Last Updated on March 6, 2026 by Daily News Staff

Jared Bahir Browsh, University of Colorado Boulder

As a top producer of children’s entertainment, Disney is no stranger to America’s culture wars.

Liberals have long criticized the company for its products’ promotion of gender stereotypes and racist tropes. Meanwhile, conservatives have excoriated the company for being “too woke,” whether it was casting actresses of color in live action remakes of the “The Little Mermaid” and “Snow White” or coming out against a Florida statute that curtails discussion of gender and sexuality in public schools.

As Disney CEO Bob Iger grapples with the unenviable task of navigating criticism from all sides, I can’t help but recall how executives decided to table an effort to “Disneyfy” American history 30 years ago.

My research and teaching investigates how media companies such as Disney construct historical narratives for popular consumption. I can only imagine how today’s culture wars would have expressed themselves at Disney’s proposed theme park, which would have featured everything from Civil War forts to Native American villages.

Disney eyes the outskirts of DC

From his early days as an animator, Walt Disney presented a sanitized and nostalgic view of America.

Mickey Mouse represented the “everyman,” while the company’s animators drew a largely optimistic portrait of America, first in the studio’s animated films and later in their theme parks. Anyone who has walked down Disneyland’s Main Street, U.S.A., witnessed Magic Kingdom’s Hall of Presidents or visited Epcot’s American Adventure can see how Disney strives to present an uncomplicated, uncritical view of the nation and its leaders.

In 1984, Michael Eisner became the company’s CEO. He was credited with revitalizing Disney’s brand through producing hit animated features such as “Beauty and the Beast” and “The Little Mermaid,” and spearheading theme parks such as Disney–MGM Studios – now known as Hollywood Studios – and Disneyland Paris.

A visit to Colonial Williamsburg inspired Eisner’s next venture: a theme park based on U.S. history that would be built outside of Washington, D.C.

Beginning in 1993, the company quietly started purchasing real estate in northern Virginia using shell companies. The land acquisitions became public knowledge only a few days before the announcement of the theme park, aptly named Disney’s America.

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The news was largely welcomed by politicians. Eisner had already gained the support of the state’s outgoing and incoming governors, along with the Virginia Commission on Population Growth and Development. The plan was to build the park in Haymarket, Virginia, a small, wealthy area southwest of Washington, D.C., a few miles from Manassas, the site of two major Civil War battles.

History isn’t so simple

Although Disney had diligently worked to consolidate support ahead of the announcement, signs of conflict emerged during the first press conference, which featured Bob Weis, a Disney vice president who had helped oversee the planning of several theme parks.

“This is not a Pollyanna view of America,” he told the group of assembled reporters. “We want to make you a Civil War soldier. We want to make you feel what it was like to be a slave or what it was like to escape through the underground railroad.”

Questions over how Disney would tell the complex – often discriminatory – history of the nation spurred a group of historians, led by David McCullough, to lodge their concerns: How would Disney construct its narrative of the United States? And how would the park affect Manassas, one of the most important Civil War battle sites?

According to the original plans and brochures, Disney’s America would contain nine sections: a Colonial-era Presidents Square, an Indigenous village, Ellis Island, a factory town from the Industrial Revolution, a Civil War fort, a county fair, an early 19th-century port, a World War II-era battlefield and a Depression-era family farm.

On the surface, these themed areas seemed fitting. You could easily see them as exhibits at the Smithsonian. But issues emerged when people took into account that this was still a Disney theme park, with entertaining guests and making money likely taking precedence over historical accuracy and contemporary sensitivities and sensibilities.

The story of immigration, for example, would have been told through the musical-comedy stylings of Kermit the Frog and the other Muppets.

There were also concerns over how Disney would handle the exploitative and violent history of the treatment of a number of groups.

This included the enslavement of Africans and the genocide of Indigenous populations, the latter of which was also connected to the forthcoming 1995 release of “Pocahontas.” Historians later highlighted the film’s distorted history, and it isn’t far-fetched to imagine rides or attractions based on those misrepresentations at Disney’s America.

Mickey Mouse goes to Washington

Even as plans came together for Disney, criticism began to mount.

Disney issued an ultimatum to the Virginia legislature to improve infrastructure surrounding the site, threatening to abandon the project if the US$150 million for infrastructure improvements were not passed on the last day of the Virginia General Assembly’s legislative session in March 1994.

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In June, the U.S. House of Representatives introduced a resolution opposing the park, and the U.S. Senate Committee on Energy and Natural Resources held a hearing regarding the proposed project’s environmental impact.

The now-infamous hearing featured discussions regarding sewage, traffic and lodging, and even saw U.S. Sen. Ben Nighthorse Campbell of Colorado, who at the time was a registered Democrat, place a Mickey Mouse hat on the lectern in a show of support.

As criticism mounted, Disney decided to shift its approach. In the summer of 1994, it renamed the project Disney’s American Celebration.

Rather than highlight periods or events in American history, the new concept would focus more on themes: Democracy, Work, Family, Generations, Streets of America and the Land.

Many of the attractions featured in these lands would have resembled attractions already in Disney parks. For example, Generations would have been similar to the Magic Kingdom’s Carousel of Progress, while the Land was already a pavilion at Epcot.

This would have also opened more opportunities for sponsorship. The Work section of the park would have included virtual factory tours of popular brands such as Apple or Crayola, while Streets of America would have featured cuisine from around the country, similar to Downtown Disney, which opened in 1997 in Disney World and in 2001 at Disneyland.

It all falls apart

Disney abruptly announced on Sept. 28, 1994, that it would abandon these plans.

Although the criticism from historians was a factor, there were also concerns about the park’s profitability in colder months. The company faced mounting debt from its Paris theme park and uncertain leadership after the death of senior executive Frank Wells in a helicopter crash in April 1994. Eisner, meanwhile, had undergone bypass surgery in July 1994.

Many of the attractions that were planned for the Virginia site found their way into Disney parks, particularly in Disney’s California Adventure in Anaheim.

Disney, both under Walt’s leadership and after his death, has long leveraged patriotism for the sake of its media content and park experiences. From Mickey Mouse to the Hall of Presidents, Disney’s nostalgic, linear and uncomplicated view of American progress has been foundational to the Disney experience.

However, an entire park dedicated to this approach – just down the road from a real battlefield integral to the bloodiest war in U.S. history – was too much for historians and other critics to ignore.

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Disney’s failure to profit from an uncritical celebration of America may have been a blessing in disguise, as it avoided constructing yet another battlefield in the culture wars.

Jared Bahir Browsh, Assistant Teaching Professor of Critical Sports Studies, University of Colorado Boulder

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Last Updated on March 6, 2026 by Daily News Staff

Valley Metro is officially shifting gears on high-capacity transit planning in west Phoenix following a Phoenix City Council vote earlier this year.

In a message to the public, Valley Metro said that after the Jan. 27, 2026 City Council decision to re-evaluate high-capacity transit options and prioritize a proposed West Phoenix corridor along Indian School Road, the agency will exit project development and the Federal Transit Administration Capital Investment Grant (CIG) process for the Capitol Extension (CAPEX) project.

What the City Council voted to do

According to Valley Metro, the Phoenix City Council voted to take another look at high-capacity transit options for west Phoenix and to prioritize studying a new corridor alignment along Indian School Road.

What Valley Metro is doing next

Valley Metro emphasized it still supports expanding high-capacity transit in west Phoenix, citing demand and mobility needs in the corridor. But the agency says it will now pivot away from CAPEX and toward the new study effort.

Key next steps Valley Metro outlined include:

• Exiting the CAPEX project development process and the federal CIG pipeline
• Advancing planning for the West Phoenix study along Indian School Road
• Centering comprehensive community engagement, including outreach to residents, business owners, and stakeholders along the corridor
• Working closely with the City of Phoenix on project development
• Coordinating with the Federal Transit Administration to explore funding opportunities

How to stay engaged

Valley Metro is encouraging residents to sign up for updates as the next phase moves forward at valleymetro.org/notices.

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Last Updated on March 5, 2026 by Daily News Staff

Millions of people around the world looked to the sky in the early hours of March 3, 2026 to witness one of the most striking astronomical events of the year — a total lunar eclipse, often referred to as a “Blood Moon.” As the Moon passed completely into Earth’s shadow, it transformed from its familiar silver glow into a deep copper-red color, captivating observers from North America to Asia and across the Pacific.

Blood Moon Aftermath: Scientists and Skywatchers React to the March 3, 2026 Total Lunar Eclipse

For viewers in the western United States, including Arizona and California, the eclipse occurred just before sunrise. The timing created a dramatic scene as the reddish Moon hovered low in the western sky while the eastern horizon began to brighten with dawn.

A Global Skywatching Event

Total lunar eclipses occur when the Sun, Earth, and Moon align so that Earth’s shadow completely covers the Moon. During the March 3 event, the Moon spent nearly an hour fully inside the darkest part of Earth’s shadow, known as the umbra. During this phase, sunlight filtered through Earth’s atmosphere projected reddish light onto the Moon’s surface, creating the dramatic “blood moon” effect.

Astronomers noted that the event was particularly significant because total lunar eclipses are relatively infrequent. While partial eclipses occur more often, a full eclipse visible across large portions of the globe remains a memorable experience for both scientists and casual observers.

Scientists Explain the Phenomenon

According to researchers at NASA, the reddish color seen during totality occurs because Earth’s atmosphere scatters shorter wavelengths of sunlight — such as blue — while allowing longer red wavelengths to pass through. This filtered light is then bent, or refracted, into Earth’s shadow and projected onto the Moon.

Planetary scientists say lunar eclipses provide a powerful visual demonstration of the geometry of the Earth–Moon–Sun system. The curved shadow moving across the Moon also historically served as one of the earliest pieces of evidence that Earth is spherical.

Researchers also point out that lunar eclipses offer opportunities to study Earth’s atmosphere. Variations in dust, volcanic particles, and atmospheric conditions can influence how dark or red the Moon appears during totality.

Amateur Astronomers Share Their Views

While professional observatories monitored the eclipse with precision instruments, amateur astronomers and astrophotographers helped document the event from countless locations worldwide. Social media platforms and astronomy forums quickly filled with images showing the Moon’s color shifting from pale gray to orange and deep red.

Many skywatchers in the southwestern United States described the experience as particularly dramatic because the eclipse occurred just before moonset. Observers reported seeing the Moon glowing red above desert landscapes and city skylines before gradually fading into the brightening morning sky.

Astrophotographers also emphasized that lunar eclipses are among the easiest astronomical events to capture. Unlike solar eclipses, they can be photographed safely without special filters, making them accessible to beginners using smartphones as well as professionals using telescopes and high-end cameras.

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A Rare Pre-Dawn Sight

In parts of the western United States, some observers were able to witness a rare atmospheric phenomenon known as a selenelion, when both the eclipsed Moon and the rising Sun appear in the sky at the same time due to atmospheric refraction. The effect added an unusual visual element to an already impressive celestial event.

The combination of a deep red Moon and the approaching dawn created striking photographic opportunities and memorable moments for early-morning skywatchers.

When Is the Next Total Lunar Eclipse?

Although partial eclipses occur periodically, the next widely visible total lunar eclipse will not occur until late 2028. That makes the March 2026 eclipse one of the most notable skywatching events of the decade.

For many observers, the event served as a reminder that some of the most spectacular astronomical experiences require nothing more than stepping outside, looking up, and taking a moment to appreciate the universe above.

References and Further Reading

• NASA – Lunar Eclipse Science Overview
• Time and Date – March 3, 2026 Total Lunar Eclipse Details
• Sky & Telescope – Astronomy News and Observing Guides
• Space.com – Guide to Lunar Eclipses
• STM Daily News – Science Coverage