Festivals
Los Angeles Film School Alumni are Among the Many Celebrated at the 82nd Annual Golden Globes
The Los Angeles Film School celebrates alumni achievements with seven graduates credited in five Golden Globe-winning projects, showcasing their industry’s integral education and talent across various film and television genres.
Talented graduates make significant marks across television and film in another breakthrough year
LOS ANGELES /PRNewswire/ — The Los Angeles Film School kicks off the year celebrating extraordinary alumni achievements with seven alumni credited on five Golden Globe-winning projects, which won a total of nine awards.
“These accolades are a phenomenal celebration of our alumni’s diverse talent and individual contributions to the industry,” said Jackie Otero, alumni relations manager for the L.A. Film School. “Our alumni continue to prove that the hands-on, industry-integrated curriculum we’ve developed provides students with the precise skills, network, and practical experience needed to transform their creative passion into professional success.”
The impressive roster of nominated projects spans multiple genres and mediums, including “The Bear,” “Wicked,” “Shogun,” “Monsters: The Lyle and Erik Menendez Story,” “Inside Out 2,” “A Complete Unknown,” “Dune Part Two,” “Moana 2,” “Hacks,” “Twisters,” and more. In total, L.A. Film School alumni garnered 43 nominations, with 19 individuals credited on 17 projects for this year’s Golden Globes. This achievement alone underscores the school’s comprehensive approach to entertainment education across film, television, animation, and sound production.
Alumni featured on works that received awards during yesterday’s ceremony include:
- John Creed (recording arts, 2012) served as a dialogue editor on “Shogun,” which won the four awards it was nominated for, including best television series – drama.
- Brice Bradley (film, 2008), gaffer, Yermin (Randy) Garcia (film, 2011), key grip, and Jamiel VanOver (film, 2010), first assistant camera, all served on “Hacks,” which took home two awards, including best television series – musical or comedy.
- Mikaela Padilla (audio production, 2022) worked as a foley mixer on “Wicked,” which won for cinematic and box office achievement.
- Devon Rush (film, 2016) was a matte painter on “The Bear,” which won an award for its lead actor performance.
- Bernard Lipscomb (film, 2011) was credited as second assistant camera on “True Detective: Night Country,” which won an award for its lead actress performance.
This year’s class of winners for the 82nd Annual Golden Globes proves the Los Angeles Film School continues to demonstrate its commitment to nurturing creative talent that makes meaningful contributions to the global entertainment landscape.
For more information on The Los Angeles Film School or The Los Angeles Recording School, visit lafilm.edu.
About The Los Angeles Film School
The Los Angeles Film School is an accredited higher education institution located in the heart of Hollywood. The school has served the community and its students since 1999 and offers entertainment-focused Bachelor of Science degrees in Animation, Audio Production, Digital Filmmaking, Entertainment Business, Film Production, Graphic Design, Media Communications, Music Production and Writing for Film & TV; and Associate of Science degrees in Audio Production, Music Production, and Film. The campus facilities include the historic RCA Building at 6363 Sunset Boulevard and the studios at 6690 Sunset Boulevard, where students have access to industry-standard equipment, editing labs, dub stages and recording studios.
Los Angeles Film School
The school’s faculty of industry professionals have earned credits on major motion pictures, video games and music recordings. Numerous alumni have received awards at film festivals worldwide, engineered multi-platinum selling albums, and some credits include GRAMMY and Oscar nominations and wins. The school is a VA-approved institution and accredited by the Accrediting Commission of Career Schools and Colleges (ACCSC).
For more information about The Los Angeles Film School, please visit www.lafilm.edu or call 323.860.0789.
SOURCE The Los Angeles Film School
pop culture
May the Fourth: Celebrating National Star Wars Day | Fun Facts & Festivities
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th.
Last Updated on May 4, 2026 by Daily News Staff
National Star Wars Day, also known as May the Fourth, is a celebration of the Star Wars franchise that takes place annually on May 4th. The day is filled with festivities such as costume contests, trivia games, and movie marathons. Fans of the series can dress up like their favorite characters, watch their favorite movies, and make outer space snacks.
The phrase “May the Fourth Be with You” was first introduced by the Conservative Party in the UK in 1979 to congratulate Margaret Thatcher on becoming the first female Prime Minister. Since then, the phrase has become synonymous with Star Wars Day and is used by fans around the world to greet each other on this special day.
National Star Wars Day was first organized in Toronto, Canada, in 2011, and has since become a worldwide phenomenon. Fans of all ages come together to celebrate their love for the franchise and to honor its creator, George Lucas.
Whether you’re a hardcore fan or just a casual admirer, National Star Wars Day is a day to let loose and have some fun. May the Fourth be with you!
National Star Wars Day
https://nationaldaycalendar.com/?s=Star+Wars+Day
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Author
Entertainment
The Largest AI Film Competition Is a Snapshot of Where AI Filmmaking Is Headed
Largest AI Film Competition : Ten Los Angeles Film School and Los Angeles Recording School alumni contributed to 2026 Oscar-winning films including One Battle After Another, Sinners, F1, and Avatar: Fire and Ash.
A year ago, “AI film” still sounded like a niche experiment—cool demos, rough edges, and lots of debate about whether it could ever look truly cinematic. Higgsfield’s latest competition results suggest we’ve crossed into a new phase: AI filmmaking is becoming a real, global production lane, driven by independent creators working outside traditional studio systems.
According to the company, its AI Film Competition drew nearly 8,800 submissions from 139 countries, with a $500,000 cash prize pool distributed to independent filmmakers. Beyond the winners, the dataset reads like a market signal: generative tools are lowering the cost of entry for high-end visuals, and the talent pipeline is no longer geographically locked to legacy production hubs.
A global creator map is replacing the old studio map
One of the most telling takeaways is where the work is coming from. Higgsfield reports the largest volume of entries came from:
- India (1,805)
- United States (1,041)
- Germany (278)
- France (230)
- Italy (228)
- Brazil (212)
- United Kingdom (196)
Historically, cinematic action and high-end VFX were concentrated in a handful of established centers—places with the budgets, infrastructure, and specialized crews to pull off complex sequences. Higgsfield’s results point to a different reality: subscription-based, production-grade AI tools are reducing geographic barriers, enabling creators across Latin America, Southeast Asia, and Eastern Europe to compete in the same visual arena.
Higgsfield CEO Alex Mashrabov framed it as a creator inflection point, arguing that the scale of participation signals the next breakout franchise “can come from anywhere on Earth.” Whether or not you buy the blockbuster prediction, the underlying shift is hard to ignore: global access is now a feature of the production model.
The judging criteria hints at what matters next
Another important detail: the prize pool wasn’t awarded for “best render” alone. Higgsfield says the jury—made up of both traditional production veterans and AI-native creators—prioritized storytelling and directorial intent over technical polish.
That’s a meaningful signal for where AI filmmaking is headed. As tools improve, the baseline for visual quality rises. What differentiates creators isn’t just the ability to generate a shot—it’s the ability to direct one: pacing, tone, character, and clarity of vision.
The jury included names and studios spanning both worlds, such as Secret Level (founded by Emmy-winning filmmaker Jason Zada), Buralqy, concept artist Jama Jurabaev, and PJ Ace of Genre.ai—who called it “the best-looking AI film contest” they’ve seen.
Decentralized production is no longer theoretical
The Grand Prize winner is also a case study in how AI changes collaboration. 1st Place ($150,000) went to Muhannad Nassar (Detroit) and Simon Meyer (Germany) for “GRANDMA vs WASP.” The pair reportedly never met in person, instead using an asynchronous workflow across time zones with Higgsfield’s Cinema Studio.
That’s not just a fun anecdote—it’s a preview of a parallel production ecosystem where teams form around taste and capability rather than geography. If the toolchain is centralized in the cloud, the “studio” becomes a workflow, not a building.
Winners show two pathways: new creators and experienced pros
The rest of the top placements reflect how broad the adoption curve is becoming:
- 2nd Place ($100,000): Nikolay Shestak for “CUPID,” using Higgsfield to execute concepts that would normally be budget-prohibitive. He plans to apply the prize toward an independent superhero film.
- 3rd Place ($50,000): Brothers Ash and Aram Gevorkyan for “SCRATCH,” created in five days. Ash noted audiences mistook it for a studio-backed theatrical release and asked for a link to the “full movie.”
What’s emerging is a two-lane future: newcomers using AI to enter filmmaking for the first time, and established creatives using it to expand what they can produce independently.
Money is starting to loop back into production
Higgsfield also highlights something that looks a lot like early-stage industry deal flow: one top winner is reportedly reinvesting prize money back into the platform to produce a feature-length film, and the project has already attracted involvement from a major Hollywood figure.
That matters because it suggests AI-generated work isn’t staying in a separate “AI corner.” It’s beginning to intersect with the traditional financing-and-distribution ecosystem—especially when the output looks cinematic enough to be taken seriously.
The market is growing—and the infrastructure is consolidating
The competition results land in a market that’s expanding quickly. Citing Grand View Research, Higgsfield notes the global AI video generator market was estimated at $788.5 million in 2025 and is projected to reach $3.44 billion by 2033 (a 20.3% CAGR).
Higgsfield is positioning itself as an all-in-one workflow layer, combining its own models with third-party options (including OpenAI’s Sora and Google’s Veo, among others) so creators can choose the best model per task without rebuilding pipelines. The company says it serves 20 million+ users who have generated 50 million+ videos, and it reports a most recent valuation of $1.3 billion.
What to watch for next
If you’re tracking where AI filmmaking is going, this competition offers a few clear “watch points”:
- More global breakout creators as the cost of cinematic visuals continues to fall
- Decentralized teams forming around projects, not locations
- A shift from “can it look good?” to “can you direct it?” as quality becomes more accessible
- Traditional industry crossover as AI-native projects attract recognizable partners
Want to see the winning films and action scenes? Higgsfield has them here: https://higgsfield.ai/contests/make-your-action-scene
Source: Higgsfield press release distributed via PRNewswire (March 18, 2026).
Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/
and let your entertainment journey begin!
awards and contests
The Largest AI Film Competition Is a Snapshot of Where AI Filmmaking Is Headed
Higgsfield released results from its largest AI filmmaking competition: nearly 8,800 submissions from 139 countries and $500,000 in prizes—highlighting a fast-growing, global, creator-led filmmaking ecosystem.
Last Updated on April 25, 2026 by Daily News Staff
A year ago, “AI film” still sounded like a niche experiment—cool demos, rough edges, and lots of debate about whether it could ever look truly cinematic. Higgsfield’s latest competition results suggest we’ve crossed into a new phase: AI filmmaking is becoming a real, global production lane, driven by independent creators working outside traditional studio systems.
According to the company, its AI Film Competition drew nearly 8,800 submissions from 139 countries, with a $500,000 cash prize pool distributed to independent filmmakers. Beyond the winners, the dataset reads like a market signal: generative tools are lowering the cost of entry for high-end visuals, and the talent pipeline is no longer geographically locked to legacy production hubs.
A global creator map is replacing the old studio map
One of the most telling takeaways is where the work is coming from. Higgsfield reports the largest volume of entries came from:
- India (1,805)
- United States (1,041)
- Germany (278)
- France (230)
- Italy (228)
- Brazil (212)
- United Kingdom (196)
Historically, cinematic action and high-end VFX were concentrated in a handful of established centers—places with the budgets, infrastructure, and specialized crews to pull off complex sequences. Higgsfield’s results point to a different reality: subscription-based, production-grade AI tools are reducing geographic barriers, enabling creators across Latin America, Southeast Asia, and Eastern Europe to compete in the same visual arena.
Higgsfield CEO Alex Mashrabov framed it as a creator inflection point, arguing that the scale of participation signals the next breakout franchise “can come from anywhere on Earth.” Whether or not you buy the blockbuster prediction, the underlying shift is hard to ignore: global access is now a feature of the production model.
The judging criteria hints at what matters next
Another important detail: the prize pool wasn’t awarded for “best render” alone. Higgsfield says the jury—made up of both traditional production veterans and AI-native creators—prioritized storytelling and directorial intent over technical polish.
That’s a meaningful signal for where AI filmmaking is headed. As tools improve, the baseline for visual quality rises. What differentiates creators isn’t just the ability to generate a shot—it’s the ability to direct one: pacing, tone, character, and clarity of vision.
The jury included names and studios spanning both worlds, such as Secret Level (founded by Emmy-winning filmmaker Jason Zada), Buralqy, concept artist Jama Jurabaev, and PJ Ace of Genre.ai—who called it “the best-looking AI film contest” they’ve seen.
Decentralized production is no longer theoretical
The Grand Prize winner is also a case study in how AI changes collaboration. 1st Place ($150,000) went to Muhannad Nassar (Detroit) and Simon Meyer (Germany) for “GRANDMA vs WASP.” The pair reportedly never met in person, instead using an asynchronous workflow across time zones with Higgsfield’s Cinema Studio.
That’s not just a fun anecdote—it’s a preview of a parallel production ecosystem where teams form around taste and capability rather than geography. If the toolchain is centralized in the cloud, the “studio” becomes a workflow, not a building.
Winners show two pathways: new creators and experienced pros
The rest of the top placements reflect how broad the adoption curve is becoming:
- 2nd Place ($100,000): Nikolay Shestak for “CUPID,” using Higgsfield to execute concepts that would normally be budget-prohibitive. He plans to apply the prize toward an independent superhero film.
- 3rd Place ($50,000): Brothers Ash and Aram Gevorkyan for “SCRATCH,” created in five days. Ash noted audiences mistook it for a studio-backed theatrical release and asked for a link to the “full movie.”
What’s emerging is a two-lane future: newcomers using AI to enter filmmaking for the first time, and established creatives using it to expand what they can produce independently.
Money is starting to loop back into production
Higgsfield also highlights something that looks a lot like early-stage industry deal flow: one top winner is reportedly reinvesting prize money back into the platform to produce a feature-length film, and the project has already attracted involvement from a major Hollywood figure.
That matters because it suggests AI-generated work isn’t staying in a separate “AI corner.” It’s beginning to intersect with the traditional financing-and-distribution ecosystem—especially when the output looks cinematic enough to be taken seriously.
The market is growing—and the infrastructure is consolidating
The competition results land in a market that’s expanding quickly. Citing Grand View Research, Higgsfield notes the global AI video generator market was estimated at $788.5 million in 2025 and is projected to reach $3.44 billion by 2033 (a 20.3% CAGR).
Higgsfield is positioning itself as an all-in-one workflow layer, combining its own models with third-party options (including OpenAI’s Sora and Google’s Veo, among others) so creators can choose the best model per task without rebuilding pipelines. The company says it serves 20 million+ users who have generated 50 million+ videos, and it reports a most recent valuation of $1.3 billion.
What to watch for next
If you’re tracking where AI filmmaking is going, this competition offers a few clear “watch points”:
- More global breakout creators as the cost of cinematic visuals continues to fall
- Decentralized teams forming around projects, not locations
- A shift from “can it look good?” to “can you direct it?” as quality becomes more accessible
- Traditional industry crossover as AI-native projects attract recognizable partners
Want to see the winning films and action scenes? Higgsfield has them here: https://higgsfield.ai/contests/make-your-action-scene
Source: Higgsfield press release distributed via PRNewswire (March 18, 2026).
Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/
and let your entertainment journey begin!
