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ORIGINAL ANIMATED MUSICAL ADVENTURE BABY SHARK’S BIG MOVIE

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Last Updated on September 18, 2024 by Daily News Staff

PREMIERING FRIDAY, DEC. 8, ON NICKELODEON AND PARAMOUNT+NICKELODEON, PARAMOUNT+ AND PINKFONG REVEAL OFFICIAL TRAILER

BURBANK, Calif. /PRNewswire/ — Nickelodeon, Paramount+ and The Pinkfong Company today released the official trailer and key art for BABY SHARK’S BIG MOVIE, the first-ever feature-length original animated movie based on the globally beloved preschool property. The upcoming fin-tastic musical adventure is set to debut Friday, December 8, at 12 p.m. (ET/PT) on Nickelodeon and stream on Paramount+ in the U.S. and Canada, and the following day in the UK and Australia. The family-friendly film will debut in additional Paramount+ international markets, where the service is available, in 2024. In Korea, Southeast Asia and China, BABY SHARK’S BIG MOVIE is distributed by The Pinkfong Company. The film will be featured in the Paramount+ Holiday Collection that features fan favorite festive movies and iconic seasonal episodes from beloved series for the whole family.



Co-produced by Nickelodeon Animation and The Pinkfong Company and directed by Daytime Creative Arts Emmy® winner Alan Foreman (The CasagrandesWelcome to the Wayne), the movie follows Baby Shark and his family as they move to Chomp City – the big city of sharks.

Fans will be able to sing and dance along to original songs from BABY SHARK’S BIG MOVIE, including the previously released “It’s Stariana!” and “Keep Swimmin’ Through” singles, with the release of the film’s official soundtrack on Friday, Dec. 8. Released through a partnership with Sony Music Entertainment UK’s Relentless Records, the BABY SHARK’S BIG MOVIE soundtrack album will be available globally on all music streaming platforms, including Apple Music, Amazon Music, Spotify, YouTube Music and more. Music for BABY SHARK’S BIG MOVIE was composed by Jon Chau. Songs were written and produced by Matthew Tishler, Andrew Underberg, Chen Neeman, Doug Rockwell, Tova Litvin and Pinkfong. The track list is as follows:

  1. Baby Shark (Movie Version)
  2. It’s Stariana!
  3. Peak Fin-ship
  4. Keep Swimmin’ Through
  5. Dive On In
  6. It’s Stariana! (Sea Me Now)
  7. Peak Fin-ship Reprise
  8. Oceans Apart
  9. It’s My Ocean x Baby Shark (Finale) Mashup
  10. Nothin’s Gonna Beat Our Fin-ship
  11. Keep Swimmin’ Through x Baby Shark (Dance Remix)
  12. It’s My Ocean
  13. Baby Shark (Finale)

BABY SHARK’S BIG MOVIE features a jaw-some lineup of guest voice actors, including: actress, singer and producer Ashley Tisdale (Phineas and Ferb the Movie: Candace Against the Universe, High School Musical) as Stariana, a sharp-witted and manipulative, rising pop starfish who wants to take center stage with a splash hit; Aparna Nancherla (Mira, Royal Detective) as Gillie, a charmingly chaotic, bumbling boxfish and Stariana’s assistant; Ego Nwodim (Saturday Night Live) as Leah, a lantern shark and Mommy Shark’s best friend from college; Chloe Fineman (Saturday Night Live, Father of the Bride) as Lannie, Leah’s hyper, lovable daughter; ENHYPEN as an underwater powerhouse K-pop band of belugas; and Lance Bass as TV announcer Lance Bass.

The new voice actors join the swim-sational lineup of series regulars from Baby Shark’s Big Show!, including: Kimiko Glenn (Orange Is the New Black) as Baby Shark; Luke Youngblood (Harry Potter and the Sorcerer’s Stone) as William; Natasha Rothwell (Insecure) as Mommy Shark; Eric Edelstein (We Bare Bears) as Daddy Shark; Debra Wilson (MADtv) as Grandma Shark; and Patrick Warburton (Seinfeld) as Grandpa Shark. The film also features returning guest star Grammy®-winning, multi-platinum superstar Cardi B as rap icon Sharki B and her family: Offset as Offshark; Kulture as Kulture Sharki; and newcomer Wave as Wavey Shark.

In BABY SHARK’S BIG MOVIE, Baby Shark is forced to leave behind the world he loves after his family’s move to the big city and must adjust to his new life without his best friend William. When Baby Shark encounters an evil pop starfish named Stariana, who plans to steal his gift of song in order to dominate all underwater music, he must break her spell to restore harmony to the seas.

The first season (26 episodes) of the hit preschool series Baby Shark’s Big Show! is available now to stream on Paramount+. The series launched globally in 2021 across Nickelodeon-branded channels and platforms and is currently in its second season.

Prior to the premiere of BABY SHARK’S BIG MOVIE, kids and families can also dive into this year’s 97th Macy’s Thanksgiving Day Parade® on Thursday, Nov. 23, to see Nickelodeon and Pinkfong’s Baby Shark float featuring an underwater seascape that includes members of the Shark family who will bring their own special brand of aquatic holiday cheer. Showcasing a special performance by ENHYPEN of their single “Keep Swimmin’ Through” from the movie, the 18-foot-long float will also be followed by a larger-than-life 25-foot-long Baby Shark balloon.

“Pinkfong’s Baby Shark” launched on YouTube in November 2015 and took the world by storm and became the world’s first-ever video to hit 10 billion views on YouTube, making it the most-viewed video in YouTube history. With music, characters, story and dance all combined together, the song earned RIAA Diamond certification (11x platinum), having sold more than 11 million units in the U.S. and spawned a viral phenomenon, #BabySharkChallenge, which generated more than 1 million cover videos around the globe.

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BABY SHARK’S BIG MOVIE is executive produced by Gary “Doodles” DiRaffaele (Breadwinners), Tommy Sica (Breadwinners) and Whitney Ralls (My Little Pony: Equestria Girls), along with Minseok Kim, Ryan Lee and Bin Jeong for The Pinkfong Company. Ralls also serves as writer for the movie. Baby Shark’s Big Show! is executive produced by DiRaffaele, Sica and Ralls. Both BABY SHARK’S BIG MOVIE and Baby Shark’s Big Show! are produced by Nickelodeon Animation in Burbank, Calif., with production overseen by Eryk Casemiro, Executive Vice President, Nickelodeon Animation, Global Series Content. Miriam Ritchie serves as Nickelodeon’s Executive in Charge of Production for BABY SHARK’S BIG MOVIE and Max Goodman serves as Nickelodeon’s Executive in Charge of Production for Baby Shark’s Big Show!.

About The Pinkfong Company
The Pinkfong Company is a global entertainment company that delivers content and entertaining experiences around the world. Driven by award-winning brands and IPs, the company has created and distributed a range of content across genres and formats including original animated series, world live tours, interactive games, and more. Believing in the power of entertaining and engaging content, The Pinkfong Company is committed to connecting people around the world and bringing joy and inspiration to worldwide audiences of all ages. For more information, please visit our website or follow the company on LinkedIn.

About Paramount+
Paramount+, a direct-to-consumer digital subscription video on-demand and live streaming service, combines live sports, breaking news and A Mountain of Entertainment™. The streaming service features an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel. Paramount+ with SHOWTIME®, the service’s cornerstone plan, is also home to SHOWTIME® content including scripted hits, critically acclaimed nonfiction projects, SHOWTIME SPORTS® (including industry-leading SHOWTIME Boxing®) and films. This premium plan includes unmatched events and sports programming through the local live CBS stream, including golf to basketball and more. All Paramount+ subscribers have streaming access to CBS News Network for 24/7 news and CBS Sports HQ for sports news and analysis. 

About Nickelodeon
Nickelodeon, now in its 44th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location-based experiences, publishing and feature films. For more information or artwork, visit http://www.nickpress.com. Nickelodeon is a part of Paramount’s (Nasdaq: PARA, PARAA) global portfolio of multimedia entertainment brands.

Facebook/Twitter/Instagram: @ParamountPlus @nickelodeonfamily @Nickelodeon @pinkfong.official @babyshark_global

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Ariel Award-Winning Animated Short ‘SHIMMER’ Makes Its Digital Debut on Short of the Week

Ariel Award-winning animated short SHIMMER by director Andrés Palma premieres on Short of the Week. A stunning exploration of fatherhood and regret created with Unreal Engine 5. Watch now.

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Last Updated on December 9, 2025 by Daily News Staff

Still from SHIMMER animated short film showing ethereal glowing fish floating across a night sky above a desolate shoreline with shipwrecks and an unfinished lighthouse

Ariel Award-Winning Animated Short ‘SHIMMER’ Makes Its Digital Debut on Short of the Week

A haunting tale of fatherhood, obsession, and redemption comes to life through groundbreaking animation technology The world of independent animation just got a stunning new addition. Director Andrés Palma’s SHIMMER, an Ariel Award-winning animated short film, premiered December 8th on Short of the Week, the premier destination for curated short film content reaching millions of viewers worldwide.

A Father’s Dream, A Daughter’s Pain

Set against a desolate shoreline littered with the skeletal remains of forgotten shipwrecks, SHIMMER tells the emotionally charged story of Ricardo, a father whose single-minded obsession with building a towering lighthouse blinds him to the emotional wreckage he’s creating within his own family. As he chases what he believes will be salvation, his eldest daughter Lucía grows increasingly resentful—until her choices force Ricardo to face the devastating consequences of his dreams. “Every project that matters to me comes from a place of unresolved emotion,” Palma explains. “Art is how I process pain and transform it into something meaningful. I trust the audience will resonate with that.” This isn’t just animation—it’s personal healing rendered in light and shadow.
Gizmodo Premieres Award-Winning Animated Short Shimmer
Link to related article: https://stmdailynews.com/gizmodo-premieres-award-winning-animated-short-shimmer/

Technical Brilliance Meets Emotional Depth

Short of the Week’s managing editor Rob Munday didn’t hold back in his praise: “A genuinely compelling, high-quality piece of 3D animation, marked by beautiful design work, strong character rigging, and impressive world-building. There’s tremendous potential here – it’s an exciting calling card for its creators.” What sets SHIMMER apart technically is its innovative use of Unreal Engine 5, blending retro-futuristic aesthetics with cutting-edge visual design. The film’s most striking visual element—ethereal fish that shimmer across the night sky—was created using the Niagara particle system, merging procedural motion with hand-crafted animation cycles to achieve something that feels both organic and otherworldly.

A Collaborative Vision

Marking Palma’s directorial debut, SHIMMER benefits from powerhouse executive producers including celebrated Mexican animator Jorge R. Gutiérrez (The Book of Life, Maya and the Three) and Andrés Buzo. The film was developed through a groundbreaking collaboration between professionals and students at Mexico City’s Escena Animation Studio, the project-based learning arm of Escena Animation School. The creative team includes associate producer Karla Vazquez, co-writer Santiago Maza Stern, and composer Alex Otaola—a collective effort that proves the power of mentorship and collaborative storytelling. Carteles Shimmer Laureles Escena 021 9900000000079e3c

Why This Matters for Independent Animation

SHIMMER represents more than just another festival darling. It’s proof that independent creators with vision, backed by the right collaborators and technology, can produce work that rivals major studio productions. The film is currently being considered for FYC (For Your Consideration) in the Best Animated Short Film category—and based on its technical achievement and emotional resonance, it’s easy to see why. For audiences hungry for animation that dares to explore complex emotional territory while pushing visual boundaries, SHIMMER delivers on both fronts. It’s a meditation on the cost of obsession, the weight of parental expectations, and the possibility of redemption—all wrapped in visuals that haunt long after the credits roll.

Watch Now

SHIMMER is now streaming exclusively on Short of the Week at ShortOfTheWeek.com/2025/12/08/shimmer For more information about the film and its creators:
Story Source: ChicArt PR For publicity inquiries, contact Patricia at info@ChicArt.world PR coordination: Sophia at pr@chicart.world Website: www.ChicArt.world
Discover more inspiring stories from the world of film, animation, and creative talent by visiting our Entertainment section at stmdailynews.com/entertainment. Dive in for the latest features, interviews, and news you won’t want to miss!

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STM Daily News Pop-Culture Fact Check: Do electric cars have fuses?

Do electric cars have fuses? In a 2023 episode of The Neighborhood, Marty claims electric cars don’t have fuses — but that’s technically incorrect and out of character for an engineer. STM Daily News breaks down why EVs absolutely have fuses and why the sitcom got it wrong.

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Last Updated on December 8, 2025 by Daily News Staff

Do electric cars have fuses?

EV charging station for electric car in concept of green energy and eco power produced from sustainable source to supply to charger station in order to reduce CO2 emission .

Do electric cars have fuses?

Did The Neighborhood Get EV Fuses Wrong? Yes — And Marty Should’ve Known Better

In a memorable moment from The Neighborhood, Season 5 (2023), Episode 20 (“Welcome to the Other Neighborhood”), Calvin Butler excitedly unveils a new business idea: an electric vehicle repair shop he and Marty plan to call The Fuse Box. During a lively family dinner, Marty’s new girlfriend raises a simple but important question:

“Do electric cars have fuses?”

Unexpectedly, Marty — the character known for his intelligence, engineering degree, and technical precision — responds with an emphatic: “No!”

For long-time fans, this answer sparked a double-take. Why? Because electric vehicles don’t just have fuses — they rely on multiple types of them to operate safely. Marty, of all people, should know this. While the line serves as a quick punchline, it contradicts the very foundation of his character: a calm, highly educated engineer who rarely makes basic technical mistakes.

Dreambreaker: A Pickleball Story — A Closer Look at the Documentary and Its Uncredited Voice

Where the Scene Goes Wrong

The joke lands, but at the cost of technical accuracy and character consistency. Marty is typically the voice of reason and knowledge in the Butler household — especially when it comes to anything mechanical or technological. The idea that he’d misunderstand something as fundamental as an EV fuse system feels out of step with the show’s established internal logic.

Realistically, this is a line that should’ve come from Calvin, whose old-school, hands-on approach to mechanics leaves plenty of room for misunderstandings about modern electric vehicles. Marty would normally be the one who corrects him — not the other way around.

Fact Check: Yes, Electric Cars Have Fuses

Electric cars contain multiple fuse systems, each designed to protect different components and ensure safe operation:

  • High-Voltage Fuses: Protect the battery pack, inverter, DC-DC converter, and onboard charger.
  • 12-Volt Fuses: Handle accessories like interior lighting, infotainment, power windows, door locks, and safety electronics.
  • Pyro-Fuses: Specialized safety fuses that instantly disconnect the battery during a crash.

This makes Marty’s confident “No!” not just incorrect but mechanically impossible. EVs rely on fuses in the same way traditional vehicles do — just at higher voltages and sometimes in more sophisticated configurations.

Why the Writers Made This Choice

Like many sitcoms, The Neighborhood occasionally sacrifices technical accuracy for quick comedic timing. The joke required a snappy, surprising answer — and Marty’s overconfident reply delivered that punch. The trade-off is that it momentarily breaks character for a laugh.

For viewers who pay attention to both pop culture and automotive technology, the moment stood out as one of the most transparent technical slips in the series.

What Marty Should Have Said

A more accurate and in-character response could’ve been:

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“Yes — and EVs actually use high-voltage fuses, which is why our shop is called The Fuse Box.”

Or the scene could’ve played out with Calvin giving the wrong answer first, and Marty correcting him, keeping both accuracy and humor intact. Either way, the writers opted for the faster laugh, even if it meant bending Marty’s character logic.


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The Substitute Teacher Who Wanted Blueprints of Our House

A fifth-grade assignment took a strange turn when a substitute teacher asked students to draw schematics of their homes. What followed — a wildly fictional floor plan and a priceless reaction from my mom — turned into one of my funniest childhood memories.

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Last Updated on December 8, 2025 by Daily News Staff

Comedic illustration of a 1970s–1980s elementary school classroom with a substitute teacher holding a blueprint while confused fifth graders draw exaggerated house schematics, including a two-story doghouse.  

The Substitute Teacher Who Wanted Blueprints of Our House

Elementary school memories tend to blend together — cafeteria pizza, playground arguments, the eternal struggle of times tables — but every once in a while, something happens that sticks with you for life. For me, that moment came in the fifth grade during a week when our regular teacher was out, and we cycled through substitute teachers like we were testing models for durability. By midweek, in walked a substitute with a mysterious, slightly intense energy — the kind of vibe that suggested he either meditated at dawn or worked a graveyard shift doing something he couldn’t talk about. We settled into our seats, expecting worksheets or quiet reading time. But nope. He had other plans. “Today,” he announced, “we’re going to draw schematics of our houses.” Schematics. Not drawings. Not little houses with smoke coming out of the chimney. Actual blueprint-style schematics. He wanted the layout of our bedrooms, our parents’ rooms, and where the pets slept. Every detail. Now, to be fair, Highlights Magazine did have a feature that month teaching kids how to draw floor plans. So maybe he was just a bit overenthusiastic about cross-curricular learning. Or maybe — and this is my completely rhetorical adult theory — he worked the graveyard shift as a cat burglar gathering intel between heists. Just moonlighting between blueprints. While the rest of the class tried their best to recreate their actual homes, my imagination sprinted in a totally different direction. The house I drew had:
  • A massive master bedroom with an oversized bathroom for my parents
  • Separate bedrooms for us kids on the opposite side of the house
  • A kitchen placed right in the center like a command center
  • And the dog — the true VIP — had a luxurious two-story doghouse
I had basically created a dream home designed by a 10-year-old watching too much Fantasy Homes by the Yard. A young African American boy shows his mother an exaggerated, hand-drawn house schematic with unrealistic room layouts and a two-story doghouse, while she reacts with a mix of concern, confusion, and relief in a cozy 1970s–1980s living room. Later that day, my mom asked the usual question: “So, what did you guys do today?” “We drew schematics of our house,” I said casually. The look on her face was instant and intense. She wasn’t panicked, but there was definitely a “Why does a substitute teacher need to know the exact layout of my home?” expression happening. Parental instincts activated. But then I showed her my diagram. She stared at it. Blinked. Then sighed with massive relief. “This isn’t our house,” she said. “Nope! I made it up,” I replied proudly. Her shoulders relaxed so much she probably lost five pounds of tension in one instant. If the substitute was secretly planning a heist, my masterpiece of misinformation would have sent him to the wrong house entirely. Looking back, the whole moment feels like a sitcom setup — a mysterious substitute collecting “house schematics,” me creating a completely fictional piece of architecture, and my mom going on a full emotional journey in under 30 seconds. Maybe he was just excited about the Highlights Magazine floor-plan activity. Or maybe — just maybe — he moonlighted in cat burglary. We’ll never know. But if he was, I like to think I threw him completely off the scent.

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