Entertainment
‘Love Is Blind’ contestants count as employees − new US government agency finding could shake up reality TV production
Reality TV contestants lack employee rights, but the NLRB’s complaint may change their classification and pay protections.
David Arditi, University of Texas at Arlington
When members of a reality TV show’s cast sign a contract to participate in a show, they typically do so more for the exposure than the pay – and in many cases they do not earn a dime.
Employers get away with what may appear to be a violation of basic labor laws because those contestants are classified as independent contractors, not employees. In the eyes of the law, they do not have the same protections most workers get with just about any other kind of job, such as the freedom to join unions.
It also means that the National Labor Relations Board does not have jurisdiction over them. This may soon change after the government agency filed a complaint against Delirium TV and Kinetic Content, the producers of “Love Is Blind.”
The NLRB complaint states that reality TV contestants are employees and therefore have the right to join a union. Former “Love Is Blind” contestants Renee Poche and Nicholas Thompson had filed a petition requesting this action. In addition to not being able to join a union, they couldn’t even discuss the terms of their contracts due to nondisclosure agreements.
As a sociologist who studies popular culture and labor, I have argued for years that reality TV stars and musicians should be classified as employees.
Reality TV participants, including many of the stars of those shows, are essentially the unpaid interns of the entertainment industry, even though it’s their stories, personalities and talent that attract and hook viewers.
Offering contestants paltry pay
Today’s economy is saturated with precarious employment practices where many corporations classify workers as independent contractors. From musicians to influencers, people work gig jobs where there is no guarantee of pay or employment.
“Cupcake Wars,” “Love Is Blind” and other reality TV shows thrive thanks to a simple business model: They are cheap to produce. One reason for that is most participants are independent contractors who work for free or earn paltry pay under the guise of chasing their dreams or gaining exposure.
This arrangement might change after the new NLRB complaint. The NLRB was created during President Franklin D. Roosevelt’s New Deal as an independent government agency tasked with protecting and regulating workers’ rights.
One of its key responsibilities is regulating unions and determining workers’ right to strike. It determines who can join a union and whether a strike is legal.
Providing a gold mine for networks
To conduct research for my book “Getting Signed: Record Contracts, Musicians, and Power in Society,” I interviewed contestants on “The Voice.”
Former contestants repeatedly told me that the television exposure did little to help their careers.
Prior to joining the show, many of the musicians were trying to scratch out a living through touring or performing. They put their developing careers on pause to chase their dreams.
However, the show’s contracts have stipulated that contestants cannot perform, sell their name, image and likeness, or record new music while on “The Voice.”
Furthermore, viewers might not realize just how profitable these reality shows are.
Take “House Hunters.” The show follows a prospective homebuyer as they tour three homes. Homebuyers featured on the show have noted that they earn only US$500 for their work, and the episodes take three to five days and about 30 hours to film.
The show’s producers don’t pay the real estate agents to be on it.
The low pay for people on reality TV shows matches the low budget for these shows. A former participant wrote that episodes of “House Hunters” cost about $50,000 to shoot. Prime-time sitcoms, by comparison, have a budget of up to $3 million per episode.
Organizing unions within reality TV
That massive budget gap between reality TV and sitcoms is not simply due to an absence of star actors.
Many scripted television shows are based in Los Angeles, where camera crews, stunt doubles, costume artisans, makeup artists and hair stylists are unionized. But shows like “House Hunters,” which are filmed across the country, recruit crews from right-to-work states.
Employees in those places cannot be compelled to join a union or pay union dues as a condition of employment. For these reasons, unions have far less power in these states than they do in places traditionally associated with show business, such as California and New York.
I think reality TV might become the next show business labor battle. If the NLRB forces “Love Is Blind” to treat its stars and other on-screen participants as employees, it could cascade.
Reality TV production companies could someday be required to pay all contestants wages and limit the hours they work. The Screen Actors Guild-American Federation of Television and Radio Artists, the union known as SAG-AFTRA, could begin to recruit those workers as dues-paying members.
But it’s not certain that any of this will happen. There are many hearings, court cases and appeals in store before it becomes enforceable. And since President-elect Donald Trump will take office before the hearing is scheduled to occur, his appointees could change course.
Still, I think the NLRB’s action demonstrates that reality TV contestants are finally becoming recognized as workers who deserve to be treated better by their employers.
Some portions of this article first appeared in an article published on Sept. 21, 2023.
David Arditi, Professor of Sociology, University of Texas at Arlington
This article is republished from The Conversation under a Creative Commons license. Read the original article.
SeaWorld is leaning hard into summer nights in 2026, rolling out a coast-to-coast entertainment lineup across Orlando, San Diego, and San Antonio. The headline addition: all three parks will feature all-new nighttime drone shows, paired with nighttime animal presentations, seasonal concerts, parades, and event-style programming designed to keep families in the park after sunset.
SeaWorld says the goal is a bigger, more immersive summer experience that blends animal encounters with high-energy entertainment. Marc Swanson, CEO of United Parks & Resorts (SeaWorld’s parent company), said the company is “raising the bar across the country” with a mix of “cutting-edge drone displays” and “nonstop family fun” meant to create lasting memories.
What’s new across all three parks
Across Orlando, San Diego, and San Antonio, SeaWorld’s summer push centers on nighttime programming. The parks are introducing new drone spectacles (with San Diego and San Antonio debuting drone shows for the first time, and Orlando launching a new version), plus new nighttime animal presentations and event-style entertainment.
Families planning travel around theme parks will want to watch two things: start dates and nighttime schedules, since several offerings roll out in late May and mid-June depending on the park.
SeaWorld Orlando: Electric Ocean returns June 12
In Orlando, SeaWorld’s summer nights are anchored by Electric Ocean, beginning June 12. The event is built as a full evening block: performance show, dance party energy, animal presentations, and a closing sky show.
Electric Ocean includes:
- Hydro Surge: Cirque Spectacular Show, a high-energy cirque-style production with acrobatics, dancers, and live drumming
- Club SeaGlow, an evening DJ party with dancers and atmospheric acts
- An all-new drone spectacle, featuring hundreds of synchronized drones forming ocean-themed scenes
- Ignite: A Fireworks Spectacular, returning with an enhanced mix of fireworks, fountains, lighting, and music
Also beginning June 12, SeaWorld Orlando is introducing three new nighttime animal presentations:
- Shamu Celebration: Light Up The Night
- Sea Lions Tonite
- Dolphins: Touch the Sky
SeaWorld also teased a new attraction opening this summer: Expedition Odyssey: Fire & Ice, described as a scientific mission exploring the most powerful forces that shape one of the most extreme environments on Earth.
SeaWorld San Diego: Drone show debut, Shark Encounter, and a summer concert series
SeaWorld San Diego’s summer programming begins May 22, with a slate that runs from daytime experiences into nighttime entertainment. The biggest “first” is the park’s debut drone show.
New offerings starting May 22 include:
- Ocean of Dreams Drone Show, a 12-minute nighttime show featuring 600 synchronized drones set to a soaring soundtrack
- Shark Encounter, a refreshed, interactive, immersive experience featuring sharks from 11 species
- Dolphin Adventures, featuring dolphins, pilot whales, and “the next generation of dolphins”
- The Wonders of North American Wildlife, highlighting native wildlife diversity and rescue/rehabilitation stories
- Deep Sea Disco, a dance-focused nighttime experience under SkyTower lights
On June 12, SeaWorld San Diego adds three nighttime animal presentations:
- Shamu Celebration: Light Up The Night
- Sea Lions Tonite
- Dolphins: Touch the Sky
The park is also bringing back fan-favorite shows including BMX Blast! Powered by BODYARMOR and Pirates Ahoy! The Battle for Mermaid Cove. Plus, SeaWorld says its 2026 Summer Concert Series will run every Saturday, spotlighting artists tied to ’90s and early-2000s hip hop and R&B.
SeaWorld San Antonio: Electric Ocean, a 400-drone finale, and a new family coaster
SeaWorld San Antonio’s summer lineup also starts May 22, led by its own version of Electric Ocean. The park’s summer nights are built around parade energy, stunt action, and a drone finale.
Electric Ocean in San Antonio includes:
- RhythMotion Ocean Parade, featuring floats, dancers, and characters
- Hydropower: Xtreme FX, a waterski stunt show with pyrotechnics, lasers, and live music
- SeaWorld Illuminight Drone Finale, featuring 400 synchronized drones creating marine-life-inspired animations
San Antonio is also adding two nighttime animal presentations beginning May 22:
- Shamu Celebration: Light Up the Night
- Sea Lions Tonite
For families looking for a ride-centered reason to visit, SeaWorld San Antonio is promoting Barracuda Strike, described as the tallest inverted family coaster in North America.
Annual Pass angle for repeat visits
SeaWorld is positioning its Annual Pass as the best way to experience the summer lineup, emphasizing unlimited visits and perks like savings on merchandise, reserved seating, and add-ons.
A note on SeaWorld’s conservation and rescue work
Alongside the entertainment rollout, SeaWorld highlighted its conservation and animal rescue efforts. The company says it has helped more than 42,000 animals to date and that the SeaWorld Conservation Fund has provided more than $20 million to nearly 1,400 organizations since 2003.
Planning tips: what to watch before you book
If you’re planning a family trip around these summer events, the key details to confirm are:
- Event start dates (May 22 vs. June 12 depending on the park)
- Nighttime showtimes for drone shows and animal presentations
- Concert dates (San Diego’s Saturday series)
- Park hours and whether any offerings require reservations or have limited seating
Source: SeaWorld (press release distributed via PRNewswire, May 7, 2026).
Related: Sea World Orlando
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music and concerts
Hillbilly Bible Film Relaunch Honors John Amos, Adds Voyage Air Guitar Giveaway
Hillbilly Bible, a Memphis-rooted faith-based dramedy dedicated to John Amos, is set to begin production in Fall 2026 and is launching a $30 fan campaign with a Voyage Air Guitar giveaway.
MEMPHIS, Tenn. — Hillbilly Bible, a Memphis-rooted, music-driven faith-based dramedy, is being relaunched by Hillbilly Bible Movie LLC in association with MVP3 Foundation and MVP3 Network, with director KC Amos stepping in to honor the legacy of his father, actor John Amos.
The film is supported by Voyage Air Guitar as the leading product placement title sponsor and is scheduled to begin production in Fall 2026, with filming planned in Memphis and Nashville, Tennessee, and Clarksdale, Mississippi.
What the film is about
Written by Marie Pizano with co-writer Mark Selker and inspired by the book title Hillbilly Bible by Stevie Rey, the PG-13 story follows Billy Madden, a former foster kid whose early trauma shadows his adult life.
After a public fall tied to pride and addiction, Billy heads south searching for a legendary bluesman known as the “Cool Cat Jesus,” believing the musician can help restore his broken career.
Instead, he meets unexpected messengers who challenge him to face humility, inner-child wounds, and the cost of chasing applause over purpose.
The film tracks Billy’s road to repentance, healing, and restored identity, blending music, drama, and humor while carrying a dedication to John Amos.
The creative team
Pizano leads the project alongside director KC Amos and co-director Al Coronel, who makes his directorial debut. The producing team also includes Kent Wells, a longtime producer associated with Dolly Parton.
“This story carries the spirit of all of us,” Pizano said in the announcement. “We all stumble and fall, but we can get back up and find our ‘yes.’”
Fan campaign + giveaway
To bring supporters into the rollout, the film is launching a $30 fan supporter campaign and a Voyage Air Guitar giveaway. Organizers say the campaign is designed to give back to foster youth, ministries, and mental health advocacy.
Each supporter package includes an exclusive Hillbilly Bible T-shirt, entry into the Voyage Air Guitar giveaway, and access to a private screening before any wider public release.
More details and official rules are available at https://hillbillybiblemovie.com/. Fans can also follow the official Facebook page at https://www.facebook.com/share/1ApXMKqqA1/?mibextid=wwXIfr.
What to Watch For
- Fall 2026 production start and location updates (Memphis, Nashville, Clarksdale)
- News from press-only conferences set for March 25, 2026 (Memphis and Clarksdale), plus a later Nashville event
- Casting, music partnerships, and additional sponsor announcements as the project ramps up
Sources: hillbillybiblemovie.com
Official Facebook page
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pop culture
May the Fourth: Celebrating National Star Wars Day | Fun Facts & Festivities
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th.
Last Updated on May 4, 2026 by Daily News Staff
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th. The day is filled with festivities such as costume contests, trivia games, and movie marathons. Fans of the series can dress up like their favorite characters, watch their favorite movies, and make outer space snacks.
The phrase “May the Fourth Be with You” was first introduced by the Conservative Party in the UK in 1979 to congratulate Margaret Thatcher on becoming the first female Prime Minister. Since then, the phrase has become synonymous with Star Wars Day and is used by fans around the world to greet each other on this special day.
National Star Wars Day was first organized in Toronto, Canada, in 2011, and has since become a worldwide phenomenon. Fans of all ages come together to celebrate their love for the franchise and to honor its creator, George Lucas.
Whether you’re a hardcore fan or just a casual admirer, National Star Wars Day is a day to let loose and have some fun. May the Fourth be with you!
National Star Wars Day
https://nationaldaycalendar.com/?s=Star+Wars+Day
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