Entertainment
LITTLEST PET SHOP CELEBRATES THE YEAR OF THE BOBBLE BY ENCOURAGING FANS ACROSS THE GLOBE TO ‘BOBBLE TO THE BEAT’
LITTLEST PET SHOP, Following an Epic NYC Premiere Event, Basic Fun! Invites Fans Around the World to Unleash the Bobble with a Custom Song and Dance Challenge Inspired by the Pets
Last Updated on June 13, 2024 by Daily News Staff
BOCA RATON, Fla. /PRNewswire/ — Today, LITTLEST PET SHOP, one of the most well-known collectible toy brands in history, released a call to action to fans around the world to ‘unleash the bobble’. In celebration of the franchise’s long-anticipated return to retail in January – this is sure to be the “Year of the Bobble”! Debuting last week with a pop-up performance at Toys”R”Us at Macy’s Herald Square, Macy’s flagship location in New York City, the Bobble to the Beat social campaign encourages kids and kidults alike to showcase their dancing skills and bobble along with LITTLEST PET SHOP wherever they are, featuring custom choreography alongside an original LITTLEST PET SHOP brand anthem. 
To kickstart the craze, TikTok creators @Alexdwong, @GiaNina and @MelissaBecraft, along with the iconic @ToysRUs Geoffrey the Giraffe™ led a flash mob performance of 20+ dancers through Macy’s, and are helping LITTLEST PET SHOP rally fans with dance tutorials, already sparking over 3 million views across Instagram and TikTok. Both the brand anthem and dance challenge, choreographed by acclaimed New York City-based professional director, choreographer, content creator, and producer Michael McCrary, are inspired by the beloved bobblin’ motion of LITTLEST PET SHOP pets, which is featured across figures in the latest Generation 7 of the line. Consumers around the world can join in on the LITTLEST PET SHOP relaunch celebration by gathering their own crew to show off their take on the dance on social media using the hashtag #BobbleToTheBeat.
“It’s essential we relaunched LITTLEST PET SHOP with a creative call to action that would introduce this iconic brand to new audiences on the platforms where they are, and also excite our longtime collectors,” said Katy Katz, Head of Digital Marketing & E-Commerce at Basic Fun! “The ‘Bobble to The Beat’ social campaign perfectly captures the essence of the signature quirky, edgy, and undeniably cute pets that have been loved for decades. Ultimately, we hope to inspire kids of all ages to let down their guard and unleash their own ‘bobble’ with us and LITTLEST PET SHOP!”
With over 1 billion pets sold worldwide since the brand’s initial launch by Hasbro, Inc. (NASDAQ: HAS) over 30 years ago, LITTLEST PET SHOP was the original pet collectible with more than 3,000 pets to collect, display, and trade. Returning to retail this January, the LITTLEST PET SHOP line will feature over 120 bobblin’ pets by the end of the year, including new pets, packs, and playsets available in more than 20 countries worldwide. The first series in Generation 7 features a wide range of new characters to collect and cherish, available within LITTLEST PET SHOP Pet Surprise Singles, LITTLEST PET SHOP Pet Pairs, and LITTLEST PET SHOP Pet Trios assortments, Play Packs and Playsets. Products are available at mass and specialty retailers worldwide, including Macy’s, Toys”R”Us, Amazon, Target, Walmart, Five Below, GameStop and more in the U.S. Learn more at LittlestPetShop.com.
To further the LITTLEST PET SHOP experience, Roblox players can also bobble with the brand on the global immersive platform, which will debut a custom bobble dance emote available in-game starting today! Following the wildly successful collaboration between LITTLEST PET SHOP Master Toy licensee, Basic Fun!, a leading global marketer of toys and consumer products, Hasbro, Inc., a leading toy and game company, and Suit Up Games, a Roblox development studio specializing in high-engagement branded experiences for young audiences, the LITTLEST PET SHOP pet-simulation gaming experience has surpassed over 3.5 million plays since launching in December 2023.
Ready to unleash the bobble? Follow the official @LITTLESTPETSHOP social channels, including Instagram and TikTok, to join in on the fun using #BobbleToTheBeat. For more information about the LITTLEST PET SHOP brand and product line, visit LittlestPetShop.com.
ABOUT BASIC FUN! INC.
Basic Fun! is a dynamic global marketer of classic and innovative children’s entertainment products for today’s kids. The company plays in many core toy categories including classic heritage toys, novelty collectibles, building toys, youth electronics, plush, vehicles, dolls and activity/discovery. Basic Fun!’s key brands include: LITTLEST PET SHOP, Care Bears, Cutetitos, POUND PUPPIES, TONKA, K’NEX, LITE-BRITE, Mash’ems, Playhut, Arcade Classics and more! For more information, please visit www.BasicFun.com.
ABOUT HASBRO
Hasbro is a leading toy and game company whose mission is to entertain and connect generations of fans through the wonder of storytelling and exhilaration of play. Hasbro delivers engaging brand experiences for global audiences through toys, consumer products, gaming and entertainment, with a portfolio of iconic brands including MAGIC: THE GATHERING, DUNGEONS & DRAGONS, Hasbro Gaming, NERF, TRANSFORMERS, PLAY-DOH and PEPPA PIG, as well as premier partner brands.
Hasbro is guided by our Purpose to create joy and community for all people around the world, one game, one toy, one story at a time. For more than a decade, Hasbro has been consistently recognized for its corporate citizenship, including being named one of the 100 Best Corporate Citizens by 3BL Media, one of the World’s Most Ethical Companies by Ethisphere Institute and one of the 50 Most Community-Minded Companies in the U.S. by the Civic 50. For more information, visit https://corporate.hasbro.com.
SOURCE Basic Fun!
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actors & performers
‘Sanford and Son’ Star Demond Wilson Dead at 79, Report Says
Demond Wilson, known for his role as Lamont Sanford on the classic sitcom “Sanford and Son,” has passed away at 79 from cancer complications. He contributed significantly to television and film, also serving as an ordained minister. Wilson is survived by his wife and six children.
Last Updated on February 1, 2026 by Daily News Staff
HOLLYWOOD — Demond Wilson, best known for playing Lamont Sanford opposite Redd Foxx on the 1970s sitcom “Sanford and Son,” has died, according to TMZ. He was 79.

Wilson died Friday morning at his Palm Springs home from complications related to cancer, TMZ reported, citing his son, Demond Wilson Jr. The family did not specify what type of cancer he had.
Demond Wilson Dies in Palm Springs at 79, TMZ Reports – STM Daily News Podcast
Wilson starred on “Sanford and Son” from 1972 to 1977, playing the grounded, often-exasperated son to Foxx’s junkyard owner Fred Sanford. The show became a defining sitcom of its era, known for Foxx’s catchphrases and Wilson’s straight-man timing.
After “Sanford and Son,” Wilson appeared in series including “Baby … I’m Back,”“The New Odd Couple,”and guest-starred on shows such as “All in the Family,”“The Love Boat,” and “Girlfriends.” His film credits included “The Organization” (1971) and “Me and the Kid” (1993).
Born Grady Demond Wilson in Valdosta, Georgia, on Oct. 13, 1946, he was raised in Harlem and began acting as a child, later studying at the American Community Theater and Hunter College. He also served in Vietnam from 1966 to 1968, where he was wounded.
In later years, Wilson became an ordained minister and focused on faith-based outreach and reentry support work, founding Restoration House of America in 1994.
He is survived by his wife of more than 51 years, Cicely Loise Johnston, and their six children.
Sources:
- https://variety.com/2026/tv/news/demond-wilson-dead-lamont-sanford-and-son-1236647050/
- https://www.yahoo.com/entertainment/tv/articles/demond-wilson-dead-sanford-son-153658639.html
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Entertainment
Funny, Tender, Goofy: Why Catherine O’Hara Stole Every Scene From SCTV to Schitt’s Creek
Catherine O’Hara, a beloved actor and comedian, passed away at 71. Her career spanned over 50 years, showcasing her unique comedic timing in various roles, including Delia Deetz in Beetlejuice and Moira Rose in Schitt’s Creek. O’Hara’s influence and creativity left a lasting legacy in comedy, inspiring many.
Ben McCann, Adelaide University
Funny, tender, goofy – Catherine O’Hara lit up the screen every time she showed up
Catherine O’Hara, the beloved actor and comedian who has died aged 71, occupied that rare position in contemporary screen culture: a comic actor, a cult figure and a mainstream star.
Her work spanned more than 50 years, from improv sketch comedy to Hollywood features and off-beat TV classics.
She was celebrated for her unmatched comic timing and chameleon-like character work. Her roles were often absurdist and quirky, but they hid a razor-sharp humour.
Born and raised in Toronto in a close-knit Irish Catholic family, O’Hara was one of seven siblings. She once remarked humour was part of her everyday life; storytelling, impressions and lively conversation helped hone her comedic instincts.
After high school, she worked at Toronto’s Second City Theatre, a famed breeding ground for comedy talent, and sharpened her deadpan improvisational skills.
Big break
O’Hara’s break came with Second City Television (SCTV), a sketch comedy series that rivalled Saturday Night Live in creativity and influence. Alongside contemporaries Eugene Levy, John Candy, Rick Moranis and Martin Short, she defined her distinctly smart, absurdist comedic voice.
O’Hara was not merely a performer on SCTV; she was also a writer, winning an Emmy Award for her contributions. This dual role shaped her career-long sensitivity to rhythm, language and character construction.
Unlike sketch performers who rely on repetition or catchphrases, O’Hara’s humour emerged with a different comedic logic. Audiences laughed not because the character was “funny”, but because the character took herself so seriously.
Though briefly cast on Saturday Night Live in the early 1980s, O’Hara chose to stay with SCTV when it was renewed, a decision she later described as key in letting her creative career flourish where it belonged.
The transition to film
By the mid-1980s, O’Hara was establishing herself as a screen presence. She appeared in Martin Scorsese’s offbeat black comedy After Hours (1985), and showcased her comic range in Heartburn (1986).
In 1988, she landed what would become one of her most beloved film roles: Delia Deetz in Tim Burton’s left-field Beetlejuice (1988).
Delia – a pretentious, New York art-scene social climber – allowed O’Hara to combine physical comedy and imbecilic dialogue (“A little gasoline … blowtorch … no problem”).
Burton once noted
Catherine’s so good, maybe too good. She works on levels that people don’t even know. I think she scares people because she operates at such high levels.
She went on to play Kate McCallister, the beleaguered mother in the holiday blockbusters Home Alone (1990) and Home Alone 2: Lost in New York (1992). Audiences loved the fact that this rather thinly written role became the films’ beating heart.
Working with Christopher Guest
Another distinctive phase of O’Hara’s career was her work with writer-director Christopher Guest on a series of largely improvised mockumentaries that have become cult classics.
Three standouts were Waiting for Guffman (1996), where she plays a desperate local performer in a small-town theatre troupe, and A Mighty Wind (2003), where she teamed up with old pal Levy as an ageing folk duo.
Her best turn came in Best in Show (2000), in which she and Levy played a couple competing in a national dog show. Her character Cookie Fleck remains one of the finest examples of improvised comedy on film. https://www.youtube.com/embed/Ay1cJ1QMOms?wmode=transparent&start=0
Her relentless monologues about former lovers are objectively inappropriate, yet O’Hara delivers them with such earnest enthusiasm that they become strangely compelling.
Her gift for improvisation glittered in these films: these eccentric characters were often laugh-out-loud funny – but O’Hara never mocked them.
Late success
She returned to TV in Six Feet Under (2001–05) and guest appearances on The Larry Sanders Show (1992–98) and Curb Your Enthusiasm (1999–2024). More recently, she appeared in prestige shows such as The Last of Us (2023–) and The Studio (2025–).
But it was the role of Moira Rose, the eccentric, ex-soap opera star in the Canadian sitcom Schitt’s Creek (2015–20), created by Eugene Levy and his son Dan, that would become O’Hara’s most significant late career move. And what a role it was!
Written for O’Hara’s unique talents, Moira was a larger-than-life character with a bizarre, unforgettable vocabulary, dramatic mood swings and a wardrobe that became nearly as famous as the character herself.
Feminist media scholars have noted the rarity of such complex roles for older women, particularly in comedy, making O’Hara’s performance culturally significant.
The show became a global streaming blockbuster during COVID lockdowns and O’Hara’s multi-award-winning performance became a social media phenomenon, spawning memes and viral clips.
There are so many standout moments – her drunken meltdown after losing her wigs, her audition for The Crows Have Eyes 3 and the show’s moving finale where she performs Danny Boy at Alexis’s graduation.
An enduring legacy
O’Hara had a remarkable ability to play flamboyant, self-absorbed characters who were often uproariously funny.
Many comedians and actors have cited O’Hara as an influence for her fearlessness, her ability to blend absurdity with emotional truth, and her steadfast commitment to character integrity. She influenced performers like Tina Fey, Maya Rudolph, Kate McKinnon and Phoebe Waller-Bridge.
O’Hara also refused to chase conventional stardom. Rather than choosing projects designed to flatten her eccentricities, O’Hara favoured collaborative environments that valued creativity over control.
For her, comedy was always an art of intelligence, empathy and generosity.
Ben McCann, Associate Professor of French Studies, Adelaide University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Entertainment
Catherine O’Hara and the Late-Night TV That Stayed With Me
A personal reflection on watching Catherine O’Hara on SCTV during late-night television and how those early performances shaped a lifelong love of character-driven comedy.

Catherine O’Hara and the Late-Night TV That Shaped a Generation of Comedy Fans
From a personal point of view, one of my earliest memories of Catherine O’Hara doesn’t come from a movie theater or a prime-time sitcom. It comes from the quiet glow of late-night television, long after most of the house had gone to sleep.
As a youngster, I remember staying up late enough to catch Second City Television (SCTV), which aired after Saturday Night Live and Don Kirshner’s Rock Concert. That meant it didn’t come on until around 1:30 a.m. Pacific Time, deep into Saturday night and early Sunday morning. Even at that young age, I knew I was watching something different. The humor felt sharper, stranger, and somehow smarter — and Catherine O’Hara stood out immediately.
Even before I understood why it was funny, I understood that it mattered.
Late-Night Television as a Classroom
Looking back now, it’s clear that late-night television quietly shaped my taste in comedy. SCTV didn’t feel like it was aiming for the widest possible audience. It felt like it trusted the viewer to catch up. Catherine O’Hara’s performances weren’t just about delivering punchlines — they were about inhabiting characters completely, no matter how absurd, subtle, or offbeat they were.
That kind of comedy asks you to pay attention. And for a kid watching far past his bedtime, it was oddly captivating. I didn’t have the vocabulary for “character work” or “commitment to the bit,” but I recognized authenticity when I saw it. O’Hara had it in abundance.
Seeing the Through-Line Years Later
As the years went on, Catherine O’Hara kept showing up in new places — and each time, something clicked. In Beetlejuice, there was that same fearless weirdness. In Home Alone, she brought warmth and panic and humanity to what could have easily been a one-note role. She grounded the chaos without ever dulling it.

Then came Schitt’s Creek. By the time Moira Rose entered our cultural vocabulary, it felt less like a reinvention and more like a full-circle moment. The bold choices, the musicality of her voice, the unapologetic commitment — it all traced back to those SCTV performances from decades earlier.
Moira Rose didn’t come out of nowhere — she came from years of late nights, sharp instincts, and fearless comedy.
Why Those Early Moments Matter
What I didn’t realize at the time was that those 1:30 a.m. viewings were teaching me how to appreciate comedy that lingered. Not everything had to land immediately. Not every joke needed a laugh track. Some performances simply stayed with you.

Catherine O’Hara’s work did exactly that. It stayed. Through different decades, formats, and genres, her performances carried a consistency of intelligence and heart. For many of us who grew up sneaking glances at late-night television, she became a familiar presence — someone who trusted the audience enough to go all in.
A Personal Goodbye
With news of her passing, those memories feel closer than ever. Not just of Catherine O’Hara the icon, but of Catherine O’Hara the performer who helped shape how many of us learned to watch comedy. She wasn’t just funny — she was formative.
Late-night television doesn’t always get credit for the role it plays in shaping taste, curiosity, and imagination. But for those of us who were there, watching quietly while the rest of the world slept, it mattered. And Catherine O’Hara was a big part of why.
— STM Daily News
For more on her early career in comedy, see Forbes retrospective on Catherine O’Hara’s career history and influence. [oai_citation:3‡Forbes](https://www.forbes.com/sites/hannahabraham/2026/01/30/how-catherine-ohara-became-beloved-across-three-generations-from-sctv-to-home-alone-to-schitts-creek/?utm_source=chatgpt.com)
Learn about the cultural impact and awards for Schitt’s Creek Schitt’s Creek Wikipedia overview. [oai_citation:4‡Wikipedia](https://en.wikipedia.org/wiki/Schitt%27s_Creek?utm_source=chatgpt.com)
See a broad overview of her life and legacy from PBS NewsHour PBS retrospective. [oai_citation:5‡pbs.org](https://www.pbs.org/newshour/arts/catherine-ohara-emmy-winning-actor-and-comedian-of-schitts-creek-fame-dies-at-71?utm_source=chatgpt.com)
Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/
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