Entertainment

Sam Shepard’s roots ran deepest in rural America

Sam Shepard, a Pulitzer Prize-winning playwright, depicted the struggles of American families and their connection to land. He passed away on July 27, 2017.

Published

2 months ago

September 22, 2024

The Conversation

John J. Winters, Bridgewater State University

Sam Shepard

When Sam Shepard died on July 27, 2017, the world lost one of the greatest playwrights of the past half-century. He was an artist renowned for bravely plumbing his own life for material, spinning much of his own pain into theatrical gold. His best work revealed the hollowness behind the idea of the happy family and its corollary, the American dream. Subversive and funny, Shepard had the soul of a poet and an experimental streak that never faded.

The American family was, no doubt, Shepard’s great subject. His quintet of family plays that premiered between 1978 and 1985 – “Curse of the Starving Class,” the Pulitzer Prize-winning “Buried Child,” “Fool for Love,” “True West” (both nominated for Pulitzers) and “A Lie of the Mind” – form the foundation of Shepard’s lofty reputation.

While researching my recent biography of Shepard, I found that most critics and scholars focused on the playwright’s relationship with his father. Rightly so: Samuel Shepard Rogers suffered from alcoholism and his only son grew up bearing the brunt of his abuse. Shepard’s family plays turn on the collateral damage of the fathers.

Less frequently examined is the playwright’s fixation on the land, and the ways in which this plays out in his work. Both as a writer and in his personal outlook, Shepard drew deeply from the old trope that nature and innocence are intertwined. And according to critic Harold Bloom, Shepard saw doom in the “materialistic and technological obsessions of modern society.”

Throughout his work, Shepard decried so-called progress, especially the rampant development of open space. Whether it was the forced sale of a family farm (“Curse of the Starving Class”) or Native Americans being driven off their reservation (“Operation Sidewinder”), it all came to no good.

To Shepard, a relationship with the land was nothing short of existential. As the playwright told an interviewer in 1988:

“What’s most frightening to me right now is this estrangement from life. People and things are becoming more and more removed from the actual. We are becoming more and more removed from the earth to the point that people just don’t know themselves or each other or anything.”

Shepard arrived at this impulse naturally. When he was in elementary school, his family settled in a small house on Lemon Street in Bradbury, California. An orchard of 80 avocado trees attached to the house meant that Shepard – then known by his birth name, Steve Rogers – was kept busy irrigating and harvesting the crop. He also raised dogs and sheep, and when he had free time he worked the fields belonging to his neighbors. During high school, he was an eager member of the 4-H Club and Future Farmers of America, and spent his summers tending to the thoroughbreds at nearby Santa Anita Park.

file 20170804 21730 1kwm9c6.jpg?ixlib=rb 4.1 — To Shepard, the creep of development threatened the innocence and vitality of the natural world. Mike Lewinski, CC BY

In college, Shepard’s major wasn’t theater but education. As he once wrote to a friend, back then he wanted to become a “veterinarian with a flashy station wagon, and a flashy blond wife, raising German shepherds in some fancy suburb.” He never finished college nor became a vet. Instead, Shepard left home and made his way across the country to New York City and the East Village, where he would quickly transform himself into the brightest light of the nascent off-off-Broadway scene.

But even as his reputation grew, he never left his agricultural roots behind. In fact, one of Shepard’s early one-act plays was titled “4-H Club” (1965).

Other plays from the 1960s combine his old life with his new one. Rural scenes are full of characters who talk in the hip argot of the Village streets, characters caught in an absurdist situation go “fishing” off the edge of the stage, and Native Americans, by their very presence onstage in plays like 1970’s “Operation Sidewinder,” stake a claim to the land that’s been stolen from them.

With time, the playwright would more directly address the scourge of overdevelopment that he saw happening around him. It would become a running theme of sorts, as Shepard saw the nation growing and changing – but not for the better.

“One of the biggest tragedies about this country was moving from an agricultural society to an urban, industrial society. We’ve been wiped out,” he told Playboy in 1984.

Shepard’s characters embody this loss. In “Geography of a Horse Dreamer” (1974), one character is a gambler who can predict tomorrow’s winners at the racetrack, but loses that power once he’s physically forced from his usual haunts to a new, strange locale. In “Buried Child” (1979), the land holds the answer to the play’s central mystery: At play’s end, the fallow backyard gives up a baby from a shallow grave, shining a light on the incestuous relationship that has led to the ruination of this family – as if the purity of nature had been offended by a terrible transgression. And in Shepard’s late masterpiece, “Ages of the Moon,” two old friends finally find solace by communing with nature at a small, remote campsite.

Nowhere in Shepard’s oeuvre does land play a bigger role than in 1978’s “Curse of the Starving Class.” The Tate family’s farm stands between husband and wife: He wants to unload it to pay off his gambling and drinking debts; she wants to sell it and use the money to escape her marriage and take the children to Europe. The culminating scene features the husband, Weston, coming to his senses after sobering up and walking around his property. Reconnecting with his land, Weston turns his life around, “like peeling off a whole person.”

Shepard’s love of the country and its open spaces would mark all aspects of his career. Also a celebrated actor, he favored “rural” dramas, those set on farms, racetracks or some windswept piece of desert. In his screen debut, Shepard starred as the doomed farmer in Terrence Malick’s “Days of Heaven” (1978). In his screenplay for the cult classic film, “Paris, Texas,” (1984) Shepard mirrored the desolation of the South Texas desert in the soul of his protagonist, Travis, a man suffering from a malady that Shepard often said he himself felt: “lostness.”

Shepard felt most at home traversing what one western historian called this “strange land full of mystery.” He took pride in being a western writer.

“I was never interested in the mythological cowboy. I was interested in the real thing,” he once said.

“He would call me late in the night,” Patti Smith wrote in a loving tribute, “from somewhere on the road, a ghost town in Texas, a rest stop near Pittsburgh, or from Santa Fe, where he was parked in the desert, listening to the coyotes howling. But most often he would call from his place in Kentucky, on a cold, still night, when one could hear the stars breathing…”

She knew, better than anyone, that such places constituted Shepard’s emotional and physical territory. He adored the vastness of the plains, the green of loping pasturelands; he cherished his time running the highways and byways in his pickup, or sitting next to the campfire on a real-life cattle drive, and reveled in the grit of this country’s less-traveled corners.

Shepard loved America for its beauty, its danger and its promise, forever transforming her in our imaginations.

John J. Winters, Adjunct Professor of English, Bridgewater State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Discovering the Lucas Museum of Narrative Art: A New Cultural Landmark in Los Angeles

The Lucas Museum of Narrative Art in Los Angeles, opening in 2026, will explore storytelling through diverse art collections, fostering connections among cultures, and promoting inclusivity and dialogue.

Published

7 hours ago

December 3, 2024

Rod Washington

Lucas Museum of Narrative Art

Nestled in the vibrant Exposition Park of Los Angeles, the Lucas Museum of Narrative Art is set to reshape our understanding of storytelling through visual art. Co-founded by the legendary filmmaker George Lucas and Mellody Hobson, the museum aims to be the first institution solely dedicated to exploring the meaning and impact of narrative art, reflecting the common beliefs and values that bind society together.

The museum’s construction is progressing towards a grand opening in 2026, with its innovative 300,000-square-foot building designed by renowned architect Ma Yansong of MAD Architects. Its design takes inspiration from the natural world, featuring a biomorphic structure that mimics the relationship between trees and their surroundings. The bustling 11-acre campus will include lush gardens and parks designed by Mia Lehrer of Studio-MLA, infusing more than 200 trees into the landscape to create a serene gathering space for the community while promoting biodiversity.

But what truly sets the Lucas Museum apart is its ambitious collection aimed at featuring narrative art from various cultures, mediums, and historical periods. With works ranging from ancient Roman mosaics to contemporary photography, the collection invites viewers into complex dialogues about identity, society, and history. Artists like Lucas Cranach the Elder, Kerry James Marshall, and Cara Romero illustrate the extent to which art can challenge societal norms and provoke meaningful conversations.

As Sandra Jackson-Dumont, the museum’s Director and CEO, eloquently states, “Through narrative art, people from every age and background can find connections between their lives and the lives of others across eras, cultures, and regions of the globe.” This goal underscores the museum’s mission to foster inclusive dialogues and broaden the understanding between diverse communities.

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Exciting news! The Lucas Museum of Narrative Art is set to open in LA in 2025, celebrating storytelling through art and immersive experiences. Stay tuned! 🎨✨ LucasMuseum www.stmdailynews.com ♬ original sound – STMDailyNews

The Lucas Museum of Narrative Art lovingly embraces visual storytelling in all its forms, from traditional paintings and sculptures to comic art and illustrations. This multifaceted approach not only honors the rich history of narrative in art but also opens doors to contemporary practices that resonate with today’s viewers.

As construction milestones are reached, including the recent installation of unique, curved panels on the museum’s façade and the introduction of iconic landscaping elements, excitement builds for the museum’s anticipated opening. The Lucas Museum stands as a beacon of creativity, connection, and inclusivity, inviting the public to delve into the powerful narratives that shape our world.

In a society where storytelling is at the heart of human experience, the Lucas Museum aims not only to showcase art but also to ignite deeper connections and provoke thought about the world we inhabit. Mark your calendars for 2026—you won’t want to miss this extraordinary addition to Los Angeles’ cultural landscape!

Museum Link: https://lucasmuseum.org/

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Moana 2: dazzling sequel redefines the Disney princess with strength, independence and leadership

Published

3 days ago

November 30, 2024

The Conversation

Laura O’Flanagan, Dublin City University

Moana 2

Moana isn’t a typical Disney heroine, stating quite clearly in the latest instalment, Moana 2, that she is not a princess. Her friend Maui’s response – “Well, a lot of people think you are” – elicited knowing laughter from the audience when I saw the film. This shows just how much Moana has redefined what it means to be a Disney princess.

Unconcerned with traditional tropes like ballgowns and romance, Moana embodies strength, independence and a deep commitment to environmental stewardship. She powerfully demonstrates how human action can effect real environmental healing and transformation; through collaborating with the forces of nature, the world can be saved from environmental catastrophe.

In Moana 2, her commitment to protecting the Earth again takes centre stage – but this time going even further to deliver a powerful call for collective action, to restore environmental harmony and strengthen human interconnectedness. Answering the call of her ancestors, Moana sets out on a treacherous ocean voyage to ensure the survival of her island against the wishes of Nalo, a powerful storm god who is determined that humans should remain isolated from one another.

file 20230706 17 460x2d.png?ixlib=rb 4.1

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Moana, of course, shares several traits with earlier Disney princesses. Like Belle from Beauty and the Beast and Jasmine from Aladdin, she dreams of a life beyond the confines of her immediate world. Similar to Ariel from The Little Mermaid and Mulan, she sets off on a dangerous adventure far from home. And like all the princesses before her, Moana has animal companions – Pua the pig and Hei-Hei the chicken. But what sets Moana apart is how her connection to nature is portrayed.

Disney has a long legacy of linking its princesses with nature, from Snow White and Cinderella, who recruit small animals to assist with their domestic chores, to Elsa in Frozen who can magically control ice and snow. But Moana’s relationship with the natural world is more than just symbolic interaction. Her bond with nature is an active, collaborative partnership. https://www.youtube.com/embed/qkgkUCqEum4?wmode=transparent&start=0

This is not a typical Disney princess story of self-discovery, but of active engagement with the world around her. In the first film, Moana embarks on a dangerous oceanic journey to “restore the heart of Te Fiti” – that is, repair the environmental damage caused by the trickster demi-god Maui and restore harmony to the natural world. In doing so, she sets her island and the Disney princess in a new direction.

In the sequel, Moana is more mature, more experienced as a wayfinder, and is a highly respected member of her island community. This new story sees her lead a group of fellow islanders on a voyage to find the lost island of Motufetu and reconnect isolated island communities across the ocean. Through this, she demonstrates the power of collective action. She partners with human and non-human entities in pursuit of these goals, which will lead to better environmental outcomes and greater human connection.

Instead of simply reacting to or passively experiencing nature, as many of her Disney predecessors have, Moana works with forces of nature including the ocean, which is a key character in both films. Unlike typical 3D animation processes, where water is created through automated particle simulations, Disney artists have animated the ocean in Moana as a character, giving it more human-like movement and personality.

This approach allows the ocean to become a true partner in Moana’s journey, guiding her and actively engaging with her in meaningful ways as she restores balance to the environment and connects isolated island communities.

This is a visually stunning sequel that recaptures and builds on the magic of the first film, and should be seen on a large screen. Dazzling artistry fills every frame – in particular, bioluminescent sea life is spectacularly rendered. Polynesian culture is represented in more detail, with traditional rituals, dancing, artwork and singing giving the film a weightier authenticity.

As a musical, the songs are not initially quite as catchy as in the first film, but time will tell if they resonate with audiences. The characters have grown since we last encountered them. Moana flourishes in her role as both a leader and a protector of the Earth. We also see her develop into the role of “big sister” – to her younger sibling Simea and, symbolically, to all who she encounters.

There are heartfelt callbacks to the first film as we see Moana share her knowledge of the ocean and pass on the wisdom she has received from her grandmother, now in spirit, who is portrayed beautifully onscreen in human form and as a manta ray. Moana’s relationship with the egotistical Maui is again a source of comedy, but now contains an emotional depth that comes from a platonic friendship with roots.

Through Moana, we have moved into a new era of the Disney princess. Physically strong and fit, a skilled navigator and blossoming leader, she is a heroine on screen and in the world of the film, where she is depicted on decorative tapa cloths alongside gods and myths. She announces herself as “Moana of the land and of the sea”.

In her seminal work Feminism and The Mastery of Nature, ecofeminist and environmental philosopher Val Plumwood wrote:

If we are to survive into a liveable future, we must take into our own hands the power to create, restore and explore different stories, with new main characters, better plots, and at least the possibility of some happy endings.

Through stories of human interconnectedness, ecological harmony and respect for the natural world, Disney’s Moana 2 appears to be doing just that.

Laura O’Flanagan, PhD Candidate in the School of English, Dublin City University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Senior Pickleball Report

Exciting Insights from the Latest People of Pickleball Episode!

Published

6 days ago

November 27, 2024

Rod Washington, Michael J Sliwa

If you’re a fan of pickleball—or simply love inspiring stories of perseverance and teamwork—you won’t want to miss the latest episode of the People of Pickleball podcast! In this exciting installment, host Mike Sleeves Sliwa dives deep into the dynamic world of the National Pickleball League (NPL) championship with the powerhouse owners of the league’s top three teams: the Houston Hammers, the Columbus Hotshots, and the champions, the Boca Raton Picklers!

Meet the Pickleball Power Players

In this episode, Mike kicks things off with Rommie Maxey, the energetic owner of the Houston Hammers. You can feel the passion as Rommie shares insights into the strategies that drove the Hammers throughout the season. Next up, he has a candid conversation with Jeff McKnight of the Columbus Hotshots, who provides a unique perspective on what it means to chase excellence in such a fiercely competitive league.

The highlight of the episode is undoubtedly the group interview featuring Rick Retamar and Carl Foster, owners of the Boca Raton Picklers. As the champions, they offer a goldmine of information about their journey to victory—one filled with trials, triumphs, and unwavering determination.

Player Perspectives
But that’s not all! The episode also includes engaging discussions with team stars Kara Williams and Mircea Morariu. They bring the listener on a thrilling ride through their season experiences and share what it was like to step onto the court during the championship in Cincinnati back in October. Their camaraderie and spirit shine as they reflect on their journeys and the bonds formed along the way.

Looking to the Future
The conversation doesn’t stop at recounting past victories; Mike also steers the discussion towards the future of the league and the growing trend of senior pickleball. The owners and players outline their hopes for expanding the league’s reach and ensuring that pickleball remains an inclusive and vibrant sport for all ages. These insights are invaluable for anyone interested in the evolution of pickleball as a mainstream sport.

Don’t Miss Out!
This episode of People of Pickleball is an absolute must-listen for enthusiasts and newcomers alike. With insights from both team owners and players, listeners will gain a deeper understanding of what it takes to excel in this thrilling world of pickleball.

So mark your calendars and get ready to tune in! The full interview promises to be packed with fascinating details, anecdotes, and expert perspectives that paint a vivid picture of the current landscape of the National Pickleball League. You won’t want to miss it!

Listen now and join the growing community of pickleball enthusiasts who are eager to learn and share their passion for this wonderful sport!

https://sleeves-spr-people-of-pickleball.castos.com/episodes/behind-the-scenes-of-the-npl-championship-insights-from-pickleball-powerhouses

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https://youtu.be/Mnnpc5vNSmU

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