Entertainment
Philly theaters unite to stage 3 plays by Pulitzer-winning playwright James Ijames
James Ijames, 2022 Pulitzer Prize winner for “Fat Ham,” is celebrated with a Citywide Pass in Philadelphia, offering access to three of his plays across different theaters. This initiative fosters collaboration among local theaters and showcases Ijames’ unique ability to create nuanced, character-driven narratives that explore complex queer and Black identities.

Bess Rowen, Villanova University
Most theater subscriptions offer a patron access to a single theater’s season. But Philadelphia’s new Citywide James Ijames Pass provides tickets to three James Ijames – pronounced EYE-ms, rhymes with “chimes” – plays at three theaters in Philadelphia. Subscribers will also get one mustard-colored beanie, one of Ijames’ signature accessories.
The full pass, which costs US$130, includes tickets for the Arden Theatre’s “Good Bones,” which premiered Jan. 22 and runs through March 22, the Wilma Theater’s “The Most Spectacularly Lamentable Trial of Miz Martha Washington,” which runs March 17 to April 5, and the Philadelphia Theatre Company’s “Wilderness Generation,” a world premiere that runs April 10 to May 3. There is also a two-show pass for $90 without “Good Bones.”
I’m a theater theorist, historian and practitioner who has written about Ijames’ work before and after his 2022 Pulitzer Prize. I believe this landmark collaboration between three important Philadelphia theaters is a fitting celebration of a multi-hyphenate theater artist who continues to champion his longtime artistic home.
Actor, playwright, director
Ijames, 46, was born in North Carolina and attended Morehouse College in Atlanta, Georgia. He earned his Master of Fine Arts degree at Temple University and stayed in Philadelphia after graduating.
Notably, this playwright’s MFA is in the study of acting. Ijames is also a talented director, and he performed and directed at multiple theaters around Philadelphia before starting to work as a playwright. He was also a tenured professor of theater at Villanova University, where I had the privilege to work with him and watch his creative process before he moved to New York City in 2025 to run the playwriting concentration at Columbia University.
Ijames was already a local celebrity in Philly before winning the Pulitzer Prize for drama for “Fat Ham,” his Hamlet adaptation centered on a queer Black Hamlet named Juicy and the legacy of his father’s barbecue joint. The New York theater scene took notice of him when the National Black Theatre staged “Kill Move Paradise” in 2017. This haunting piece is set in limbo, where unarmed Black men who have been killed by police examine how they have come to this place and how society continues to enable this pattern.
Other Ijames plays include “White,” a satire of the art world that tells the story of a gay white male artist who hires a Black woman actor to pretend to have done his work to see if that makes a difference in how his art is viewed. “TJ Loves Sally 4Ever” sets Thomas Jefferson and Sally Hemings’ relationship on a college campus where “TJ” is a dean and Sally is a student. And “Reverie” is a chamber play, which is an intimate meditation with an earnest and somber tone. In it, the father of a recently deceased Black gay man comes to meet the man he believed was his son’s partner.
Most recently, in 2025, Ijames partnered with the Australian pop singer Sia on a musical called “Saturday Church.” It is a story about reconciling queer community and Christian faith, and relying on the support of family, both biological and chosen.
Charting new dramatic territory
Although his theatrical styles and genres vary, at his core, Ijames writes nuanced, character-driven works that revolve around interpersonal relationships. His plays are playgrounds for performers, particularly due to his ability to write complex queer Black characters.
Influential American playwright Suzan-Lori Parks notes in her 1994 essay “Elements of Style” that the conflict between Black people and white people is the default trope of how Black people have been represented onstage – by almost exclusively white playwrights – for most of U.S. theater history. Parks posits that a way to avoid this centering of white conflict in Black lives comes from new dramatic territory that depicts conflicts between Black people and anything else.
Ijames never sets his Black characters in opposition to white society alone. He also refuses to take up the tropes of LGBTQ identity as incompatible with religion, or the idea that characters can be only gay or straight. Instead, Ijames creates narratives with queer religious people and pansexual men whose identities are not sources of conflict.
The citywide pass
The plays in the citywide pass offer an exciting cross section of what makes Ijames’s work so vibrant.
“Good Bones” is the story of a now-affluent Black woman, Aisha, who moves back to her blue-collar hometown. Aisha might be from this working-class neighborhood, but her elaborate renovations and white-collar sensibilities make her return seem more like gentrification than homecoming, at least as far as her local contractor can see.
“Miz Martha” follows the titular Martha Washington through a fever-dream-inspired trial in her final moments, as enslaved people care for her while knowing her death means their freedom.
And “Wilderness Generation” follows five cousins reunited in the U.S. South after many years apart, ready to talk about the secrets from their pasts.
With theater’s ever-changing and unstable financial landscape, I believe the Citywide James Ijames Pass is an exciting new subscriber model. The collaboration highlights Philadelphia’s theatrical talent and banks on local theaters working together to build audiences instead of treating each other as competition – a new development that could change how regional theater scenes operate.
Bess Rowen, Assistant Professor of Theatre, Villanova University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Entertainment
Food Truck: Stolen Love… and Moo Deng Heads to Select U.S. Theaters Before Netflix Debut
Food Truck: Stolen Love and Moo Deng opens March 20 in select U.S. theaters before its global Netflix premiere later in 2026. Here’s what to know.

An international comedy adventure is making a quick stop in U.S. theaters before heading to Netflix worldwide later this year. Food Truck: Stolen Love… and Moo Deng opens March 20 in select U.S. markets, giving moviegoers a chance to catch the film on the big screen ahead of its global streaming release.
According to Monarchs Screen Entertainment, the limited theatrical rollout includes cities such as Los Angeles, New York, Miami, Las Vegas, Chicago, Houston, Atlanta, and Boston, with tickets already on sale. The early response appears strong. Scott Kennedy, founder and CEO of Falling Forward Films, said tickets are moving quickly in several key markets.
What the film is about
The story follows a wild road trip involving three friends, a runaway Korean boy, and a famous baby hippo, all traveling together in a Thai food truck. As the group moves through a fast-paced mix of humor, danger, and hidden truths, a young mother is in a race to find her missing son.
The film blends comedy and adventure with a more emotional core, leaning into themes of friendship, family, and the unexpected bonds that can form under pressure.
Cast and release details
The movie stars Korean singer and actress Yulee Choi in her debut film role, joined by Thai star Mario Maurer and Chun Padchun Hiranprateep. The production also includes Tony Sarandos and Keyun “Country” Parker of Parker’s Communication & Entertainment Services as consulting producers.
After the theatrical run, Food Truck: Stolen Love… and Moo Deng is set to launch globally on Netflix later in 2026, expanding its reach to international audiences.
Why it stands out
What makes this release worth watching is its cross-cultural setup and offbeat premise. A Thai food truck, an international cast, a runaway child, and a baby hippo is not a combination audiences see every day. That unusual mix could help the film stand out in both theaters and on streaming.
For viewers looking for something lighter but still grounded in emotional stakes, this one may be worth adding to the watchlist.For more information, visit www.foodtruckthemovie.com
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Entertainment
Subaru Cherry Blossom Festival Returns to Philadelphia March 28-29, Celebrating 100 Years of Sakura Friendship

Subaru Cherry Blossom Festival
Philadelphia’s annual Subaru Cherry Blossom Festival will return to Fairmount Park on Saturday, March 28, and Sunday, March 29, 2026, with a special focus on the 100th anniversary of Japan’s gift of cherry trees to the city. Hosted by the Japan America Society of Greater Philadelphia and Subaru of America, Inc., the two-day event will run from 10 a.m. to 5 p.m. at the Horticulture Center and Shofuso Japanese Cultural Center.
Organizers say the family-friendly, dog-friendly festival will feature live music, Japanese cultural performances, cosplay and alternative fashion shows, karaoke, tea ceremonies, calligraphy, ikebana demonstrations, a vendor fair, artist alley, and a food court highlighting Japanese and Asian cuisine. A “Prettiest in Pink” Pet Contest & Parade is also scheduled for Sunday, March 29. The event comes after the festival drew more than 25,000 attendees in 2025 and will expand its footprint this year to improve the visitor experience.
General admission is $15 in advance and $20 at the gate, while children under 12 and JASGP members can attend for free. Organizers said the festival will be held rain or shine, with parking available at the Highmark Mann Center for $10 per vehicle. More information and tickets are available at PhillySakura.org.
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Local News
Metrolink Adds 3 A.M. Service for Beyond Wonderland SoCal Festival
Metrolink will offer special 3 a.m. San Bernardino Line trains on March 28 and 29 for Beyond Wonderland Southern California attendees traveling home from the NOS Events Center in San Bernardino.

The late-night trains will stop at Fontana, Rancho Cucamonga, Upland, Montclair, Claremont, Pomona-North, Covina, El Monte, Cal State LA and LA Union Station.
Festivalgoers heading to the event can ride any regularly scheduled San Bernardino Line train to San Bernardino-Downtown Station, which is about a mile from the venue.
Riders must buy a $25 Insomniac Events Beyond Wonderland Special Train ticket through the Metrolink Mobile App. The ticket works as a multi-day pass starting Friday, March 27, and includes unlimited rides on Metrolink along with access to the special 3 a.m. return service.
To purchase in the app, riders should tap Buy Tickets, select their origin station, choose San Bernardino-Downtown as the destination, then select Insomniac Events as the ticket type.
Metrolink said the special Insomniac Events ticket is required to board the 3 a.m. trains. Monthly passes, 5-Day Flex Passes and standard discount programs will not be accepted for this service.
More information is available at metrolinktrains.com/beyond.
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Related Links
- Metrolink Beyond Wonderland Special Service Information
- Beyond Wonderland Southern California Official Event Page
- NOS Events Center Official Website
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