Jessica Maddox, University of Alabama

Ruby Franke was once one of the most popular YouTube family vloggers, posting videos featuring her husband and six children on her channel, 8 Passengers, that racked up over 1 billion views.

In some, she chronicled their family vacations and family activities, such as painting together. In others, she detailed how she banned her 16-year-old son from sleeping in his bedroom for seven months and threatened to behead a stuffed animal.

In August 2023, Franke was charged with child abuse and pleaded guilty four months later.

While the crimes that led to the charges, such as denying her kids water and handcuffing them for extended periods of time, didn’t appear on 8 Passengers, her children viewed the vlogging as a larger pattern of abuse.

In October 2024, 21-year-old Shari Franke, Ruby’s oldest daughter, testified to Utah lawmakers about what being a child influencer against her will had done to her.

“I come today as a victim of family vlogging,” Shari said, “to shed light on the ethical and monetary issues that come from being a child influencer.” She added, “If I could go back and do it all again, I’d rather have an empty bank account now and not have my childhood plastered all over the internet. No amount of money I received has made what I’ve experienced worth it.”

Her testimony took place just a few weeks after California passed a law mandating that a portion of proceeds from social media content featuring kids must be set aside in a trust for the child when they turn 18.

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I’m a social media researcher who’s spent the past two years advocating for the children of family vloggers. As recently as 18 months ago, I’d written about how there were no legal protections for the children of influencers, even as child actors have robust laws in place to protect their earnings.

Now that’s starting to change – but there’s still more work to be done.

New laws for a new age

Some children featured in their parents’ social media content go viral as toddlers; others have their first menstrual cycles broadcast to the world; and they can be pressured by their parents to be the talent that sustains their family’s financial livelihood.

California has the Coogan Act, which protects the financial interests of entertainers under 18. But this was passed in 1939, long before the rise of social media; until recently, there has been no comparable Coogan Act for the children of family vloggers.

In August 2023, however, Illinois became the first U.S. state to pass a law protecting the financial interests of the children of family vlogging. The bill requires parents to put aside 50% of the earnings for a piece of content featuring their child. The money must go into a trust that the child can access upon turning 18. If there’s no money available for them, they can sue their parents.

Minnesota was the next state to pass this kind of legislation, in May 2024. This one went beyond financial considerations, prohibiting children under 14 from appearing in more than 30% of their parents’ social media content. If children do appear in these videos and the videos are monetized, money must be put into an account, similar to Illinois.

In December 2023, I consulted with legislators on drafts of California’s measure. This bill, which was signed into law in September 2024, is similar to Illinois’ law but has been considered an important step in regulating family vlogging content given the state’s relationship with the entertainment industry.

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Work is work

These laws are not geared toward the casual parent who wants to share a picture of their child on Facebook or Instagram. They’re putting guardrails in place for a form of child labor that, until recently, has gone wildly unchecked.

In the spring of 2024, I provided written testimony to the state of Missouri, which was considering its own law. I pointed out that there are more than 500 hours of video uploaded to YouTube every minute, TikTok boasts more than 150 million active monthly users in the U.S. alone, and Instagram users watch 17.6 million hours of Reels per day. I explained how, over the past decade, I’ve interviewed over 150 content creators and influencers – and I’ll often hear them say they’ve been paid upward of $8,000 per post.

Brand sponsorships remain a gray area in these laws; most of the new legislation encompasses only payments directly from platforms. But I want to emphasize that we’re not talking about a few extra bucks here and there. It can be enough money to raise a family. And it’s work – for everyone involved.

What’s next

Illinois, Minnesota and California may have passed laws, but the issue remains on the table elsewhere.

Washington state has tried to introduce such a bill, and Shari Franke’s testimony came as Utah begins considering its own legislation. https://www.youtube.com/embed/Y2xi4-IMnTc?wmode=transparent&start=0 Ruby Franke’s oldest daughter, Shari, testifies before the Utah Legislature in October 2024.

However, I believe that any work on combating the problem of exploiting children for social media demands a holistic approach.

Importantly, children cannot consent to appearing in their parents’ content. While it may seem fun to appear in mom or dad’s video, young children have no concept of the internet’s dangers. They don’t understand that content can move beyond its intended audience. They don’t understand that the internet is forever – that one day, when they’re applying to college or for jobs, Google search results may yield their baby photos.

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In 2023, Maryland attempted to introduce legislation that would include Right To Be Forgotten provisions – an addendum allowing children to request social media platforms delete content about them when they turn 18. The measure never gained momentum, and the bill stalled. But states can look to the European Union, which has some of the strongest Right to Be Forgotten legislation in the world, for inspiration.

Social media platforms also have a role to play. If they wanted to, they could regulate or ban monetized content centered on children. That being said, family vlogging content is a moneymaker for platforms: It racks up billions of views, which keeps audiences on the hosting site, such as YouTube or Instagram, for longer. So you might assume that platforms would never intervene on their own if it risked hurting their bottom line.

But one thing I’ve learned from studying social media platform governance is that public opinion matters. And in my ongoing research on family vlogging, I’ve witnessed a massive shift in public opinion over the past two years, as the press pays more attention to the phenomenon, content creators and audiences are more critical of it, and former children of family vloggers, like Shari Franke, tell their stories.

If platforms can quickly churn out their own versions of AI chatbots, they can build teams to figure out how to help regulate and enforce family vlogging legislation in the U.S. – and have the opportunity, in my view, to be on the right side of history.

Jessica Maddox, Assistant Professor of Journalism and Creative Media, University of Alabama

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Unstoppable

Unstoppable, directed by the late Tony Scott, is a thrilling action film that stars Denzel Washington, Chris Pine, and Rosario Dawson. The movie is based on a real-life incident in which a runaway train carrying hazardous materials was headed towards a heavily populated area. The film is a perfect blend of action, drama, and suspense that will keep you on the edge of your seat from start to finish.

The movie follows the story of two railroad workers, Frank Barnes (Denzel Washington) and Will Colson (Chris Pine), who are tasked with stopping a runaway train filled with toxic chemicals. The train is unmanned and hurtling towards a heavily populated area, posing a significant threat to the lives of thousands of people. The two men team up with Connie Hooper (Rosario Dawson), a train dispatcher, to try to prevent the disaster.

Denzel Washington plays the role of Frank Barnes, an experienced engineer who has seen it all. He is calm and collected under pressure and knows the ins and outs of the railroad. Chris Pine, on the other hand, plays the role of Will Colson, a rookie conductor who is still learning the ropes. He is impulsive and makes rash decisions under pressure. The two actors complement each other perfectly, and their chemistry on screen is undeniable.

Rosario Dawson delivers a strong performance as Connie Hooper, the train dispatcher who helps Frank and Will navigate their way through the crisis. She is smart, resourceful, and determined to do whatever it takes to stop the runaway train. Her character is essential to the story, and Dawson does a great job of bringing her to life.

The action sequences in the film are top-notch, and the suspense is palpable. The audience is kept on the edge of their seats as Frank and Will race against time to stop the train. The special effects are also impressive, and the visuals are stunning. The scenes of the train hurtling through the countryside are breathtaking, and the camera work is excellent.

One of the high points of the film is the way it portrays the railroad workers. The movie gives an insight into the lives of the men and women who work on the railroad, highlighting the dangers they face every day. The film also shows the camaraderie and brotherhood that exists between the workers. The scenes of the workers coming together to stop the runaway train show the strength and resilience of the human spirit.

Overall, Unstoppable is a fantastic movie that is sure to keep you on the edge of your seat. The acting talent of Denzel Washington, Chris Pine, and Rosario Dawson is top-notch, and the chemistry between them is undeniable. The film is a testament to the bravery and dedication of the railroad workers who risk their lives every day to keep America moving. It is a must-watch for anyone who loves action, drama, and suspense.

https://en.wikipedia.org/wiki/Unstoppable_(2010_film)

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Rachel Meade, Boston University

Robert F. Kennedy Jr. is Donald Trump’s pick to lead the Department of Health and Human Services in the new administration. The idea of Trump, a Republican, appointing Kennedy to his cabinet would have been surprising just a few months ago.

After all, Kennedy began his presidential run last year as a Democrat and is the scion of a Democratic dynasty. Nephew of former President John F. Kennedy and the son of former U.S. Attorney General Robert F. Kennedy, Kennedy spent most of his career as a lawyer representing environmental groups that sued polluting corporations and municipalities.

Yet Kennedy, 70, has long held positions that put him at odds with the Democratic mainstream. He pushes public health misinformation around vaccines and HIV/AIDS, opposes U.S. military involvement in foreign wars, including in Ukraine, and claims that the CIA assassinated his uncle.

Kennedy’s ideologically mixed politics are hard to categorize in traditional left-right terms.

My political science research finds that Kennedy’s journey from left-aligned skepticism into Trumpism is part of a broader trend of contemporary left-to-right populist transformations happening across the United States.

Rise of the populist alternative media

Populism is a political story that presents the good “people” of a nation as in a struggle against its “elites,” who have corrupted democratic institutions to further their own selfish interests. It cuts across the ideological spectrum, often combining left-wing economic critiques with right-wing cultural ones.

Based on my research, I find that Kennedy uses a populist style of speech that matches the rhetoric of today’s online alternative media, also known as the “alternative influence network.”

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If populism cuts across the ideological spectrum, so does the alternative media.

This network of politically diverse independent podcasters, YouTube hosts and other creators connects with young, politically disaffected audiences by mixing politics with comedy and pop culture, and presenting themselves as embattled defenders of free thinking – in opposition to mainstream media and mainstream parties.

Top-rated shows include “Breaking Points,” “Stay Free with Russell Brand,” “The Joe Rogan Experience,” The Culture War with Tim Pool“ and ”This Past Weekend w/Theo Von.“

While many of these shows have been around since the 2010s, the network expanded throughout the Trump era. Their popularity skyrocketed during the COVID-19 pandemic, when public distrust in government, anger over pandemic restrictions and vaccine skepticism surged.

These shows hosted Kennedy frequently throughout his presidential run in 2023 and 2024. He was particularly focused on a class of male-dominated alternative shows sometimes called the ”manosphere.“

Kennedy finds his audience

I analyzed a set of Kennedy’s appearances for this story. Both Kennedy and alternative media hosts claim to care about “the real issues” facing Americans such as war, corporate and political malfeasance and economic troubles. They condemn the “mainstream” for promoting frivolous “culture war” topics related to race and identity politics.

Kennedy and the alternative media hosts also combine left and right arguments in a typically populist way. They claim that corporations control the government and that liberals and corporations censor free speech.

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For example, on a May 2024 episode of “Stay Free with Russell Brand,” Brand asserted that corrupt institutions are backed by the “deep state.” He asked Kennedy how he would fight these powerful interests.

“The major agencies of government have all been captured by the industries they’re supposed to regulate and act as sock puppets serving the mercantile interests of these big corporations,” responded Kennedy. “I have a particular ability to unravel that because I’ve litigated against so many of these agencies.”

My research found that Kennedy often bonded with his alternative media hosts over his perception that liberal media sources – allegedly controlled by the Democratic National Committee or the CIA – were censoring his campaign.

Like Kennedy, alternative media hosts often identify as former or disaffected Democrats. Many used to work at mainstream left news sites, where they say they experienced censorship.

‘This little island of free speech’

In a June 2023 episode of “The Joe Rogan Experience,” Rogan explained that he no longer identifies as a liberal because of the “orthodoxy it preaches” around issues like vaccines. He then cited YouTube’s removal of some of Kennedy’s vaccine-related videos for violating its COVID-19 misinformation policy.

Kennedy had just spent 90 minutes outlining his journey toward vaccine skepticism, which started with meeting a mother who believed vaccines caused her son’s autism.

“If a woman tells you something about her child, you should listen,” he said.

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Kennedy also described being convinced by a set of studies that public health officials had ignored.

“Trust the experts is not a function of science, it’s a function of religion,” he said. “I’ve been litigating 40 years; there’s experts on both sides.”

Afterward, he thanked Rogan for maintaining “this little island of free speech in a desert of suppression and of critical thinking.”

Kennedy reiterated this point in the Aug. 23, 2024, speech that ended his presidential campaign. The “alternative media” had kept his ideas alive, he said, while the mainstream networks had shut him out despite his historically high third-party poll numbers of 15% to 20%.

“The DNC-allied mainstream media networks maintained a near-perfect embargo on interviews with me,” Kennedy said.

Speaking directly to the reporters in the room, he added, “Your institutions and media made themselves government mouthpieces and stenographers for the organs of power.”

Kennedy ended that speech by endorsing Trump for president, a move that reportedly prompted Trump to promise his former rival a role overseeing health policy in his administration.

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Left-to-right pipeline

Trust in a range of U.S. institutions is at historical lows. Americans on both the right and the left are skeptical of power. As the 2024 election results showed, they crave radical change.

Alternative media hosts tapped into this desire, helping to push some disaffected listeners rightward. The same left-to-right pipeline landed Kennedy in Trump’s orbit.

Trump and his allies were adept at harnessing the power of the alternative media ecosystem. During the 2024 presidential campaign, Trump appeared on male-centric shows like “The Joe Rogan Experience,” and “This Past Weekend w/Theo Von,” and many media critics see this as a big factor in Trump’s success winning over young, male voters. Both Rogan and Von were personally thanked by name at Trump’s victory celebration.

Trump and his inner circle even form part of the alternative media themselves. Trump founded the alternative social media platform Truth Social and his adviser Steve Bannon hosts an influential podcast called the “War Room” on another MAGA alternative media platform, Rumble. Known for its fiery populist rhetoric, the “War Room” broadcasts live for an astonishing 22 hours a week.

Bannon, who was briefly jailed for contempt of Congress in mid-2024 and now faces trial in New York for financial fraud, used his show as a soapbox to promote Trump’s candidacy. He also praised Kennedy on the air, boosting the Democrat’s profile among his far-right listeners.

For Kennedy, aisle-crossing is part of the solution to partisan polarization.

“Step outside the culture war!” he tweeted in July 2024. “Step outside the politics of hating the other side!”

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This story has been updated to reflect the outcome of the 2024 election and Kennedy’s likely nomination to Trump’s cabinet. It was originally published on Oct. 29, 2024.

Rachel Meade, Lecturer of Political Science, Boston University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

STM Daily News is a vibrant news blog dedicated to sharing the brighter side of human experiences. Emphasizing positive, uplifting stories, the site focuses on delivering inspiring, informative, and well-researched content. With a commitment to accurate, fair, and responsible journalism, STM Daily News aims to foster a community of readers passionate about positive change and engaged in meaningful conversations. Join the movement and explore stories that celebrate the positive impacts shaping our world.

https://stmdailynews.com/

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