PREMIERING FRIDAY, DEC. 8, ON NICKELODEON AND PARAMOUNT+NICKELODEON, PARAMOUNT+ AND PINKFONG REVEAL OFFICIAL TRAILER
BURBANK, Calif. /PRNewswire/ — Nickelodeon, Paramount+ and The Pinkfong Company today released the official trailer and key art for BABY SHARK’S BIG MOVIE, the first-ever feature-length original animated movie based on the globally beloved preschool property. The upcoming fin-tastic musical adventure is set to debut Friday, December 8, at 12 p.m. (ET/PT) on Nickelodeon and stream on Paramount+ in the U.S. and Canada, and the following day in the UK and Australia. The family-friendly film will debut in additional Paramount+ international markets, where the service is available, in 2024. In Korea, Southeast Asia and China, BABY SHARK’S BIG MOVIE is distributed by The Pinkfong Company. The film will be featured in the Paramount+ Holiday Collection that features fan favorite festive movies and iconic seasonal episodes from beloved series for the whole family.
Co-produced by Nickelodeon Animation and The Pinkfong Company and directed by Daytime Creative Arts Emmy® winner Alan Foreman (The Casagrandes, Welcome to the Wayne), the movie follows Baby Shark and his family as they move to Chomp City – the big city of sharks.
Fans will be able to sing and dance along to original songs from BABY SHARK’S BIG MOVIE, including the previously released “It’s Stariana!” and “Keep Swimmin’ Through” singles, with the release of the film’s official soundtrack on Friday, Dec. 8. Released through a partnership with Sony Music Entertainment UK’s Relentless Records, the BABY SHARK’S BIG MOVIE soundtrack album will be available globally on all music streaming platforms, including Apple Music, Amazon Music, Spotify, YouTube Music and more. Music for BABY SHARK’S BIG MOVIE was composed by Jon Chau. Songs were written and produced by Matthew Tishler, Andrew Underberg, Chen Neeman, Doug Rockwell, Tova Litvin and Pinkfong. The track list is as follows:
Baby Shark (Movie Version)
It’s Stariana!
Peak Fin-ship
Keep Swimmin’ Through
Dive On In
It’s Stariana! (Sea Me Now)
Peak Fin-ship Reprise
Oceans Apart
It’s My Ocean x Baby Shark (Finale) Mashup
Nothin’s Gonna Beat Our Fin-ship
Keep Swimmin’ Through x Baby Shark (Dance Remix)
It’s My Ocean
Baby Shark (Finale)
BABY SHARK’S BIG MOVIE features a jaw-some lineup of guest voice actors, including: actress, singer and producer Ashley Tisdale (Phineas and Ferb the Movie: Candace Against the Universe, High School Musical) as Stariana, a sharp-witted and manipulative, rising pop starfish who wants to take center stage with a splash hit; Aparna Nancherla (Mira, Royal Detective) as Gillie, a charmingly chaotic, bumbling boxfish and Stariana’s assistant; Ego Nwodim (Saturday Night Live) as Leah, a lantern shark and Mommy Shark’s best friend from college; Chloe Fineman (Saturday Night Live, Father of the Bride) as Lannie, Leah’s hyper, lovable daughter; ENHYPEN as an underwater powerhouse K-pop band of belugas; and Lance Bass as TV announcer Lance Bass.
The new voice actors join the swim-sational lineup of series regulars from Baby Shark’s Big Show!, including: Kimiko Glenn (Orange Is the New Black) as Baby Shark; Luke Youngblood (Harry Potter and the Sorcerer’s Stone) as William; Natasha Rothwell (Insecure) as Mommy Shark; Eric Edelstein (We Bare Bears) as Daddy Shark; Debra Wilson (MADtv) as Grandma Shark; and Patrick Warburton (Seinfeld) as Grandpa Shark. The film also features returning guest star Grammy®-winning, multi-platinum superstar Cardi B as rap icon Sharki B and her family: Offset as Offshark; Kulture as Kulture Sharki; and newcomer Wave as Wavey Shark.
In BABY SHARK’S BIG MOVIE, Baby Shark is forced to leave behind the world he loves after his family’s move to the big city and must adjust to his new life without his best friend William. When Baby Shark encounters an evil pop starfish named Stariana, who plans to steal his gift of song in order to dominate all underwater music, he must break her spell to restore harmony to the seas.
The first season (26 episodes) of the hit preschool series Baby Shark’s Big Show! is available now to stream on Paramount+. The series launched globally in 2021 across Nickelodeon-branded channels and platforms and is currently in its second season.
Prior to the premiere of BABY SHARK’S BIG MOVIE, kids and families can also dive into this year’s 97th Macy’s Thanksgiving Day Parade® on Thursday, Nov. 23, to see Nickelodeon and Pinkfong’s Baby Shark float featuring an underwater seascape that includes members of the Shark family who will bring their own special brand of aquatic holiday cheer. Showcasing a special performance by ENHYPEN of their single “Keep Swimmin’ Through” from the movie, the 18-foot-long float will also be followed by a larger-than-life 25-foot-long Baby Shark balloon.
“Pinkfong’s Baby Shark” launched on YouTube in November 2015 and took the world by storm and became the world’s first-ever video to hit 10 billion views on YouTube, making it the most-viewed video in YouTube history. With music, characters, story and dance all combined together, the song earned RIAA Diamond certification (11x platinum), having sold more than 11 million units in the U.S. and spawned a viral phenomenon, #BabySharkChallenge, which generated more than 1 million cover videos around the globe.
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BABY SHARK’S BIG MOVIE is executive produced by Gary “Doodles” DiRaffaele (Breadwinners), Tommy Sica (Breadwinners) and Whitney Ralls (My Little Pony: Equestria Girls), along with Minseok Kim, Ryan Lee and Bin Jeong for The Pinkfong Company. Ralls also serves as writer for the movie. Baby Shark’s Big Show! is executive produced by DiRaffaele, Sica and Ralls. Both BABY SHARK’S BIG MOVIE and Baby Shark’s Big Show! are produced by Nickelodeon Animation in Burbank, Calif., with production overseen by Eryk Casemiro, Executive Vice President, Nickelodeon Animation, Global Series Content. Miriam Ritchie serves as Nickelodeon’s Executive in Charge of Production for BABY SHARK’S BIG MOVIE and Max Goodman serves as Nickelodeon’s Executive in Charge of Production for Baby Shark’s Big Show!.
About The Pinkfong Company The Pinkfong Company is a global entertainment company that delivers content and entertaining experiences around the world. Driven by award-winning brands and IPs, the company has created and distributed a range of content across genres and formats including original animated series, world live tours, interactive games, and more. Believing in the power of entertaining and engaging content, The Pinkfong Company is committed to connecting people around the world and bringing joy and inspiration to worldwide audiences of all ages. For more information, please visit our website or follow the company onLinkedIn.
About Paramount+ Paramount+, a direct-to-consumer digital subscription video on-demand and live streaming service, combines live sports, breaking news and A Mountain of Entertainment™. The streaming service features an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel. Paramount+ with SHOWTIME®, the service’s cornerstone plan, is also home to SHOWTIME® content including scripted hits, critically acclaimed nonfiction projects, SHOWTIME SPORTS® (including industry-leading SHOWTIME Boxing®) and films. This premium plan includes unmatched events and sports programming through the local live CBS stream, including golf to basketball and more. All Paramount+ subscribers have streaming access to CBS News Network for 24/7 news and CBS Sports HQ for sports news and analysis.
About Nickelodeon Nickelodeon, now in its 44th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location-based experiences, publishing and feature films. For more information or artwork, visithttp://www.nickpress.com. Nickelodeon is a part of Paramount’s (Nasdaq: PARA, PARAA) global portfolio of multimedia entertainment brands.
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What makes a true Santa is inside – and comes with the red suit
Research on 849 professional Santas reveals three types: prototypical, semi-prototypical, and nonprototypical. Discover how diverse Santas navigate stereotypes and why many see the red suit as a calling, not just a job.
Members of the Fraternal Order of Real Bearded Santas meet at Pink’s restaurant at Knott’s Berry Farm before the holiday rush in 2009. Business Wire via AP
What makes a true Santa is inside – and comes with the red suit
Christina Hymer, University of Tennessee When you picture Santa Claus, a white, bearded, overweight and jolly man who dashes around delivering gifts to children during the Christmas season probably comes to mind. Yet, not everyone who dons the red suit fits this stereotype. That’s what Bethany Cockburn, Borbala Csillag and I learned when we teamed up to study professional Santas. For our study, we looked into how these professional Santas were able to “be” Santa, even if they didn’t fully fit the image. As we explained in a forthcoming article in the Academy of Management Journal, many who do this work don’t see it as just a job – it’s a calling. For some professional Santas, it’s especially important that they look and feel like Santa to experience that sense of purpose in their work. We surveyed 849 professional Santas who live across the U.S. and interviewed 53 of them, collecting data between 2018 and 2021. We identified three types of professional Santas: prototypical (64%), semi-prototypical (23%) and nonprototypical (13%). Prototypical Santas look the part. They are white and overweight, have real beards and express confidence that they are the right fit. Semi-prototypical Santas looked the part, too, but felt like they weren’t quite suitable for a range of reasons. They might be introverted or use a fake beard. Nonprototypical Santas had characteristics at odds with the stereotype. They might be nonwhite, female or gay, or have a physical disability.Many Santas see their work, whether paid or volunteer, as a calling.Photo by Gwyn Sussman Whereas prototypical Santas could easily slide into the Santa role, the process was more complex for the others. Semi-prototypical Santas did things like come up with stories they’d tell themselves or share with children to explain away their fake beards. Nonprototypical Santas had values aligned with the Santa image, such as being peaceful, loving and kind. But they still made a big effort to look like what people expect when they visit a Santa. “Should it be a difference if you’re a Jewish Santa Claus or a Catholic Santa Claus?” asked an atheist professional Santa we called “Santa Aquila.” “No. You’re Santa Claus. What do you do? You’re not even supposed to preach anything.” Another Santa whom we called “Santa Lynx” hid that she was female in part by flattening her chest.
Why it matters
While anyone can take a turn being their neighborhood potluck’s Santa, the one you meet at the mall probably attended some combination of Santa schools, webinars and training. For instance, the Charles W. Howard Santa Claus School was founded in 1937 and conducts an annual Santa training each year. National networks also exist, such as the Fraternal Order of Real Bearded Santas, which says it has 1,000 members, – and the IBRBS, formerly known as the International Brotherhood of Real Bearded Santas, offering meetups and professional support.Actor B.J. Averell, dressed as Santa Claus, attends a toy drive for struggling Bay Area families in Burlingame, Calif., in December 2024.Tayfun Coskun/Anadolu via Getty Images There are also local organizations, such as the Lone Star Santas network in Texas. Although most professional Santas are paid for their work, many do this voluntarily. It’s not uncommon for there to be some sort of expectation around who should have a particular occupation. Pilots tend to be male, most schoolteachers are female, and salespeople are often seen as extroverted. But that doesn’t mean that women can’t be pilots, men can’t be teachers or that introverts can’t work in sales.
What’s next
I’m now looking at how broader institutional environments, current events and social movements can shape how people experience their callings and find meaning at work. The Research Brief is a short take on interesting academic work.Christina Hymer, Assistant Professor of Management and Entrepreneurship, University of Tennessee This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Hollywood Legend Rob Reiner and Wife Found Dead; Son in Custody
Renowned filmmaker Rob Reiner and his wife, Michele Singer Reiner, were found dead in their Los Angeles home in a reported homicide. Police have arrested their son in connection with the case, and tributes are pouring in.
Director Rob Reiner participates in a discussion following a screening of the film LBJ at the LBJ Presidential Library in Austin, Texas on Saturday October 22, 2016 On Saturday evening October 22, 2016, the LBJ Presidential Library held a sneak peek of Rob Reiner’s new filmÊLBJ, starring Woody Harrelson as the 36th president. The film, which premiered at the Toronto International Film Festival in September, chronicles the life and times of Lyndon Johnson who would inherit the presidency at one of the most fraught moments in American history. Following the screening, director Rob Reiner, actor Woody Harrelson, and writer Joey Hartstone joined LBJ Library Director Mark Updegrove on stage for a conversation about the film. LBJ Library photo by Jay Godwin 10/22/2016
Hollywood Legend Rob Reiner and Wife Found Dead; Son in Custody
December 15, 2025
Renowned filmmaker and actor Rob Reiner, 78, and his wife Michele Singer Reiner, 68, were found dead in their Brentwood, Los Angeles home on Sunday, authorities say. Emergency responders were called to the residence Sunday afternoon, where both were discovered with fatal wounds consistent with a stabbing. Police are treating the case as a double homicide.
Los Angeles police arrested the couple’s 32-year-old son, Nick Reiner, in connection with the deaths. He is being held in custody as investigators continue to piece together the circumstances surrounding the incident.
2016 SAMHSA Voice Awards
Reiner was one of Hollywood’s most influential figures, known for his work as a director, producer and actor. His career spanned decades, from early television fame to directing beloved films that shaped American cinema.
Friends, colleagues and public figures have begun sharing tributes and reactions to the news as the investigation is ongoing.
More details will be updated as they become available.
Hollywood vs. Reality: How LA’s Wilshire Subway Was Really Built
Wilshire Subway: Did LA blast subway tunnels under Wilshire Boulevard? Hollywood says yes — engineers say no. Here’s how Metro safely tunneled beneath Miracle Mile.
When the 1997 disaster film Volcano depicted lava erupting along Wilshire Boulevard and referenced blasting during Red Line subway construction, it delivered gripping cinema — but not accurate engineering.
In reality, Los Angeles Metro did not rely on large-scale blasting to construct subway tunnels beneath Wilshire Boulevard and the Miracle Mile. Instead, engineers used tunnel boring machines (TBMs) specifically to avoid the very risks Hollywood dramatized.
Why Blasting Was Avoided
The Wilshire Corridor sits atop historic oil fields, making methane gas pockets a known and serious concern. A deadly methane explosion near Fairfax Avenue in 1985 led to heightened scrutiny of underground construction in the area. Blasting in such conditions could have caused unpredictable gas releases, ground instability, or damage to surface structures.
As a result, Metro engineers chose pressurized, closed-face tunnel boring machines, which allow for:
Controlled excavation in dense urban environments
Continuous ground support to prevent settlement
Integrated gas detection and ventilation systems
These machines grind slowly through soil and rock while installing precast concrete tunnel linings, creating a sealed, gas-resistant structure as they advance.
The Real Engineering Feat
Although Volcano took creative liberties for dramatic effect, the true story of tunneling under Wilshire is no less impressive. Advances in TBM technology and methane mitigation ultimately allowed the Metro D Line (formerly the Red Line/Purple Line) to safely pass through one of Los Angeles’ most geologically complex corridors — without explosions, collapsing streets, or cinematic chaos.
Bottom Line
Volcano remains a memorable piece of 1990s disaster cinema, but its portrayal of subway construction is fiction. The real achievement lies in decades of careful planning, modern tunneling technology, and engineering solutions that quietly reshaped Los Angeles beneath its busiest boulevard.
Christina Hymer, Assistant Professor of Management and Entrepreneurship, University of Tennessee This article is republished from The Conversation under a Creative Commons license. Read the original article.
