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Philly theaters unite to stage 3 plays by Pulitzer-winning playwright James Ijames

James Ijames, 2022 Pulitzer Prize winner for “Fat Ham,” is celebrated with a Citywide Pass in Philadelphia, offering access to three of his plays across different theaters. This initiative fosters collaboration among local theaters and showcases Ijames’ unique ability to create nuanced, character-driven narratives that explore complex queer and Black identities.

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James Ijames in front of floral backdrop.
James Ijames won the 2022 Pulitzer Prize for drama for his play ‘Fat Ham.’ Here he’s shown at the Obie Awards in New York City in February 2023. Jenny Anderson/Getty Images for American Theatre Wing

Bess Rowen, Villanova University

Most theater subscriptions offer a patron access to a single theater’s season. But Philadelphia’s new Citywide James Ijames Pass provides tickets to three James Ijames – pronounced EYE-ms, rhymes with “chimes” – plays at three theaters in Philadelphia. Subscribers will also get one mustard-colored beanie, one of Ijames’ signature accessories.

The full pass, which costs US$130, includes tickets for the Arden Theatre’s “Good Bones,” which premiered Jan. 22 and runs through March 22, the Wilma Theater’s “The Most Spectacularly Lamentable Trial of Miz Martha Washington,” which runs March 17 to April 5, and the Philadelphia Theatre Company’s “Wilderness Generation,” a world premiere that runs April 10 to May 3. There is also a two-show pass for $90 without “Good Bones.”

I’m a theater theorist, historian and practitioner who has written about Ijames’ work before and after his 2022 Pulitzer Prize. I believe this landmark collaboration between three important Philadelphia theaters is a fitting celebration of a multi-hyphenate theater artist who continues to champion his longtime artistic home.

Actor, playwright, director

Ijames, 46, was born in North Carolina and attended Morehouse College in Atlanta, Georgia. He earned his Master of Fine Arts degree at Temple University and stayed in Philadelphia after graduating.

Notably, this playwright’s MFA is in the study of acting. Ijames is also a talented director, and he performed and directed at multiple theaters around Philadelphia before starting to work as a playwright. He was also a tenured professor of theater at Villanova University, where I had the privilege to work with him and watch his creative process before he moved to New York City in 2025 to run the playwriting concentration at Columbia University.

Ijames was already a local celebrity in Philly before winning the Pulitzer Prize for drama for “Fat Ham,” his Hamlet adaptation centered on a queer Black Hamlet named Juicy and the legacy of his father’s barbecue joint. The New York theater scene took notice of him when the National Black Theatre staged “Kill Move Paradise” in 2017. This haunting piece is set in limbo, where unarmed Black men who have been killed by police examine how they have come to this place and how society continues to enable this pattern.

Other Ijames plays include “White,” a satire of the art world that tells the story of a gay white male artist who hires a Black woman actor to pretend to have done his work to see if that makes a difference in how his art is viewed. “TJ Loves Sally 4Ever” sets Thomas Jefferson and Sally Hemings’ relationship on a college campus where “TJ” is a dean and Sally is a student. And “Reverie” is a chamber play, which is an intimate meditation with an earnest and somber tone. In it, the father of a recently deceased Black gay man comes to meet the man he believed was his son’s partner.

Most recently, in 2025, Ijames partnered with the Australian pop singer Sia on a musical called “Saturday Church.” It is a story about reconciling queer community and Christian faith, and relying on the support of family, both biological and chosen.

A large crowd of people onstage with a sign behind them that reads 'See What I See'
The cast and crew of ‘Fat Ham’ during the opening night curtain call at the Roundabout American Airlines Theatre on Broadway on April 12, 2023. Bruce Glikas/WireImage via Getty Images

Charting new dramatic territory

Although his theatrical styles and genres vary, at his core, Ijames writes nuanced, character-driven works that revolve around interpersonal relationships. His plays are playgrounds for performers, particularly due to his ability to write complex queer Black characters.

Influential American playwright Suzan-Lori Parks notes in her 1994 essay “Elements of Style” that the conflict between Black people and white people is the default trope of how Black people have been represented onstage – by almost exclusively white playwrights – for most of U.S. theater history. Parks posits that a way to avoid this centering of white conflict in Black lives comes from new dramatic territory that depicts conflicts between Black people and anything else.

Ijames never sets his Black characters in opposition to white society alone. He also refuses to take up the tropes of LGBTQ identity as incompatible with religion, or the idea that characters can be only gay or straight. Instead, Ijames creates narratives with queer religious people and pansexual men whose identities are not sources of conflict.

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The citywide pass

The plays in the citywide pass offer an exciting cross section of what makes Ijames’s work so vibrant.

“Good Bones” is the story of a now-affluent Black woman, Aisha, who moves back to her blue-collar hometown. Aisha might be from this working-class neighborhood, but her elaborate renovations and white-collar sensibilities make her return seem more like gentrification than homecoming, at least as far as her local contractor can see.

“Miz Martha” follows the titular Martha Washington through a fever-dream-inspired trial in her final moments, as enslaved people care for her while knowing her death means their freedom.

And “Wilderness Generation” follows five cousins reunited in the U.S. South after many years apart, ready to talk about the secrets from their pasts.

With theater’s ever-changing and unstable financial landscape, I believe the Citywide James Ijames Pass is an exciting new subscriber model. The collaboration highlights Philadelphia’s theatrical talent and banks on local theaters working together to build audiences instead of treating each other as competition – a new development that could change how regional theater scenes operate.

Bess Rowen, Assistant Professor of Theatre, Villanova University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Hillbilly Bible Film Relaunch Honors John Amos, Adds Voyage Air Guitar Giveaway

Hillbilly Bible, a Memphis-rooted faith-based dramedy dedicated to John Amos, is set to begin production in Fall 2026 and is launching a $30 fan campaign with a Voyage Air Guitar giveaway.

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MEMPHIS, Tenn. — Hillbilly Bible, a Memphis-rooted, music-driven faith-based dramedy, is being relaunched by Hillbilly Bible Movie LLC in association with MVP3 Foundation and MVP3 Network, with director KC Amos stepping in to honor the legacy of his father, actor John Amos.

acoustic guitar player in music studio. Hillbilly Bible
Photo by Caique Araujo on Pexels.com

The film is supported by Voyage Air Guitar as the leading product placement title sponsor and is scheduled to begin production in Fall 2026, with filming planned in Memphis and Nashville, Tennessee, and Clarksdale, Mississippi.

What the film is about

Written by Marie Pizano with co-writer Mark Selker and inspired by the book title Hillbilly Bible by Stevie Rey, the PG-13 story follows Billy Madden, a former foster kid whose early trauma shadows his adult life.

After a public fall tied to pride and addiction, Billy heads south searching for a legendary bluesman known as the “Cool Cat Jesus,” believing the musician can help restore his broken career.

Instead, he meets unexpected messengers who challenge him to face humility, inner-child wounds, and the cost of chasing applause over purpose.

The film tracks Billy’s road to repentance, healing, and restored identity, blending music, drama, and humor while carrying a dedication to John Amos.

The creative team

Pizano leads the project alongside director KC Amos and co-director Al Coronel, who makes his directorial debut. The producing team also includes Kent Wells, a longtime producer associated with Dolly Parton.

“This story carries the spirit of all of us,” Pizano said in the announcement. “We all stumble and fall, but we can get back up and find our ‘yes.’”

Fan campaign + giveaway

To bring supporters into the rollout, the film is launching a $30 fan supporter campaign and a Voyage Air Guitar giveaway. Organizers say the campaign is designed to give back to foster youth, ministries, and mental health advocacy.

Each supporter package includes an exclusive Hillbilly Bible T-shirt, entry into the Voyage Air Guitar giveaway, and access to a private screening before any wider public release.

More details and official rules are available at https://hillbillybiblemovie.com/. Fans can also follow the official Facebook page at https://www.facebook.com/share/1ApXMKqqA1/?mibextid=wwXIfr.

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What to Watch For

  • Fall 2026 production start and location updates (Memphis, Nashville, Clarksdale)
  • News from press-only conferences set for March 25, 2026 (Memphis and Clarksdale), plus a later Nashville event
  • Casting, music partnerships, and additional sponsor announcements as the project ramps up

Sources: hillbillybiblemovie.com
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May the Fourth: Celebrating National Star Wars Day | Fun Facts & Festivities

National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th.

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Last Updated on May 4, 2026 by Daily News Staff

National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th. The day is filled with festivities such as costume contests, trivia games, and movie marathons. Fans of the series can dress up like their favorite characters, watch their favorite movies, and make outer space snacks.

The phrase “May the Fourth Be with You” was first introduced by the Conservative Party in the UK in 1979 to congratulate Margaret Thatcher on becoming the first female Prime Minister. Since then, the phrase has become synonymous with Star Wars Day and is used by fans around the world to greet each other on this special day.

National Star Wars Day was first organized in Toronto, Canada, in 2011, and has since become a worldwide phenomenon. Fans of all ages come together to celebrate their love for the franchise and to honor its creator, George Lucas.

Whether you’re a hardcore fan or just a casual admirer, National Star Wars Day is a day to let loose and have some fun. May the Fourth be with you!

National Star Wars Day

https://nationaldaycalendar.com/?s=Star+Wars+Day

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

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The Substitute Teacher Who Wanted Blueprints of Our House

A fifth-grade assignment took a strange turn when a substitute teacher asked students to draw schematics of their homes. What followed — a wildly fictional floor plan and a priceless reaction from my mom — turned into one of my funniest childhood memories.

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Comedic illustration of a 1970s–1980s elementary school classroom with a substitute teacher holding a blueprint while confused fifth graders draw exaggerated house schematics, including a two-story doghouse.

 

The Substitute Teacher Who Wanted Blueprints of Our House

Elementary school memories tend to blend together — cafeteria pizza, playground arguments, the eternal struggle of times tables — but every once in a while, something happens that sticks with you for life. For me, that moment came in the fifth grade during a week when our regular teacher was out, and we cycled through substitute teachers like we were testing models for durability.

By midweek, in walked a substitute with a mysterious, slightly intense energy — the kind of vibe that suggested he either meditated at dawn or worked a graveyard shift doing something he couldn’t talk about. We settled into our seats, expecting worksheets or quiet reading time.

But nope.

He had other plans.

“Today,” he announced, “we’re going to draw schematics of our houses.”

Schematics. Not drawings. Not little houses with smoke coming out of the chimney. Actual blueprint-style schematics. He wanted the layout of our bedrooms, our parents’ rooms, and where the pets slept. Every detail.

Now, to be fair, Highlights Magazine did have a feature that month teaching kids how to draw floor plans. So maybe he was just a bit overenthusiastic about cross-curricular learning. Or maybe — and this is my completely rhetorical adult theory — he worked the graveyard shift as a cat burglar gathering intel between heists. Just moonlighting between blueprints.

While the rest of the class tried their best to recreate their actual homes, my imagination sprinted in a totally different direction. The house I drew had:

  • A massive master bedroom with an oversized bathroom for my parents
  • Separate bedrooms for us kids on the opposite side of the house
  • A kitchen placed right in the center like a command center
  • And the dog — the true VIP — had a luxurious two-story doghouse

I had basically created a dream home designed by a 10-year-old watching too much Fantasy Homes by the Yard.

A young African American boy shows his mother an exaggerated, hand-drawn house schematic with unrealistic room layouts and a two-story doghouse, while she reacts with a mix of concern, confusion, and relief in a cozy 1970s–1980s living room.

Later that day, my mom asked the usual question: “So, what did you guys do today?”

“We drew schematics of our house,” I said casually.

The look on her face was instant and intense. She wasn’t panicked, but there was definitely a “Why does a substitute teacher need to know the exact layout of my home?” expression happening. Parental instincts activated.

But then I showed her my diagram.

She stared at it. Blinked. Then sighed with massive relief.

“This isn’t our house,” she said.

“Nope! I made it up,” I replied proudly.

Her shoulders relaxed so much she probably lost five pounds of tension in one instant. If the substitute was secretly planning a heist, my masterpiece of misinformation would have sent him to the wrong house entirely.

Looking back, the whole moment feels like a sitcom setup — a mysterious substitute collecting “house schematics,” me creating a completely fictional piece of architecture, and my mom going on a full emotional journey in under 30 seconds.

Maybe he was just excited about the Highlights Magazine floor-plan activity. Or maybe — just maybe — he moonlighted in cat burglary. We’ll never know.

But if he was, I like to think I threw him completely off the scent.


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