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City of Hope’s Annual ‘Closing the Care Gap’ Event Underscores Commitment to Helping Eliminate Health Inequities

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LOS ANGELES /PRNewswire/ — City of Hope, one of the largest cancer research and treatment organizations in the United States and a leading research center for diabetes and other life-threatening illnesses, held the third annual Closing the Care Gap event last night with its Music, Film and Entertainment Industry (MFEI) fundraising group. Hosted by music industry icons, Lyor Cohen, global head of Music at YouTube and Google, and Sylvia Rhone, chair and CEO of Epic Records, the event brought together industry professionals and influencers to inspire, educate and support opportunities to achieve access to the best treatment and care available for all people facing cancer.

CityofHope event
Kristin Bertell, Willie “Prophet” Stiggers, Jonathan Azu, Sylvia Rhone, Lyor Cohen, Danielle Price Sanderson, John D. Carpten, Gail Mitchell and Evan Lamberg attend City of Hope’s third annual Closing the Care Gap event on August 28, 2023, in Los Angeles. (Photo by Lester Cohen/Getty Images for City of Hope)

“Too many people needlessly suffer due to lack of access to the latest medical innovations and systemic barriers that prevent them from getting the best cancer care,” said John Carpten, Ph.D., director of City of Hope’s National Cancer Institute-designated comprehensive cancer center, director of Beckman Research Institute of City of Hope, chief scientific officer and the Irell & Manella Cancer Center Director’s Distinguished Chair. “At City of Hope, we are working to carry out solutions that increase the likelihood that every person living with cancer — regardless of race or region — can get the best care.”

Only 20% of cancer patients in the U.S. are treated at National Cancer Institute-designated cancer centers like City of Hope. In addition, economically disadvantaged and racially diverse communities face additional barriers that limit their ability to find and sustain specialized, lifesaving care.

The event, hosted at the Los Angeles home of real estate agent and TV personality Josh Flagg, fostered key interactions among health care experts, entertainment industry professionals, key leaders in the music community and past Spirit of Life honorees, including Kevin Liles, CEO at 300 Entertainment, Jody Gerson, CEO at Universal Music Publishing Group, past Spirit of Life honoree Rob Light, head of music at CAA, Debra Lee, former CEO at BET, Danielle Price Sanders, executive vice president at Republic Records, Willie “Prophet” Stiggers, CEO of 50/50 Music Group Management, and American songwriter Justin Tranter, among others.

The program was dedicated to addressing challenges patients face in obtaining access to quality health care, preventive mobile screening, early disease detection, and personalized or precision medicine.

With an introduction from Evan Lamberg, president at Universal Music Publishing Group and MFEI board president, Jonathan Azu, founder and CEO of Culture Collective and MFEI board member, set the tone for the evening, shedding light on his personal battle against cancer. After a baseline prostate-specific antigen (PSA) screening, Azu was diagnosed with prostate cancer when he was 44 years old. Having grown up in a family of medical professionals, Azu recognizes he had resources and access to health care that many do not, so he wants to help people who are not as fortunate.

“I am one of the blessed ones − I remember that every day,” Azu said. “I am now dedicated more than ever to assisting the Division of Health Equities at City of Hope in more early screening education and better access to health care for people who look like me.”

Cohen took the stage next. Over the course of his 40-year career in hip-hop, Cohen, who was named this year’s City of Hope Spirit of Life honoree, has become familiar with the disadvantages that underrepresented populations face.

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“The more you give, the more you receive. And today we are all in the business of giving – of our time, our influence, our connections and experiences,” Cohen said. “It’s our responsibility to do the work to close the care gap. We need to provide access to early detection with routine screenings and better treatment, and of course, resources and education that help increase health equity.” 

City of Hope is poised to treat more cancer patients across the nation and support the needs of a more diverse patient population through partnershipspolicy efforts, continued clinical expansion across the country and innovative care delivery options.

Gail Mitchell, executive director of R&B/Hip-Hop at Billboard magazine, spoke with Carpten and Azu in a fireside chat-style interview.

“The music industry has the potential to make a monumental impact on the health of the Black community,” Mitchell said.

Added Rhone, “I’m grateful to have the privilege to help solve these challenges with our industry and give everyone fighting cancer the hope they deserve.”

Kristin Bertell, chief philanthropy officer at City of Hope, concluded the program. “You are part of the movement,” said Bertell of the guests. “Your philanthropic partnership supports us in removing obstacles to care for everyone. We cannot cure cancer if we don’t cure it for all.”

Closing the Care Gap continues a year-long fundraising initiative for City of Hope that will conclude with MFEI’s Spirit of Life Gala, which will honor Cohen for his noble contributions to the music industry community and profession. The gala will celebrate 50 years of philanthropic partnership with MFEI on Oct. 18, 2023, at the Pacific Design Center in Los Angeles.

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Flagg, who housed the event, and his family are longtime philanthropic supporters of City of Hope. The event is supported by the Closing the Care Gap Event Committee, including Azu, event chair, Kathy Baker, Tuma Basa, Vivien Lewit, Danielle Price Sanders, Willie “Prophet” Stiggers and Michelle Williams.

For updates and sponsorship information, please email mfei@coh.org

For photo highlights of the evening, please use the following link:
https://dam.gettyimages.com/assignments/3rd-annual-closing-the-care-gap
(Photo Credit: Getty Images for City of Hope)

About City of Hope
City of Hope’s mission is to deliver the cures of tomorrow to the people who need them today. Founded in 1913, City of Hope has grown into one of the largest cancer research and treatment organizations in the U.S. and one of the leading research centers for diabetes and other life-threatening illnesses. City of Hope research has been the basis for numerous breakthrough cancer medicines, as well as human synthetic insulin and monoclonal antibodies. With an independent, National Cancer Institute-designated comprehensive cancer center at its core, City of Hope brings a uniquely integrated model to patients spanning cancer care, research and development, academics and training, and innovation initiatives. City of Hope’s growing national system includes its Los Angeles campus, a network of clinical care locations across Southern California, a new cancer center in Orange County, California, and treatment facilities in Atlanta, Chicago and Phoenix. City of Hope’s affiliated group of organizations includes Translational Genomics Research Institute and AccessHope™. For more information about City of Hope, follow us on FacebookTwitterYouTubeInstagram and LinkedIn.

About Lyor Cohen
Lyor Cohen is an American music industry executive who has helped shape the evolution of the music business over the course of his career and is currently the global head of Music at YouTube and Google.

As a 21-year-old living in New York City working for Rush Productions, Cohen felt the power and pull of the arts and the cultural movement being built around rap and hip-hop music; it was all about inclusivity, not exclusivity. From his time as road manager for Run DMC and the Beastie Boys, to developing the prestige of Def Jam Recordings and selling it to Universal, to managing Island, Mercury and Def Jam, which he merged to create the Island Def Jam Music Group, to becoming the chairman and CEO of Recorded Music for Warner Music Group (WMG) and then co-founding 300, Cohen’s career has been dedicated to advocating for artists and songwriters, uplifting art and proving to the world that music brings us together more than it separates us. Along the way, Cohen has been intimately involved in the careers of over 100 artists from day one through superstardom.

Cohen sits on the board of both the Rock and Roll Hall of Fame and the National Independent Venue Association, and is an acting director for SCAN-Harbor, a New York-based charity.

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About City of Hope’s Music, Film and Entertainment Industry Group
Inspired by the guiding humanitarian principles of City of Hope and motivated by the institution’s commitment to innovative medical research and compassionate patient care, a group of key industry executives founded City of Hope’s Music, Film and Entertainment Industry group in 1973.

In its 50-year history, the group has raised over $135 million for City of Hope and has honored some of the most important figures in the music and entertainment industry.

The Spirit of Life Award is City of Hope’s most prestigious honor and is presented to an esteemed community of industry leaders around the world who have made a significant commitment to improving the lives of others through the advancement of research and clinical innovation and the delivery of personalized, compassionate care.

Past honorees include Shelli and Irving Azoff, Edgar Bronfman Jr., Coran Capshaw, Eddy Cue, Clive Davis, Sir Lucian Grainge, Allen Grubman, Quincy Jones, Rob Light, Monte and Avery Lipman, Doug Morris, Mo Ostin, Bob Pittman, Jon Platt and Sylvia Rhone to name a few.

SOURCE City Of Hope

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The Bridge

3 innovative ways to help countries hit by climate disasters, beyond a loss and damage fund

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climate
People climb to the top of a bridge damaged when Cyclone Idai hit Mozambique in 2019. Andrew Renneisen/Getty Images

Erin Coughlan de Perez, Tufts University

These days, it’s hard to escape news stories discussing how climate change is contributing to extreme weather disasters, including the recent U.S. hurricanes. Aid agencies are increasingly worried about the widespread damage.

A growing question as these disasters worsen in a warming world is how to pay for recoveries, particularly in poorer countries that have contributed the least to climate change.

I am a climate scientist who researches disasters, and I work with disaster managers on solutions to deal with the increasing risk of extreme events. The usual sources of disaster aid funding haven’t come close to meeting the need in hard-hit countries in recent years. So, groups are developing new ways to meet the need more effectively. In some cases, they are getting aid to countries before the damage occurs.

Disaster aid funds aren’t meeting growing need

Countries have a few ways that they typically send money and aid to other countries that need help when disasters hit. They can send direct government-to-government aid, contribute to aid coordinated by the United Nations, or support disaster response efforts by groups like the International Red Cross and Red Crescent Movement.

However, the support from these systems is almost never enough.

In 2023, the amount of humanitarian funding through the U.N. was about US$22 billion. The U.N. Office for the Coordination of Humanitarian Affairs estimated that countries hit hard by disasters actually needed about $57 billion in U.N. humanitarian aid. This does not even include the costs borne directly by disaster-affected people and their governments.

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To help address damages specifically from climate change, the global community agreed at the U.N. climate conference in 2022 to create a new method – a Loss and Damage Fund. Loss and damage is generally defined as consequences of climate change that go beyond what people are able to adapt to.

The goal of the fund is for countries that historically have done the most to cause climate change to provide funding to other countries that did little to cause it yet are experiencing increasing climate-related disasters.

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So far, however, the Loss and Damage Fund is tiny compared to the cost of climate-related disasters. As of late September 2024, total pledges to the Loss and Damage Fund were about US$700 million. According to one estimate, the costs directly attributable to climate change, including loss of life, are over $100 billion per year.

One goal of the 2024 U.N. climate conference, underway Nov. 11-22 in Azerbaijan, is to increase those contributions.

Sending aid before the disasters hit

In response to these growing needs, the disaster management community is getting creative about how it helps countries finance disaster risk reduction and response.

Traditionally, humanitarian funding arrives after a disaster happens, when photos and videos of the horrible event encourage governments to contribute financial support and a needs assessment has been completed.

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However, with today’s technology, it’s possible to forecast many climate-related disasters before they happen, and there is no reason for the humanitarian system to wait to respond until after the disaster happens.

A woman in a Red Cross vest speaks with villagers.
In 2015, the Uganda Red Cross used early storm forecasts to send workers to distribute thousands of water purification tablets, water storage containers and other items to people in rural areas likely to be flooded by the storm. Denis Onyodi/URCS-Climate Centre, CC BY-NC

A global network of aid groups and researchers I work with has been developing anticipatory action systems designed to make funding available to countries when an extreme event is forecast but before the disaster hits.

This can allow countries to provide cash for people to use for evacuation when a flood is forecast, open extra medical services when a heat wave is expected, or distribute drought-tolerant seeds when a drought is forecast, for example.

Insurance that pays out early to avoid harm

Groups are also developing novel forms of insurance that can provide predictable finance for these changing catastrophes.

Traditional insurance can be expensive and slow to assess individual claims. One solution is “index insurance” that pays out based on drought information without needing to wait to assess the actual losses.

African nations created an anticipatory drought insurance product that can pay out when the drought starts happening, without waiting for the end of the season to come and the crops to fail. This could, in theory, allow farmers to replant with a drought-resilient crop in time to avoid a failed harvest.

A smiling woman holds up a bowl of ground cassava. Bowls and storage bags of the food item surround her.
A woman in Ivory Coast prepares a dish made from manioc, or cassava, a drought-tolerant crop. Sia Kambou/AFP via Getty Images

Without insurance, disaster-affected people usually bear the costs of disaster. Therefore, experts recommend insurance as a critical part of an overall strategy for climate change adaptation.

Boosting social protection systems

Another promising area of innovation is the design of social services that can scale up when needed for extreme weather events.

These are called climate-smart social protection systems. For example, existing programs that provide food for low-income families can be scaled up during and after a drought to ensure that people have sufficient and nutritious food during the climate shock.

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This requires government coordination among the variety of social services offered, and it offers promise to support vulnerable communities in the face of the rising number of extreme weather events.

Future of the Loss and Damage Fund

To complement these innovative disaster risk finance mechanisms, aid from other countries is crucial, and the Loss and Damage Fund is a key part of that.

There are still many areas of debate around the U.N.’s Loss and Damage Fund and what counts as true financial support. There have been discussions over whether investing in a country’s resilience to future disasters counts, whether existing financial systems should be used to channel finance to countries in need, and what damages are truly beyond the limits to adaptation and qualify.

The new Loss and Damage Fund is only of a part of a mosaic of initiatives that is seeking to address climate disasters.

These novel mechanisms to finance disaster risk are exciting, but they ultimately need to be created in conjunction with investments in adaptation and resilience so that extreme weather events cause less damage when they happen. Communities will need to plant different crops, build flood drainage systems and live in adaptive buildings. Managing climate risk requires a variety of innovative solutions before, during and after disaster events.

Erin Coughlan de Perez, Professor of Climate Risk Management, Tufts University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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The Bridge is a section of the STM Daily News Blog meant for diversity, offering real news stories about bona fide community efforts to perpetuate a greater good. The purpose of The Bridge is to connect the divides that separate us, fostering understanding and empathy among different groups. By highlighting positive initiatives and inspirational actions, The Bridge aims to create a sense of unity and shared purpose. This section brings to light stories of individuals and organizations working tirelessly to promote inclusivity, equality, and mutual respect. Through these narratives, readers are encouraged to appreciate the richness of diverse perspectives and to participate actively in building stronger, more cohesive communities.

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Lucas Museum: Celebrating Narrative Art in LA

“Discover the captivating world of narrative art at the Lucas Museum in LA, founded by George Lucas and Mellody Hobson.”

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The Lucas Museum of Narrative Art is a remarkable addition to the vibrant cultural landscape of Los Angeles, California. Established by acclaimed filmmaker George Lucas and his wife Mellody Hobson, the museum is poised to become a pivotal hub for visual storytelling across diverse artistic forms.

Lucas Museum
The Lucas Museum of Narrative Art 

Lucas Museum

Nestled in Exposition Park, the museum features an extensive collection encompassing myriad artistic mediums. From striking paintings and evocative photography to intricate sculptures and compelling illustrations, the Lucas Museum is dedicated to celebrating the transformative power of narrative art, engaging audiences, and conveying profound messages through its exhibitions. As the museum evolves, it continues to enrich the conversation around art and storytelling, inviting visitors to experience narratives that resonate on multiple levels.

One of the standout features of the Lucas Museum of Narrative Art is its unwavering commitment to inclusivity and diversity. The museum aims to celebrate art from a multitude of cultures and backgrounds, giving voice to underrepresented narratives and perspectives. This focus on inclusivity is not only manifested in the museum’s eclectic collection but is also vividly reflected in its thoughtfully crafted programming and community outreach initiatives. By engaging with local communities and diverse artists, the museum fosters a rich dialogue that honors different traditions and storytelling techniques.

Designed by the acclaimed architect Ma Yansong of MAD Architects, the museum’s stunning building is a work of art in itself. Its unique and innovative architecture seamlessly integrates with the surrounding environment, creating a harmonious space that invites visitors to immerse themselves in the diverse world of storytelling. The dynamic design features flowing forms and open spaces, allowing natural light to play a crucial role in enhancing the overall aesthetic experience. This architectural masterpiece not only serves as a physical shelter for art but also symbolizes the fluid nature of narrative.

The museum’s website, lucasmuseum.org, offers a captivating glimpse into its vision and future exhibits, generating palpable excitement among art enthusiasts and fans of George Lucas’s cinematic legacy alike. It serves as a vital platform for engaging with the museum’s mission and provides ongoing updates about various programs and events that aim to foster a sense of community and anticipation leading up to its grand opening.

Lucas Museum of Narrative Art rendering
By Original work: Ma YansongDepiction: Lucas Museum of Narrative Art – http://lucasmuseum.org/media-room, Fair use, https://en.wikipedia.org/w/index.php?curid=56767852

The Lucas Museum of Narrative Art stands as a testament to the profound power of storytelling to inspire, educate, and unite people from all walks of life. It embodies George Lucas’s passion for narrative and creativity, creating a space where art can be experienced, appreciated, and understood in its many forms. The museum will not only display art but also offer educational workshops, lectures, and events that will enrich the visitor experience and promote a deeper understanding of narrative as a vital component of human experience.

As the museum prepares to open its doors, the anticipation continues to build, with Los Angeles eagerly awaiting the opportunity to explore the rich world of narrative art. The Lucas Museum promises to become a cultural landmark—an inspiring venue where imagination and creativity converge. It aims to be a place where the stories that shape our lives are not just preserved, but celebrated and explored, ensuring that the legacy of narrative art endures for generations to come.

The museum is set to open in 2025…

For more information please visit: https://lucasmuseum.org/

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Lifestyle

National Recycling Day: Easy, Fun and Good for the Environment

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Recycling

How to make every day recycling day

(Family Features) With so many mixed messages, recycling can feel confusing, but the truth is simpler than you might think. Recycling isn’t just for today – it’s a year-round commitment to a healthier planet.

In honor of National Recycling Day, consider these facts about recycling from the experts and tips to make a difference.

Recycling Is Real
Americans recycle more than 6 billion pounds of plastic every year. Among the plastics recycled, polyethylene terephthalate (PET) remains a responsible material choice. PET is the world’s most recycled plastic, with more than 1.8 billion pounds of PET bottles and containers recovered in the U.S. annually. Since PET bottles can be made from 100% post-consumer recycled content, each recycled bottle contributes to a circular economy where materials are continuously reused instead of wasted.

Recycling PET Plastic is Better for the Environment
Countless others from academics, researchers and industry experts show plastics, such as PET specifically, often have a lower environmental impact. In fact, glass bottles produce three times the greenhouse gas emissions compared to PET bottles, and making an aluminum can produces twice the emissions, according to Life Cycle Assessment studies. Producing PET also uses less energy and water and lowers acid rain and smog potential. Using and recycling PET is a more responsible, more eco-friendly choice than banning plastic outright.

Recycling Saves Energy
Recycling PET bottles requires less energy than producing new glass bottles or aluminum cans. Every PET bottle you recycle helps conserve resources and supports a more responsible production cycle.

Not All Plastics are Created Equal
PET is a superstar among plastics because it can be recycled repeatedly without losing strength or quality. It’s also an inexpensive, lightweight and shatter-resistant package that preserves and protects the food and medicine people place in their bodies.

Recycling Can be Easy
Recycling services can be accessible, with many communities across the U.S. offering easy ways to recycle. Today more than 73% of all U.S. households have access to recycling, according to The Recycling Partnership.

By staying informed, choosing packaging that’s easily recyclable and recycling consistently, you can help build a more sustainable future every day. Visit recyclecheck.org to find out where you can recycle in your community.

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5 Recycling Tips

  1. Know your plastics. Look for the No. 1 recycling symbol – inside three arrows forming a triangular shape – to identify polyethylene terephthalate (PET), helping ensure your recycling efforts are impactful.
  2. Recycle PET plastic packaging over bans. Choose products packaged in PET bottles where possible, as recycling PET reduces reliance on resource-heavy materials and greenhouse gas emissions.
  3. See recycling as energy conservation. PET bottle recycling uses significantly less energy compared to producing new glass bottles or aluminum cans.
  4. Think of recycling as an investment. Every PET container you recycle contributes to a circular economy and more sustainable world.
  5. Get involved within your community. Connect with local recycling programs and stay updated on your area’s recycling guidelines by visiting recyclecheck.org.

Photo courtesy of Shutterstock

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Amcor Rigid Packaging

Our Lifestyle section on STM Daily News is a hub of inspiration and practical information, offering a range of articles that touch on various aspects of daily life. From tips on family finances to guides for maintaining health and wellness, we strive to empower our readers with knowledge and resources to enhance their lifestyles. Whether you’re seeking outdoor activity ideas, fashion trends, or travel recommendations, our lifestyle section has got you covered. Visit us today at https://stmdailynews.com/category/lifestyle/ and embark on a journey of discovery and self-improvement.

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