public HBCU is roughly US$7,700 per year – well below the national average, which ranges from $12,000 at public schools to $45,000 at private schools. Some public HBCUs charge as little as $1,000 in annual tuition for in-state students.
Schools like Coppin State University in Baltimore and the University of Maryland Eastern Shore also offer in-state rates to out-of-state students from places that do not have HBCUs nearby.
Despite their focus on Black students, HBCUs are increasingly diverse.
In 2022, non-Black students made up 24% of the student population at HBCUs. By comparison, 15% of non-Black students made up HBCU populations in 1976.
A few long-recognized reasons help explain this pattern. Education increases earning potential, making crime a riskier and less attractive option for people with a degree. Education also encourages long-term thinking, strengthens ties to employers and communities, and builds problem-solving skills that help people navigate challenges.
I have seen firsthand, through my own experiences growing up in the South and teaching students, how HBCUs can help move Black students out of poverty. These schools stand out among other colleges in terms of how effectively they graduate low-income Black students and move them into the middle class, outcomes that research links to reduced criminal behavior.
When researchers rank colleges by whether and how their students improve their socioeconomic status, income and wealth over time, more than half of the highest-performing schools are HBCUs.
Black students who attend HBCUs are 30% more likely to earn a degree than Black students who attend colleges that are not HBCUs. Black HBCU graduates are also likely to earn more money than Black non-HBCU college graduates.
When colleges and universities graduate students who earn middle-class incomes, they help break what researchers call the cycle of intergenerational poverty and incarceration. This pattern describes how children of incarcerated parents are six times more likely to end up in the justice system.
An ongoing money problem
Despite their benefits, HBCUs have chronically struggled with funding. In recent decades, state governments have not given Black land-grant universities – meaning public colleges originally created through federal legislation to serve Black students during segregation – at least $12.8 billion the federal government said they were owed.
Recent federal support for HBCUs has been mixed, as the Trump administration has made widespread cuts to many universities and colleges.
In April 2025, President Donald Trump signed an executive order renewing the White House Initiative on HBCUs, a federal effort to help support these schools. At the time, he said that Black colleges had no reason to fear cuts.
The U.S. criminal justice system disproportionately affects Black people at every stage – from arreststo incarceration. Black Americans make up about 13% of the U.S. population but account for roughly 37% of all people in U.S. jails and prisons.
According to the National Academies of Sciences, the lifetime risk of imprisonment for Black men born between 1975 and 1979, and with less than a high school education, was about 68% – meaning nearly 7 in 10 in that group experienced incarceration at least once.
I have seen firsthand that when Black students from low-income backgrounds enroll at HBCUs, they become more likely to complete a degree and achieve the kind of financial stability that research shows helps reduce the risk of becoming caught up in the criminal justice system.
The Bridge is a section of the STM Daily News Blog meant for diversity, offering real news stories about bona fide community efforts to perpetuate a greater good. The purpose of The Bridge is to connect the divides that separate us, fostering understanding and empathy among different groups. By highlighting positive initiatives and inspirational actions, The Bridge aims to create a sense of unity and shared purpose. This section brings to light stories of individuals and organizations working tirelessly to promote inclusivity, equality, and mutual respect. Through these narratives, readers are encouraged to appreciate the richness of diverse perspectives and to participate actively in building stronger, more cohesive communities.
Hulk Hogan and the unraveling of worker solidarity
Brian Jansen, University of Maine Hulk Hogan’s death by heart attack at age 71 came as a shock to many fans of the larger-than-life wrestler who’d earned the nickname “The Immortal.” But in many respects, the real surprise was that Hogan, born Terry Gene Bollea, lived as long a life as he did. Despite the staged nature of its combat, professional wrestling is a notoriously dangerous career. Studies rank it among the riskiest professions. Wikipedia even maintains a comprehensive list of premature wrestler deaths. The reasons for professional wrestling’s dangers are largely tied up in the industry’s working conditions. And part of Hogan’s legacy may be his complicity in those conditions. In 1986, he allegedly played a key role in undercutting a unionization effort – arguably the closest pro wrestling has come to unionizing.
‘The Body’ sticks his neck out
WWE’s first WrestleMania was held in 1985. The pay-per-view event was enormously successful and established the company – then known as WWF – as the nation’s preeminent wrestling promotion. During the buildup to WrestleMania 2 the following year, wrestler Jesse “The Body” Ventura understood that performers had more leverage than they’d ever had. He began advocating behind the scenes for a wrestling union. The story, as recounted by Ventura, goes like this: An acquaintance of Ventura’s in the NFL encouraged him to start organizing behind the scenes. WWE was behind the ball: In 1956, the NFL became the first American pro sports league to have its union recognized. It was followed by the NBA in 1957, MLB in 1966 and the NHL in 1967. It helped that Ventura had little to lose. He’d be appearing in the forthcoming “Predator” film; should he get blackballed from wrestling for trying to form a union, he could probably earn a living as an actor. (Few could have predicted that he would go on to be elected governor of Minnesota in 1998.) As Ventura brought together his peers to hash out the details of what a pro wrestling union might look like, he also included the promotion’s reigning champion, Hogan, with the thinking that the support of the WWF’s biggest star would boost the cause and insulate others from retaliation. Instead, WWF owner Vince McMahon got wind of the effort and called his performers individually, threatening their jobs. The unionization effort sputtered, and McMahon eventually pushed Ventura out of wrestling.After Jesse ‘The Body’ Ventura tried to unionize his fellow wrestlers, WWE owner Vince McMahon caught wind of the effort – and nipped it in the bud.WWE/Getty Images Ventura went on to sue the WWF over unpaid royalties. During the discovery process, Ventura testified that he had learned it was Hulk Hogan who snitched to McMahon and effectively sabotaged the union drive. Hogan never publicly admitted to telling McMahon about the rumblings of a union. The WWE has never confirmed nor denied the series of events. Either way, there have been no unionization campaigns in professional wrestling since then.
‘Do the job’
Today’s WWE performers are legally classified as “independent contractors.” They’re responsible for their own travel, training, costuming and insurance, even as their employer owns their likeness and is indemnified from liability due to injury or death. One of pro wrestling’s paradoxes is that the top promotion’s wrestlers aren’t unionized, even as its audience has historically skewed low income and blue collar. Wrestling has long been a family business, and most wrestlers are part-timers working additional jobs – often in blue-collar, union positions. Many of them are truck drivers and warehouse employees, construction workers and bouncers. Wrestler-turned-scholar Laurence de Garis has written about how the language of wrestling is rich with references to labor. A “work” in wrestling is a staged storyline; to “do the job” is to lose a match. The goal of many performers is to be considered a “good worker” by peers, and WWE performers wrestle as many as 300 nights per year. The company has no offseason. The steroid, painkiller and alcohol abuse that has been endemic to the industry may well stem from pressures on wrestlers to perform night after night, even if they’re in pain, for fear of losing their position. In the 1990s, Hogan himself confessed to extensive steroid use, which is known to contribute to heart disease. You’d think that these harsh working conditions would make wrestlers ripe for a union. Why that hasn’t happened is up for debate. WWE bought out its competitionin the early 2000s; perhaps its status as the last remaining major wrestling promotion in the nation has weakened the leverage of wrestlers. Or maybe the testosterone-driven, masculine nature of the sport makes solidarity seem like weakness.
Workers left holding the bag
The story of Ventura’s failed unionization bid is a story of what could have been. But in some sense, I see the story of the WWE as part of a broader story of the U.S. economy. After a period of relative stability after World War II, American work since the 1980s has become dominated by mergers, buyouts, deregulation and financialization. Profits are increasingly generated by financial means such as interest and capital gains instead of through offering genuine goods or services. Layoffs and precarious work have become the norm. WWE’s profits exploded in the 1990s and 2000s. The company went public in 1999 – though the McMahon family retained majority control – and dipped its toes into film production, reality television and online streaming. In 2023, WWE merged with UFC’s parent company Endeavor to form TKO Group Holdings. TKO’s revenue was more than US$2.8 billion in 2024. Meanwhile, Endeavor has been spun off as a Hollywood talent agency and was acquired by a private equity firm. The fruits of these new revenue streams and mergers haven’t trickled down to its in-ring performers. So far in 2025, WWE has laid off or released more than 30 wrestlers and at least 10 employees from the company’s corporate wing.According to Forbes, Vince McMahon’s net worth is $3.1 billion.Leon Halip/WireImage via Getty Images Much as professional wrestlers have remained independent contractors, this arrangement has become normalized in the broader American economy, with more than 36% of Americans participating in the gig economy. In 2022, Stanford researchers identified gig work as a “social determinant of health,” since most gig workers lack employer-sponsored health care, paid time off or sick days.
All for one and none for all
In today’s economy, luck or happenstance, rather than merit, seem more likely to influence who achieves financial security and who scrapes by, living paycheck to paycheck. Hulk Hogan, as professional wrestling’s biggest star for 20 years, certainly believed he earned his place at the top of the industry. But without diminishing his talents, it’s worth noting he arrived at precisely the correct moment in history to become that star. For many years, a wrestler was expected to have “shoot” skills – that is, actual wrestling expertise – should an opponent ever go rogue and turn a staged performance into a real fight. But as McMahon’s power and influence expanded, the look, the sound and the character of the wrestler became most important. How well could a wrestler perform for the camera? How well could he sell T-shirts to young fans? Despite Hogan’s limitations as a technical in-ring performer, his mullet, mustache and “24-inch pythons” – the nickname given to his enormous biceps – made him the right person at the right time. Hogan also succeeded because his opponents in the ring were willing to make him look like a star. They were able to “do the job” and do it safely. Another paradox of professional wrestling is that it requires performers to appear as if they are hurting one another. But their primary goal, in fact, is keeping one another safe. To me, that sounds a lot like solidarity. Brian Jansen, Assistant Professor of English and Media Studies, University of Maine This article is republished from The Conversation under a Creative Commons license. Read the original article.
Bruce Springsteen’s ‘Born to Run’ still speaks to a nation vacillating between hope and despair
Louis P. Masur, Rutgers University I was 18 when Bruce Springsteen’s third album, “Born to Run,” was released 50 years ago, and it couldn’t have come at a better time. I’d just finished my freshman year in college, and I was lost. My high school girlfriend had broken up with me by letter. I had no idea what I wanted to do with my life. I was stuck back in my parents’ apartment in the Bronx. So when I dropped the record onto my Panasonic turntable and Springsteen sang, “So you’re scared and you’re thinking/That maybe we ain’t that young anymore” on the opening track, “Thunder Road,” I felt as if he were speaking directly to me. But no song moved me more than the album’s title track, “Born to Run.” How I longed for that sort of love – and how I also felt strangled by the “runaway American dream.” The song was about getting out, but also about searching for a companion. I, too, was a “scared and lonely rider” who craved arriving at a special place. Decades later, I combined the personal and the professional and wrote a book about the making and meaning of the album.
All eyes on the Boss
The album was shaped by the times, particularly the malaise of the post-Vietnam and post-Watergate American landscape. There was an energy crisis, and it wasn’t only oil that was in short supply. The excitement of the 1960s had passed, and rock ’n’ roll itself was in the doldrums. Elvis had become a Las Vegas lounge act; the Beatles had broken up; Bob Dylan had been a recluse since his motorcycle accident in 1966. The No. 1 hit in 1975 was “Love Will Keep Us Together,” by the Captain and Tennille. Obituaries to rock music appeared regularly. Springsteen went into the studio feeling the pressure to produce. His first two albums had received good reviews but sold poorly. After seeing a show in Cambridge, Massachusetts, in 1974, writer Jon Landau proclaimed Springsteen “the future of rock ’n’ roll.” Springsteen wore the label uneasily, though he had more than enough ambition to try and fulfill the prophecy: He later called “Born to Run,” “my shot at the title, a 24-year-old kid aiming at the greatest rock ’n’ roll record ever.” But in the studio, he struggled. It took him six months to record the title song. He kept rewriting the lyrics and experimenting with different sounds. He was composing epics: “Tenth Avenue Freeze Out,” “Backstreets,” “Jungleland.” And he was trying to tie it all together thematically as his characters searched for love and connection and endured disappointment and heartbreak. When Springsteen was finally done with the album, he hated it. He even threw a test pressing into a pool. But Landau, who had come on to co-produce, convinced him to release it.
Poetry for the masses
Despite Springsteen’s apprehension, the response to “Born to Run” was remarkable. Hundreds of thousands of copies flew off the shelves. Springsteen appeared on the covers of Newsweek and Time, where he was hailed as “Rock’s New Sensation.” Writing in Rolling Stone, critic Greil Marcus called it “a magnificent album that pays off on every bet ever placed on him.” There was backlash from some corners: critics who resented all the hype Springsteen had received and who thought the music bombastic. But most agreed with John Rockwell of The New York Times, who praised the album’s songs as “poetry that attains universality. … You owe it to yourself to buy this record.”
An operatic drama
The album pulsates between hope and despair. Side 1 carries listeners from the elation of “Thunder Road” to the heartbreak of “Backstreets,” and Side 2 repeats the trajectory, from the exhilaration of “Born to Run” to the anguish of “Jungleland.” I felt I knew the characters in these songs – Mary and Wendy, Terry and Eddie – and I identified with the narrator’s struggles and dreams. They all wrestled with feeling stuck. They longed for something bigger and more exciting. But what was the price to pay for taking the leap – whether for love or the open road? These lyrical, operatic songs about freedom and fate, triumph and tragedy, still resonate, even though today’s music is more likely to emphasize beats, samples and software than extended guitar and saxophone solos. Springsteen continues to tour, and fans young and old fill arenas and stadiums to hear him because rock ’n’ roll still has something to say, still makes you shout, still makes you feel alive. “It’s embarrassing to want so much, and to expect so much from music,” Springsteen said in 2005, “except sometimes it happens – the Sun Sessions, Highway 61, Sgt. Peppers, the Band, Robert Johnson, Exile on Main Street, Born to Run – whoops, I meant to leave that one out.” In fall 1975, I played “Born to Run” over and over in my dorm room. I’d stare at Eric Meola’s cover photograph of a smiling Springsteen in leather jacket and torn T-shirt, his guitar pointing out and upward as he gazes toward his companion. Who wouldn’t want to join Springsteen and his legendary saxophonist, Clarence Clemons, on their journey? That October, I went on a first date with a girl. We’ve been married 44 years, and the stirring declaration from “Born to Run” has proven true time and again: “love is wild, love is real.”Saxophonist Clarence Clemons, Bruce Springsteen and guitarist Steven Van Zandt perform in the U.K. during the European leg of the ‘Born to Run’ tour.Andrew Putler/Redferns via Getty ImagesLouis P. Masur, Distinguished Professor of American Studies and History, Rutgers University This article is republished from The Conversation under a Creative Commons license. Read the original article.