Entertainment
The sex scene isn’t disappearing – it’s simply shifting from clichéd fantasy to messy reality
Maria San Filippo, Emerson College
Writing during what seems – in retrospect – to have been the wildly carefree summer of 2019, Washington Post film critic Ann Hornaday lamented that “sex is disappearing from the big screen.”
Fast forward two years, and, improbably enough, it’s conservative New York Times columnist Ross Douthat who’s pleading for “sex and romance [to] make a comeback at the movies.”
Both commentators blame this sexual stagnation on what they see as an abstinence-only policy in Hollywood, fueled by the Weinstein effect on one hand and family-friendly franchise fever on the other, where libidinal energy has been sublimated into buff-yet-sexless superheroes. To Hornaday and Douthat, sexual prudence seems to be tipping into prudery.
Hornaday and Douthat are correct that the traditional sex scene – a tasteful “pas de deux” between glossy stars, typically straight and vanilla, presented as a spectacle for our visual pleasure – has become increasingly rare.
But after devoting hours to watching sex scenes as research for my book “Provocauteurs and Provocations: Selling Sex in 21st Century Media,” I can reassure the randy and romantic among us that sex onscreen isn’t disappearing. Far from it.
Instead, over the last decade, it’s simply changed – and mostly for the better.
What’s hot: honesty and humor
Today’s sex scenes are first and foremost fun – as ideally sex itself should be – and emphasize the truthful over the tasteful.
In some cases, you’ll see likable, relatable characters revealing perverse predilections, such as the all-consuming hots that Phoebe Waller-Bridge’s protagonist in the TV series “Fleabag” has for a clergyman she dubs “Hot Priest.” Or when Kathryn Hahn’s character in Joey Soloway’s directorial debut “Afternoon Delight” drunkenly confesses to her gal pals that she’s “masturbated to that scene for two decades.” The scene she’s describing? The gang rape from “The Accused.” What’s more, her friends agree it’s hot.
Other moments make for embarrassing yet endearing waypoints en route to real intimacy. In Desiree Akhavan’s “The Bisexual,” a bout of postcoital queefing cracks up a couple and dispels the awkwardness of their morning after. And in a carnal scene from Michaela Coel’s “I May Destroy You,” neither sanitary products nor a blood clot manages to kill the moment. It’s the latest woman-created show – joining “Girls”, “GLOW” and “I Love Dick” – to shatter the taboo against mentioning, much less showing, menstruation during sex.
Other filmmakers bulldoze the boundaries of which bodies the culture industry deems fit to depict. For this we have “Girls” creator Lena Dunham largely to thank; the actress famously insisted on baring all in the face of brutal fat shaming and portraying her show’s privileged protagonists’ sexual escapades in all their cringe-inducing candor.
Alongside defying the opposition and outrage meted out to artworks or artists deemed obscene or unattractive, some filmmakers have sought to redefine the sex scene altogether.
In my view, some of the most arousing sex scenes put to celluloid are ones where clothing stays put and verbal foreplay takes center stage. In “Laurel Canyon” and “Take This Waltz” – again, works created by women – would-be philanderers engage in dirty talk as a means to sublimate their desire, but in such smoldering terms as to arouse the viewer. https://www.youtube.com/embed/C_8fbYOtG90?wmode=transparent&start=0 Sexually charged dialogue permeates ‘Take This Waltz.’
Romcom’s morning after
While not clinching my case that the sex scene is flourishing, these films repudiate Douthat’s assertion that there’s “a cultural void where romance used to be.”
It’s all part of redefining what romance looks like on screen.
And I don’t mean merely making the couplings and casting more inclusive: “Crazy Rich Asians” relies on the same Cinderella-style premise as “Pretty Woman.” I’m talking about the sunsets-and-soulmates wish fulfillment fantasies that, for decades, served as the template for most romantic comedies: boy meets girl, boy loses girl, boy gets girl.
As my new edited collection “After ‘Happily Ever After’: Romantic Comedy in the Post-Romantic Age” points out, recent films like “Appropriate Behavior,” “Before Midnight,” “Medicine for Melancholy” and the Netflix series “Love” rejuvenate the romantic comedy genre by actually addressing the realities and complexities of intimacy.
In these works, issues of coming out, growing old, being Black and staying sober are what drive the plots – and true love doesn’t conquer all.
Queering the scene
Regrettably, outside of art cinema, queer male characters rarely get naked or have sex onscreen. But given that straight sex on screen got a huge head start on queer sex, it’s no surprise that same-sex couples aren’t getting it on with gusto at the multiplex.
Queer male intimacy more often finds mainstream success by inviting viewers to relish unrequited romance in films like “Weekend,” “Moonlight” and “God’s Own Country.” Even films focused on queer women are getting in on the swoon-worthiness of not getting off, a phenomenon mocked by Saturday Night Live’s recent parody “Lesbian Period Drama.”
In some cases, queer filmmakers have stretched the boundaries of the sex scene by exchanging explicit sex acts for erotic insinuation, as with the suggestive shots of one woman’s hand penetrating the other’s armpit in Céline Sciamma’s “Portrait of a Lady on Fire,” or the infamous scene of Armie Hammer’s character slurping cum from a hollowed-out peach in “Call Me by Your Name.”
Safer is … sexier?
An outgrowth of the #MeToo era is the on-set intimacy coordinator – a professional trained to ensure that safe practices are in place when shooting sex scenes. In many ways, their presence is long overdue in an on-set environment where nudity quotas were, for a time, the norm.
Rather than delivering a cold shower for spectators, these more ethically and safely executed scenes are arguably sexier – perhaps in part because the performers feel safer and less inhibited, and perhaps because viewers might feel less morally compromised while watching them.
As in real life, consent is what makes scenes of sexual degradation and endangerment hot. A film like Jane Campion’s “In the Cut,” in which Meg Ryan’s character is clearly heard consenting to having rough sex with Mark Ruffalo’s character, is exemplary in this regard. So, too, are the intimacy-coordinated sex scenes in last year’s “Normal People,” along with those in “Duck Butter,” which even gave the performers the opportunity to co-script the scenes themselves.
[Over 106,000 readers rely on The Conversation’s newsletter to understand the world. Sign up today.]
Though I find that Hornaday’s and Douthat’s laments leave out a lot, I share their view that preaching abstinence takes a blinkered approach to art, as to life. The repercussions of rendering sex invisible – unseen and unacknowledged – aren’t just aesthetic. In times of political division and social unrest, sexual freedoms and sexual minorities are more strictly regulated and persecuted.
This threat of silencing makes it all the more important that filmmakers continue screening and – as radical sex theorist Gayle Rubin titled her landmark 1984 essay – “thinking sex.”
So far, filmmakers are meeting the challenge.
Maria San Filippo, Associate Professor of Visual and Media Arts, Emerson College
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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pop culture
1970s TV Series Emergency! – Portrayal of Firefighters and Paramedics in Los Angeles County
“Emergency” was an action-packed drama that followed the daily lives of firefighters and paramedics in LA County.
The 1970s prime-time television series “Emergency!” was an action-packed drama that followed the daily lives of courageous firefighters and paramedics in Los Angeles County. The show, which aired from 1972 to 1979, was praised not only for its gripping storylines and character development but also for its realistic portrayal of the emergency services industry. It provided a compelling look into the challenges and triumphs faced by first responders, highlighting their incredible dedication and heroism in the face of danger.
The Origin of Emergency!
The show was spun off from the original series “Adam-12,” which was also set in Los Angeles and followed the lives of two police officers. “Emergency!” took the same approach but shifted its focus to the lives of firefighters and paramedics. This innovative show was created by Robert A. Cinader and Jack Webb, the latter also known for producing “Adam-12” and “Dragnet.”
At the heart of “Emergency!” was its talented cast, led by Randolph Mantooth, who portrayed firefighter and paramedic John Gage. Mantooth’s charismatic performance was complemented by Kevin Tighe, who played his reliable partner Roy DeSoto. The ensemble cast also included Julie London, who breathed life into nurse Dixie McCall; Bobby Troup, who played the compassionate Dr. Joe Early; and Robert Fuller, who took on the role of the authoritative Dr. Kelly Brackett.
One of the show’s standout features was its commitment to authenticity. It was praised for its accurate portrayal of the emergency services industry, an effort bolstered by the involvement of real-life firefighters and paramedics serving as technical advisors. This attention to detail extended to the use of actual emergency vehicles and equipment, earning the show a loyal following of industry professionals and curious viewers alike.
“Emergency!” was known for its gripping action scenes, which often involved realistic special effects that depicted explosions, fires, and other dangerous situations. The show’s excitement wasn’t limited to physical dangers; it also tackled significant social issues of the time, such as drug abuse, mental health, and domestic violence. This made “Emergency!” a groundbreaking program that addressed topics other shows of the era often shied away from.
Despite its success, “Emergency!” was canceled in 1979 after seven impactful seasons. However, its legacy persisted. The show paved the way for subsequent action-packed dramas, such as “CHiPs” and “Miami Vice,” and it inspired a new generation of viewers to pursue careers in emergency services. The influence of “Emergency!” is also seen in modern medical dramas like “ER” and “Grey’s Anatomy,” which continue to blend high-stakes action with personal and social issues.
In retrospect, “Emergency!” not only entertained millions but also educated the public about the critical work of emergency responders and healthcare professionals, leaving a lasting impact on both television and real-world perceptions of these vital services.
Emergency! was a groundbreaking television series that meticulously followed the daily lives and challenges of firefighters and paramedics in Los Angeles County. The show was universally praised for its realistic portrayal of the emergency services industry, as well as for its thrilling and hair-raising action scenes. The cast was spearheaded by the talented Randolph Mantooth and Kevin Tighe, who delivered compelling performances that were both heartfelt and authentic. They were joined by a stellar supporting cast, including Julie London, Bobby Troup, and Robert Fuller, each bringing their unique charisma and depth to the show. Emergency! was initially spun off from the original series Adam-12, yet it carved out its own significant legacy, leaving an indelible mark on the television industry. More than just entertainment, the series brought public attention to the vital and courageous work of emergency responders, inspiring many to pursue careers in this essential field.
https://en.wikipedia.org/wiki/Emergency!
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https://en.wikipedia.org/wiki/Los_Angeles_County_Fire_Department
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Consumer Corner
Cinematic Anamorphic Lens Mod for GoPro HERO13 Black Now Shipping and Available Internationally
GoPro Anamorphic Lens Mod + HERO13 Black
Anamorphic Lens Mod for HERO13 Black Delivers Dramatic, Hollywood-like Video for Creators and Filmmakers in a Tremendously Affordable Package
SAN MATEO, Calif., April 3, 2025 /PRNewswire/ — GoPro (NASDAQ: GPRO) is now shipping the Anamorphic Lens Mod for its new camera, HERO13 Black. Anamorphic Lens Mod delivers expanded performance for creators and filmmakers looking to achieve cinematic and artistic video from HERO13 Black. With a Hollywood-ready 21:9 aspect ratio and ultra-wide field of view complemented by lessened distortion, the Anamorphic Lens Mod is perfect for professional cinematographers, photographers, and creators looking to achieve sought-after Anamorphic perspectives and lens flares in a package that costs a fraction of similar professional systems. Starting today, Anamorphic Lens Mod for HERO13 Black is shipping on GoPro.com for $129.99 MSRP and is available at retailers internationally. Anamorphic Lens Mod is quickly becoming a go-to lens for creators and filmmakers looking to achieve cinematic results in a small and affordable camera system. “Anamorphic Lens Mod and HERO13 Black have expanded what I can create with my GoPro,” says GoPro Creator and commercial filmmaker, Chris Rogers. “With the addition of the Anamorphic Lens Mod to my GoPro camera kit, I can capture incredibly dramatic and cinematic perspectives in a durable, and portable package that’s stands alongside professional setups that cost tenfold more.” Anamorphic Lens Mod is compatible with HERO13 Black’s Auto Detect feature, which intelligently senses Anamorphic Lens Mod and switches the camera into the corresponding mode. In-camera “de-squeezing” delivers video immediately available for review and allows for streamlined post-production editing. The Lens Mod is waterproof and tough enough to withstand the elements – helping you get the shots you need. Anamorphic Lens Mod ($129.99) joins three other Lens Mod accessories that complete the HB-Series Lens Collection.- Ultra Wide Lens Mod ($99.99): Transforms HERO13 Black into the ultimate POV camera by capturing more in every shot with a 177° field of view and new 1:1 aspect ratio.
- Macro Lens Mod ($129.99): Expands the creative possibilities of HERO13 Black with variable focus on objects up to 4x closer than the standard GoPro Lens.
- ND Filter 4-Pack ($69.99): Delivers smart, cinematic motion blur in photos and videos with ND4 / ND8 / ND16 / ND32 for pros and novices alike.
GoPro helps the world capture and share itself in immersive and exciting ways. GoPro has been recognized as an employer of choice by both Outside Magazine and U.S. News & World Report for being among the best places to work. Open roles can be found on our careers page. For more information, visit GoPro.com. Connect with GoPro on Facebook, Instagram, LinkedIn, TikTok, X, YouTube, and GoPro’s blog, The Current. GoPro customers can submit their photos and videos to GoPro Awards for an opportunity to be featured on GoPro’s social channels and receive gear and cash awards. Members of the press can access official logos and imagery on our press portal. GoPro, HERO and their respective logos are trademarks or registered trademarks of GoPro, Inc. in the United States and other countries. SOURCE GoPro, Inc.
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Movie and television Reviews
Adam-12: The Groundbreaking Police Procedural That Set the Standard for Realism and Detail in TV Crime Dramas
Adam-12 is a classic American television police procedural crime drama series created by Robert A. Cinader and Jack Webb.
Adam-12 is a classic American television police procedural crime drama series created by Robert A. Cinader and Jack Webb. The show follows two Los Angeles Police Department (LAPD) officers, Pete Malloy and Jim Reed, as they patrol the streets of Los Angeles in their police cruiser, designated as “1-Adam-12.” The series was produced in cooperation with the real department it was based on, the LAPD, and aimed to be realistic in its depiction of police procedures and jargon.
Martin Milner and Kent McCord starred as Pete Malloy and Jim Reed, respectively, in the iconic police drama Adam-12, which became a cultural touchstone of the late 1960s and early 1970s. The show also featured many recurring co-stars, with the most frequent being William Boyett and Gary Crosby, who added depth and intrigue to various episodes, portraying a wide range of characters that enriched the series’ narratives. Throughout its impressive run of seven seasons, from September 21, 1968, to May 20, 1975, Adam-12 aired a total of 174 episodes, captivating audiences with its realistic portrayal of police work, the challenges faced by officers, and the importance of community relations. The series not only entertained viewers but also aimed to educate the public about law enforcement practices, making it a significant part of television history.
What set Adam-12 apart from other Cop shows?
Adam-12 was a groundbreaking show that aimed to showcase the reality of police work, and it helped to introduce police procedures and jargon to the general public in the United States. The show’s attention to detail and realism made it an instant hit, and it quickly became a fan favorite. Through its authentic depiction of daily police activities and the challenges faced by officers, Adam-12 not only entertained viewers but also educated them about the complexities of law enforcement. The characters, portrayed with depth and nuance, resonated with audiences, making them invest in the lives and struggles of the officers. Additionally, the series tackled various social issues of the time, shedding light on the relationship between the police and the communities they served. Its pioneering approach to storytelling set a standard for future police dramas, solidifying its legacy in television history.
The show’s creators, Robert A. Cinader and Jack Webb, also created other popular shows, such as Dragnet and Emergency!. Like Adam-12, these shows were produced in cooperation with the real departments they were based on, and they aimed to be as realistic as possible in their depictions of police and emergency services.
Despite its age, Adam-12 still holds up today as a classic of the police procedural genre. The show’s attention to detail, realism, and strong performances by its cast make it a must-watch for fans of crime dramas and police procedurals.
Adam-12 is a classic American television series that helped introduce police procedures and jargon to the general public in the United States. The show’s realistic portrayal of police work and attention to detail makes it a fan favorite and a must-watch for fans of the police procedural genre.
https://en.wikipedia.org/wiki/Adam-12
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