Entertainment
The best horror movie you’ve never seen
Scott Malia, College of the Holy Cross
It’s scary movie season, a time when many people watch films about zombies, serial killers, werewolves, magic and mysterious monsters who are impossible to kill.
However, as far as I know, there’s only one film that features all of those elements – and you’ve probably never seen it.
Made in 2007, “Trick ‛r Treat” consists of four interconnected horror stories, each about 15 to 20 minutes long, that all take place on a single Halloween night.
While characters from one story sometimes appear in other segments, the unifying force in the film is Sam, a mysterious creature wearing a burlap mask. He takes umbrage whenever a character disrespects a Halloween tradition, whether it’s by scaring away trick-or-treaters or blowing out a jack-o’-lantern before Halloween is over. Each meets a gruesome end.
Horror buffs eventually discovered the film. Today, it’s hailed as a modern classic. https://www.youtube.com/embed/NJ66Htmmq4M?wmode=transparent&start=0 ‘Trick ‛r Treat’ ended up forgoing a theatrical run.
What went wrong?
“Trick ‛r Treat” was produced by a major studio, Warner Bros. It featured A-list stars, such as Brian Cox and Oscar-winner Anna Paquin. It was produced by Bryan Singer, who was known for churning out hits such as “X-Men” and “The Usual Suspects.” And though its director, Mike Dougherty, was making his directorial debut, he had worked as a screenwriter on films such as “X2: X-Men United” and “Superman Returns.”
Despite all of these credentials, the film’s theatrical release was delayed from fall 2007 to 2008. Then a theater run was canceled altogether, with Warner Bros. finally releasing it on video in 2009.
The studio never gave an official reason for pulling the theatrical release; however, some critics have speculated that the box office success of the “Saw” franchise and Rob Zombie’s “Halloween” remake were factors.
Other reports suggest that the film’s anthology format, its mixture of horror and comedy, and a plot featuring murdered children made it too hard a sell.
Given the cost of marketing and promoting “Trick ‛r Treat” to a nationwide audience, perhaps the risk wasn’t worth it for a film with a relatively small US$5 million budget. Dougherty himself said these hang-ups constituted a “perfect storm,” suggesting that no one development sealed the film’s fate.
Bypassing the box office
As recently as a decade ago, films released directly to DVD were viewed as flops or cash grabs. In fact, there’s an entire subgenre called “mockbusters” – low-budget rip-offs of studio films, such as “Transmorphers,” which tried to piggyback the success of the “Transformers” franchise, and “Atlantic Rim,” which attempted to do the same for the 2013 blockbuster “Pacific Rim.”
Then there are direct-to-video sequels meant to capitalize off hits. Disney made a lot of money in the late 1990s and early 2000s producing widely panned, direct-to-video animated features such as “The Return of Jafar” and “Pocahontas II: Journey to a New World.”
But second lives for films that were initially snubbed or ignored are nothing new.
“The Boondock Saints” was briefly screened in a handful of theaters for a single week in 1999 before being dumped into the video market. Only then did viewers find it, and it became a cult favorite that eventually begat a sequel.
The stigma of direct-to-video release has diminished over the past decade thanks to the rise of streaming, in which content made directly for home viewing can receive critical acclaim and attract subscribers.
Actor Nicolas Cage has made a cottage industry of this format. While some have attributed his massive output in the past decade to his financial difficulties, Cage’s films “Joe” (2013), “Mandy” (2018) and “Pig” (2021) have all received critical acclaim, despite sometimes only running in a handful of theaters for a week before their release into streaming markets and video on demand.
It’s this sort of tradition that led to the rediscovery of “Trick ‛r Treat.”
Hipster horror
The appeal of “Trick ‛r Treat” is rooted in its subversion of horror tropes.
For example, women and children, who’ve historically served as victims in the genre, have a lot more agency in Dougherty’s Halloween tale. In fact, the mysterious Sam was played by Quinn Lord, who was only 8 years old when the film was shot. In the film, the character’s origin, age and gender remain undefined since Sam is masked or covered in prosthetics for the entire film, blurring the line between human and monster.
In addition, the film’s complex structure, which some speculated might have hurt its chances for commercial success, helped fuel the film’s critical praise. Dougherty called it “‘Pulp Fiction’ meets ‘Halloween,’” a nod to the interlocking structure of Quentin Tarantino’s breakout film and the setting of John Carpenter’s horror staple, which also unfolds over one Halloween night.
It has become somewhat of a cliché to say that esteemed art, initially overlooked, was “ahead of its time.”
Still, it would be fair to say that “Trick ‘r Treat” arrived on the cusp of what has been called a “horror renaissance” in the past 15 years. Directors like Jordan Peele, Ari Aster, Robert Eggers and Mike Flanagan have found critical and commercial success by branding themselves as horror auteurs.
In addition, Peele and directors like Nia Dacosta, who helmed 2021’s “Candyman,” have opened up a brand of horror that deals with social issues and identity. Dougherty’s film also anticipated a trend of horror films with a darkly humorous streak, including Peele’s “Get Out” and David Gordon Green’s reimagined “Halloween” sequels.
Despite the film’s rocky beginnings, “Trick ‛r Treat” received a belated theatrical release in 2022, which has spurred talk of a potential sequel.
Dougherty even acknowledges that the film may owe its current popularity to its botched release. While some mainstream films disappear quickly, “Trick ‛r Treat” – currently streaming on Max – reappears every Halloween. Just like Sam.
Scott Malia, Associate Professor of Theatre, College of the Holy Cross
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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LOS ANGELES (AP) — In a heartbreaking loss to the entertainment world, Val Kilmer, the intense and versatile actor known for iconic roles in films such as “Top Gun,” “Batman Forever,” and “The Doors,” has passed away at the age of 65. Kilmer died on Tuesday night in Los Angeles, surrounded by his family and friends, as confirmed by his daughter, Mercedes Kilmer, in an email to The Associated Press.
Kilmer’s death was attributed to pneumonia, following a long and courageous battle with throat cancer that he had been diagnosed with in 2014, a struggle that led to two tracheotomies.
Reflecting on his tumultuous yet inspiring journey, Kilmer shared in the documentary “Val” (2021), “I have behaved poorly. I have behaved bravely. I have behaved bizarrely to some. I deny none of this and have no regrets because I have lost and found parts of myself that I never knew existed. And I am blessed.” His words are a testament to his remarkable resilience, artistry, and unique perspective on life.
Val Kilmer
Kilmer was a prodigy in the performing arts, becoming the youngest actor ever admitted to the prestigious Juilliard School when he enrolled in 1981. His breakthrough came with the 1984 spy spoof “Top Secret!” and he quickly rose to fame with a series of successful films, including the beloved comedy “Real Genius” in 1985. He showcased his comedic talents in later works, such as “MacGruber” and “Kiss Kiss Bang Bang.”
The pinnacle of Kilmer’s career arguably occurred in the early 1990s, where he solidified his status as a leading man. Among his most memorable roles were Doc Holliday in “Tombstone” (1993), Elvis Presley in “True Romance,” and the cunning bank-robbing demolition expert in Michael Mann’s “Heat” (1995), alongside cinematic legends Al Pacino and Robert De Niro.
Despite the acclaim, Kilmer’s career was not without its challenges. A 1996 Entertainment Weekly cover story famously dubbed him “The Man Hollywood Loves to Hate,” citing conflicts with directors and a reputation for being difficult on set. Notable figures, including directors John Frankenheimer and Joel Schumacher, described his work as challenging; however, many others, like director D. J. Caruso, defended Kilmer’s commitment to depth and character immersion.
After delivering memorable performances in adult dramas, Kilmer took a slight detour, engaging in smaller films, such as David Mamet’s “Spartan,” and portraying the troubled 1970s adult film star John Holmes in “Wonderland” (2003). He also embraced the stage with a one-man show, “Citizen Twain,” where he explored the complex life of Mark Twain.
Hailing from the Chatsworth neighborhood of Los Angeles, Kilmer’s early life was marred by tragedy with the loss of his younger brother, Wesley, to a seizure — a poignant event that would forever resonate with him. Throughout his life, Kilmer sought inspiration from his brother, often reflecting on the artistic potential he believed Wesley would have achieved.
As a multi-talented artist, Kilmer not only acted but also wrote poetry, with two published collections, including “My Edens After Burns.” In 2012, he received a Grammy nomination for his spoken word album, “The Mark of Zorro.” He continued to explore various creative outlets and was known for his dedication to visual art and his Christian Science faith.
His personal life saw relationships with notable personalities, including singer Cher, and he was previously married to actor Joanne Whalley, with whom he shares two children, Mercedes and Jack.
In a final testament to his remarkable life and career, Kilmer asserted, “I have no regrets. I’ve witnessed and experienced miracles.” Val Kilmer leaves behind a rich legacy, characterized by his complex characters and deep artistic contributions that will forever resonate with audiences. The film industry has lost a true icon, and his presence will be deeply missed.
Related links:
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Excitement is building for pickleball fans and sports enthusiasts alike as the highly anticipated documentary Dreambreaker: A Pickleball Story is set to premiere on April 11, 2025, on truTV. This film captures the thrilling evolution of pickleball from a casual pastime to a burgeoning professional sport, offering an inside look at a fierce power struggle between two billionaire moguls determined to shape its future.
Narrated by Mike “Sleeves” Sliwa from The Senior Pickleball Report, Dreambreaker features appearances by top pickleball pros and sports icons, including John McEnroe and media personality Billy Bush. Crafted by writer Craig Coyne and directed by Ashley Underwood, the documentary explores the intertwining of sports, aspirations, and rivalries within the pickleball community.
Constantly Evolving Pickleball Story
With its rich narrative and compelling characters, Dreambreaker goes beyond the court to reveal the passion and politics that define the sport. Set your calendars for April 11 and prepare for a captivating journey that promises to enhance your appreciation of pickleball and its growing cultural significance. Don’t miss the chance to witness the drama and dreams that characterize this exhilarating game!
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Sports
Unveiling the Journey: Rising Pickleball Sensation Connor Garnett in Conversation with Mike Sleeves Sliwa
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Garnett shares his journey from amateur to professional, offering insights into his training regimen and mental approach to the game.
Listeners get an inside look at Garnett’s strategies for success, including his thoughts on the evolving landscape of competitive pickleball.
Sliwa delves into Garnett’s experiences on and off the court, revealing the dedication and passion that drive this young athlete forward.
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