Movies
40 years ago, the first AIDS movies forced Americans to confront a disease they didn’t want to see
40 years ago, the first AIDS movies forced Americans to confront a disease they didn’t want to see
Scott Malia, College of the Holy Cross
First it was referred to as a “mysterious illness.” Later it was called “gay cancer,” “gay plague” and “GRID,” an acronym for gay-related immune deficiency. Most egregiously, some called it “4H disease” – shorthand for “homosexuals, heroin addicts, hemophiliacs and Haitians,” the populations most afflicted in the early days.
While these names were ultimately replaced by AIDS – and later, after the virus was identified, by HIV – they reflected two key realities about AIDS at the time: a lack of understanding about the disease and its strong association with gay men.
Although the first report in the mainstream press about AIDS appeared in 1981, the first movies to explore the disease wouldn’t come for four more years.
When the feature film “Buddies” and the television film “An Early Frost” premiered 40 years ago, in the fall of 1985, AIDS had belatedly been breaking into the public consciousness.
Earlier that year, the first off-Broadway plays about AIDS opened: “As Is” by William Hoffman and “The Normal Heart” by writer and activist Larry Kramer. That summer, actor Rock Hudson disclosed that he had AIDS, becoming the first major celebrity to do so. Hudson, who died in October 1985, was a friend of President Ronald Reagan and Nancy Reagan. Reagan, who had been noticeably silent on the subject of the disease, would go on to make his first – albeit brief – public remarks about AIDS in September 1985.
Five days before Reagan’s speech, “Buddies,” an independent film made for US$27,000 and shot in nine days, premiered at the Castro Theatre in San Francisco on Sept. 12, 1985.
A film on the front lines
If you haven’t heard of “Buddies,” that’s not surprising; the film mostly played art houses and festivals before disappearing.
Its filmmaker, Arthur J. Bressan Jr., was best known for his gay pornographic films, although he’d also made documentaries such as “Gay USA.” “Buddies” would go on to reach a wider audience thanks to a 2018 video release by Vinegar Syndrome, a distribution company that focuses on restoring cult cinema, exploitation films and other obscure titles.
It was inspired by the real-life buddies program at the Gay Men’s Health Crisis, an organization Kramer co-founded. At the time, many people dying of the disease had been rejected by family and friends, so a buddy might be the only person who visited a terminal AIDS patient.
The film feels like a play, in that most of the movie takes place in a single room and features just two characters: a naive young gay man named David and a young AIDS patient named Robert. Over the course of the film, the characters open up about their lives and their fears about the growing epidemic. It also includes a sex scene – something other early AIDS films completely avoided – in which David and Robert engage in safer sex.
AIDS packaged for the masses
The remarkably frank and intimate approach to the epidemic in “Buddies” contrasts sharply to the television film “An Early Frost,” which premiered on NBC on Nov. 11, 1985.
The film’s protagonist is a successful Chicago lawyer named Michael who hasn’t come out to his family, much to the distress of his long-term partner, Peter. When Michael finds out he has AIDS, he’s forced to come out to his parents, both as gay and as having AIDS.
Much of the film deals with Michael’s self-acceptance and his attempts to mend his relationships. Yet the production of “An Early Frost” was fraught with concerns about depicting both homosexuality and AIDS. Unlike David and Robert, Michael and Peter show no physical affection – they barely touch each other. https://www.youtube.com/embed/a0vizM1_tiI?wmode=transparent&start=0 A promotional clip for ‘An Early Frost,’ which drew 34 million viewers when it premiered on NBC.
Knowledge of AIDS was still evolving – a test for HIV was approved in March 1985 – so screenwriters and life partners Daniel Lipman and Ron Cowen went through 13 revisions of the script. The real-life fears and misconceptions about how AIDS could and could not be transmitted were central to the storyline, adding extra pressure to be accurate in the face of evolving understanding of the virus.
Despite losing NBC $500,000 in advertisers, “An Early Frost” drew 34 million viewers and was showered with Emmy nominations the following year.
A quilt of stories emerges
“Buddies” and “An Early Frost” opened up AIDS and HIV as subject matters for film and television.
They begat two lanes of HIV storytelling that continue to this day.
The first is an approach geared to mainstream audiences that tends to avoid controversial issues such as sex or religion and instead focuses on characters who grapple with both the illness and the stigma of the virus.
The second is an indie approach that’s often more confrontational, irreverent and angry at the injustice and indifference AIDS patients faced.
The former approach is seen in 1993’s “Philadelphia,” which earned Tom Hanks his first Oscar. The critically and commercially successful film shares a number of story points with “An Early Frost”: Hanks’ character, a big-city lawyer, finds out he is HIV positive and must confront bias head-on. HIV also features prominently in later films such as “Precious” (2009) and “Dallas Buyers Club” (2013), both of which, like “Philadelphia,” became awards darlings.
The edgier, more critical approach can be seen in the New Queer Cinema movement of the 1990s, a film movement that developed as a response to the epidemic. Gregg Araki’s “The Living End” (1992) is a key film in the movment: It tells the story of two HIV-positive men who become pseudo-vigilantes in the wake of their diagnoses. https://www.youtube.com/embed/7mvDLTMUtQQ?wmode=transparent&start=0 In ‘The Living End,’ the HIV-positive protagonists go on a hedonistic rampage to take out their anger at the world.
Somewhere in between is “Longtime Companion” (1990), which was the first film about AIDS to receive a wide release and tracks the impact of the epidemic on a fictional group of gay men throughout the 1980s. The film was written by gay playwright and screenwriter Craig Lucas and directed by Norman Rene, who died of AIDS six years after the film’s release.
Studios still leery
In many ways, television is where the real breakthroughs have happened and continue to happen.
The first television episode to deal with AIDS appeared on the medical drama “St. Elsewhere” in 1983; AIDS was also the subject of episodes in the sitcoms “Mr. Belvedere,” “The Golden Girls” and “Designing Women.” “Killing All the Right People” was the title of the latter’s special episode – a phrase the show’s writer and co-creator Linda Bloodworth-Thomason heard while her mother was being treated for AIDS.
More recently, producer Ryan Murphy has made a cottage industry of representations of queer people, particularly those with HIV. His stage revivals of “The Normal Heart” and Mart Crowley’s 1968 play “The Boys in the Band” were later adapted into films for television and streaming. He also produced “Pose,” a three-season series about drag ball culture in the 1980s that stars queer characters of color, several of whom are HIV positive.
Yet for all of these strides, representations of HIV in film are still hard to come by. In fact, out of the 256 films released by major distributors in 2024, the number of HIV-postive characters amounted to … zero.
Perhaps movie studios are less willing to risk even a character with HIV given the drop in movie theater attendance in the age of streaming.
If you think it’s an exaggeration to suggest that people might not want to be seen going to the theater to watch a film about characters with HIV, the results of a 2021 GLAAD survey may surprise you.
It found that the stigma around HIV is still very high, particularly for HIV-positive people working in schools and hospitals. One-third of respondents were unaware that medication is available to prevent the transmission of HIV. More than half didn’t know that HIV-positive people can reach undetectable status and not transmit the virus to others.
Another important finding from the survey: Only about half of the nonqueer respondents had seen a TV show or film about someone with HIV.
This reflects both the progress made since “Buddies” and “An Early Frost” and also why these films still matter today. They were released at a time when there was almost no cultural representation of HIV, and misinformation and disinformation were rampant. There have been so many advances, in both the treatment of HIV and its visibility in popular culture. That visibility still matters, because there’s still much more than can be done to end the stigma.
Scott Malia, Associate Professor of Theatre, College of the Holy Cross
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Entertainment
One More Christmas Begins Production as Great American Media Unveils 2026 Holiday Original
Great American Media has announced One More Christmas, a new original holiday film starring Candace Cameron Bure and Jonathan Scarfe, now in production for Great American Christmas 2026. The film adds another early title to the network’s seasonal lineup as it heads into its sixth year of Christmas programming built around faith, family, hope, and redemption.
In the film, Bure plays Anna, a woman who has been divorced from James Campbell, played by Scarfe, for five years. The former couple reunites over Christmas after their daughter invites the family to a Smoky Mountain cabin to meet her serious boyfriend. What starts as an uneasy holiday gathering shifts when a major ice storm traps Anna and James together, forcing them to revisit the past and consider whether their story is really over.
Why It Stands Out
The setup gives One More Christmas a built-in second-chance romance angle, but the family dynamic may be what gives it the most emotional pull. Great American Media is clearly leaning into the kind of heartfelt, values-driven storytelling its audience expects, while continuing to build Candace Cameron Bure’s presence across its holiday slate.
Bure is also serving as an executive producer on the film. Great American Media said she will star in two original movies for the 2026 season and executive produce another holiday feature still to be announced. Bill Abbott, President and CEO of Great American Media, said Bure continues to help define the tone and quality of the network’s Christmas programming.
Creative Team
One More Christmas is executive produced by Candace Cameron Bure, Jeffery Brooks, Ford Englerth, and Tim Owens for CandyRock Entertainment, with Eric Jarboe and Holly Hines executive producing for Happy Accidents. The screenplay is written by Taylor Kalupa and Masey McLain.
CandyRock Entertainment, Bure’s joint venture with Ford Englerth and Jeffery Brooks, has produced and distributed more than 40 television and film projects focused on family-friendly entertainment.
What to Watch For
As Great American Media continues to expand its holiday lineup, One More Christmas looks positioned as one of the network’s early attention-grabbers for 2026. Between Bure’s ongoing creative role, Scarfe’s addition, and the familiar mix of Christmas setting and emotional reconciliation, the film fits squarely within the network’s brand while giving viewers a story built around family tension, weather-forced closeness, and possible renewal.
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Entertainment
Disclosure Day: Why Spielberg’s New UFO Film Has My Attention
The upcoming movie “Disclosure Day,” directed by Steven Spielberg and written by David Koepp, is highly anticipated for its exploration of sci-fi themes involving UFOs and aliens. Scheduled for a June 12, 2026 release, it features a strong cast, including Emily Blunt, and is expected to deliver a blend of wonder and emotion, reminiscent of Spielberg’s iconic films.
If there is one upcoming movie I am genuinely excited about, it is Disclosure Day. As someone who has been fascinated by science fiction, aliens, UFOs, and space since I was a little kid, this one feels like it is landing right in my wheelhouse. Add Steven Spielberg to the mix, and it becomes even more personal. Spielberg’s work helped shape the way a lot of us look at wonder, fear, and the unknown. For me, films like Close Encounters of the Third Kind, E.T., Jaws, and Duel were not just movies. They were experiences.
That is why Disclosure Day already feels like one of the most intriguing releases on the 2026 calendar. Directed by Spielberg and written by David Koepp from a story by Spielberg, the film brings together a strong cast that includes Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Colman Domingo, and Wyatt Russell. Blunt is reportedly playing a Kansas City TV meteorologist, which immediately adds an interesting angle for a story tied to mystery and possible extraterrestrial themes.
What makes this project especially exciting is the creative team behind it. Spielberg returning to UFO territory is enough to get longtime sci-fi fans paying attention, and Koepp’s involvement adds another layer of anticipation. The film was first reported in April 2024 as Spielberg’s next project, with Universal Pictures later confirmed as distributor. Production took place from February through May 2025, with filming in New York, New Jersey, and Atlanta under the working title Non-View.
The supporting details only make it more interesting. John Williams is set to compose the score, marking yet another collaboration with Spielberg. That alone gives the film a sense of event-level importance. Williams and Spielberg have created some of the most unforgettable moments in movie history together, and for a film centered on mystery and awe, that musical partnership matters.
Right now, Disclosure Day is scheduled to hit theaters in the United States on June 12, 2026, with an IMAX release planned as well. It was originally dated for May 15, 2026, but the move to June only builds the summer blockbuster feel around it. Based on everything we know so far, this looks like a film that could blend spectacle, emotion, and that classic Spielberg sense of wonder.
From my perspective, this is exactly the kind of movie I want to follow closely. I have always been drawn to stories about what might be out there, what we do not understand yet, and how ordinary people react when the impossible suddenly feels real. Spielberg has explored those ideas before in ways that stay with you, and I am curious to see how Disclosure Day adds to that legacy.
I will be keeping an eye on this one and updating readers as more information comes out, from trailers and story details to cast insights and release coverage, all the way up to premiere day. For sci-fi fans, UFO believers, and anyone who still feels that pull of the unknown, this is a movie worth watching.
Related Links
- Official Website
- Disclosure Day at IMDb
- Disclosure Day at Box Office Mojo
- Disclosure Day at Rotten Tomatoes
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Entertainment
Vision Films Sets Jan. 13 TVOD Release for Joan Collins Whodunnit A Murder Between Friends
Vision Films will release Joan Collins-led whodunnit A Murder Between Friends on transactional VOD Jan. 13, 2026, across major U.S./Canada platforms.
The company announced a North American transactional VOD release for A Murder Between Friends on Jan. 13, 2026, via a deal with Scott J. Jones and Artist View Entertainment. The “murder-com” feature stars — and is produced by — Dame Joan Collins (Dynasty), with Mark Rozzano writing and producing and Jacob Young and Trent Garrett co-directing.
The film was shot on location at Úsobí Castle in the Czech Republic and leans into classic country-estate mystery energy: six friends on vacation, one of them murdered, and everyone suddenly a suspect.
Synopsis (official): When six friends vacation at the country estate of a legendary true-crime TV star (Collins), the last thing they expect is to find one of their own murdered. Everyone is a suspect as they try to determine who among them would have the means, motive, and opportunity. As tensions grow, they enlist the aid of their celebrity sleuth hostess to uncover the truth before the killer can strike again.
The cast includes Nadia Bjorlin, Jacob Young, Trent Garrett, Toby-Alexander Smith, Simon Cotton, India Thain, Hana Vagnerová, Jim Borstelmann, and internet personality Espen Hatleskog (IG’s @pilotviking).
Vision Films CEO Lise Romanoff called it a twist-heavy mystery that keeps flipping expectations, with Collins bringing “authenticity and humor for a suspense-filled ride.”
Trailer: https://youtu.be/eUdW9Jt_rxw
Where to watch: A Murder Between Friends will be available on most major streaming and cable platforms across the U.S. and Canada on Jan. 13, 2026. Pre-orders are live on iTunes/Apple TV (US, CA) and Vudu/Fandango at Home (US).
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