Space and Tech
Astronauts can get motion sick while splashing back down to Earth – virtual reality headsets could help them stay sharp
Spaceflight induces motion sickness due to discrepancies between brain expectations and actual gravitational experiences. While astronauts initially cope with space motion sickness, they may face terrestrial readaptation motion sickness upon return. Visual sensory manipulation techniques may offer non-pharmaceutical solutions to this issue.
Last Updated on October 25, 2025 by Daily News Staff
Astronauts can get motion sick while splashing back down to Earth
Taylor Lonner, University of Colorado Boulder and Torin Clark, University of Colorado Boulder
When learning about the effects of spaceflight on human health, you typically will hear about the dangers of radiation, bone density loss and changes in eyesight. While these long-term risks are important, a less frequently discussed concern is motion sickness.
As a child, one of us (Taylor) was highly prone to motion sickness – whether in the backseat of a car, sitting on a train or riding a bus. At the time, she considered it a cruel twist of fate, but as an adult – and a scientist to boot – Taylor can tell you with confidence that it was entirely her fault.
You see, like most children during long car rides, Taylor would get bored. So, to combat this boredom, she would either read a book or play on her Gameboy. She would stare down at whatever form of entertainment was in her lap that day until the familiar creeping sensation of nausea developed.
Sometimes, looking out the side window would help, but more often than not, Taylor’s dad would have to pull over at the next gas station for a short break, or else they’d all suffer the consequences.
Now, she understands what was happening on a more fundamental level. As children, you are taught about the five senses: sight, hearing, smell, taste and touch. However, there is a hidden sixth sense that helps your body understand how you are moving – the vestibular system. The brain takes information from all these senses and compares it to what it might expect when moving, based on past experiences.
Optimally, any disagreement between your vestibular senses and your brain’s expectations would be small. But when there are large, sustained conflicts, you get sick.
While reading in the car, Taylor was staring at nonmoving words on a page while her vestibular system told her brain she was traveling down a road. This discrepancy confused her brain since usually, when Taylor felt movement, she should see the world shifting around her in the same way – hence her motion sickness. Had she been looking out the window and watching the world pass by, she would have been fine. Even better, had she been in the front seat, she would have been able to see the road ahead and predict how she would move in the future.
The sensory conflict between what you experience and what your brain expects doesn’t cause only carsickness. It is also the leading suspect behind cybersickness from using virtual reality headsets, seasickness on ships and spaceflight-driven motion sickness. Our team of aerospace engineers is particularly interested in the latter.
Motion sickness during spaceflight
To date, all astronauts have grown up on Earth. So, their brains expect any motion cues to include the presence of Earth’s gravity. But when they get to orbit in space, that is no longer the case.
When in orbit around Earth in microgravity, the vestibular system does not have any gravitational input. The conflict between the brain’s expectation of Earth’s gravity and the reality of no gravity causes space motion sickness.
Thankfully, the brain’s expectations can change over time, after enough exposure to a new environment. Often referred to as “getting your sea legs” in the nautical community, astronauts also eventually overcome space motion sickness while in space. However, overcoming it introduces another problem when they return.
If an astronaut’s brain expects microgravity, what happens when they come back to Earth? As you might expect, the process starts again, and astronauts are now prone to terrestrial readaptation motion sickness. To make matters worse, since the retirement of the space shuttle, crew vehicles frequently land in the water, which means astronauts may deal with choppy waves until their capsule is recovered. Seasickness can potentially exacerbate terrestrial readaptation motion sickness.
These conditions are not rare. Over half of all astronauts experience some symptoms of space motion sickness when they first get to space, and terrestrial readaptation motion sickness occurs at a similar incidence rate when they come back down.
Dangers to astronauts
If you have ever experienced motion sickness, you know how hard it is to do anything other than close your eyes and take deep breaths to expel the creeping urge to vomit. As a passenger in a car, that may be OK, since you aren’t expected to jump into action at a moment’s notice. But while isolated on the water in a return capsule, astronauts need to remain focused and clearheaded. In case of an emergency, they’ll need to respond rapidly.
If the astronauts need to get out of the capsule prior to pickup up by the recovery team, any motion sickness they have could delay their response time and impede evacuation attempts.
Potential solutions
Presently, most astronauts rely on medication that interrupts the brain’s ability to use hormones to trigger motion sickness. However, as with many commercial products, these drugs can cause side effects such as drowsiness and can lose efficacy over time.
Our research team completed two experiments to investigate how we might be able to manipulate visual information to mitigate motion sickness in astronauts, without relying on pharmaceuticals.
Our participants were exposed to motions meant to simulate transitions between gravity environments and then ocean wavelike motion. During the hour of wavelike motion, we investigated whether a “virtual window” could reduce the incidence of motion sickness.
When in a capsule on the ocean, astronauts are strapped into their seats and likely cannot see out of the small windows built into the capsule. In place of windows, we used virtual reality headsets to create a full-view virtual window.
In our control group, the subjects received no visual cues of motion – akin to Taylor’s poorly advised backseat reading. Meanwhile, one countermeasure group got to see a visual scene that moved naturally with their motion, like looking out the side window of the car at the surrounding world. The other countermeasure group saw a scene that moved appropriately and was provided an overlay showing future motion, like looking out the front window and seeing the road ahead. https://www.youtube.com/embed/X3Aijwo_diU?wmode=transparent&start=0 The device moving in a wavelike motion.
As expected, the group with no cues of motion got the sickest. Two-thirds of the subjects needed to stop prior to finishing an hour of wavelike motion, due to excessive nausea. Only about one-fifth of the group that was given the side window view needed to stop early. Only one-tenth of the front window group that received present and future visual cues dropped out.
These results mean that by tracking the capsule motion and projecting it on a headset for the astronauts inside, our team may be able to reduce debilitating motion sickness by roughly half. If we could figure out how to predict how the capsule would move, we could give them that front window experience and improve the landing even more. In case of emergency, they could always take off the headsets.
This work shows promise for motion sickness interventions that do not rely on pharmaceuticals, which are currently used to combat these effects. Our solutions don’t have the same concerns around shelf life, stability or side effects. In addition to the benefits for astronauts, such approaches could help those prone to motion sickness here on Earth, particularly in scenarios where looking out the front window at the road isn’t feasible, such as on planes, trains, buses or high-speed transportation.
Taylor Lonner, Ph.D. Candidate in Aerospace Engineering, University of Colorado Boulder and Torin Clark, Associate Professor of Aerospace Engineering, University of Colorado Boulder
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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The Knowledge
Artemis II crew brought a human eye and storytelling vision to the photos they took on their mission
Artemis II crew: Artemis II’s astronaut photos show how human perspective and storytelling make space imagery feel authentic—especially in an era of AI-generated visuals.
Christye Sisson, Rochester Institute of Technology
In early April 2026, the Artemis II mission captivated me and millions of people watching from across the world. The crew’s courage, skill and infectious wonder served as tangible proof of human persistence and technological achievement, all against the mysterious backdrop of space.
People back on Earth got to witness the mission through remarkable photos of space captured by astronauts. Images created and shared by astronauts underscore how photography builds a powerful, authentic connection that goes beyond what technology alone can capture.
As a photographer and the director of the Rochester Institute of Technology’s School of Photographic Arts and Sciences, I am especially drawn to how these photographs have been at the center of the public’s collective experience of this mission.
In an era when image authenticity is often questioned and with the capabilities of autonomous, AI-driven imaging, NASA’s choice to train astronauts in photography has placed meaning over convenience and prioritized their human perspectives and creativity.
Capturing space from the crew’s perspective
Photography was not originally placed as a high priority in NASA’s Apollo era. The astronauts only took photographs if they had the chance and all their other tasks were complete.
Thanks largely in part to public response to those images from Apollo, including “Earthrise” and the “Blue Marble” being widely credited for helping catalyze the modern environmental movement, NASA shifted its approach to utilize photography to help capture the public’s imagination by training their astronauts in photographic practices.
The Artemis II mission’s photographs have helped cut through the increasing volume of artificially generated images circulating on social media. NASA’s social media releases of the crew’s photographs have garnered thousands of shares and comments.
This excitement could be explained by the novelty of photos from space, but these images also distinguish themselves as products of astronauts experiencing these sights and interpreting them through their photographs. These differences require an important distinction around where technology ends and humanity begins.
Human perspective versus AI tools
Photography has long integrated AI-powered software and data-driven tools in a variety of ways: to process raw images, fill in missing color information, drive precise focus and guide image editing, among others. These modern technological assists help human photographers realize their vision.
Artificial intelligence is also increasingly capable of operating machinery competently and autonomously, from cars to drones and cameras.
And AI can generate convincing, realistic images and videos from nothing more than a text prompt, using readily available tools.
Researchers train AI to mimic patterns informed by millions of sample images, and the algorithm can then either take or create a photograph based on what it predicts would be the most likely version of a successful, believable image.
Human-created photos are rooted in direct observation, intent and lived experience, while AI images – or choices made by AI-driven tools – are not. While both can produce compelling and believable visuals, the human photographs carry emotional power because the photographer is drawing from their experiences and perspective in that moment to tell an authentic story.
Artemis II photographs resonate, not only because they are historic, but because they reflect the deliberate choices and intent of a human being in that specific moment and context. The exposure, camera setting, lens choice and composition are all dictated by the astronaut’s vision, skill, perspective and experience. Each image is unique in comparison with the others. These choices give the images narrative power, anchoring them in human perspective.
Images to tell a story
Photographers choose what to include in the final version of their image to tell a story. In the Artemis II images, this human perspective comes out. In the “Earthset” photo, you see a striking juxtaposition of the Moon’s monochromatic, textured surface in the foreground against a slivered, bright Earth.
The choice to include both in the frame contrasts these objects literally and figuratively, inviting comparison. It creates a narrative where Earth is contrasted against the Moon – life is contrasted against the absence of it.
Another photo shows the nightside of the whole Earth, featuring the Sun’s halo, auroras and city lights. The choice to include the subtle framing of the window of the capsule in the lower left corner reminds the viewer where and how this image was captured: by a human, inside a capsule, hurtling through space. That detail grounds the photograph in the human perspective.
Both photos are reminiscent of Earthrise and the Blue Marble. These past images hold a place in the global collective consciousness, shaped by a shared historical moment.
The Artemis II photographs are anchored in this collective moment of lived human experience, yet also shaped by each astronaut’s viewpoint. The crew’s unique perspectives exemplify photography’s transformative power by inviting viewers to engage emotionally and intellectually with their journey. These photographs share the astronauts’ awe and wonder and affirm the value of human creativity and its ability to connect us in a captured moment.
Christye Sisson, Professor of Photographic Sciences, Rochester Institute of Technology
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Author
Science
Seeing an eclipse from Earth is awe‑inspiring – for astronauts seeing one from space, the scene was even more grand
Discover the stunning eclipse seen by Artemis II astronauts during their 2026 Moon mission. A truly extraordinary spectacle awaits.
Deana L. Weibel, Grand Valley State University
The astronauts on Artemis II’s trip to the Moon in April 2026 didn’t just have an amazing journey through space. They also saw something extraordinary. They were the first humans to see a total solar eclipse from space.
A solar eclipse happens when the Moon moves in front of the Sun. In a total eclipse, the Sun’s central disc is covered completely.
From Earth, the circle of the Sun is about the same size as the circle of the Moon. With the bright circle blocked, you can see the undulating rays of the Sun’s corona, or outer atmosphere, that are normally too dim to be observed.
I’m a cultural anthropologist who studies awe-inspiring aspects of space exploration. I have been lucky enough to have seen two total solar eclipses. The first one was in Nebraska in 2017, the second in Indiana in 2024.
During my second total eclipse, the period of totality – that short span when you can remove your protective glasses and look directly at the eclipse – lasted close to 4 minutes. I saw waves of diffuse light snaking around an ink-black hole in the sky. It looked very wrong – almost alien.
On Aug. 12, 2026, there will be another total solar eclipse, visible only from Greenland, Iceland, Spain and the Balearic Islands of the Mediterranean. Some fortunate viewers in Spain and nearby islands may see the eclipse just before sunset, low on the horizon. The Moon illusion, a phenomenon where the Moon looks bigger when it’s near the horizon, might make this eclipse look unusually large.
Unusual eclipse perspectives
Astronauts will occasionally also have less common eclipse experiences. I interviewed one I call by the pseudonym “Jackie” in my research about astronauts’ experiences of awe. She was part of an astronaut training group that did a flight exercise during a total solar eclipse.
Jackie and her squad flew their jets in the shadow of the Moon. This lengthened their time in totality because they could follow and stay within the shadow. Jackie was most impressed with how the Sun’s corona seemed to shift and ripple.
“It’s not static … it’s alive,” she told me.
On April 6, 2026, the astronauts of NASA’s Artemis II mission saw another kind of unusual eclipse as they flew around the Moon. At one point during their flight, the Moon and the spacecraft aligned so that the Moon was directly between them and the Sun, blocking the Sun’s disk in a way that looks very different from what we see on Earth.
Astronaut Victor Glover said it felt like they “just went sci-fi.” https://www.youtube.com/embed/YLjPci5bo1k?wmode=transparent&start=0 ‘An impressive sight’: The Artemis II crew were the first humans to observe a solar eclipse from near the Moon.
The astronauts were so close to the Moon that the Moon looked bigger than the Sun and hid more of its bright circle. Earth was also in view, and sunlight reflected from the Earth onto the Moon in a phenomenon NASA calls “earthshine.” This dim light is very similar to the moonlight that shines on the Earth at night.
Imagine the Sun hidden behind the Moon, creating a hazy halo around the Moon’s edges. At the same time, faint light reflected from Earth softly illuminates the Moon, revealing mountains and craters in a dim twilight. Now imagine this striking scene lasting 54 minutes.
This sight was, without a doubt, one of the most unusual eclipses ever seen by human eyes.
Although Artemis’ astronauts are trained to think scientifically, this experience propelled them into a state of awe. They talked openly about how their brains were “not processing” what they observed. While NASA kept them busy with a variety of tasks, the sound of emotion and excitement in their voices as they broadcast live from their lunar flyby was unmistakable.
The psychology of awe
Researchers have studied the effects of awe on the human brain, including awe felt during solar eclipses. Moments of wonder like these can transform how you feel and even how you think, making you more thoughtful and open-minded.
In my own work I’ve found these experiences can change how astronauts understand their own place in the universe.
One astronaut said she gained an awareness of the fragility of our planet that now shapes everything she does, while another described becoming more curious after returning to Earth. A third said the awe he experienced in lunar orbit changed his understanding of time and infinity.
Space travel creates many opportunities for awe, but a solar eclipse from behind the Moon, as Mission Commander Reid Wiseman put it, required “20 new superlatives.”
It’s an experience most of the earthbound eclipse-chasers heading to Greenland or Iceland or Spain this summer will only dream about. Whether eclipses happen in space or on Earth, though, close encounters with the grandeur of our universe can make you feel profoundly human.
Deana L. Weibel, Professor of Anthropology, Grand Valley State University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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aerospace
Boom Supersonic Update 2026: Overture Progress, XB-1 Milestones, and What’s Next
Boom Supersonic’s 2026 update: XB-1 test success, Overture production timeline, funding progress, and the challenges facing the return of commercial supersonic travel.
By STM Daily News Staff
The race to bring back commercial supersonic travel is accelerating once again, led by Boom Supersonic, a Colorado-based aerospace company aiming to succeed where Concorde left off. As of 2026, the company has achieved meaningful technical milestones—but still faces significant financial, regulatory, and industrial hurdles.
Here’s a comprehensive look at where Boom stands today, and what it means for the future of high-speed air travel.
XB-1 Demonstrator Completes Historic Test Program
Boom’s experimental aircraft, the XB-1, has successfully completed its flight test campaign, marking a critical step toward validating the company’s supersonic technology.
- Achieved multiple supersonic flights in 2025
- Demonstrated aerodynamic stability and performance
- Tested “boomless cruise” capabilities to reduce sonic disturbances
The XB-1 program served as a scaled demonstrator for the company’s flagship commercial jet, proving that modern materials, software, and engine integration can support efficient supersonic flight.
With testing complete, the aircraft is expected to be preserved as a prototype, representing a turning point in private-sector aerospace innovation.
Overture: Boom’s Commercial Supersonic Jet
The centerpiece of Boom’s vision is the Overture, a next-generation supersonic passenger aircraft designed to carry between 60 and 80 passengers at speeds approaching Mach 1.7.
Current projected timeline:
- Prototype rollout: Targeted for 2026
- First flight: Expected around 2027
- Commercial service entry: Late 2020s (estimated 2029–2030)
Unlike Concorde, which catered primarily to elite travelers, Boom aims to position Overture with business-class pricing, potentially expanding access to faster global travel.
The aircraft is also being designed with sustainability in mind, including compatibility with sustainable aviation fuel (SAF).
Funding and Financial Momentum
In recent developments, Boom Supersonic secured an additional $100 million in funding, reinforcing investor confidence in the company’s long-term vision.
However, building a supersonic passenger aircraft remains one of the most capital-intensive challenges in aviation. Continued fundraising and strategic partnerships will be essential as the company moves from prototype to production.
Boomless Cruise: A Potential Game-Changer
One of Boom’s most significant innovations is its focus on “boomless cruise,” a method of flying supersonically without producing an audible sonic boom on the ground.
If proven viable at scale, this technology could influence regulatory changes—particularly in the United States, where overland supersonic flight is currently restricted.
The ability to fly faster-than-sound over land would unlock major domestic routes, dramatically reducing travel times between cities like New York and Los Angeles.
Manufacturing Challenges and Delays
Despite technical progress, Boom’s manufacturing ambitions face uncertainty. A planned production facility in North Carolina has experienced delays, raising questions about when large-scale assembly will begin.
Scaling production from prototype to commercial aircraft remains one of the most difficult phases of any aerospace program, requiring supply chain coordination, workforce development, and regulatory alignment.
Industry Skepticism Remains
While Boom has secured interest from major airlines, skepticism persists within the aviation industry.
Key concerns include:
- Certification complexity and regulatory approval timelines
- Operational costs versus ticket pricing
- Long-term demand for supersonic travel
Even airline executives have expressed cautious optimism, with some suggesting the project’s success remains uncertain.
The Bigger Picture: A Defining Decade for Supersonic Travel
Boom Supersonic has moved beyond concept and into real-world testing, demonstrating that modern supersonic flight is technically achievable.
However, the next phase—bringing Overture to market—will determine whether supersonic passenger travel becomes a viable industry once again or remains an ambitious experiment.
If successful, Boom could redefine global travel times. If not, it will join a long list of bold aerospace ventures that struggled to overcome economic reality.
Sources and External Links
- Boom Supersonic – Year in Review
- XB-1 Aircraft Overview
- Overture Aircraft Specifications
- Funding Announcement
- Industry Perspective
Dive into “The Knowledge,” where curiosity meets clarity. This playlist, in collaboration with STMDailyNews.com, is designed for viewers who value historical accuracy and insightful learning. Our short videos, ranging from 30 seconds to a minute and a half, make complex subjects easy to grasp in no time. Covering everything from historical events to contemporary processes and entertainment, “The Knowledge” bridges the past with the present. In a world where information is abundant yet often misused, our series aims to guide you through the noise, preserving vital knowledge and truths that shape our lives today. Perfect for curious minds eager to discover the ‘why’ and ‘how’ of everything around us. Subscribe and join in as we explore the facts that matter. https://stmdailynews.com/the-knowledge/
