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Framing the Final Light: The Power of the Setting Sun Shot in Film
Explore how filmmakers use the setting sun shot to create emotion and meaning in film — from Sergio Leone’s westerns to Saguaro Court by Rodney Washington.
The Power of the Setting Sun Shot in Film
There’s a certain magic that happens when a camera captures the last light of the day. The sun dips low, shadows stretch long, and everything takes on a warm, golden glow that can turn even the simplest scene into something timeless. Filmmakers call it the “magic hour,” and it’s been used for decades to convey emotion, finality, and visual poetry.
I learned this firsthand in 2002, when I produced a short film called Saguaro Court. The story closed with a powerful image — the supposed bad guy standing over the supposed good guy, revealing a sudden plot twist as the Arizona sun sank behind them. The setting sun wasn’t just a backdrop; it was a visual exclamation point. That warm, fading light symbolized moral ambiguity and the shifting of power in a way that dialogue alone never could.
But not everyone agreed. After the film was finished, I had a heated debate with someone who insisted that using the setting sun as a backdrop “had never been done before” — and that I was wrong for ending my film that way. I couldn’t help but laugh. The truth is, that technique has been a cinematic staple for generations. In fact, some of the greatest directors in film history have built unforgettable moments around it.
Classic Westerns and the Mythic Glow
Few genres embraced the sunset more than the Western. Director Sergio Leone turned the setting sun into a character of its own in The Good, the Bad and the Ugly (1966). Cinematographer Tonino Delli Colli often shot Clint Eastwood during the golden hour, bathing his silhouette and poncho in a desert glow that defined the spaghetti western aesthetic. Leone would even structure his production schedule around those few precious minutes when the light was perfect.
Later, Eastwood paid homage to Leone’s technique in his Oscar-winning film Unforgiven (1992), where several key moments — including the final ride into the storm — were filmed under the fading light of day. Likewise, Shane (1953) used the sunset for one of the most poignant endings in all of cinema, with the hero riding into the horizon as the sky dimmed behind him.
Modern Masters of the Golden Hour
Outside of the Western, visionary directors have continued to use this visual language.
Terrence Malick’s Days of Heaven (1978) is considered the masterpiece of natural light cinematography, with nearly every shot filmed during magic hour. David Lean’s Lawrence of Arabia (1962) captured the desert’s vastness and isolation in golden tones that remain unmatched. Roger Deakins, one of today’s greatest cinematographers, used the setting sun in films like No Country for Old Men (2007) and Skyfall (2012) to heighten drama and atmosphere. Even Ridley Scott’s Gladiator (2000) ends with a wheat-field vision glowing in the light of dusk — a visual metaphor for peace and release.
Why the Setting Sun Works
There’s something deeply human about the symbolism of sunset. It marks the end of a day, a life chapter, or a story. It’s universal — everyone recognizes what it feels like to watch the day fade away. The soft, directional light adds warmth, realism, and melancholy all at once. It’s not just beautiful; it’s emotional shorthand.
When we see a character framed against that low sun, we instinctively feel tension, change, or closure — the end of something and the beginning of something else.
Back to Saguaro Court
In Saguaro Court, the closing shot against the Arizona sunset wasn’t just about style — it was about storytelling. The light deepened the moral twist at the end, amplifying the shock and emotion of the scene. And that’s why filmmakers return to the setting sun again and again: because sometimes, the light says everything.
So to anyone who claims “it’s never been done before,” history — and a century of golden light — say otherwise.
Further Viewing
The Good, the Bad and the Ugly – Wikipedia
Days of Heaven – IMDb Shane – Wikipedia
Lawrence of Arabia – Wikipedia
Written by Rodney Washington, filmmaker and publisher of STM Daily News
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STM Daily News Pop-Culture Fact Check: Do electric cars have fuses?
Do electric cars have fuses? In a 2023 episode of The Neighborhood, Marty claims electric cars don’t have fuses — but that’s technically incorrect and out of character for an engineer. STM Daily News breaks down why EVs absolutely have fuses and why the sitcom got it wrong.
Last Updated on December 8, 2025 by Daily News Staff
EV charging station for electric car in concept of green energy and eco power produced from sustainable source to supply to charger station in order to reduce CO2 emission .
Do electric cars have fuses?
Did The Neighborhood Get EV Fuses Wrong? Yes — And Marty Should’ve Known Better
In a memorable moment from The Neighborhood, Season 5 (2023), Episode 20 (“Welcome to the Other Neighborhood”), Calvin Butler excitedly unveils a new business idea: an electric vehicle repair shop he and Marty plan to call The Fuse Box. During a lively family dinner, Marty’s new girlfriend raises a simple but important question:
“Do electric cars have fuses?”
Unexpectedly, Marty — the character known for his intelligence, engineering degree, and technical precision — responds with an emphatic: “No!”
For long-time fans, this answer sparked a double-take. Why? Because electric vehicles don’t just have fuses — they rely on multiple types of them to operate safely. Marty, of all people, should know this. While the line serves as a quick punchline, it contradicts the very foundation of his character: a calm, highly educated engineer who rarely makes basic technical mistakes.
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Where the Scene Goes Wrong
The joke lands, but at the cost of technical accuracy and character consistency. Marty is typically the voice of reason and knowledge in the Butler household — especially when it comes to anything mechanical or technological. The idea that he’d misunderstand something as fundamental as an EV fuse system feels out of step with the show’s established internal logic.
Realistically, this is a line that should’ve come from Calvin, whose old-school, hands-on approach to mechanics leaves plenty of room for misunderstandings about modern electric vehicles. Marty would normally be the one who corrects him — not the other way around.
Fact Check: Yes, Electric Cars Have Fuses
Electric cars contain multiple fuse systems, each designed to protect different components and ensure safe operation:
- High-Voltage Fuses: Protect the battery pack, inverter, DC-DC converter, and onboard charger.
- 12-Volt Fuses: Handle accessories like interior lighting, infotainment, power windows, door locks, and safety electronics.
- Pyro-Fuses: Specialized safety fuses that instantly disconnect the battery during a crash.
This makes Marty’s confident “No!” not just incorrect but mechanically impossible. EVs rely on fuses in the same way traditional vehicles do — just at higher voltages and sometimes in more sophisticated configurations.
Why the Writers Made This Choice
Like many sitcoms, The Neighborhood occasionally sacrifices technical accuracy for quick comedic timing. The joke required a snappy, surprising answer — and Marty’s overconfident reply delivered that punch. The trade-off is that it momentarily breaks character for a laugh.
For viewers who pay attention to both pop culture and automotive technology, the moment stood out as one of the most transparent technical slips in the series.
What Marty Should Have Said
A more accurate and in-character response could’ve been:
“Yes — and EVs actually use high-voltage fuses, which is why our shop is called The Fuse Box.”
Or the scene could’ve played out with Calvin giving the wrong answer first, and Marty correcting him, keeping both accuracy and humor intact. Either way, the writers opted for the faster laugh, even if it meant bending Marty’s character logic.
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The Wild, Wacky Legacy of Pasadena’s Doo Dah Parade
Discover the bizarre and beloved history of Pasadena’s Doo Dah Parade — the irreverent, comedic, anything-goes counter-parade that became a Southern California cultural icon.
The Wild, Wacky Legacy of Pasadena’s Doo Dah Parade
For nearly four decades, Pasadena’s Doo Dah Parade turned the idea of a “traditional” parade on its head — then stomped on it with lawn-chair drill teams, absurd costumes, and satire that could lampoon anything from politics to pop culture to the Rose Parade itself. What began as a joke in a Pasadena bar became one of Southern California’s most iconic community celebrations of imagination, humor, and glorious weirdness.
From Barroom Idea to Cultural Phenomenon
The Doo Dah Parade began in 1978, dreamed up by a group of local artists and musicians at Chromo’s Bar. Tired of the strict formality of the Tournament of Roses Parade, they envisioned a counter-culture alternative — a parade where anyone could join, creativity reigned supreme, and the rules were… nonexistent.
What started with a few dozen eccentrics quickly exploded into a regional sensation. Over the years, it attracted national attention from outlets like TIME, USA Today, and multiple TV programs. Its success even inspired copycat Doo Dah parades in other cities.
A Parade with No Rules — And That’s the Point
The Doo Dah Parade embraces chaos by design. Participants often show up moments before marching — or don’t march at all. Many ride bikes, push shopping carts, drag absurd props, or simply strut in homemade costumes that defy explanation.
- Synchronized “swimmers” performing on dry pavement
- Flying baby-doll battalions
- The Bicycle Ballet troupe
- Unicycling men in Viking helmets
- Marching bands that proudly do not play in tune
- Political parody floats roasting current events
- The famously unconventional “Queen of Doo Dah”
More Than a Parade: A Celebration of Free Expression
At its heart, the Doo Dah Parade represents something deeper than comedy. It became a platform for artists, eccentrics, activists, and everyday people who simply wanted to express themselves without restraint. In a world where everything is curated, polished, and filtered, Doo Dah stood proudly as a parade of pure authenticity.
The Pause — and the Legacy
The last official Pasadena Doo Dah Parade was held in 2019 before the pandemic reshaped public events. While its future is uncertain, its cultural impact remains alive through the creative spirit it championed.
According to Wikipedia, in 2025, the Light Bringer Project (the non-profit organization behind the event) postponed Pasadena’s Doo Dah Parade until 2026, due to the thousands of locals displaced by the Eaton wildfires and unsteady funding.
Fun Facts About the Doo Dah Parade
- Born in a Bar: The parade started as a late-night idea at Chromo’s Bar in Old Town Pasadena.
- Unpredictable Royalty: Past “Queens of Doo Dah” include belly dancers, drag queens, and performance artists.
- National Attention: Featured on The Tonight Show, CNN, and in major magazines.
- No Rules: The only real rule is that anyone weird, funny, or creative is welcome.
- Countrywide Influence: Inspired similar parades in cities like Columbus and Ocean City.
Related Links:
- Official Pasadena Doo Dah Parade Info
- Los Angeles Times Archives – Doo Dah Coverage
- Southern California Culture & Arts Resources
- California Historical Society
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The Substitute Teacher Who Wanted Blueprints of Our House
A fifth-grade assignment took a strange turn when a substitute teacher asked students to draw schematics of their homes. What followed — a wildly fictional floor plan and a priceless reaction from my mom — turned into one of my funniest childhood memories.
Last Updated on December 8, 2025 by Daily News Staff
The Substitute Teacher Who Wanted Blueprints of Our House
Elementary school memories tend to blend together — cafeteria pizza, playground arguments, the eternal struggle of times tables — but every once in a while, something happens that sticks with you for life. For me, that moment came in the fifth grade during a week when our regular teacher was out, and we cycled through substitute teachers like we were testing models for durability. By midweek, in walked a substitute with a mysterious, slightly intense energy — the kind of vibe that suggested he either meditated at dawn or worked a graveyard shift doing something he couldn’t talk about. We settled into our seats, expecting worksheets or quiet reading time. But nope. He had other plans. “Today,” he announced, “we’re going to draw schematics of our houses.” Schematics. Not drawings. Not little houses with smoke coming out of the chimney. Actual blueprint-style schematics. He wanted the layout of our bedrooms, our parents’ rooms, and where the pets slept. Every detail. Now, to be fair, Highlights Magazine did have a feature that month teaching kids how to draw floor plans. So maybe he was just a bit overenthusiastic about cross-curricular learning. Or maybe — and this is my completely rhetorical adult theory — he worked the graveyard shift as a cat burglar gathering intel between heists. Just moonlighting between blueprints. While the rest of the class tried their best to recreate their actual homes, my imagination sprinted in a totally different direction. The house I drew had:- A massive master bedroom with an oversized bathroom for my parents
- Separate bedrooms for us kids on the opposite side of the house
- A kitchen placed right in the center like a command center
- And the dog — the true VIP — had a luxurious two-story doghouse
Later that day, my mom asked the usual question: “So, what did you guys do today?” “We drew schematics of our house,” I said casually. The look on her face was instant and intense. She wasn’t panicked, but there was definitely a “Why does a substitute teacher need to know the exact layout of my home?” expression happening. Parental instincts activated. But then I showed her my diagram. She stared at it. Blinked. Then sighed with massive relief. “This isn’t our house,” she said. “Nope! I made it up,” I replied proudly. Her shoulders relaxed so much she probably lost five pounds of tension in one instant. If the substitute was secretly planning a heist, my masterpiece of misinformation would have sent him to the wrong house entirely. Looking back, the whole moment feels like a sitcom setup — a mysterious substitute collecting “house schematics,” me creating a completely fictional piece of architecture, and my mom going on a full emotional journey in under 30 seconds. Maybe he was just excited about the Highlights Magazine floor-plan activity. Or maybe — just maybe — he moonlighted in cat burglary. We’ll never know. But if he was, I like to think I threw him completely off the scent.Enjoy this story?
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