Entertainment
Sidney Poitier – Hollywood’s first Black leading man reflected the civil rights movement on screen
Aram Goudsouzian, University of Memphis
In the summer of 1967, Martin Luther King Jr. introduced the keynote speaker for the 10th-anniversary convention banquet of the Southern Christian Leadership Conference. Their guest, he said, was his “soul brother.”
“He has carved for himself an imperishable niche in the annals of our nation’s history,” King told the audience of 2,000 delegates. “I consider him a friend. I consider him a great friend of humanity.”
That man was Sidney Poitier.
Poitier, who died at 94 on Jan. 7, 2022, broke the mold of what a Black actor could be in Hollywood. Before the 1950s, Black movie characters generally reflected racist stereotypes such as lazy servants and beefy mammies. Then came Poitier, the only Black man to consistently win leading roles in major films from the late 1950s through the late 1960s. Like King, Poitier projected ideals of respectability and integrity. He attracted not only the loyalty of African Americans, but also the goodwill of white liberals.
In my biography of him, titled “Sidney Poitier: Man, Actor, Icon,” I sought to capture his whole life, including his incredible rags-to-riches arc, his sizzling vitality on screen, his personal triumphs and foibles and his quest to live up to the values set forth by his Bahamian parents. But the most fascinating aspect of Poitier’s career, to me, was his political and racial symbolism. In many ways, his screen life intertwined with that of the civil rights movement – and King himself.
An age of protests
In three separate columns in 1957, 1961 and 1962, a New York Daily News columnist named Dorothy Masters marveled that Poitier had the warmth and charisma of a minister. Poitier lent his name and resources to King’s causes, and he participated in demonstrations such as the 1957 Prayer Pilgrimage and the 1963 March on Washington. In this era of sit-ins, Freedom Rides and mass marches, activists engaged in nonviolent sacrifice not only to highlight racist oppression, but also to win broader sympathy for the cause of civil rights.
In that same vein, Poitier deliberately chose to portray characters who radiated goodness. They had decent values and helped white characters, and they often sacrificed themselves. He earned his first star billing in 1958, in “The Defiant Ones,” in which he played an escaped prisoner handcuffed to a racist played by Tony Curtis. At the end, with the chain unbound, Poitier jumps off a train to stick with his new white friend. Writer James Baldwin reported seeing the film on Broadway, where white audiences clapped with reassurance, their racial guilt alleviated. When he saw it again in Harlem, members of the predominantly Black audience yelled “Get back on the train, you fool!”
King won the Nobel Peace Prize in 1964. In that same year, Poitier won the Oscar for Best Actor for “Lilies of the Field,” in which he played Homer Smith, a traveling handyman who builds a chapel for German nuns out of the goodness of his heart. The sweet, low-budget movie was a surprise hit. In its own way, like the horrifying footage of water hoses and police dogs attacking civil rights activists, it fostered swelling support for racial integration.
A better man
By the time of the actor’s Southern Christian Leadership Conference speech, both King and Poitier seemed to have a slipping grip on the American public. Bloody and destructive riots plagued the nation’s cities, reflecting the enduring discontent of many poor African Americans. The swelling calls for “Black Power” challenged the ideals of nonviolence and racial brotherhood – ideals associated with both King and Poitier.
When Poitier stepped to the lectern that evening, he lamented the “greed, selfishness, indifference to the suffering of others, corruption of our value system, and a moral deterioration that has already scarred our souls irrevocably.” “On my bad days,” he said, “I am guilty of suspecting that there is a national death wish.”
By the late 1960s, both King and Poitier had reached a crossroads. Federal legislation was dismantling Jim Crow in the South, but African Americans still suffered from limited opportunity. King prescribed a “revolution of values,” denounced the Vietnam War, and launched a Poor People’s Campaign. Poitier, in his 1967 speech for the SCLC, said that King, by adhering to his convictions for social justice and human dignity, “has made a better man of me.”
Exceptional characters
Poitier tried to adhere to his own convictions. As long as he was the only Black leading man, he insisted on playing the same kind of hero. But in the era of Black Power, had Poitier’s saintly hero become another stereotype? His rage was repressed, his sexuality stifled. A Black critic, writing in The New York Times, asked “Why Does White America Love Sidney Poitier So?”
That critic had a point: As Poitier himself knew, his films created too-perfect characters. Although the films allowed white audiences to appreciate a Black man, they also implied that racial equality depends on such exceptional characters, stripped of any racial baggage. From late 1967 into early 1968, three of Poitier’s movies owned the top spot at the box office, and a poll ranked him the most bankable star in Hollywood.
Each film provided a hero who soothed the liberal center. His mannered schoolteacher in “To Sir, With Love” tames a class of teenage ruffians in London’s East End. His razor-sharp detective in “In the Heat of the Night” helps a crotchety white Southern sheriff solve a murder. His world-renowned doctor in “Guess Who’s Coming to Dinner” marries a white woman, but only after winning the blessing of her parents.
“I try to make movies about the dignity, nobility, the magnificence of human life,” he insisted. Audiences flocked to his films, in part, because he transcended racial division and social despair – even as more African Americans, baby boomers and film critics tired of the old-fashioned do-gooder spirit of these movies.
Intertwined lives
And then, the lives of Martin Luther King Jr. and Sidney Poitier intersected one final time. After King’s assassination on April 4, 1968, Poitier was a stand-in for the ideal that King embodied. When he presented at the Academy Awards, Poitier won a massive ovation. “In the Heat of the Night” and “Guess Who’s Coming to Dinner” captured most of the major awards. Hollywood again dealt with the nation’s racial upheaval through Poitier movies.
But after King’s violent murder, the Poitier icon no longer captured the national mood. In the 1970s, a generation of “Blaxploitation” films featured violent, sexually charged heroes. They were a reaction against the image of a Black leading man associated with Poitier. Although his career evolved, Poitier was no longer a superstar, and he no longer bore the burden of representing the Black freedom movement. Yet for a generation, he had served as popular culture’s preeminent expression of the ideals of Martin Luther King.
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Aram Goudsouzian, Bizot Family Professor of History, University of Memphis
This article is republished from The Conversation under a Creative Commons license. Read the original article.
The Bridge is a section of the STM Daily News Blog meant for diversity, offering real news stories about bona fide community efforts to perpetuate a greater good. The purpose of The Bridge is to connect the divides that separate us, fostering understanding and empathy among different groups. By highlighting positive initiatives and inspirational actions, The Bridge aims to create a sense of unity and shared purpose. This section brings to light stories of individuals and organizations working tirelessly to promote inclusivity, equality, and mutual respect. Through these narratives, readers are encouraged to appreciate the richness of diverse perspectives and to participate actively in building stronger, more cohesive communities.
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Discovering the Lucas Museum of Narrative Art: A New Cultural Landmark in Los Angeles
The Lucas Museum of Narrative Art in Los Angeles, opening in 2026, will explore storytelling through diverse art collections, fostering connections among cultures, and promoting inclusivity and dialogue.
Lucas Museum of Narrative Art
Nestled in the vibrant Exposition Park of Los Angeles, the Lucas Museum of Narrative Art is set to reshape our understanding of storytelling through visual art. Co-founded by the legendary filmmaker George Lucas and Mellody Hobson, the museum aims to be the first institution solely dedicated to exploring the meaning and impact of narrative art, reflecting the common beliefs and values that bind society together.
The museum’s construction is progressing towards a grand opening in 2026, with its innovative 300,000-square-foot building designed by renowned architect Ma Yansong of MAD Architects. Its design takes inspiration from the natural world, featuring a biomorphic structure that mimics the relationship between trees and their surroundings. The bustling 11-acre campus will include lush gardens and parks designed by Mia Lehrer of Studio-MLA, infusing more than 200 trees into the landscape to create a serene gathering space for the community while promoting biodiversity.
But what truly sets the Lucas Museum apart is its ambitious collection aimed at featuring narrative art from various cultures, mediums, and historical periods. With works ranging from ancient Roman mosaics to contemporary photography, the collection invites viewers into complex dialogues about identity, society, and history. Artists like Lucas Cranach the Elder, Kerry James Marshall, and Cara Romero illustrate the extent to which art can challenge societal norms and provoke meaningful conversations.
As Sandra Jackson-Dumont, the museum’s Director and CEO, eloquently states, “Through narrative art, people from every age and background can find connections between their lives and the lives of others across eras, cultures, and regions of the globe.” This goal underscores the museum’s mission to foster inclusive dialogues and broaden the understanding between diverse communities.
The Lucas Museum of Narrative Art lovingly embraces visual storytelling in all its forms, from traditional paintings and sculptures to comic art and illustrations. This multifaceted approach not only honors the rich history of narrative in art but also opens doors to contemporary practices that resonate with today’s viewers.
As construction milestones are reached, including the recent installation of unique, curved panels on the museum’s façade and the introduction of iconic landscaping elements, excitement builds for the museum’s anticipated opening. The Lucas Museum stands as a beacon of creativity, connection, and inclusivity, inviting the public to delve into the powerful narratives that shape our world.
In a society where storytelling is at the heart of human experience, the Lucas Museum aims not only to showcase art but also to ignite deeper connections and provoke thought about the world we inhabit. Mark your calendars for 2026—you won’t want to miss this extraordinary addition to Los Angeles’ cultural landscape!
Museum Link: https://lucasmuseum.org/
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Moana 2: dazzling sequel redefines the Disney princess with strength, independence and leadership
Laura O’Flanagan, Dublin City University
Moana 2
Moana isn’t a typical Disney heroine, stating quite clearly in the latest instalment, Moana 2, that she is not a princess. Her friend Maui’s response – “Well, a lot of people think you are” – elicited knowing laughter from the audience when I saw the film. This shows just how much Moana has redefined what it means to be a Disney princess.
Unconcerned with traditional tropes like ballgowns and romance, Moana embodies strength, independence and a deep commitment to environmental stewardship. She powerfully demonstrates how human action can effect real environmental healing and transformation; through collaborating with the forces of nature, the world can be saved from environmental catastrophe.
In Moana 2, her commitment to protecting the Earth again takes centre stage – but this time going even further to deliver a powerful call for collective action, to restore environmental harmony and strengthen human interconnectedness. Answering the call of her ancestors, Moana sets out on a treacherous ocean voyage to ensure the survival of her island against the wishes of Nalo, a powerful storm god who is determined that humans should remain isolated from one another.
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Moana, of course, shares several traits with earlier Disney princesses. Like Belle from Beauty and the Beast and Jasmine from Aladdin, she dreams of a life beyond the confines of her immediate world. Similar to Ariel from The Little Mermaid and Mulan, she sets off on a dangerous adventure far from home. And like all the princesses before her, Moana has animal companions – Pua the pig and Hei-Hei the chicken. But what sets Moana apart is how her connection to nature is portrayed.
Disney has a long legacy of linking its princesses with nature, from Snow White and Cinderella, who recruit small animals to assist with their domestic chores, to Elsa in Frozen who can magically control ice and snow. But Moana’s relationship with the natural world is more than just symbolic interaction. Her bond with nature is an active, collaborative partnership. https://www.youtube.com/embed/qkgkUCqEum4?wmode=transparent&start=0
This is not a typical Disney princess story of self-discovery, but of active engagement with the world around her. In the first film, Moana embarks on a dangerous oceanic journey to “restore the heart of Te Fiti” – that is, repair the environmental damage caused by the trickster demi-god Maui and restore harmony to the natural world. In doing so, she sets her island and the Disney princess in a new direction.
In the sequel, Moana is more mature, more experienced as a wayfinder, and is a highly respected member of her island community. This new story sees her lead a group of fellow islanders on a voyage to find the lost island of Motufetu and reconnect isolated island communities across the ocean. Through this, she demonstrates the power of collective action. She partners with human and non-human entities in pursuit of these goals, which will lead to better environmental outcomes and greater human connection.
Instead of simply reacting to or passively experiencing nature, as many of her Disney predecessors have, Moana works with forces of nature including the ocean, which is a key character in both films. Unlike typical 3D animation processes, where water is created through automated particle simulations, Disney artists have animated the ocean in Moana as a character, giving it more human-like movement and personality.
This approach allows the ocean to become a true partner in Moana’s journey, guiding her and actively engaging with her in meaningful ways as she restores balance to the environment and connects isolated island communities.
This is a visually stunning sequel that recaptures and builds on the magic of the first film, and should be seen on a large screen. Dazzling artistry fills every frame – in particular, bioluminescent sea life is spectacularly rendered. Polynesian culture is represented in more detail, with traditional rituals, dancing, artwork and singing giving the film a weightier authenticity.
As a musical, the songs are not initially quite as catchy as in the first film, but time will tell if they resonate with audiences. The characters have grown since we last encountered them. Moana flourishes in her role as both a leader and a protector of the Earth. We also see her develop into the role of “big sister” – to her younger sibling Simea and, symbolically, to all who she encounters.
There are heartfelt callbacks to the first film as we see Moana share her knowledge of the ocean and pass on the wisdom she has received from her grandmother, now in spirit, who is portrayed beautifully onscreen in human form and as a manta ray. Moana’s relationship with the egotistical Maui is again a source of comedy, but now contains an emotional depth that comes from a platonic friendship with roots.
Through Moana, we have moved into a new era of the Disney princess. Physically strong and fit, a skilled navigator and blossoming leader, she is a heroine on screen and in the world of the film, where she is depicted on decorative tapa cloths alongside gods and myths. She announces herself as “Moana of the land and of the sea”.
In her seminal work Feminism and The Mastery of Nature, ecofeminist and environmental philosopher Val Plumwood wrote:
If we are to survive into a liveable future, we must take into our own hands the power to create, restore and explore different stories, with new main characters, better plots, and at least the possibility of some happy endings.
Through stories of human interconnectedness, ecological harmony and respect for the natural world, Disney’s Moana 2 appears to be doing just that.
Laura O’Flanagan, PhD Candidate in the School of English, Dublin City University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/
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If you’re a fan of pickleball—or simply love inspiring stories of perseverance and teamwork—you won’t want to miss the latest episode of the People of Pickleball podcast! In this exciting installment, host Mike Sleeves Sliwa dives deep into the dynamic world of the National Pickleball League (NPL) championship with the powerhouse owners of the league’s top three teams: the Houston Hammers, the Columbus Hotshots, and the champions, the Boca Raton Picklers!
Meet the Pickleball Power Players
In this episode, Mike kicks things off with Rommie Maxey, the energetic owner of the Houston Hammers. You can feel the passion as Rommie shares insights into the strategies that drove the Hammers throughout the season. Next up, he has a candid conversation with Jeff McKnight of the Columbus Hotshots, who provides a unique perspective on what it means to chase excellence in such a fiercely competitive league.
The highlight of the episode is undoubtedly the group interview featuring Rick Retamar and Carl Foster, owners of the Boca Raton Picklers. As the champions, they offer a goldmine of information about their journey to victory—one filled with trials, triumphs, and unwavering determination.
Player Perspectives
But that’s not all! The episode also includes engaging discussions with team stars Kara Williams and Mircea Morariu. They bring the listener on a thrilling ride through their season experiences and share what it was like to step onto the court during the championship in Cincinnati back in October. Their camaraderie and spirit shine as they reflect on their journeys and the bonds formed along the way.
Looking to the Future
The conversation doesn’t stop at recounting past victories; Mike also steers the discussion towards the future of the league and the growing trend of senior pickleball. The owners and players outline their hopes for expanding the league’s reach and ensuring that pickleball remains an inclusive and vibrant sport for all ages. These insights are invaluable for anyone interested in the evolution of pickleball as a mainstream sport.
Don’t Miss Out!
This episode of People of Pickleball is an absolute must-listen for enthusiasts and newcomers alike. With insights from both team owners and players, listeners will gain a deeper understanding of what it takes to excel in this thrilling world of pickleball.
So mark your calendars and get ready to tune in! The full interview promises to be packed with fascinating details, anecdotes, and expert perspectives that paint a vivid picture of the current landscape of the National Pickleball League. You won’t want to miss it!
Listen now and join the growing community of pickleball enthusiasts who are eager to learn and share their passion for this wonderful sport!
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