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How bigotry crushed the dreams of an all-Black Little League team

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Last Updated on September 5, 2025 by Daily News Staff

all-Black Little League team
Members of the 1955 Cannon Street All-Star YMCA team chat before a game at Nationals Park in Washington, D.C., on Aug. 19, 2011.
Robert E. Pierre/The Washington Post via Getty Images

How bigotry crushed the dreams of an all-Black Little League team

Chris Lamb, Indiana University

John Rivers, John Bailey, David Middleton, Leroy Major and Buck Godfrey – all teammates from the 1955 Cannon Street YMCA Little League All-Star team – left Charleston, South Carolina, on a bus on Aug. 18, 2025.

After a stop at the Baseball Hall of Fame in Cooperstown, New York, for a couple days – where their story is included in an exhibit on Black baseball that opened in 2024 – they’ll head to Williamsport, Pennsylvania.

There, they’ll be recognized before the Little League World Series championship game on August 24, 2025 – 70 years after the players, then 11 and 12 years old, watched the championship game from the bleachers, wondering why they weren’t on the field living out their own dreams instead of watching other boys live out theirs.

When the Cannon Street team registered for a baseball tournament in Charleston in July 1955, it put the team and the forces of integration on a collision course with segregation, bigotry and the Southern way of life.

White teams refused to take the field with the Cannon Street team, who represented the first Black Little League in South Carolina. The team won two tournaments by forfeit. They were supposed to then go to a regional tournament in Rome, Georgia, where, if they won, they’d advance to the Little League World Series.

But Little League officials ruled the team ineligible for the regional tournament because it had advanced by winning on forfeit and not on the field, as the rules stipulated.

A 4-team Black league is born

The Civil Rights Movement is often told in terms of court decisions, bus boycotts and racist demagogues. It’s rarely told from the point of view of children, who suffered in ways that left physical and emotional scars.

When I was a journalism professor at the College of Charleston, I learned how the presence of a single Black all-star team was enough to cause one of the biggest crises in Little League history. In 2022, I wrote the book “Stolen Dreams: The 1955 Cannon Street All-Stars and Little League Baseball’s Civil War.”

The team’s story begins in 1953. Robert Morrison, president of the Cannon Street YMCA, petitioned Little League Baseball to create a league for Black teams, and Little League Baseball granted the charter. Dozens of Black 11- and 12-year-old boys were selected for the four-team league before the 1954 season.

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They played on a diamond of grass and gravel at Harmon Field in Charleston, a city with a long history of racial strife. In 1861, the Civil War began in Charleston harbor, where hundreds of thousands of slaves had been brought to the U.S. from the 1600s to the 1800s. The field also wasn’t far from Emanuel AME church, where nine Black parishioners were murdered during a prayer meeting in 2015.

Little League Baseball barred first-year leagues from the postseason tournaments. At some point during the 1955 season, the best players were selected for the league’s All-Star team. Cannon Street YMCA officials then registered the team for the Charleston city tournament, which included all-star teams from the city’s all-white leagues.

Little League Baseball officially prohibited racial discrimination. But in South Carolina, racial discrimination was still legal.

Dixie fights back

The U.S. Supreme Court had ruled a year earlier that segregation in schools was unconstitutional in the landmark Brown v. Board of Education decision, paving the way for racial integration.

Few states resisted integration as fiercely as South Carolina, and no politician fought harder against racial equality than the state’s junior U.S. senator, Strom Thurmond.

So when the Cannon Street YMCA All-Stars registered for Charleston’s citywide tournament in July 1955, all the white teams withdrew. The Cannon Street team won by forfeit and advanced to the state tournament.

Danny Jones, the state’s director of Little League Baseball, petitioned the organization to create a segregated state tournament. Little League Baseball’s president, Peter McGovern, denied Jones’ request. He said that any team that refused to play the Cannon Street team would be banned from the organization.

Thurmond let it be known to Jones that an integrated tournament could not be permitted. In the end, Jones urged all the white teams to withdraw from the state tournament. He then resigned from Little League Baseball, created the Little Boys League and wrote the league’s charter, which prohibited Black players.

A baseball with an American flag superimposed over it, surrounded by four stars.
The official logo for Dixie Youth Baseball, which was originally established as an all-white league.
Dixie Youth Baseball

The Little Boys League – which was rebranded as Dixie Youth Baseball – soon replaced Little League in other Southern states; within six years, there were 390 such leagues spanning most of the former Confederacy. It would be decades before Little League Baseball returned to South Carolina.

Having won the South Carolina tournament by forfeit, the Cannon Street YMCA All-Stars prepared for the regional tournament in Rome, Georgia, where the state’s governor, Marvin Griffin, objected to integration. If youth baseball could be integrated, so, too, could schools, swimming pools and municipal parks, he said.

Let them play!

Little League rules said that teams could advance only by playing and winning, so the Cannon Street’s state championship was ruled invalid because it had come by forfeit.

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McGovern decided against making an exception for the Cannon Street YMCA All-Stars.

Most white-owned newspapers, whether in the South or North, had long stayed silent on the topic of racial discrimination. But the story of the Cannon Street All-Stars broke through. Editors and reporters may have wanted to avoid the topic of racism, but boys being denied the opportunity to play in a baseball tournament was too objectionable to ignore.

On July 31, 1955, New York Daily News columnist Dick Young asked Brooklyn Dodgers star Jackie Robinson, who had broken Major League Baseball’s color barrier eight years earlier, about the white teams that had quit the tournament rather than play against a Black team.

“How stupid can they be?” Robinson said. “I had to laugh when I read the story.”

Perhaps pressured by criticism, McGovern, Little League’s president, invited the team to be Little League’s guests for the championship game. So the team boarded a bus for Williamsport. They arrived the night before the championship game, which pitted Morrisville, Pennsylvania, against Delaware Township, New Jersey, an integrated team.

The Cannon Street YMCA All-Stars and their coaches were introduced before the game, and the players recall hearing a loud voice from the bleachers.

“Let them play!” it boomed.

Others in the crowd joined in, the players said.

“Let them play! Let them play!”

John Rivers, who played second base for the team, told me he can still “hear it now.”

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After their brief moment on the field, the Cannon Street All-Stars returned to their seats and watched other boys live out their dreams. A photograph of the team in the stands reveals the disappointment on their faces.

Black and white photo of Black boys and adults sitting in the stands at a baseball stadium.
The Cannon Street All-Stars watch from the stands at the 1955 Little League World Series in Williamsport, Pa.
1955 Cannon Street All-Stars/Facebook

On the following day – Aug. 28, 1955 – the team boarded its bus to return to Charleston. It was the same date that Emmett Till, not much older than the players on the team, was brutally murdered in Money, Mississippi, for reportedly whistling at a white woman.

The boys and girls who play in the 2025 tournament will forever remember the experience. The surviving members of the Cannon Street All-Stars, who are all in their early 80s, never forgot what they were denied.

Rivers, who went on to become a successful architect, says this is the moral of their story.

“It’s a tragedy to take dreams away from a youngster,” Rivers told The Washington Post in 2022. “I knew it then. I know it now, and I’ve seen to it that no one takes dreams away from me again.”

Now there are some on the political right who want to bury America’s ugly racial history.

America has never fully reckoned with slavery or the decades of segregation, Rivers recently told me. “It just decided to move on from that ugly period in its history without any kind of therapy,” he said. “And now they are trying to sweep it all under the rug again.”

Portions of this article first appeared in an article published on Aug. 19, 2016.

Chris Lamb, Professor of Journalism, Indiana University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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P.F. Chang’s Partners With Starlight Children’s Foundation for New “Spirit of the Zodiac” Giving Campaign

P.F. Chang’s launches Spirit of the Zodiac, a giving campaign supporting Starlight Children’s Foundation with Bao plush purchases and in-restaurant donations.

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P.F. Chang’s Launches Spirit of the Zodiac Campaign to Support Starlight Children’s Foundation
P.F. Chang’s and Starlight Children’s Foundation

P.F. Chang’s Launches Spirit of the Zodiac Campaign to Support Starlight Children’s Foundation

P.F. Chang’s is launching a new annual charitable initiative designed to bring comfort to children during hospital stays. The Scottsdale-based restaurant brand announced Spirit of the Zodiac, a giving program inspired by the Chinese zodiac, with its inaugural campaign—Year of the Fire Horse: Spirit of Strength—benefiting Starlight Children’s Foundation.

What the campaign supports

Starlight Children’s Foundation serves more than 800 children’s hospitals nationwide, providing programs such as toy deliveries, hospital gowns, gaming stations, and other experiences intended to help kids feel more comfortable, connected, and supported during medical care.

How guests can participate (Sept. 2–Sept. 30)

From September 2 through September 30, 2026, guests can purchase Bao, a limited-edition horse plushie, for $10 through dine-in transactions at participating P.F. Chang’s restaurants (while supplies last). For each Bao purchased, P.F. Chang’s will donate an identical Bao plushie to Starlight for distribution through its hospital network—up to 20,000 donated plushies.

Guests can also support the campaign by rounding up their checks or making a direct donation in restaurant. The overall effort aims to raise $500,000 to support Starlight’s work with children and families.

Bonus offer for donors

P.F. Chang’s says guests who purchase Bao or make an in-restaurant donation of $10 or more to Starlight will receive an offer for a complimentary appetizer with the purchase of an entrée on a future dine-in visit, valid through October 31, 2026 (restrictions apply; participating locations only).

A story component for families

The campaign also includes a storytelling element: Bao’s journey will be featured in a digital story and an original children’s book by author Jenny Liao and illustrator Adriane Tsai, expected to publish later this month.

What to watch for

P.F. Chang’s and Starlight plan to continue the partnership beyond September, including in-hospital catering and plush deliveries in early October.

For more information, visit www.pfchangs.com/offers/spirit-of-the-zodiac. To learn more about the partnership, visit starlight.org/pfchangs.

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9/11 Day Awards $3 Million in Grants to Expand Volunteer Opportunities Nationwide Ahead of 25th Anniversary

9/11 Day announced $3 million in grants to nearly 200 groups across 40 states, expanding service projects for the 25th anniversary observance.

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one world trade center an other skyscrapers in new 2026 01 08 21 59 49 utc
New York City, USA – June 20, 2018: One World Trade Center and other skyscrapers against blue sky in Financial District of Manhattan. Business and technology background

As the United States approaches the 25th anniversary of September 11, 2001, the nonprofit 9/11 Day is putting major resources behind a familiar idea with renewed urgency: remembrance through service. The organization—founded by 9/11 families and leaders and co-led by co-founders David Paine and Jay Winuk—announced $3 million in grants to roughly 200 nonprofits, schools, and community groups across 40 states to expand local volunteer projects tied to this year’s September 11 National Day of Service and Remembrance.

The funding is designed to dramatically increase the number of ways Americans can participate close to home, from food insecurity initiatives to neighborhood cleanups and support programs for veterans and first responders. Together, grant recipients are expected to engage more than 70,000 volunteers nationwide.

A major push toward youth-led service

More than 70% of the grant funding is going to youth organizations and educational institutions, including K–12 schools, universities, and other learning programs. The emphasis reflects a generational reality: millions of students today know 9/11 primarily through textbooks, family stories, and classroom lessons.

“For many students participating in the observance this year, 9/11 is something they’ve only encountered in textbooks or through stories from parents and grandparents,” said Jay Winuk, co-founder and executive vice president of 9/11 Day and a 9/11 family member. “By connecting history with hands-on service, we’re helping young people understand that the legacy of 9/11 isn’t defined only by tragedy. It’s also defined by compassion, resilience and the responsibility we all share to care for one another.”

Youth-focused projects supported by the grants include school-wide days of service, hunger-relief efforts, donation drives, community improvement work, and service-learning initiatives that connect the history of September 11 with practical ways to help others.

UNIITE for Good: turning an anniversary into a nationwide “doing good” moment

The grant program is a cornerstone of 9/11 Day’s nationwide UNIITE for Good campaign, scheduled to officially launch August 24. The campaign aims to transform the 25th anniversary into what organizers describe as America’s largest day of doing good—channeling remembrance into tangible community impact.

The program is administered in collaboration with AmeriCorps, with principal funding provided by AmeriCorps and the Popeyes Foundation. A special emphasis this year is addressing hunger—an issue described in the release as an “ever-growing hunger crisis across the nation.”

Meeting community needs where people live

Grant-funded projects span urban, suburban, and rural communities. Activities include assembling meals for individuals and families facing food insecurity, packing care kits for veterans and first responders, restoring community spaces, and strengthening schools and neighborhoods.

Beyond the service itself, the grants are also intended to help local groups recruit volunteers, purchase supplies, coordinate logistics, and expand the number of service opportunities available in their areas.

“As we mark the 25th anniversary of 9/11, we have a responsibility to preserve not only the memory of that day and those lost and injured, but also the extraordinary way Americans came together in the aftermath of the attacks,” said David Paine, president and co-founder of 9/11 Day. “These community-led projects are helping rekindle that spirit of unity, compassion and service by bringing neighbors together to help solve local challenges.”

AmeriCorps echoed that message, framing service as a way to honor those who responded in the immediate aftermath of the attacks.

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“This year, we invite Americans to carry forward that enduring spirit of unity and service by becoming a hero for someone in need,” said Emily Stock, project manager for Volunteer Initiatives at AmeriCorps, noting that AmeriCorps-funded projects will include food drives, home repairs, neighborhood cleanups, and disaster preparedness activities.

The Popeyes Foundation also highlighted its community-focused mission and its role in supporting local projects.

Why this anniversary matters now

Organizers say the 25th anniversary arrives at a pivotal moment: more than 100 million Americans are now too young to have personal memories of September 11. That makes this milestone one of the last major opportunities to connect those who lived through the day with younger generations learning about it as history.

Examples of grant-supported efforts include:

  • Marshall University, which plans to build on its existing 9/11 Days of Service tradition, including a Memorial Stair Challenge and volunteer projects supporting veterans, first responders, and families in need.
  • Middlebury Elementary School, which will expand hands-on service activities that teach younger students about 9/11 through compassion and community action.
  • University of South Dakota, where students will work alongside community partners to address local needs while learning how service can bridge backgrounds and perspectives.

How to get involved

A full list of 2026 9/11 Day Grant Program recipients is available through 9/11 Day. To learn more about the September 11 National Day of Service and Remembrance—and to find ways to participate—visit 911day.org.

STM Daily News will continue tracking community service initiatives and local observances tied to the 25th anniversary as September approaches

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Dolly Parton was more than a musical idol – for some fans, she was a spiritual icon

Dolly Parton’s faith, philanthropy and message of love and acceptance made her more than a country music legend—many admirers viewed her as a spiritual icon.

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A heap of flowers, notes and photos lie on top of a star-shaped stone that says 'Dolly Parton.'
The legendary artist often spoke about her own evolving faith. AP Photo/Jae C. Hong

Sarah Dees, Iowa State University

As soon as news broke about the death of beloved songwriter Dolly Parton, I began receiving condolence messages from across the country, and around the world.

They came from friends, family and colleagues who knew I’d been working on a biography of the country legend – everyone from a conservative Catholic monk to advocates for queer and trans rights. The list reflects the even more diverse array of fans, people from countless backgrounds, who are mourning her loss.

The main focus of my project is Parton’s own spirituality, starting with her Appalachian upbringing. But it also examines her fandoms, including some people who elevate the singer to an almost sacred status. This was the case before her death – and even more so now.

As a scholar of American religions, I teach my students about practices, texts and beliefs that many of them immediately consider “religious” – for example, a worship service led by a pastor. However, religion is also found far beyond these official times and spaces, including in popular culture. According to scholar America Wolff, fandoms resemble religious groups in the way they focus on a single popular figure who inspires systems of belief, ritual and law.

Singer’s journey

Looking at Parton’s life reveals how a celebrity can incorporate religion into their public persona, without ostracizing admirers from other traditions. She discussed religion in interviews throughout her career, as well as in her 1994 memoir, where she recounted her maternal grandfather, a fundamentalist pastor, preaching hellfire and brimstone.

In 1971, for example, she told journalist Gene Guerrero how religion inspired some of her songs: “My mama used to read us all the Bible stories. I know the Bible pretty well, and I especially loved the stories.” That same year, she released “The Golden Streets of Glory,” the first of her several gospel albums.

‘The Golden Streets of Glory’ was the title track of Parton’s first gospel album.

Six years later, talking with Rolling Stone interviewer Chet Flippo, Parton claimed that she wasn’t a Christian. But “I do believe, I know there is a God and He is still the best friend I got in the world,” she explained. “I talk to Him often, but I’m one of the world’s sinners.”

Later in her life, though, Parton embraced the label “Christian” – albeit in a way that was very much her own. In the memoir “My Life and Other Unfinished Business,” she explained that “Christianity and its symbols are powerful parts of my life.” However, she diverged from socially conservative elements of her grandfather’s faith by embracing makeup and flashy fashion, celebrating her own sexuality, and speaking up for LGBTQ+ rights.

She was never interested in proselytizing. People do not have to embrace Christianity “to be a decent and worthwhile human being,” she wrote. “Spirituality is the most intimate part of a person’s makeup, and it’s strictly up to the individual to choose how to express it.”

‘Gospel of Dolly’

This openness explains part of Parton’s widespread appeal. The popular podcast “Dolly Parton’s America,” produced by journalists Jad Abumrad and Shima Oliaee, was based on the premise that Parton is one of the few public figures to have fans across the political spectrum.

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After her death, President Donald Trump posted a tribute on his social media site, TruthSocial, and ordered that flags be flown at half-staff for a week. At the same time, in the Castro neighborhood of San Francisco – a haven for the queer community – a Pride flag was also flying at half-staff in her honor.

Mourners include Jesuit priest and author James J. Martin, who thanked Parton for “teaching me about the Christian life,” and numerous Christian musicians who looked up to her. “She was the epitome of faith, grace, talent, beauty and humour,” country artist Carrie Underwood wrote. “She had a humble heart for Jesus and made everyone around her feel special.”

A blonde woman in a white suit smiles as she stands on stage, holding a white guitar.
Dolly Parton performs in concert at the Ryman Auditorium in Nashville on July 31, 2015. Wade Payne/Invision/AP

But even non-Christians discussed Parton in sacred terms: a “secular American saint,” as Vox writer Constance Grady designated her in 2021.

Beyond her music, these fans admired her philanthropy, from the Imagination Library program that distributes books to children around the world to her US$1 million donation that helped fund COVID-19 vaccine research. They also highlighted her support for the Black Lives Matter movement and LGBTQ+ rights. “Dolly Parton is beloved because she has devoted her career to standing for love,” Grady wrote.

Even before her death, though, some people idolized her in a saint-like way. In 2011, for example, photographer Alice Hawkins produced a project titled “Dolly Parton is my religon.” Rev. Lindy Vogado, a Presbyterian pastor,likened her to a prophet. “Dolly Parton, through her life and work, inspires us to be better versions of ourselves,” Vogado wrote in 2025. “Just like any good prophet would do.”

In recent years, churches in Illinois, Oklahoma and New York have held services based on “the gospel of Dolly.” I attended the service in New York, which interspersed Parton’s songs with readings from scripture and homilies. Like the other services, the one I attended emphasized Parton’s “teachings”: love, care and acceptance.

Pride celebration inspired by Dolly Parton at Broadway United Church of Christ in New York.

Angels and atheists

Since her death, the religious language has only intensified. Musician Roseanne Cash referred to the singer as a “goddess” on Instagram, and cartoonist Marshall Ramsey portrayed her as an angel. “Listen, I’m fairly well atheist and have been for decades,” Threads user @cartergoesplaces proclaimed, “but Dolly Parton is in heaven with Jesus now. That’s simply a fact, and I’ll hear no arguments, no matter how vast the cosmos…”

Parton had her own personal brand of Christian religiosity, but she encouraged others to find and follow their own paths. I believe this helps to explain the huge outpouring of admiration – from followers of many religious traditions, followers of none, and followers of Dolly herself.

Sarah Dees, Associate Professor of American Religions, Iowa State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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