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General Motors and Netflix Partner to Give EVs the Stage they Deserve

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General Motors and Netflix are joining forces to give electric vehicles (EVs) the stage they  deserve, reflecting society’s increasing excitement about an all-electric future, starting with a launch spot, “EVs On Screen.” 

In 2021, GM launched the “Everybody In” campaign, demonstrating the company’s intent to lead an all-electric future, and invited others to join the movement. GM is electrifying the automotive industry, engineering EVs with purpose-built, ground-up design, powered by the Ultium Platform, enabling EVs for everyone. 

Netflix is joining the movement and will increase the presence of EVs in Netflix-produced shows and films, where relevant, while also taking steps to enable more sustainable productions.  

“Entertainment has a huge impact on culture. We want to make EVs famous on streaming, small and silver screens to build an EV culture through storytelling that incorporates the experiences of driving and owning an EV,” said GM Global Chief Marketing Officer Deborah Wahl. “Netflix is a great partner because of the company’s compelling storytelling, commitment to sustainability and track record of sparking conversations that shape cultural trends. We are united in creating a better, more sustainable future for  our world as we bring everybody in on EVs.” 

As a result of the partnership, Netflix is supporting and educating creators, helping them to better understand how EVs can complement and enhance their stories. Over the course of the next year,  inspired by this partnership, GM EVs will be seen in select Netflix shows and films, including Love is Blind, Queer Eye and Unstable, which will feature the Chevrolet Bolt EUV, GMC HUMMER EV Pickup and Cadillac LYRIQ respectively. 

“At Netflix, we create shows and films that can influence culture and spark meaningful conversations,” said Netflix Chief Marketing Officer Marian Lee. “From the TikTok dance trends inspired by Wednesday to thoughtful discussions about climate change with Don’t Look Up, we know that entertainment can drive fandom and inspire connections. GM is a cultural leader in the auto industry and we are proud to partner with them in their efforts by amplifying the presence of electric vehicles in our shows and films.”

In addition to Netflix’s commitment to increase the presence of EVs on screen, the company is also taking  action to become more sustainable behind the camera within its productions by optimizing energy use, then electrifying it, and decarbonizing the rest. To learn more visit: Sustainability.Netflix.com.  

As part of the rollout for this strategic alliance, a commercial that presents both companies’ commitment to a more sustainable future will air during the big game on Sunday, Feb. 12. Fans will see Will Ferrell enter the world of some of the biggest Netflix shows and films including Army of the Dead, Squid Game, and more. The creative showcases how EVs will show up on screen while highlighting the wide range of EVs GM plans to offer. More information about Netflix and GM’s joint efforts is available at gm.com/netflix

You can view the teasers below:

https://youtu.be/8IHYJK1uilA
Squid Game “Masks”

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Army of the Dead “Directions”

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Netflix-Warner deal would drive streaming market further down the road of ‘Big 3’ domination

Netflix’s planned acquisition of Warner Bros. marks a new era of “Big Three” domination in the streaming industry, joining Amazon and Disney at the top. Discover what this means for viewers and the future of digital entertainment.

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Netflix and Warner Bros. logos side by side, symbolizing the major streaming industry merger and the emergence of a dominant “Big Three” in digital entertainment.
Netflix’s Hollywood studio offices at Sunset Bronson Studios in Los Angeles. Patrick T. Fallon / AFP via Getty Images

Netflix-Warner deal would drive streaming market further down the road of ‘Big 3’ domination

David R. King, Florida State University When it comes to major U.S. industries, three tends to be the magic number. Historically, auto manufacturing was long dominated by Chrysler, Ford and General Motors – the so-called “Big Three,” which at one point controlled over 60% of the U.S. auto market. A dominant trio shows up elsewhere, too, in everything from the U.S. defense market – think Lockheed Martin, Boeing and Northrup Grumman – to cellphone service providers (AT&T, T-Mobile and Verizon). The same goes for the U.S. airline industry in which American, Delta and United fly higher than the rest. The rule of three also applies to what Americans watch; the glory days of television was dominated by three giants: ABC, CBS and NBC. Now, in the digital age, we are rapidly moving to a “Big Three” dominating streaming services: Netflix, Amazon and Disney. The latest step in that process is Netflix’s plan to acquire Warner Bros. for US$72 billion. If approved, the move would solidify Netflix as the dominant streaming platform.

When streams converge

Starting life as a mail DVD subscription service, Netflix moved into streaming movies and TV shows in 2007, becoming a first-mover into the sphere. Being an early adopter as viewing went from cable and legacy to online and streaming gave Netflix an advantages in also developing support technology and using subscriber data to create new content. The subsequent impact was Netflix became a market leader, with quarterly profits now far exceeding its competitors, which often report losses. Today, even without the Warner Bros. acquisition, Netflix has a dominant global base of over 300 million subscribers. Amazon Prime comes second with roughly 220 million subscribers, and Disney – which includes both Disney+ and Hulu – is third, with roughly 196 million subscribers. This means that between them, these three companies already control over 60% of the streaming market. Netflix’s lead would only be reinforced by the proposed deal with Warner Bros., as it would add ownership of Warner subsidiary HBO Max, which is currently the fourth-biggest streamer in the U.S. with a combined 128 million subscribers. While some of them will overlap, Netflix is likely to still gain subscribers and better retain them with a broader selection of content. Netflix’s move to acquire Warner Bros. also follows prior entertainment industry consolidation, driven by a desire to control content to retain streaming service subscribers. In 2019, Disney acquired 21st Century Fox for $71.3 billion. Three years later, Amazon acquired Metro-Goldwyn-Mayer for $8.5 billion. Should the Netflix deal go through, it would continue this trend of streaming consolidation. It would also leave a clear gap at the top between the emerging Big Three and other services, such as Paramount+ with 79 million subscribers and Apple TV+, which has around 45 million. Paramount on Dec. 8, 2025, announced a hostile takeover bid for Warner Bros. in a proposed $108.4 billion deal that would, unlike the Netflix plan, include Warner Bros. subsidiary Discovery+.

Why industries come in threes

But why do industries converge to a handful of companies? As an expert on mergers, I know the answer comes down to market forces relating to competition, which tends to drive consolidation of an industry into three to five firms. From a customer perspective, there is a need for multiple options. Having more than one option avoids monopolistic practices that can see prices fixed at a higher rate. Competition between more than one big player is also a strong incentive for additional innovation to improve a product or service. For these reasons, governments – in the U.S. and over 100 other countries – have antitrust laws and practices to avoid any industry displaying limited competition. However, as industries become more stable, growth tends to slow and remaining businesses are forced to compete over a largely fixed market. This can separate companies into industry leaders and laggards. While leaders enjoy greater stability and predictable profits, laggards struggle to remain profitable. Lagging companies often combine to increase their market share and reduce costs. The result is that consolidating industries quite often land on three main players as a source of stability – one or two risks falling into the pitfalls of monopolies and duopolies, while many more than three to five can struggle to be profitable in mature industries.

What’s ahead for the laggards

The long-term viability of companies outside the “Big Three” streamers is in doubt, as the main players get bigger and smaller companies are unable to offer as much content. A temporary solution for smaller streamers to gain subscribers is to offer teaser rates that later increase for people that forget to cancel until companies take more permanent steps. But lagging services will also face increased pressure to exit streaming by licensing content to the leading streaming services, cease operations or sell their services and content. Additionally, companies outside the Big Three could be tempted to acquire smaller services in an attempt to maintain market share. There are already rumors that Paramount, which is a competing bidder for Warner Bros., may seek to acquire Starz or create a joint venture with Universal, which owns Peacock. Apple shows no immediate plan of discontinuing Apple TV+, but that may be due to the company’s high profitability and an overall cash flow that limits pressures to end its streaming service. Still, if the Netflix-Warner Bros. deal completes, it will likely increase the valuation of other lagging streaming services due to increased scarcity of valuable content and subscribers. This is due to competitive limits that restrict the Big Three from getting bigger, making the combination of smaller streaming services more valuable. This is reinforced by shareholders expecting similar or greater premiums from prior deals, driving the need to pay higher prices for the fewer remaining available assets.

The cost to consumers

So what does this all mean for consumers? I believe that in general, consumers will largely not be impacted when it comes to the overall cost of entertainment, as inflationary pressures for food and housing limit available income for streaming services. But where they access content will continue to shift away from cable television and movie theaters. Greater stability in the streaming industry through consolidation into a Big Three model only confirms the decline in traditional cable. Netflix’s rationale in acquiring Warner Bros. is likely to enable it to offer streaming at a lower price than the combined price of separate subscriptions, but more than Netflix alone. This could be achieved through additional subscription tiers for Netflix subscribers wanting to add HBO Max content. Beyond competition with other members of the “Big Three,” another reason why Netflix is unlikely to raise prices significantly is that it will likely commit to not doing so in order to get the merger approved. Netflix’s goal is to ensure it remains consumer’s first choice for streaming TV and films. So while streaming is fast becoming a Big Three industry, Netflix’s plan is to remain at the top of the triangle. This article was updated on Dec. 8, 2025, with news of Paramount’s hostile bid. David R. King, Higdon Professor of Management, Florida State University This article is republished from The Conversation under a Creative Commons license. Read the original article.

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STM Daily News Pop-Culture Fact Check: Do electric cars have fuses?

Do electric cars have fuses? In a 2023 episode of The Neighborhood, Marty claims electric cars don’t have fuses — but that’s technically incorrect and out of character for an engineer. STM Daily News breaks down why EVs absolutely have fuses and why the sitcom got it wrong.

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Last Updated on December 8, 2025 by Daily News Staff

Do electric cars have fuses?

EV charging station for electric car in concept of green energy and eco power produced from sustainable source to supply to charger station in order to reduce CO2 emission .

Do electric cars have fuses?

Did The Neighborhood Get EV Fuses Wrong? Yes — And Marty Should’ve Known Better

In a memorable moment from The Neighborhood, Season 5 (2023), Episode 20 (“Welcome to the Other Neighborhood”), Calvin Butler excitedly unveils a new business idea: an electric vehicle repair shop he and Marty plan to call The Fuse Box. During a lively family dinner, Marty’s new girlfriend raises a simple but important question:

“Do electric cars have fuses?”

Unexpectedly, Marty — the character known for his intelligence, engineering degree, and technical precision — responds with an emphatic: “No!”

For long-time fans, this answer sparked a double-take. Why? Because electric vehicles don’t just have fuses — they rely on multiple types of them to operate safely. Marty, of all people, should know this. While the line serves as a quick punchline, it contradicts the very foundation of his character: a calm, highly educated engineer who rarely makes basic technical mistakes.

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Where the Scene Goes Wrong

The joke lands, but at the cost of technical accuracy and character consistency. Marty is typically the voice of reason and knowledge in the Butler household — especially when it comes to anything mechanical or technological. The idea that he’d misunderstand something as fundamental as an EV fuse system feels out of step with the show’s established internal logic.

Realistically, this is a line that should’ve come from Calvin, whose old-school, hands-on approach to mechanics leaves plenty of room for misunderstandings about modern electric vehicles. Marty would normally be the one who corrects him — not the other way around.

Fact Check: Yes, Electric Cars Have Fuses

Electric cars contain multiple fuse systems, each designed to protect different components and ensure safe operation:

  • High-Voltage Fuses: Protect the battery pack, inverter, DC-DC converter, and onboard charger.
  • 12-Volt Fuses: Handle accessories like interior lighting, infotainment, power windows, door locks, and safety electronics.
  • Pyro-Fuses: Specialized safety fuses that instantly disconnect the battery during a crash.

This makes Marty’s confident “No!” not just incorrect but mechanically impossible. EVs rely on fuses in the same way traditional vehicles do — just at higher voltages and sometimes in more sophisticated configurations.

Why the Writers Made This Choice

Like many sitcoms, The Neighborhood occasionally sacrifices technical accuracy for quick comedic timing. The joke required a snappy, surprising answer — and Marty’s overconfident reply delivered that punch. The trade-off is that it momentarily breaks character for a laugh.

For viewers who pay attention to both pop culture and automotive technology, the moment stood out as one of the most transparent technical slips in the series.

What Marty Should Have Said

A more accurate and in-character response could’ve been:

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“Yes — and EVs actually use high-voltage fuses, which is why our shop is called The Fuse Box.”

Or the scene could’ve played out with Calvin giving the wrong answer first, and Marty correcting him, keeping both accuracy and humor intact. Either way, the writers opted for the faster laugh, even if it meant bending Marty’s character logic.


Dive into “The Knowledge,” where curiosity meets clarity. This playlist, in collaboration with STMDailyNews.com, is designed for viewers who value historical accuracy and insightful learning. Our short videos, ranging from 30 seconds to a minute and a half, make complex subjects easy to grasp in no time. Covering everything from historical events to contemporary processes and entertainment, “The Knowledge” bridges the past with the present. In a world where information is abundant yet often misused, our series aims to guide you through the noise, preserving vital knowledge and truths that shape our lives today. Perfect for curious minds eager to discover the ‘why’ and ‘how’ of everything around us. Subscribe and join in as we explore the facts that matter.  https://stmdailynews.com/the-knowledge/


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Angel Studios and 2521 Entertainment Acquire DAVID Franchise, Set December Theatrical Release

Angel Studios partnered with 2521 Entertainment to acquire the DAVID franchise from Slingshot USA, including an animated film and television series set for a December 19 release. The project, based on David’s biblical story, underscores Angel’s commitment to family-oriented, values-based entertainment.

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Last Updated on October 24, 2025 by Daily News Staff

PROVO, Utah – Angel Studios (NYSE: ANGX) announced Tuesday it has partnered with 2521 Entertainment to acquire the DAVID franchise from Slingshot USA, bringing one of the company’s most anticipated projects under its direct ownership ahead of a December 19 theatrical release.

ANGEL STUDIOS AND 2521 ENTERTAINMENT ACQUIRE THE DAVID FRANCHISE FROM SLINGSHOT USA
ANGEL AND 2521 ENTERTAINMENT ACQUIRE THE DAVID FRANCHISE FROM SLINGSHOT USA

The acquisition includes both an animated feature film and a five-part television series based on the biblical story of David, the shepherd boy who defeated Goliath and became king of Israel. The project was created by the same studio and director behind YOUNG DAVID, an animated series that achieved some of the highest approval ratings in Angel Guild history.

DAVID | “Follow The Light” | In Theaters This Christmas | Phil Wickham & Brandon Engman | Angel

Strategic Asset for Growing Platform

“DAVID is the largest audience-funded film in history,” said Neal Harmon, co-founder and CEO of Angel Studios. “Owning the DAVID intellectual property is a long-term strategic asset, and we anticipate making similar series acquisitions that resonate with the Angel Guild and have performed exceptionally well on our platform.”

The acquisition comes as Angel’s grassroots membership base—the Angel Guild—has grown beyond 1.5 million members across more than 180 countries. These paying members help decide which film and television projects the studio will market and distribute, creating what the company calls a values-based approach to entertainment.

Angel plans to explore producing additional episodes of the DAVID animated television series to extend the franchise, responding to strong demand for television content among Guild members.

A Story Three Decades in the Making

Director Phil Cunningham described the journey to bring DAVID to screens as a testament to faith and perseverance.

“A vision that began over 30 years ago has required immense sacrifice, faith, bravery, and commitment from many to bring it to completion, and we have arrived at this moment,” Cunningham said. “David dared to take off Saul’s armour and go to battle with just a slingshot. Angel has proven time and again that it is a leader and willing to take on the biggest challenges.”

The animated feature digs deeper into David’s life beyond his famous confrontation with Goliath, exploring his roles as warrior, poet, shepherd, and eventual king who led and inspired a nation.

Proven Partnership

Angel and 2521 Entertainment have collaborated on 14 projects to date, including notable releases such as SOUND OF FREEDOM, which earned $250 million at the worldwide box office, KING OF KINGS, THE WINGFEATHER SAGA, and THE LAST RODEO. The companies also have YOUNG WASHINGTON scheduled for upcoming release.

“At 2521 Entertainment our mission is to go beyond entertainment and offer families stories that elevate and leave a lasting impression in an otherwise distracted world,” said David L. Hunt, co-founder and chief creative officer of 2521 Entertainment. “DAVID is one of those rare movies that will build meaningful, lasting family memories and connections. And there are few things in life more valuable than that.”

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Founded in 2023, 2521 Entertainment has quickly established itself in faith-based and values-driven content, with credits including KING OF KINGS—the highest-grossing faith-based animated opening ever—and HOUSE OF DAVID, Amazon Prime’s top-ranked series.

Release Schedule Adjustment

As part of the acquisition and release strategy, Angel announced that ZERO A.D., previously scheduled for December 19, 2025, will now be released in 2026. This clears the holiday theatrical window for DAVID’s debut.

“At a time when the world is craving hope, David’s unyielding courage and faith remind us all to stand tall,” Harmon said. “I am profoundly grateful for the miracle of this moment.”

The December 19 release positions DAVID as a holiday season offering for families seeking values-based entertainment during the theatrical window traditionally dominated by major studio releases.


For more information about Angel Studios and the Angel Guild, visit www.angel.com. Learn more about 2521 Entertainment at https://2521entertainment.com.

SOURCE Angel Studios, Inc. and PR Newswire


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