Star Trek: The Next Generation

As a lifelong fan of Star Trek: The Next Generation, I’ve journeyed through the stars with Captain Picard and his remarkable crew, absorbing the profound lessons and intricate storytelling that have come to define this iconic series. After watching all the episodes, I’m excited to share my selection of the top ten episodes, chosen for their storytelling quality and their impact on fans over the years.

1. The Best of Both Worlds

This exhilarating two-part episode redefined the stakes in Star Trek lore by introducing the sinister Borg, an alien collective that assimilated cultures into their own. The chilling narrative intensifies as Captain Picard is captured and transformed, culminating in a heart-stopping showdown that forever changed the landscape of the series. It’s a masterclass in tension and character development.

2. Yesterday’s Enterprise

In this gripping journey through time, the Enterprise-D is unexpectedly thrust into a parallel universe where the Federation is embroiled in conflict with the Klingons. The emotional return of Tasha Yar and the poignant sacrifice of the USS Enterprise-C convey deep messages about the costs of war and the weight of choices made. This episode beautifully explores the concept of parallel timelines and what it means to fight for a cause.

3. The Inner Light

Often hailed as one of the show’s finest achievements, this episode sees Captain Picard knocked unconscious and lives an entire lifetime in just a few minutes. It delves into love, loss, and the bittersweet nature of existence, leaving viewers with a profound message about cherishing moments and relationships. The storytelling here is a testament to the art of character-driven narratives.

4. All Good Things…

As the series finale, this two-part episode brings Captain Picard’s journey full circle. The narrative weaves together time travel, existential dilemmas, and the fate of humanity in a thrilling fashion. With beloved characters standing by, it offers poignant reflections on growth, friendship, and the enduring spirit of exploration, all while delivering a satisfying conclusion that fans cherish.

5. Chain of Command

This intense two-part episode confronts the harsh realities of warfare and the ethics surrounding torture. With Patrick Stewart delivering a performance that lingers in memory, Captain Picard’s capture and subsequent torment by the Cardassians elevate the discussion of morality in times of conflict. It poses challenging questions about humanity, resistance, and the choices we make under extreme pressure.

6. The Measure of a Man

This landmark episode scrutinizes the essence of sentience and rights of artificial intelligence as Data finds himself on trial to determine if he is a person or merely a machine. The thought-provoking dialogue and ethical dilemmas resonate deeply, prompting viewers to consider what it truly means to be human. It raises timeless questions that continue to echo in today’s discussions of AI.

7. Darmok

In a remarkable exploration of communication and cultural barriers, the Enterprise encounters an alien race that communicates solely through allegory and metaphor. This captivating episode demonstrates the challenges and triumphs of understanding between disparate civilizations, ultimately illustrating the universal need for connection. It’s an inspiring reminder of the power of language and empathy.

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8. The Offspring

When Data creates a daughter, we’re invited to explore profound themes of parenthood and the definition of humanity. The emotional depth of this episode, combined with Brent Spiner’s standout performance, makes this a heartwarming and impactful story about creation, love, and the responsibilities that come with it.

9. The Wounded

This thought-provoking episode addresses the moral complexities of warfare and the pursuit of vengeance. Captain Sisko’s struggle to stop a rogue Starfleet captain who is targeting Cardassian ships examines the toll that conflict takes on both sides and the lingering scars of resentment. It urges viewers to consider the ramifications of our actions and the possibility of redemption.

10. Cause and Effect

Caught in a gripping time loop, the crew of the Enterprise-D faces the challenge of breaking free from predestined events. This cleverly crafted episode provides thrilling suspense and delves into themes of fate and free will. The intricate storytelling, combined with a clever resolution, makes it a standout installment that keeps fans on the edge of their seats.

Conclusion

These ten episodes exemplify the greatness of Star Trek: The Next Generation, showcasing powerful storytelling, richly developed characters, and the thought-provoking themes that inspire generations. Each episode has left lasting impressions and continues to resonate with fans, contributing to the enduring legacy of this beloved series. So, whether you’re a longtime follower or a newcomer, these episodes are a must-watch as they encapsulate the very essence of what makes Star Trek a cultural phenomenon. Boldly go where few have gone before!

Experience the full series on Paramount +.https://www.paramountplus.com/shows/star_trek_the_next_generation/

https://en.wikipedia.org/wiki/Star_Trek:_The_Next_Generation

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James Francis, Jr., Texas A&M University

Horror Movies on Halloween

Horror movies are plentiful in 2024, and plenty bloody. The year has seen the release of films awash in blood, such as “Immaculate,” “The First Omen” and “The Strangers.” With Halloween on the way, bloody offerings are streaming, in theaters and running in marathons on cable.

Watch them, and you’ll likely notice that as the decades pass, the directors, writers and studio executives of these films seem to produce more and more on-screen blood, violence and gore. But why?

As a professor of horror studies, I explore the depths of the genre with my students – and for us to understand the evolution of blood in horror cinema, we first consider how films reflect their times.

Alfred Hitchcock and Michael Powell created proto-slashers with “Psycho” and “Peeping Tom,” respectively. Both films were released in 1960 about four months apart, both feature serial killers, and both operate on a “tell, don’t show” visual aesthetic. Rather than show the blood to the audience, the films provide narrative cues to only suggest the blood.

Guts, gore and so much more

In “Psycho,” Marion Crane, played by Janet Leigh, is stabbed to death in the famous shower scene. But the quick-cut editing gives only the illusion of her nude body being slashed as a small amount of blood washes down the drain in black-and-white tones. By not shooting “Psycho” in color, and avoiding the image of bright red blood in the bathtub – Hitchcock’s choice – the film doesn’t seem as violent.

By the late 1960s, the restrictive Hays Code, which prohibited overt on-screen violence and the use of fake blood, was replaced by the less stringent Motion Picture Association of America film ratings system. Filmmakers could latch onto new freedoms to express fear, anxiety and dread in more visceral depictions. One way to do that – more blood.

In “Night of the Living Dead,” George A. Romero’s 1968 seminal zombie flick, the walking dead consume the flesh of the living. Even though the movie is in black and white, the monochromatic presentation does not dull the display of the undead gobbling guts and licking up blood.

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The film’s release came six months after the assassination of Martin Luther King Jr., and a clear connection between Romero’s film and the Civil Rights Movement then taking place is apparent. The movie’s heightened gore correlates to the movement’s all-too-bloody violent struggle, as Ben, played by Duane Jones, the sole person of color among the living, hides from the ghouls in an abandoned farmhouse with a group of six white people.

Ben works to keep the group safe but faces ongoing pushback from the white male characters. At the end of the film, a group of vigilantes, believing Ben is a zombie, guns him down before tossing his body into a fire.

The symbolism as a reflection of the times is hard to miss. Romero and John Russo, who co-wrote the screenplay, didn’t initially intend to make a statement on civil rights; but later, during postproduction, Romero realized the assassination of King turned his movie into a “Black film.”

Bloody metaphors

Then came the 1970s, when blood was sprayed all over the screen. But Tobe Hooper’s “The Texas Chain Saw Massacre” (1974), William Friedkin’s “The Exorcist” (1974) and Ridley Scott’s “Alien” (1979) have something else in common: They feature women protagonists who survive the unthinkable.

Once again, blood is a common denominator. Sally’s body is covered in it after escaping Leatherface; Regan’s body, along with the blood, spews green vomit; and Ripley sees an alien burst out of a crew member’s chest. But the films weren’t just gory – they were metaphors for the uphill battle for women’s rights in the 1970s.

The original “Halloween” (1978) also fits here, but with a twist. The character of Laurie Strode, perhaps an early prototype of women protagonists in horror films, connects back to a “tell, don’t show” sensibility while simultaneously embracing changing times. While the first kill shows Michael Myers stabbing his older sister, the audience views the death from the partially veiled perspective of Myers behind his Halloween mask. You see little until her body hits the floor to reveal the blood.

Nightmares and reality

In the 1980s, the slasher subgenre dominated horror – and the bloodier, the better: These movies focus on the number of kills and the creative ways the victims are dispatched.

Each sequel in these horror franchises needed to up the kills, if for no other reason than to outdo its predecessors and competitors. Audiences began rooting for villains like Myers, Jason Voorhees and Freddy Krueger, all of whom had their own theme music, and in Freddy’s case, trademark one-liners. Many of the villains had more character development than their victims, who seemed interchangeable and little more than fodder for the slasher machine.

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The 1990s had bigger-budgeted, more innovative films, such as Wes Craven’s “New Nightmare” (1994) and “Scream” (1996). Here the attacks are more personal; the stabbings are close-up. CGI, or computer-generated imagery, used in abundance in the “Nightmare” series, allowed for more creative and bloody kills.

Scarier times mean bloodier movies

Since 9/11, horror films have existed in a place where there’s no apparent motive other than violence and bloodshed. In “The Strangers” (2008), the villains tie up, torment and savagely maim their victims. In the 2009 remake of “The Last House on the Left,” it’s the villains who meet a bloody end. Contemporary horror understands how senseless killings on screen are effective, because the removal of emotion from the violence parallels real-world incidents.

By the late 2010s, horror films link to the #MeToo and Time’s Up movements, most notably in the “Halloween” reboot trilogy, as Laurie Strode once again confronts Michael Myers and the trauma he inflicted 40 years prior.

The kills in the new “Halloween” trilogy are extremely bloody and violent. They also mirror the sexual and societal exploitation of women and their bodies. Ultimately, the series allows the protagonist, and the traumatized town of Haddonfield, to acknowledge the evil, confront it and try to finally put an end to it, once and for all.

The evolution in the horror genre’s presentation of blood and gore doesn’t necessarily make for scarier movies, but they often point to the scarier times in which we live. Earlier horror films, comparatively tamer and with less blood, were often box-office successes. But today’s audiences probably appreciate them more for their artistic merits than the fear they induce.

The preferences of horror audiences change over time, much like the ebb and flow of the blood depicted in these movies. The original “Halloween” has hardly a drop; the recent reboots are over the top – but still nowhere close to the mayhem depicted in the just-released “Terrifier 3.”

What the future holds is anyone’s guess. But check out the world around you, and you’ll certainly get a bloody good hint of what’s to come.

James Francis, Jr., Instructional Associate Professor, Texas A&M University

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This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Scott Malia, College of the Holy Cross

It’s scary movie season, a time when many people watch films about zombies, serial killers, werewolves, magic and mysterious monsters who are impossible to kill.

However, as far as I know, there’s only one film that features all of those elements – and you’ve probably never seen it.

Made in 2007, “Trick ‛r Treat” consists of four interconnected horror stories, each about 15 to 20 minutes long, that all take place on a single Halloween night.

While characters from one story sometimes appear in other segments, the unifying force in the film is Sam, a mysterious creature wearing a burlap mask. He takes umbrage whenever a character disrespects a Halloween tradition, whether it’s by scaring away trick-or-treaters or blowing out a jack-o’-lantern before Halloween is over. Each meets a gruesome end.

Horror buffs eventually discovered the film. Today, it’s hailed as a modern classic. https://www.youtube.com/embed/NJ66Htmmq4M?wmode=transparent&start=0 ‘Trick ‛r Treat’ ended up forgoing a theatrical run.

What went wrong?

“Trick ‛r Treat” was produced by a major studio, Warner Bros. It featured A-list stars, such as Brian Cox and Oscar-winner Anna Paquin. It was produced by Bryan Singer, who was known for churning out hits such as “X-Men” and “The Usual Suspects.” And though its director, Mike Dougherty, was making his directorial debut, he had worked as a screenwriter on films such as “X2: X-Men United” and “Superman Returns.”

Despite all of these credentials, the film’s theatrical release was delayed from fall 2007 to 2008. Then a theater run was canceled altogether, with Warner Bros. finally releasing it on video in 2009.

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The studio never gave an official reason for pulling the theatrical release; however, some critics have speculated that the box office success of the “Saw” franchise and Rob Zombie’s “Halloween” remake were factors.

Other reports suggest that the film’s anthology format, its mixture of horror and comedy, and a plot featuring murdered children made it too hard a sell.

Given the cost of marketing and promoting “Trick ‛r Treat” to a nationwide audience, perhaps the risk wasn’t worth it for a film with a relatively small US$5 million budget. Dougherty himself said these hang-ups constituted a “perfect storm,” suggesting that no one development sealed the film’s fate.

Bypassing the box office

As recently as a decade ago, films released directly to DVD were viewed as flops or cash grabs. In fact, there’s an entire subgenre called “mockbusters” – low-budget rip-offs of studio films, such as “Transmorphers,” which tried to piggyback the success of the “Transformers” franchise, and “Atlantic Rim,” which attempted to do the same for the 2013 blockbuster “Pacific Rim.”

Then there are direct-to-video sequels meant to capitalize off hits. Disney made a lot of money in the late 1990s and early 2000s producing widely panned, direct-to-video animated features such as “The Return of Jafar” and “Pocahontas II: Journey to a New World.”

But second lives for films that were initially snubbed or ignored are nothing new.

“The Boondock Saints” was briefly screened in a handful of theaters for a single week in 1999 before being dumped into the video market. Only then did viewers find it, and it became a cult favorite that eventually begat a sequel.

The stigma of direct-to-video release has diminished over the past decade thanks to the rise of streaming, in which content made directly for home viewing can receive critical acclaim and attract subscribers.

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Actor Nicolas Cage has made a cottage industry of this format. While some have attributed his massive output in the past decade to his financial difficulties, Cage’s films “Joe” (2013), “Mandy” (2018) and “Pig” (2021) have all received critical acclaim, despite sometimes only running in a handful of theaters for a week before their release into streaming markets and video on demand.

It’s this sort of tradition that led to the rediscovery of “Trick ‛r Treat.”

Hipster horror

The appeal of “Trick ‛r Treat” is rooted in its subversion of horror tropes.

For example, women and children, who’ve historically served as victims in the genre, have a lot more agency in Dougherty’s Halloween tale. In fact, the mysterious Sam was played by Quinn Lord, who was only 8 years old when the film was shot. In the film, the character’s origin, age and gender remain undefined since Sam is masked or covered in prosthetics for the entire film, blurring the line between human and monster.

In addition, the film’s complex structure, which some speculated might have hurt its chances for commercial success, helped fuel the film’s critical praise. Dougherty called it “‘Pulp Fiction’ meets ‘Halloween,’” a nod to the interlocking structure of Quentin Tarantino’s breakout film and the setting of John Carpenter’s horror staple, which also unfolds over one Halloween night.

It has become somewhat of a cliché to say that esteemed art, initially overlooked, was “ahead of its time.”

Still, it would be fair to say that “Trick ‘r Treat” arrived on the cusp of what has been called a “horror renaissance” in the past 15 years. Directors like Jordan Peele, Ari Aster, Robert Eggers and Mike Flanagan have found critical and commercial success by branding themselves as horror auteurs.

In addition, Peele and directors like Nia Dacosta, who helmed 2021’s “Candyman,” have opened up a brand of horror that deals with social issues and identity. Dougherty’s film also anticipated a trend of horror films with a darkly humorous streak, including Peele’s “Get Out” and David Gordon Green’s reimagined “Halloween” sequels.

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Despite the film’s rocky beginnings, “Trick ‛r Treat” received a belated theatrical release in 2022, which has spurred talk of a potential sequel.

Dougherty even acknowledges that the film may owe its current popularity to its botched release. While some mainstream films disappear quickly, “Trick ‛r Treat” – currently streaming on Max – reappears every Halloween. Just like Sam.

Scott Malia, Associate Professor of Theatre, College of the Holy Cross

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Looking for an entertainment experience that transcends the ordinary? Look no further than STM Daily News Blog’s vibrant Entertainment section. Immerse yourself in the captivating world of indie films, streaming and podcasts, movie reviews, music, expos, venues, and theme and amusement parks. Discover hidden cinematic gems, binge-worthy series and addictive podcasts, gain insights into the latest releases with our movie reviews, explore the latest trends in music, dive into the vibrant atmosphere of expos, and embark on thrilling adventures in breathtaking venues and theme parks. Join us at STM Entertainment and let your entertainment journey begin! https://stmdailynews.com/category/entertainment/

and let your entertainment journey begin!

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