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From ‘mail-order brides’ to ‘passport bros,’ the international dating industry often sells traditional gender roles

A sociologist traces how the international dating industry evolved from “mail-order brides” to “passport bros,” and why economic anxiety and shifting gender norms keep traditional roles in demand.

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A traveler in an airport looks at a phone, illustrating modern international dating and the passport bros trend.
For many American men, the draw of the international dating industry is the idea of ‘more traditional’ women.
Kurgenc/iStock via Getty Images Plus

From ‘mail-order brides’ to ‘passport bros,’ the international dating industry often sells traditional gender roles

Julia Meszaros, Texas A&M University-Commerce

Fifteen years ago, when I started studying the international dating industry, few people took the subject seriously. The term “mail-order bride” was treated as a punch line – something outdated, associated with lonely men and poor women who migrated from Eastern Europe, Asia or other places to meet their new husbands in the United States.

But I’ve seen firsthand how ideas about gender, intimacy and global mobility have shifted. In 2025, a man going abroad to look for love might call himself a “passport bro” – and celebrate his lifestyle on TikTok.

This new generation of young men may have rebranded international dating, but they reflect an age-old theme. Social and economic changes shape how people negotiate love and labor across borders, as I explore in my 2025 book, “Economies of Gender.” In a chaotic world, some men and women turn to traditional gender roles as a source of seeming stability – and that often leads them abroad.

Old industry, new look

The term “mail-order bride” dates back to the 19th century, when so-called frontier brides advertised themselves in newspapers to single men in the American West. After the Civil War, when large numbers of men had died on the East Coast, some women saw migrating to the frontier to marry someone sight unseen as a way to secure stability. That narrative still lingers today in Western novels and films.

The modern international matchmaking industry, however, took shape in the 1970s, when catalogs of mostly Filipino women’s photos and addresses were sold to American men. After being pen pals, men would travel to the Philippines to meet and decide whether they wanted to get married. Some scholars consider this a form of human trafficking, but that has been challenged by other scholarship.

These catalogs emerged as more U.S. women were entering the workforce and earning their own money. Some men sought wives abroad who they believed would embody more traditional values – prioritizing domestic work and devoting themselves to men and children.

Over the next few decades, large numbers of stable, well-paying factory jobs disappeared, further challenging some men’s view of themselves as breadwinners.

By 2010, the catalog system had moved online and expanded into a global industry that generated US$2 billion dollars per year. Today, it takes many forms. Most of the industry is online, with email and chat correspondence that charges men but not women. Some agencies provide in-person tours for male clients, and there are higher-end, more personalized matchmaking services as well.

From taboo to televised

What was once stigmatized has become more normalized through reality TV. TLC’s hit series “90 Day Fiance,” which came on air in 2014, has transformed international dating into a lucrative entertainment franchise.

A brunette woman with curly hair, wearing a pink sleeveless shirt, embraces a dark-haired man in a white t-shirt, with two suitcases in the corner.
The stresses of the K-1 visa process have become fodder for reality TV.
AMR Image/iStock via Getty Images Plus

The show and its numerous spin-offs show couples navigating the K-1 visa process, which gives 90 days to marry after a partner enters the country. If the wedding is called off, the foreign fiance or fiancee must return to their country of origin.

Many of the featured couples met randomly, in person. A significant number, however, connected through online dating or language-learning sites. Numerous couples’ storylines highlight family and friends of the American partner who question the girlfriend’s or boyfriend’s motives, accusing them of faking love for financial gain and access to a green card.

Audiences might watch the show for drama or love stories, but the underlying themes mirror what I’ve seen in the field: relationships shaped by economic inequality and migration, with women often exchanging emotional, domestic and sexual labor in return for financial stability.

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Rise of the ‘passport bros’

In recent years, the mail-order bride industry has gotten a cultural revamp, with younger and more diverse men who identify as “passport bros.” This crowd is typically younger than men participating in the commercial international dating industry and more likely to identify as men of color.

These men are less likely to pay for formal dating and introduction services. They travel on their own, using free dating apps such as Tinder to meet local women – mostly in Colombia, Brazil and the Dominican Republic.

Passport bros say they travel abroad to meet women who are more traditional than the ones they meet at home. Many of the American men I interviewed between 2010 and 2022 talked about Western women as too focused on career, which challenged their idea of themselves as financial providers.

A man in a black t-shirt and gray button-up rests his arm on the bar as he tries to talk to a woman in a pink top.
‘Passport bros’ fly solo rather than paying for international dating services.
Stanislav Smoliakov/iStock via Getty Images Plus

Similarly, my research in Ukraine, Colombia and the Philippines shows that many men using international dating services are motivated by more than just love or cultural curiosity. They are responding to a changing world in which women’s financial independence has challenged traditional male roles. For some, traveling abroad is a way to reassert control and to find relationships that reaffirm a sense of masculine identity.

In my interviews, American men looking abroad talked about feeling empowered and having choices, while being ignored in the U.S. dating market. Some recognized that their relative wealth is the cause of this. As one man on a romance tour in Ukraine told me in 2012, “I am here to exchange my financial stability for some Ukrainian woman’s youth and beauty, and I am OK with that.”

Appeal of ‘tradition’

Together, many of these daters illustrate the global pattern I’ve seen across my years of fieldwork: anxiety fuels a longing for traditionalism.

What appears to be a return to the past is, in reality, an adaptation to the present. The romance tours, the “90 Day Fiance” phenomenon and the passport bros speak to how people use relationships to navigate the economic instability of the modern world. Gender roles become a way to reestablish order and identity.

In the past two decades, rising inflation, stagnant wages and housing shortages have left many people, especially younger generations, feeling economically trapped. The COVID-19 pandemic deepened these inequalities, forcing millions out of the workforce and amplifying the strain of unpaid caregiving, particularly for women.

In times of uncertainty, societies often retreat to familiar narratives. Traditional gender roles offer an illusion of stability and order, even if they reinforce inequality. The fantasy of the dependable male provider and the nurturing homemaker resurfaces because it seems to resolve anxieties that the modern economy has made harder to bear.

As a sociologist, I study these dynamics not just to understand dating trends but to trace how societies reproduce inequality through intimacy. Until our society addresses stagnant wages, rising costs and the erosion of social safety nets, I believe nostalgia for a clear, gendered hierarchy will continue. In this hierarchy, men are guaranteed women’s labor, and women hold out hope for economic security – which is often seen as romance.

Julia Meszaros, Associate Professor of Sociology, Texas A&M University-Commerce

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This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Bad Bunny’s Super Bowl Halftime Show Fits the NFL’s Long Game to Win Latin America

The NFL aims to expand its reach into Latin America through strategic marketing and high-profile performers like Bad Bunny at the Super Bowl halftime show. While the choice has sparked controversy, particularly among conservatives, the league sees it as a business move to attract more fans, particularly in Mexico and Brazil.

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Last Updated on February 7, 2026 by Daily News Staff

Bad Bunny: Concert crowd with illuminated stage
Bad Bunny performs on stage on Dec. 11, 2025, in Mexico City, Mexico. Emma McIntyre/Getty Images

Jared Bahir Browsh, University of Colorado Boulder

Bad Bunny’s Super Bowl show is part of long play drawn up by NFL to score with Latin America

Donald Trump, it is fair to assume, will be switching channels during this year’s Super Bowl halftime show.

The U.S. president has already said that he won’t be attending Super Bowl LX in person, suggesting that the venue, Levi’s Stadium in Santa Clara, California, was “just too far away.” But the choice of celebrity entertainment planned for the main break – Puerto Rican reggaeton star Bad Bunny and recently announced pregame addition Green Day – didn’t appeal. “I’m anti-them. I think it’s a terrible choice. All it does is sow hatred. Terrible,” Trump told the New York Post.

National Football League Commissioner Roger Goodell likely didn’t have the sensibilities of the U.S. president in mind when the choice of Bad Bunny was made.

One of the top artists in the world, Bad Bunny performs primarily in Spanish and has been critical of immigration enforcement, which factored into the backlash in some conservative circles to the choice. Bad Bunny’s anti-ICE comments at this year’s Grammy Awards will have only stoked the ire of some conservatives.

But for the NFL hierarchy, this was likely a business decision, not a political one. The league has its eyes on expansion into Latin America; Bad Bunny, they hope, will be a ratings-winning means to an end. It has made such bets in the past. In 2020, Shakira and Jennifer Lopez were chosen to perform, with Bad Bunny making an appearance. The choice then, too, was seen as controversial.

A man dressed in silver sings while crouched over a woman.
Shakira and Bad Bunny perform during the Pepsi Super Bowl LIV Halftime Show on Feb. 2, 2020, in Miami, Fla. Al Bello/Getty Images

Raising the flag overseas

As a teacher and scholar of critical sports studies, I study the global growth of U.S.-based sports leagues overseas.

Some, like the National Basketball Association, are at an advantage. The sport is played around the globe and has large support bases in Asia – notably in the Philippines and China – as well as in Europe, Australia and Canada.

The NFL, by contrast, is largely entering markets that have comparatively little knowledge and experience with football and its players.

The league has opted for a multiprong approach to attracting international fans, including lobbying to get flag football into the 2028 Olympics in Los Angeles.

Playing the field

When it comes to the traditional tackle game, the NFL has held global aspirations for over three-quarters of a century. Between 1950-1961, before they merged, the NFL and American Football League played seven games against teams in Canada’s CFL to strengthen the relationship between the two nations’ leagues.

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Developing a fan base south of the border has long been part of the plan.

The first international exhibition game between two NFL teams was supposed to take place in Mexico City in 1968. But Mexican protest over the economy and cost of staging the Olympics that year led the game, between the Detroit Lions and Philadelphia Eagles, to be canceled.

Instead, it was Montreal that staged the first international exhibition match the following year.

In 1986, the NFL added an annual international preseason game, the “American Bowl,” to reach international fans, including several games in Mexico City and one in Monterrey.

But the more concerted effort was to grow football in the potentially lucrative, and familiar, European market.

After several attempts by the NFL and other entities in the 1970s and ’80s to establish an international football league, the NFL-backed World League of Football launched in 1991. Featuring six teams from the United States, one from Canada and three from Europe, the spring league lost money but provided evidence that there was a market for American football in Europe, leading to the establishment of NFL Europe.

But NFL bosses have long had wider ambitions. The league staged 13 games in Tokyo, beginning in 1976, and planned exhibitions for 2007 and 2009 in China that were ultimately canceled. These attempts did not have the same success as in Europe.

Beyond exhibitions

The NFL’s outreach in Latin America has been decades in the making. After six exhibition matches in Mexico between 1978 and 2001, the NFL chose Mexico City as the venue of its first regular season game outside the United States.

In 2005, it pitted the Arizona Cardinals against the San Francisco 49ers at Estadio Azteca in Mexico City. Marketed as “Fútbol Americano,” it drew the largest attendance in NFL history, with over 103,000 spectators.

The following year, Goodell was named commissioner and announced that the NFL would focus future international efforts on regular-season games.

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The U.K. was a safe bet due to the established stadium infrastructure and the country’s small but passionate fan base. The NFL International Series was played exclusively in London between 2007 and 2016.

But in 2016, the NFL finally returned to Mexico City, staging a regular-season game between the Oakland – now Las Vegas – Raiders and Houston Texans.

And after the completion of upgrades to Latin America’s largest stadium, Estadio Azteca, the NFL will return to Mexico City in 2026, along with games in Munich, Berlin and London. Future plans include expanding the series to include Sydney, Australia, and Rio de Janeiro, Brazil, in 2026.

The International Player Pathway program also offers players from outside the United States an opportunity to train and earn a roster spot on an NFL team. The hope is that future Latin American players could help expand the sport in their home countries, similar to how Yao Ming expanded the NBA fan base in China after joining the Houston Rockets, and Shohei Ohtani did the same for baseball in Japan while playing in Los Angeles.

Heading south of the border

The NFL’s strategy has gained the league a foothold in Latin America.

Mexico and Brazil have become the two largest international markets for the NFL, with nearly 40 million fans in each of the nations.

Although this represents a fraction of the overall sports fans in each nation, the raw numbers match the overall Latino fan base in the United States. In recent years the NFL has celebrated Latino Heritage Month through its Por La Cultura campaign, highlighting Latino players past and present.

Latin America also offers practical advantages. Mexico has long had access to NFL games as the southern neighbor to the United States, with the Dallas Cowboys among the most popular teams in Mexico.

For broadcasters, Central and South America offer less disruption in regards to time zones. Games in Europe start as early as 6:30 a.m. for West Coast fans, whereas Mexico City follows Central time, and Brasilia time is only one to two hours ahead of Eastern time.

A man in a bowtie holds three trophies.
Bad Bunny poses with the Album of the Year, Best Música Urbana Album and Best Global Music Performance awards during the 68th Grammy Awards on Feb. 1, 2026, in Los Angeles. Matt Winkelmeyer/Getty Images for The Recording Academy

The NFL’s expansion plans are not without criticism. Domestically, fans have complained that teams playing outside the U.S. borders means one less home game for season-ticket holders. And some teams have embraced international games more than others.

Another criticism is the league, which has reported revenues of over US$23 billion during the 2024-25 season – nearly double any other U.S.-based league – is using its resources to displace local sports. There are also those who see expansion of the league as a form of cultural imperialism. These criticisms often intersect with long-held ideas around the league promoting militarism, nationalism and American exceptionalism.

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Bad Bunny: No Hail Mary attempt

For sure, the choice of Bad Bunny as the halftime pick is controversial, given the current political climate around immigration. The artist removed tour dates on the U.S. mainland in 2025 due to concerns about ICE targeting fans at his concerts, a concern reinforced by threats from the Department of Homeland Security that they would do just that at the Super Bowl.

But in sticking with Bad Bunny, the NFL is showing it is willing to face down a section of its traditional support and bet instead on Latin American fans not just tuning in for the halftime show but for the whole game – and falling in love with football, too.

Jared Bahir Browsh, Assistant Teaching Professor of Critical Sports Studies, University of Colorado Boulder

This article is republished from The Conversation under a Creative Commons license. Read the original article.


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Jurassic Quest Brings Life-Size Dinosaurs to Phoenix in February 2026

Jurassic Quest is roaring back into Phoenix in February 2026 with towering life-size dinosaurs, interactive exhibits, and hands-on activities for kids and families at the Arizona State Fairgrounds.

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Last Updated on February 7, 2026 by Daily News Staff

Jurassic Quest: Giant dinosaur in amusement park.

Phoenix, AZ — Jurassic Quest, billed as North America’s largest traveling dinosaur experience, is set to return to Arizona with a limited engagement at the Arizona State Fairgrounds from February 6–8, 2026.

The family-friendly attraction features life-size animatronic dinosaurs, immersive walk-through exhibits, and hands-on activities designed to blend entertainment with education. Guests will encounter towering recreations of iconic species such as Tyrannosaurus rex and Spinosaurus, along with interactive fossil digs, dinosaur rides, inflatables, and meet-and-greet opportunities with baby dinosaurs.

Jurassic Quest has become a popular touring event across the United States, particularly among families with young children. The experience combines museum-style displays with high-energy attractions, allowing visitors to explore at their own pace. Most attendees spend one to two hours navigating the exhibit.

The event will take place at the Arizona State Fairgrounds, located at 1826 W. McDowell Road in Phoenix, with multiple daily sessions scheduled throughout the weekend.

Tickets and additional event details are available through the official Jurassic Quest website.


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Chinamaxxing: The Viral Trend Turning Geopolitics Into Aesthetic Fantasy

A viral social media trend called “Chinamaxxing” is turning geopolitics into aesthetic comparison—revealing more about generational frustration than China itself.

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Chinamaxxing: Crowded subway station with train. A deep dive into “Chinamaxxing,” the viral social media trend blending aesthetics, politics, and generational disillusionment.

At first glance, the videos seem harmless enough.

Clean subways gliding into spotless stations. Neon skylines glowing at night. Clips of high-speed trains, cashless stores, orderly crowds. Overlaid text reads something like, “Meanwhile in China…” or “They figured it out.”

This is “Chinamaxxing,” a loosely defined but increasingly visible social media trend where mostly young users frame China as a model of efficiency, stability, and modernity—often in contrast to life in the West.

What makes the trend notable isn’t just its subject, but its tone. Chinamaxxing is rarely explicit political advocacy. It’s not a manifesto. It’s a mood. Aesthetic admiration blended with subtle critique, delivered through short, visually compelling clips that invite comparison without context.

And that’s precisely why it has sparked debate.

What Is “Chinamaxxing,” Really?

Despite the provocative name, Chinamaxxing isn’t a coordinated movement or ideology. It’s better understood as an algorithm-driven pattern—a recurring style of content that rewards certain visuals and emotional cues.

Most Chinamaxxing content emphasizes:

  • Infrastructure and urban design
  • Technology embedded in daily life
  • Perceived order and efficiency
  • Implicit contrast with Western dysfunction

What it typically omits:

  • Political repression and censorship
  • State surveillance
  • Limits on speech and dissent
  • The lived diversity of Chinese experiences

The result is a highly curated portrayal—less about China as a nation, and more about what viewers want to believe is possible somewhere else.

Why It’s Gaining Traction Now

The rise of Chinamaxxing says as much about the West as it does about China.

For many young users, particularly Gen Z, the backdrop is familiar: rising housing costs, student debt, healthcare anxiety, political polarization, and a growing sense that institutions no longer function as promised.

In that environment, visually persuasive content showing order and functionality carries emotional weight. It offers relief from chaos—real or perceived.

Social platforms amplify this effect. Short-form video rewards clarity, contrast, and immediacy. A clean subway platform communicates more in five seconds than a policy analysis ever could. Nuance does not trend well. Aesthetics do.

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The Social and Political Criticism

Critics argue Chinamaxxing crosses a line from curiosity into distortion.

By focusing exclusively on infrastructure and surface-level efficiency, the trend risks:

  • Normalizing authoritarian governance through lifestyle framing
  • Reducing political systems to consumer experiences
  • Ignoring the tradeoffs that make such systems possible

Supporters counter that Western media has long flattened China into a single negative narrative, and that admiration for specific aspects of another society is not the same as endorsing its government.

Both perspectives, however, miss something important.

What the Trend Actually Reveals

Chinamaxxing isn’t primarily about China. It’s about disillusionment.

It reflects a generation that:

  • Feels let down by existing systems
  • Engages politics emotionally rather than institutionally
  • Uses visual culture to express dissatisfaction indirectly

In this context, China becomes a projection surface—not because it is perfect, but because it appears functional.

That distinction matters.

Why This Matters

Chinamaxxing highlights how political understanding is evolving in the digital age. Governance is increasingly consumed not through debate or civic participation, but through comparison clips, memes, and aesthetics.

The risk isn’t admiration. It’s oversimplification.

When complex societies are reduced to visuals alone, public discourse loses depth. But when those visuals resonate, they also signal real unmet needs: stability, competence, and trust in institutions.

Ignoring that signal would be a mistake.

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The STM Daily News Perspective

Chinamaxxing is not an endorsement, a conspiracy, or a joke. It is a cultural artifact—one that reflects generational anxiety, algorithmic storytelling, and the widening gap between expectations and reality.

The question it raises isn’t whether China is better.

It’s why so many people feel their own systems are no longer working.

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Stay tuned to STM Daily News for more stories exploring internet culture, social media trends, and how digital platforms shape public perception. We’ll be publishing in-depth pieces that break down the societal impact of viral phenomena like Chinamaxxing, the psychology behind online political trends, and the evolving language of Gen Z culture.

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